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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #694453 it is the complementary color #96BBAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #694453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #694453 shade: #6E444E, #7F5661, #906874, #A17A87 and #B28C9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #694453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #694453 shade: #694453, #583240, #47202D, #360E1A and #250007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #694453 shade: #694453, #694449 and #694444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #694453 shade: #694453, #69445D, #694467, #614469 and #574469

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #694453 shade matches the following richer shades: #694453, #773651, #85284E, #931A4B and #A10C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #694453 shade: #694453, #5B5356, #4D6159, #3F6F5B and #317D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #694453 shade: #694467, #69445D, #694454, #69444A and #694944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #694453 shade: #37242C, #50343F, #694453, #825567 and #9B657B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #694453 shade: #694453, #696144 and #446269

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #694453 shade: #694453, #546944 and #445469

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #694453 shade: #694453, #696144, #44695A and #444C69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #694453 shade: #694453, #666944, #44695A and #484469

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

Complementary color

CMYK 20 / 0 / 8 / 27

HEX #96BBAC

RGB 150 187 172

HSL 155.68, 0.21%, 0.66%

LAB 72.89, -15.49, 3.5

 

CMYK 0 / 38 / 29 / 57

HEX #6E444E

RGB 110 68 78

HSL 345.71, 0.24%, 0.35%

LAB 33.98, 19.6, 1.61

 

CMYK 0 / 32 / 24 / 50

HEX #7F5661

RGB 127 86 97

HSL 343.9, 0.19%, 0.42%

LAB 41.26, 18.71, 0.55

 

CMYK 0 / 28 / 19 / 44

HEX #906874

RGB 144 104 116

HSL 342, 0.16%, 0.49%

LAB 48.37, 17.95, -0.36

 

CMYK 0 / 24 / 16 / 37

HEX #A17A87

RGB 161 122 135

HSL 340, 0.17%, 0.55%

LAB 55.32, 17.27, -1.17

 

CMYK 0 / 21 / 13 / 30

HEX #B28C9A

RGB 178 140 154

HSL 337.89, 0.2%, 0.62%

LAB 62.13, 16.67, -1.91

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 43 / 27 / 65

HEX #583240

RGB 88 50 64

HSL 337.89, 0.28%, 0.27%

LAB 25.94, 19.31, -1.36

 

CMYK 0 / 55 / 37 / 72

HEX #47202D

RGB 71 32 45

HSL 340, 0.38%, 0.2%

LAB 18.2, 20.34, 0.01

 

CMYK 0 / 74 / 52 / 79

HEX #360E1A

RGB 54 14 26

HSL 342, 0.59%, 0.13%

LAB 10.36, 21.25, 2.14

 

CMYK 0 / 100 / 81 / 85

HEX #250007

RGB 37 0 7

HSL 348.65, 1%, 0.07%

LAB 3.69, 16.91, 2.97

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 35 / 30 / 59

HEX #694449

RGB 105 68 73

HSL 351.89, 0.21%, 0.34%

LAB 33.18, 16.74, 3.56

 

CMYK 0 / 35 / 35 / 59

HEX #694444

RGB 105 68 68

HSL 0, 0.21%, 0.34%

LAB 33.04, 15.99, 6.56

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 35 / 11 / 59

HEX #69445D

RGB 105 68 93

HSL 319.46, 0.21%, 0.34%

LAB 33.83, 20.21, -8.25

 

CMYK 0 / 35 / 2 / 59

HEX #694467

RGB 105 68 103

HSL 303.24, 0.21%, 0.34%

LAB 34.22, 22.21, -14

 

CMYK 8 / 35 / 0 / 59

HEX #614469

RGB 97 68 105

HSL 287.03, 0.21%, 0.34%

LAB 33.34, 19.75, -16.7

 

CMYK 17 / 35 / 0 / 59

HEX #574469

RGB 87 68 105

HSL 270.81, 0.21%, 0.34%

LAB 32.21, 16.19, -18.53

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 55 / 32 / 53

HEX #773651

RGB 119 54 81

HSL 335.08, 0.38%, 0.34%

LAB 32.16, 31.67, -2.84

 

CMYK 0 / 70 / 41 / 48

HEX #85284E

RGB 133 40 78

HSL 335.48, 0.54%, 0.34%

LAB 31.93, 42.88, -0.94

 

CMYK 0 / 82 / 49 / 42

HEX #931A4B

RGB 147 26 75

HSL 335.7, 0.7%, 0.34%

LAB 32.81, 51.59, 2.63

 

