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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #694891 it is the complementary color #96B76E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #694891. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #694891 shade: #6E488C, #7F5A9F, #906CB2, #A17EC5 and #B290D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #694891. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #694891 shade: #694891, #58367E, #47246B, #361258 and #250045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #694891 shade: #6A4893, #7E4893, #924893, #93487F and #93486B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #694891 shade: #6A4893, #564893 and #484893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #694891 shade matches the following richer shades: #6A4893, #6837A5, #6725B6, #6513C8 and #6301DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #694891 shade: #6A4893, #6C5A81, #6D6C6F, #6F7E5E and #718F4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #694891 shade: #484F93, #564893, #6A4893, #7E4893 and #924893

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #694891 shade: #422D5C, #563B77, #6A4893, #7E58AD and #9474BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #694891 shade: #694891, #934862 and #48934C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #694891 shade: #694891, #936A48 and #48936A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #694891 shade: #694891, #934862, #719348 and #489379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #694891 shade: #694891, #93484C, #719348 and #48938F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 50 / 0 / 43

HEX #694891

RGB 105 72 145

HSL 267.12, 0.34%, 0.43%

LAB 37.27, 29.69, -35.28

 

Complementary color

CMYK 18 / 0 / 40 / 28

HEX #96B76E

RGB 150 183 110

HSL 87.12, 0.34%, 0.57%

LAB 70.51, -23.87, 33.5

 

CMYK 21 / 49 / 0 / 45

HEX #6E488C

RGB 110 72 140

HSL 273.53, 0.32%, 0.42%

LAB 37.56, 29.9, -31.74

 

CMYK 20 / 43 / 0 / 38

HEX #7F5A9F

RGB 127 90 159

HSL 272.17, 0.28%, 0.49%

LAB 44.7, 29, -31.8

 

CMYK 19 / 39 / 0 / 30

HEX #906CB2

RGB 144 108 178

HSL 270.86, 0.31%, 0.56%

LAB 51.69, 28.17, -31.87

 

CMYK 18 / 36 / 0 / 23

HEX #A17EC5

RGB 161 126 197

HSL 269.58, 0.38%, 0.63%

LAB 58.54, 27.41, -31.96

 

CMYK 18 / 33 / 0 / 15

HEX #B290D8

RGB 178 144 216

HSL 268.33, 0.48%, 0.71%

LAB 65.25, 26.72, -32.07

 

CMYK 28 / 50 / 0 / 43

HEX #694891

RGB 105 72 145

HSL 267.12, 0.34%, 0.43%

LAB 37.27, 29.69, -35.28

 

CMYK 30 / 57 / 0 / 51

HEX #58367E

RGB 88 54 126

HSL 268.33, 0.4%, 0.35%

LAB 29.96, 30.72, -35.31

 

CMYK 34 / 66 / 0 / 58

HEX #47246B

RGB 71 36 107

HSL 269.58, 0.5%, 0.28%

LAB 22.52, 31.73, -35.26

 

CMYK 39 / 80 / 0 / 65

HEX #361258

RGB 54 18 88

HSL 270.86, 0.66%, 0.21%

LAB 15.07, 32.41, -34.88

 

CMYK 46 / 100 / 0 / 73

HEX #250045

RGB 37 0 69

HSL 272.17, 1%, 0.14%

LAB 7.43, 33.18, -34.38

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 14 / 51 / 0 / 42

HEX #7E4893

RGB 126 72 147

HSL 283.2, 0.34%, 0.43%

LAB 39.88, 36.31, -32.2

 

CMYK 1 / 51 / 0 / 42

HEX #924893

RGB 146 72 147

HSL 299.2, 0.34%, 0.43%

LAB 42.54, 42.26, -27.84

 

CMYK 0 / 51 / 14 / 42

HEX #93487F

RGB 147 72 127

HSL 316, 0.34%, 0.43%

LAB 41.8, 38.96, -16.83

 

CMYK 0 / 51 / 27 / 42

HEX #93486B

RGB 147 72 107

HSL 332, 0.34%, 0.43%

LAB 41.06, 35.8, -5.63

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 41 / 51 / 0 / 42

HEX #564893

RGB 86 72 147

HSL 251.2, 0.34%, 0.43%

LAB 35.44, 25.02, -39.52

 

CMYK 51 / 51 / 0 / 42

HEX #484893

RGB 72 72 147

HSL 240, 0.34%, 0.43%

LAB 34.23, 21.54, -41.53

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 37 / 67 / 0 / 35

HEX #6837A5

RGB 104 55 165

HSL 266.73, 0.5%, 0.43%

LAB 34.79, 44.31, -51.35

 

CMYK 43 / 80 / 0 / 29

HEX #6725B6

RGB 103 37 182

HSL 267.31, 0.66%, 0.43%

LAB 33.1, 56.74, -64.26

 

CMYK 50 / 91 / 0 / 22

HEX #6513C8

RGB 101 19 200

HSL 267.18, 0.83%, 0.43%

LAB 32.71, 66.28, -75.52

 

CMYK 55 / 100 / 0 / 15

HEX #6301DA

RGB 99 1 218

HSL 267.1, 0.99%, 0.43%

LAB 33.43, 73.08, -84.79

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 16 / 30 / 0 / 49

HEX #6C5A81

RGB 108 90 129

HSL 267.69, 0.18%, 0.43%

LAB 41.35, 15.61, -19.14

 

