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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #694B133F it is the complementary color #96B4EC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #694B133F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #694B133F shade: #6E4B0E3F, #7F5D213F, #906F343F, #A181473F and #B2935A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #694B133F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #694B133F shade: #694B133F, #5839003F, #4727003F, #3615003F and #2503003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #694B133F shade: #674A13, #673313, #671C13 and #671313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #694B133F shade: #674A13, #676113, #576713, #416713 and #2A6713

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #694B133F shade matches the following richer shades: #674A13 and #714D09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #694B133F shade: #674A13, #5E471D, #544427, #4A4131 and #403E3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #694B133F shade: #671D13, #673313, #674A13, #676013 and #586713

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #694B133F shade: #221806, #45310D, #674A13, #8A6319 and #AD7C20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #694B133F shade: #694B13, #206713 and #281367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #694B133F shade: #694B13, #13674A and #4A1367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #694B133F shade: #694B13, #206713, #133167 and #5B1367

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #694B133F shade: #694B13, #136720, #133167 and #67135B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 20 / 15

HEX #694B133F

RGBA 105 75 19 0.25

HSLA 39.07, 0.69%, 0.24%, 0.25

LABA 34.15, 7.06, 36.19, 0.25

 

Complementary color

CMYK 9 / 6 / 0 / 2

HEX #96B4EC3F

RGBA 150 180 236 0.25

HSLA 219.07, 0.69%, 0.76%, 0.25

LABA 73.01, 3.23, -31.23, 0.25

 

CMYK 0 / 8 / 22 / 14

HEX #6E4B0E3F

RGBA 110 75 14 0.25

HSLA 38.13, 0.77%, 0.24%, 0.25

LABA 34.76, 9.32, 38.97, 0.25

 

CMYK 0 / 7 / 19 / 13

HEX #7F5D213F

RGBA 127 93 33 0.25

HSLA 38.3, 0.59%, 0.31%, 0.25

LABA 41.92, 7.56, 38.41, 0.25

 

CMYK 0 / 6 / 16 / 11

HEX #906F343F

RGBA 144 111 52 0.25

HSLA 38.48, 0.47%, 0.38%, 0.25

LABA 48.94, 6.18, 37.16, 0.25

 

CMYK 0 / 5 / 14 / 9

HEX #A181473F

RGBA 161 129 71 0.25

HSLA 38.67, 0.39%, 0.45%, 0.25

LABA 55.82, 5.08, 35.77, 0.25

 

CMYK 0 / 4 / 12 / 8

HEX #B2935A3F

RGBA 178 147 90 0.25

HSLA 38.86, 0.36%, 0.53%, 0.25

LABA 62.57, 4.18, 34.38, 0.25

 

CMYK 0 / 7 / 20 / 15

HEX #694B133F

RGBA 105 75 19 0.25

HSLA 39.07, 0.69%, 0.24%, 0.25

LABA 34.15, 7.06, 36.19, 0.25

 

CMYK 0 / 9 / 25 / 16

HEX #5839003F

RGBA 88 57 0 0.25

HSLA 38.86, 1%, 0.17%, 0.25

LABA 26.74, 9.04, 36.43, 0.25

 

CMYK 0 / 11 / 25 / 18

HEX #4727003F

RGBA 71 39 0 0.25

HSLA 32.96, 1%, 0.14%, 0.25

LABA 19.19, 11.85, 27.88, 0.25

 

CMYK 0 / 15 / 25 / 20

HEX #3615003F

RGBA 54 21 0 0.25

HSLA 23.33, 1%, 0.11%, 0.25

LABA 11.42, 14.83, 17.39, 0.25

 

CMYK 0 / 23 / 25 / 21

HEX #2503003F

RGBA 37 3 0 0.25

HSLA 4.86, 1%, 0.07%, 0.25

LABA 4.14, 14.74, 6.47, 0.25

 

