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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69444D it is the complementary color #96BBB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69444D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69444D shade: #6E4448, #7F565B, #90686E, #A17A81 and #B28C94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69444D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69444D shade: #69444D, #58323A, #472027, #360E14 and #250001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69444D shade: #69444D and #694444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69444D shade: #69444D, #694457, #694461, #674469 and #5D4469

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69444D shade matches the following richer shades: #69444D, #773646, #85283F, #931A38 and #A10C31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69444D shade: #69444D, #5B5355, #4D615C, #3F6F63 and #317D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69444D shade: #694461, #694457, #69444E, #694544 and #694F44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69444D shade: #372429, #50343B, #69444D, #825560 and #9B6572

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69444D shade: #69444D, #696744 and #445C69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69444D shade: #69444D, #4E6944 and #444E69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69444D shade: #69444D, #696744, #446960 and #444669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69444D shade: #69444D, #606944, #446960 and #4E4469

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

Complementary color

CMYK 20 / 0 / 5 / 27

HEX #96BBB2

RGB 150 187 178

HSL 165.41, 0.21%, 0.66%

LAB 73.05, -14.25, 0.45

 

CMYK 0 / 38 / 35 / 57

HEX #6E4448

RGB 110 68 72

HSL 354.29, 0.24%, 0.35%

LAB 33.81, 18.7, 5.19

 

CMYK 0 / 32 / 28 / 50

HEX #7F565B

RGB 127 86 91

HSL 352.68, 0.19%, 0.42%

LAB 41.09, 17.77, 4

 

CMYK 0 / 28 / 24 / 44

HEX #90686E

RGB 144 104 110

HSL 351, 0.16%, 0.49%

LAB 48.2, 16.97, 2.98

 

CMYK 0 / 24 / 20 / 37

HEX #A17A81

RGB 161 122 129

HSL 349.23, 0.17%, 0.55%

LAB 55.16, 16.28, 2.08

 

CMYK 0 / 21 / 17 / 30

HEX #B28C94

RGB 178 140 148

HSL 347.37, 0.2%, 0.62%

LAB 61.96, 15.67, 1.26

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 43 / 34 / 65

HEX #58323A

RGB 88 50 58

HSL 347.37, 0.28%, 0.27%

LAB 25.75, 18.35, 2.37

 

CMYK 0 / 55 / 45 / 72

HEX #472027

RGB 71 32 39

HSL 349.23, 0.38%, 0.2%

LAB 18, 19.48, 3.97

 

CMYK 0 / 74 / 63 / 79

HEX #360E14

RGB 54 14 20

HSL 351, 0.59%, 0.13%

LAB 10.17, 20.57, 6.26

 

CMYK 0 / 100 / 97 / 85

HEX #250001

RGB 37 0 1

HSL 358.38, 1%, 0.07%

LAB 3.57, 16.08, 5.24

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 35 / 35 / 59

HEX #694444

RGB 105 68 68

HSL 0, 0.21%, 0.34%

LAB 33.04, 15.99, 6.56

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 35 / 17 / 59

HEX #694457

RGB 105 68 87

HSL 329.19, 0.21%, 0.34%

LAB 33.62, 19.09, -4.75

 

CMYK 0 / 35 / 8 / 59

HEX #694461

RGB 105 68 97

HSL 312.97, 0.21%, 0.34%

LAB 33.98, 20.99, -10.56

 

CMYK 2 / 35 / 0 / 59

HEX #674469

RGB 103 68 105

HSL 296.76, 0.21%, 0.34%

LAB 34.06, 21.91, -15.53

 

CMYK 11 / 35 / 0 / 59

HEX #5D4469

RGB 93 68 105

HSL 280.54, 0.21%, 0.34%

LAB 32.88, 18.32, -17.45

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 55 / 41 / 53

HEX #773646

RGB 119 54 70

HSL 345.23, 0.38%, 0.34%

LAB 31.81, 30.21, 3.8

 

