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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6946064C it is the complementary color #96B9F94C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6946064C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6946064C shade: #6E46014C, #7F58144C, #906A274C, #A17C3A4C and #B28E4D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6946064C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6946064C shade: #6946064C, #5834004C, #4722004C, #3610004C and #2500004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6946064C shade: #6A4706, #6A2C06, #6A1106 and #6A0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6946064C shade: #6A4706, #6A6206, #576A06, #3D6A06 and #226A06

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6946064C shade matches the following richer shades: #6A4706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6946064C shade: #6A4706, #61440F, #584118, #4F3F21 and #463C2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6946064C shade: #6A1006, #6A2B06, #6A4506, #6A6006 and #596A06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6946064C shade: #1C1302, #432D04, #6A4706, #916108 and #B87B0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6946064C shade: #694606, #176A06 and #1D066A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6946064C shade: #694606, #066A45 and #45066A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6946064C shade: #694606, #176A06, #062B6A and #59066A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6946064C shade: #694606, #066A13, #062B6A and #6A065D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 28 / 18

HEX #6946064C

RGBA 105 70 6 0.3

HSLA 38.79, 0.89%, 0.22%, 0.3

LABA 32.69, 9.68, 39.75, 0.3

 

Complementary color

CMYK 12 / 8 / 0 / 1

HEX #96B9F94C

RGBA 150 185 249 0.3

HSLA 218.79, 0.89%, 0.78%, 0.3

LABA 74.84, 3.91, -35.44, 0.3

 

CMYK 0 / 11 / 30 / 17

HEX #6E46014C

RGBA 110 70 1 0.3

HSLA 37.98, 0.98%, 0.22%, 0.3

LABA 33.34, 12, 42.37, 0.3

 

CMYK 0 / 9 / 25 / 15

HEX #7F58144C

RGBA 127 88 20 0.3

HSLA 38.13, 0.73%, 0.29%, 0.3

LABA 40.48, 9.93, 42.59, 0.3

 

CMYK 0 / 8 / 22 / 13

HEX #906A274C

RGBA 144 106 39 0.3

HSLA 38.29, 0.57%, 0.36%, 0.3

LABA 47.47, 8.24, 41.94, 0.3

 

CMYK 0 / 7 / 19 / 11

HEX #A17C3A4C

RGBA 161 124 58 0.3

HSLA 38.45, 0.47%, 0.43%, 0.3

LABA 54.34, 6.88, 40.73, 0.3

 

CMYK 0 / 6 / 17 / 9

HEX #B28E4D4C

RGBA 178 142 77 0.3

HSLA 38.61, 0.4%, 0.5%, 0.3

LABA 61.09, 5.77, 39.37, 0.3

 

CMYK 0 / 10 / 28 / 18

HEX #6946064C

RGBA 105 70 6 0.3

HSLA 38.79, 0.89%, 0.22%, 0.3

LABA 32.69, 9.68, 39.75, 0.3

 

CMYK 0 / 12 / 30 / 20

HEX #5834004C

RGBA 88 52 0 0.3

HSLA 35.45, 1%, 0.17%, 0.3

LABA 25.35, 12.2, 35.16, 0.3

 

CMYK 0 / 16 / 30 / 22

HEX #4722004C

RGBA 71 34 0 0.3

HSLA 28.73, 1%, 0.14%, 0.3

LABA 17.84, 15.07, 26.3, 0.3

 

CMYK 0 / 21 / 30 / 24

HEX #3610004C

RGBA 54 16 0 0.3

HSLA 17.78, 1%, 0.11%, 0.3

LABA 10.22, 17.91, 15.72, 0.3

 

CMYK 0 / 30 / 30 / 26

HEX #2500004C

RGBA 37 0 0 0.3

HSLA 0, 1%, 0.07%, 0.3

LABA 3.55, 15.94, 5.61, 0.3

 

CMYK 0 / 33 / 94 / 58

HEX #6A4706

RGB 106 71 6

HSL 39, 0.89%, 0.22%

LAB 33.1, 9.56, 40.12

 

CMYK 0 / 58 / 94 / 58

HEX #6A2C06

RGB 106 44 6

HSL 22.8, 0.89%, 0.22%

LAB 26.39, 25.65, 34.74

 

CMYK 0 / 84 / 94 / 58

HEX #6A1106

RGB 106 17 6

HSL 6.6, 0.89%, 0.22%

LAB 21.87, 37.81, 30.29

 

CMYK 0 / 94 / 94 / 58

HEX #6A0606

RGB 106 6 6

HSL 0, 0.89%, 0.22%

LAB 20.86, 40.68, 29.19

 

CMYK 0 / 33 / 94 / 58

HEX #6A4706

RGB 106 71 6

HSL 39, 0.89%, 0.22%

LAB 33.1, 9.56, 40.12

 

CMYK 0 / 8 / 94 / 58

HEX #6A6206

RGB 106 98 6

HSL 55.2, 0.89%, 0.22%

LAB 40.92, -6.61, 46.19

 

CMYK 18 / 0 / 94 / 58

HEX #576A06

RGB 87 106 6

HSL 71.4, 0.89%, 0.22%

LAB 41.76, -20.1, 46.17

 

CMYK 42 / 0 / 94 / 58

HEX #3D6A06

RGB 61 106 6

HSL 87, 0.89%, 0.22%

LAB 40.1, -31.14, 44.13

 

CMYK 68 / 0 / 94 / 58

HEX #226A06

RGB 34 106 6

HSL 103.2, 0.89%, 0.22%

LAB 39, -39.71, 42.76

 

CMYK 0 / 33 / 94 / 58

HEX #6A4706

RGB 106 71 6

HSL 39, 0.89%, 0.22%

LAB 33.1, 9.56, 40.12

 