CMYK 0 / 28 / 82 / 60

HEX #674A13

RGB 103 74 19

HSL 39.29, 0.69%, 0.24%

LAB 33.62, 6.68, 35.6

 

CMYK 0 / 50 / 82 / 60

HEX #673313

RGB 103 51 19

HSL 22.86, 0.69%, 0.24%

LAB 27.57, 20.74, 29.7

 

CMYK 0 / 73 / 82 / 60

HEX #671C13

RGB 103 28 19

HSL 6.43, 0.69%, 0.24%

LAB 22.87, 32.95, 24.86

 

CMYK 0 / 82 / 82 / 60

HEX #671313

RGB 103 19 19

HSL 0, 0.69%, 0.24%

LAB 21.57, 36.54, 23.47

 

CMYK 0 / 28 / 82 / 60

HEX #674A13

RGB 103 74 19

HSL 39.29, 0.69%, 0.24%

LAB 33.62, 6.68, 35.6

 

CMYK 0 / 6 / 82 / 60

HEX #676113

RGB 103 97 19

HSL 55.71, 0.69%, 0.24%

LAB 40.38, -7.08, 41.87

 

CMYK 16 / 0 / 82 / 60

HEX #576713

RGB 87 103 19

HSL 71.43, 0.69%, 0.24%

LAB 40.85, -18.03, 41.8

 

CMYK 37 / 0 / 82 / 60

HEX #416713

RGB 65 103 19

HSL 87.14, 0.69%, 0.24%

LAB 39.36, -27.59, 39.87

 

CMYK 59 / 0 / 82 / 60

HEX #2A6713

RGB 42 103 19

HSL 103.57, 0.69%, 0.24%

LAB 38.27, -35.69, 38.44

 

CMYK 0 / 28 / 82 / 60

HEX #674A13

RGB 103 74 19

HSL 39.29, 0.69%, 0.24%

LAB 33.62, 6.68, 35.6

 

CMYK 0 / 32 / 92 / 56

HEX #714D09

RGB 113 77 9

HSL 39.23, 0.85%, 0.24%

LAB 35.67, 9.43, 41.54

 

CMYK 0 / 28 / 82 / 60

HEX #674A13

RGB 103 74 19

HSL 39.29, 0.69%, 0.24%

LAB 33.62, 6.68, 35.6

 

CMYK 0 / 24 / 69 / 63

HEX #5E471D

RGB 94 71 29

HSL 38.77, 0.53%, 0.24%

LAB 31.75, 4.67, 28.4

 

CMYK 0 / 19 / 54 / 67

HEX #544427

RGB 84 68 39

HSL 38.67, 0.37%, 0.24%

LAB 29.83, 2.54, 20.06

 

CMYK 0 / 12 / 34 / 71

HEX #4A4131

RGB 74 65 49

HSL 38.4, 0.2%, 0.24%

LAB 28, 0.98, 11.19

 

CMYK 0 / 3 / 8 / 75

HEX #403E3B

RGB 64 62 59

HSL 36, 0.04%, 0.24%

LAB 26.31, 0.21, 2.14

 

CMYK 0 / 72 / 82 / 60

HEX #671D13

RGB 103 29 19

HSL 7.14, 0.69%, 0.24%

LAB 23.03, 32.5, 25.03

 

CMYK 0 / 50 / 82 / 60

HEX #673313

RGB 103 51 19

HSL 22.86, 0.69%, 0.24%

LAB 27.57, 20.74, 29.7

 

CMYK 0 / 28 / 82 / 60

HEX #674A13

RGB 103 74 19

HSL 39.29, 0.69%, 0.24%

LAB 33.62, 6.68, 35.6

 

CMYK 0 / 7 / 82 / 60

HEX #676013

RGB 103 96 19

HSL 55, 0.69%, 0.24%

LAB 40.08, -6.5, 41.6

 