CMYK 0 / 93 / 55 / 37

HEX #A10C49

RGB 161 12 73

HSL 335.44, 0.86%, 0.34%

LAB 34.64, 57.97, 6.95

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 9 / 5 / 64

HEX #5B5356

RGB 91 83 86

HSL 337.5, 0.05%, 0.34%

LAB 36.14, 3.88, -0.57

 

CMYK 21 / 0 / 8 / 62

HEX #4D6159

RGB 77 97 89

HSL 156, 0.11%, 0.34%

LAB 39.32, -9.41, 2.06

 

CMYK 43 / 0 / 18 / 56

HEX #3F6F5B

RGB 63 111 91

HSL 155, 0.28%, 0.34%

LAB 43.03, -21.42, 6.07

 

CMYK 61 / 0 / 25 / 51

HEX #317D5E

RGB 49 125 94

HSL 155.53, 0.44%, 0.34%

LAB 47.14, -31.34, 10.02

 

CMYK 0 / 35 / 2 / 59

HEX #694467

RGB 105 68 103

HSL 303.24, 0.21%, 0.34%

LAB 34.22, 22.21, -14

 

CMYK 0 / 35 / 11 / 59

HEX #69445D

RGB 105 68 93

HSL 319.46, 0.21%, 0.34%

LAB 33.83, 20.21, -8.25

 

CMYK 0 / 35 / 20 / 59

HEX #694454

RGB 105 68 84

HSL 334.05, 0.21%, 0.34%

LAB 33.52, 18.56, -2.99

 

CMYK 0 / 35 / 30 / 59

HEX #69444A

RGB 105 68 74

HSL 350.27, 0.21%, 0.34%

LAB 33.2, 16.89, 2.96

 

CMYK 0 / 30 / 35 / 59

HEX #694944

RGB 105 73 68

HSL 8.11, 0.21%, 0.34%

LAB 34.37, 12.9, 8.43

 

CMYK 0 / 35 / 20 / 78

HEX #37242C

RGB 55 36 44

HSL 334.74, 0.21%, 0.18%

LAB 16.78, 10.55, -1.65

 

CMYK 0 / 35 / 21 / 69

HEX #50343F

RGB 80 52 63

HSL 336.43, 0.21%, 0.26%

LAB 25.32, 14.5, -1.73

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 35 / 21 / 49

HEX #825567

RGB 130 85 103

HSL 336, 0.21%, 0.42%

LAB 41.57, 21.48, -2.66

 

CMYK 0 / 35 / 21 / 39

HEX #9B657B

RGB 155 101 123

HSL 335.56, 0.21%, 0.5%

LAB 49.14, 25.05, -3.27

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 8 / 35 / 59

HEX #696144

RGB 105 97 68

HSL 47.03, 0.21%, 0.34%

LAB 41.17, -1.7, 17.72

 

CMYK 35 / 7 / 0 / 59

HEX #446269

RGB 68 98 105

HSL 191.35, 0.21%, 0.34%

LAB 39.55, -9.04, -7.5

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 20 / 0 / 35 / 59

HEX #546944

RGB 84 105 68

HSL 94.05, 0.21%, 0.34%

LAB 41.85, -15.3, 18.32

 

CMYK 35 / 20 / 0 / 59

HEX #445469

RGB 68 84 105

HSL 214.05, 0.21%, 0.34%

LAB 35.18, -0.54, -14.11

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 0 / 8 / 35 / 59

HEX #696144

RGB 105 97 68

HSL 47.03, 0.21%, 0.34%

LAB 41.17, -1.7, 17.72

 

CMYK 35 / 0 / 14 / 59

HEX #44695A

RGB 68 105 90

HSL 155.68, 0.21%, 0.34%

LAB 41.33, -16.86, 4.27

 

CMYK 35 / 28 / 0 / 59

HEX #444C69

RGB 68 76 105

HSL 227.03, 0.21%, 0.34%

LAB 32.74, 4.55, -17.86

 

CMYK 0 / 35 / 21 / 59

HEX #694453

RGB 105 68 83

HSL 335.68, 0.21%, 0.34%

LAB 33.48, 18.38, -2.4

 

CMYK 3 / 0 / 35 / 59

HEX #666944

RGB 102 105 68

HSL 64.86, 0.21%, 0.34%

LAB 43.28, -7.68, 20.46

 

CMYK 35 / 0 / 14 / 59

HEX #44695A

RGB 68 105 90

HSL 155.68, 0.21%, 0.34%

LAB 41.33, -16.86, 4.27

 

CMYK 31 / 35 / 0 / 59

HEX #484469

RGB 72 68 105

HSL 246.49, 0.21%, 0.34%

LAB 30.72, 11.07, -20.98

 

Description

Color code: HEX #694453 | qconv.com Color code: HEX #694453 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 68 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 68 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 21 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 21% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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