CMYK 0 / 33 / 94 / 58

HEX #6A4706

RGB 106 71 6

HSL 39, 0.89%, 0.22%

LAB 33.1, 9.56, 40.12

 

CMYK 0 / 30 / 85 / 62

HEX #61440F

RGB 97 68 15

HSL 38.78, 0.73%, 0.22%

LAB 31.14, 7.23, 34.71

 

CMYK 0 / 26 / 73 / 65

HEX #584118

RGB 88 65 24

HSL 38.44, 0.57%, 0.22%

LAB 29.21, 5.08, 28.1

 

CMYK 0 / 20 / 58 / 69

HEX #4F3F21

RGB 79 63 33

HSL 39.13, 0.41%, 0.22%

LAB 27.65, 2.6, 20.87

 

CMYK 0 / 14 / 40 / 73

HEX #463C2A

RGB 70 60 42

HSL 38.57, 0.25%, 0.22%

LAB 25.87, 1.22, 12.75

 

CMYK 0 / 85 / 94 / 58

HEX #6A1006

RGB 106 16 6

HSL 6, 0.89%, 0.22%

LAB 21.76, 38.12, 30.17

 

CMYK 0 / 59 / 94 / 58

HEX #6A2B06

RGB 106 43 6

HSL 22.2, 0.89%, 0.22%

LAB 26.17, 26.2, 34.55

 

CMYK 0 / 35 / 94 / 58

HEX #6A4506

RGB 106 69 6

HSL 37.8, 0.89%, 0.22%

LAB 32.55, 10.79, 39.7

 

CMYK 0 / 9 / 94 / 58

HEX #6A6006

RGB 106 96 6

HSL 54, 0.89%, 0.22%

LAB 40.32, -5.45, 45.72

 

CMYK 16 / 0 / 94 / 58

HEX #596A06

RGB 89 106 6

HSL 70.2, 0.89%, 0.22%

LAB 41.91, -19.18, 46.36

 

CMYK 0 / 32 / 93 / 89

HEX #1C1302

RGB 28 19 2

HSL 39.23, 0.87%, 0.06%

LAB 6.48, 1.69, 8.91

 

CMYK 0 / 33 / 94 / 74

HEX #432D04

RGB 67 45 4

HSL 39.05, 0.89%, 0.14%

LAB 20.36, 5.99, 27.42

 

CMYK 0 / 33 / 94 / 58

HEX #6A4706

RGB 106 71 6

HSL 39, 0.89%, 0.22%

LAB 33.1, 9.56, 40.12

 

CMYK 0 / 33 / 94 / 43

HEX #916108

RGB 145 97 8

HSL 38.98, 0.9%, 0.3%

LAB 45.06, 12.85, 50.79

 

CMYK 0 / 33 / 94 / 28

HEX #B87B0B

RGB 184 123 11

HSL 38.84, 0.89%, 0.38%

LAB 56.47, 15.96, 60.73

 

CMYK 0 / 33 / 94 / 59

HEX #694606

RGB 105 70 6

HSL 38.79, 0.89%, 0.22%

LAB 32.69, 9.68, 39.75

 

CMYK 78 / 0 / 94 / 58

HEX #176A06

RGB 23 106 6

HSL 109.8, 0.89%, 0.22%

LAB 38.73, -42.04, 42.42

 

CMYK 73 / 94 / 0 / 58

HEX #1D066A

RGB 29 6 106

HSL 253.8, 0.89%, 0.22%

LAB 12.17, 39.58, -51.76

 

CMYK 0 / 33 / 94 / 59

HEX #694606

RGB 105 70 6

HSL 38.79, 0.89%, 0.22%

LAB 32.69, 9.68, 39.75

 

CMYK 94 / 0 / 35 / 58

HEX #066A45

RGB 6 106 69

HSL 157.8, 0.89%, 0.22%

LAB 39.2, -35.55, 13.64

 

CMYK 35 / 94 / 0 / 58

HEX #45066A

RGB 69 6 106

HSL 277.8, 0.89%, 0.22%

LAB 17.63, 43.9, -42.57

 

CMYK 0 / 33 / 94 / 59

HEX #694606

RGB 105 70 6

HSL 38.79, 0.89%, 0.22%

LAB 32.69, 9.68, 39.75

 

CMYK 78 / 0 / 94 / 58

HEX #176A06

RGB 23 106 6

HSL 109.8, 0.89%, 0.22%

LAB 38.73, -42.04, 42.42

 

CMYK 94 / 59 / 0 / 58

HEX #062B6A

RGB 6 43 106

HSL 217.8, 0.89%, 0.22%

LAB 19.25, 15.03, -40.14

 

CMYK 16 / 94 / 0 / 58

HEX #59066A

RGB 89 6 106

HSL 289.8, 0.89%, 0.22%

LAB 21.19, 47.14, -36.62

 

CMYK 0 / 33 / 94 / 59

HEX #694606

RGB 105 70 6

HSL 38.79, 0.89%, 0.22%

LAB 32.69, 9.68, 39.75

 

CMYK 94 / 0 / 82 / 58

HEX #066A13

RGB 6 106 19

HSL 127.8, 0.89%, 0.22%

LAB 38.54, -43.51, 38.43

 

CMYK 94 / 59 / 0 / 58

HEX #062B6A

RGB 6 43 106

HSL 217.8, 0.89%, 0.22%

LAB 19.25, 15.03, -40.14

 

CMYK 0 / 94 / 12 / 58

HEX #6A065D

RGB 106 6 93

HSL 307.8, 0.89%, 0.22%

LAB 23.62, 48.2, -23.99

 

Description

Color code: HEX #6946064C | qconv.com Color code: HEX #6946064C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 70 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 70 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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