CMYK 15 / 0 / 82 / 60

HEX #586713

RGB 88 103 19

HSL 70.71, 0.69%, 0.24%

LAB 40.93, -17.57, 41.9

 

CMYK 0 / 29 / 82 / 87

HEX #221806

RGB 34 24 6

HSL 38.57, 0.7%, 0.08%

LAB 9.05, 2.3, 11.12

 

CMYK 0 / 29 / 81 / 73

HEX #45310D

RGB 69 49 13

HSL 38.57, 0.68%, 0.16%

LAB 21.91, 4.9, 25.43

 

CMYK 0 / 28 / 82 / 60

HEX #674A13

RGB 103 74 19

HSL 39.29, 0.69%, 0.24%

LAB 33.62, 6.68, 35.6

 

CMYK 0 / 28 / 82 / 46

HEX #8A6319

RGB 138 99 25

HSL 39.29, 0.69%, 0.32%

LAB 44.8, 8.85, 45.08

 

CMYK 0 / 28 / 82 / 32

HEX #AD7C20

RGB 173 124 32

HSL 39.15, 0.69%, 0.4%

LAB 55.49, 10.95, 53.69

 

CMYK 0 / 29 / 82 / 59

HEX #694B13

RGB 105 75 19

HSL 39.07, 0.69%, 0.24%

LAB 34.15, 7.06, 36.19

 

CMYK 69 / 0 / 82 / 60

HEX #206713

RGB 32 103 19

HSL 110.71, 0.69%, 0.24%

LAB 37.94, -38.37, 38.01

 

CMYK 61 / 82 / 0 / 60

HEX #281367

RGB 40 19 103

HSL 255, 0.69%, 0.24%

LAB 14.93, 33.9, -45.18

 

CMYK 0 / 29 / 82 / 59

HEX #694B13

RGB 105 75 19

HSL 39.07, 0.69%, 0.24%

LAB 34.15, 7.06, 36.19

 

CMYK 82 / 0 / 28 / 60

HEX #13674A

RGB 19 103 74

HSL 159.29, 0.69%, 0.24%

LAB 38.43, -31.69, 9.61

 

CMYK 28 / 82 / 0 / 60

HEX #4A1367

RGB 74 19 103

HSL 279.29, 0.69%, 0.24%

LAB 19.64, 39.82, -37.29

 

CMYK 0 / 29 / 82 / 59

HEX #694B13

RGB 105 75 19

HSL 39.07, 0.69%, 0.24%

LAB 34.15, 7.06, 36.19

 

CMYK 69 / 0 / 82 / 60

HEX #206713

RGB 32 103 19

HSL 110.71, 0.69%, 0.24%

LAB 37.94, -38.37, 38.01

 

CMYK 82 / 52 / 0 / 60

HEX #133167

RGB 19 49 103

HSL 218.57, 0.69%, 0.24%

LAB 21.26, 10.59, -34.92

 

CMYK 12 / 82 / 0 / 60

HEX #5B1367

RGB 91 19 103

HSL 291.43, 0.69%, 0.24%

LAB 22.55, 43.39, -32.45

 

CMYK 0 / 29 / 82 / 59

HEX #694B13

RGB 105 75 19

HSL 39.07, 0.69%, 0.24%

LAB 34.15, 7.06, 36.19

 

CMYK 82 / 0 / 69 / 60

HEX #136720

RGB 19 103 32

HSL 129.29, 0.69%, 0.24%

LAB 37.74, -39.67, 32.23

 

CMYK 82 / 52 / 0 / 60

HEX #133167

RGB 19 49 103

HSL 218.57, 0.69%, 0.24%

LAB 21.26, 10.59, -34.92

 

CMYK 0 / 82 / 12 / 60

HEX #67135B

RGB 103 19 91

HSL 308.57, 0.69%, 0.24%

LAB 24.01, 44.01, -22.09

 

Description

Color code: HEX #694B133F | qconv.com Color code: HEX #694B133F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 75 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 75 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 20 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 20% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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