CMYK 2 / 3 / 0 / 56

HEX #6D6C6F

RGB 109 108 111

HSL 260, 0.01%, 0.43%

LAB 45.8, 1.01, -1.54

 

CMYK 12 / 0 / 25 / 51

HEX #6F7E5E

RGB 111 126 94

HSL 88.13, 0.15%, 0.43%

LAB 50.81, -11.71, 15.63

 

CMYK 21 / 0 / 47 / 44

HEX #718F4C

RGB 113 143 76

HSL 86.87, 0.31%, 0.43%

LAB 55.76, -22.53, 32.12

 

CMYK 51 / 46 / 0 / 42

HEX #484F93

RGB 72 79 147

HSL 234.4, 0.34%, 0.43%

LAB 36.13, 16.99, -38.49

 

CMYK 41 / 51 / 0 / 42

HEX #564893

RGB 86 72 147

HSL 251.2, 0.34%, 0.43%

LAB 35.44, 25.02, -39.52

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 14 / 51 / 0 / 42

HEX #7E4893

RGB 126 72 147

HSL 283.2, 0.34%, 0.43%

LAB 39.88, 36.31, -32.2

 

CMYK 1 / 51 / 0 / 42

HEX #924893

RGB 146 72 147

HSL 299.2, 0.34%, 0.43%

LAB 42.54, 42.26, -27.84

 

CMYK 28 / 51 / 0 / 64

HEX #422D5C

RGB 66 45 92

HSL 266.81, 0.34%, 0.27%

LAB 23.03, 20.58, -24.69

 

CMYK 28 / 50 / 0 / 53

HEX #563B77

RGB 86 59 119

HSL 267, 0.34%, 0.35%

LAB 30.49, 25.21, -30.08

 

CMYK 28 / 51 / 0 / 42

HEX #6A4893

RGB 106 72 147

HSL 267.2, 0.34%, 0.43%

LAB 37.49, 30.49, -36.13

 

CMYK 27 / 49 / 0 / 32

HEX #7E58AD

RGB 126 88 173

HSL 266.82, 0.34%, 0.51%

LAB 44.85, 33.31, -39.85

 

CMYK 20 / 38 / 0 / 27

HEX #9474BA

RGB 148 116 186

HSL 267.43, 0.34%, 0.59%

LAB 54.38, 26.63, -32.26

 

CMYK 28 / 50 / 0 / 43

HEX #694891

RGB 105 72 145

HSL 267.12, 0.34%, 0.43%

LAB 37.27, 29.69, -35.28

 

CMYK 0 / 51 / 33 / 42

HEX #934862

RGB 147 72 98

HSL 339.2, 0.34%, 0.43%

LAB 40.77, 34.55, -0.47

 

CMYK 51 / 0 / 48 / 42

HEX #48934C

RGB 72 147 76

HSL 123.2, 0.34%, 0.43%

LAB 54.83, -38.69, 30.49

 

CMYK 28 / 50 / 0 / 43

HEX #694891

RGB 105 72 145

HSL 267.12, 0.34%, 0.43%

LAB 37.27, 29.69, -35.28

 

CMYK 0 / 28 / 51 / 42

HEX #936A48

RGB 147 106 72

HSL 27.2, 0.34%, 0.43%

LAB 48.23, 12.15, 25.47

 

CMYK 51 / 0 / 28 / 42

HEX #48936A

RGB 72 147 106

HSL 147.2, 0.34%, 0.43%

LAB 55.37, -33.22, 14.71

 

CMYK 28 / 50 / 0 / 43

HEX #694891

RGB 105 72 145

HSL 267.12, 0.34%, 0.43%

LAB 37.27, 29.69, -35.28

 

CMYK 0 / 51 / 33 / 42

HEX #934862

RGB 147 72 98

HSL 339.2, 0.34%, 0.43%

LAB 40.77, 34.55, -0.47

 

CMYK 23 / 0 / 51 / 42

HEX #719348

RGB 113 147 72

HSL 87.2, 0.34%, 0.43%

LAB 56.93, -25.02, 35.63

 

CMYK 51 / 0 / 18 / 42

HEX #489379

RGB 72 147 121

HSL 159.2, 0.34%, 0.43%

LAB 55.71, -29.85, 6.68

 

CMYK 28 / 50 / 0 / 43

HEX #694891

RGB 105 72 145

HSL 267.12, 0.34%, 0.43%

LAB 37.27, 29.69, -35.28

 

CMYK 0 / 51 / 48 / 42

HEX #93484C

RGB 147 72 76

HSL 356.8, 0.34%, 0.43%

LAB 40.18, 31.92, 12.38

 

CMYK 23 / 0 / 51 / 42

HEX #719348

RGB 113 147 72

HSL 87.2, 0.34%, 0.43%

LAB 56.93, -25.02, 35.63

 

CMYK 51 / 0 / 3 / 42

HEX #48938F

RGB 72 147 143

HSL 176.8, 0.34%, 0.43%

LAB 56.32, -24.23, -5.04

 

Description

Color code: HEX #694891 | qconv.com Color code: HEX #694891 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 72 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 72 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 50 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 50% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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