CMYK 0 / 70 / 53 / 48

HEX #85283F

RGB 133 40 63

HSL 345.16, 0.54%, 0.34%

LAB 31.49, 41.36, 8.27

 

CMYK 0 / 82 / 62 / 42

HEX #931A38

RGB 147 26 56

HSL 345.12, 0.7%, 0.34%

LAB 32.32, 50.11, 14.44

 

CMYK 0 / 93 / 70 / 37

HEX #A10C31

RGB 161 12 49

HSL 345.1, 0.86%, 0.34%

LAB 34.11, 56.49, 21.91

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 9 / 7 / 64

HEX #5B5355

RGB 91 83 85

HSL 345, 0.05%, 0.34%

LAB 36.11, 3.67, 0.01

 

CMYK 21 / 0 / 5 / 62

HEX #4D615C

RGB 77 97 92

HSL 165, 0.11%, 0.34%

LAB 39.41, -8.71, 0.34

 

CMYK 43 / 0 / 11 / 56

HEX #3F6F63

RGB 63 111 99

HSL 165, 0.28%, 0.34%

LAB 43.25, -19.46, 1.57

 

CMYK 61 / 0 / 15 / 51

HEX #317D6A

RGB 49 125 106

HSL 165, 0.44%, 0.34%

LAB 47.44, -28.32, 3.4

 

CMYK 0 / 35 / 8 / 59

HEX #694461

RGB 105 68 97

HSL 312.97, 0.21%, 0.34%

LAB 33.98, 20.99, -10.56

 

CMYK 0 / 35 / 17 / 59

HEX #694457

RGB 105 68 87

HSL 329.19, 0.21%, 0.34%

LAB 33.62, 19.09, -4.75

 

CMYK 0 / 35 / 26 / 59

HEX #69444E

RGB 105 68 78

HSL 343.78, 0.21%, 0.34%

LAB 33.32, 17.53, 0.57

 

CMYK 0 / 34 / 35 / 59

HEX #694544

RGB 105 69 68

HSL 1.62, 0.21%, 0.34%

LAB 33.3, 15.37, 6.93

 

CMYK 0 / 25 / 35 / 59

HEX #694F44

RGB 105 79 68

HSL 17.84, 0.21%, 0.34%

LAB 36.01, 9.2, 10.71

 

CMYK 0 / 35 / 25 / 78

HEX #372429

RGB 55 36 41

HSL 344.21, 0.21%, 0.18%

LAB 16.67, 9.96, 0.32

 

CMYK 0 / 35 / 26 / 69

HEX #50343B

RGB 80 52 59

HSL 345, 0.21%, 0.26%

LAB 25.19, 13.79, 0.75

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 35 / 26 / 49

HEX #825560

RGB 130 85 96

HSL 345.33, 0.21%, 0.42%

LAB 41.35, 20.35, 1.34

 

CMYK 0 / 35 / 26 / 39

HEX #9B6572

RGB 155 101 114

HSL 345.56, 0.21%, 0.5%

LAB 48.87, 23.65, 1.72

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 2 / 35 / 59

HEX #696744

RGB 105 103 68

HSL 56.76, 0.21%, 0.34%

LAB 42.95, -5.21, 20.07

 

CMYK 35 / 12 / 0 / 59

HEX #445C69

RGB 68 92 105

HSL 201.08, 0.21%, 0.34%

LAB 37.67, -5.47, -10.33

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 26 / 0 / 35 / 59

HEX #4E6944

RGB 78 105 68

HSL 103.78, 0.21%, 0.34%

LAB 41.44, -17.7, 17.69

 

CMYK 35 / 26 / 0 / 59

HEX #444E69

RGB 68 78 105

HSL 223.78, 0.21%, 0.34%

LAB 33.35, 3.26, -16.93

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 0 / 2 / 35 / 59

HEX #696744

RGB 105 103 68

HSL 56.76, 0.21%, 0.34%

LAB 42.95, -5.21, 20.07

 

CMYK 35 / 0 / 9 / 59

HEX #446960

RGB 68 105 96

HSL 165.41, 0.21%, 0.34%

LAB 41.5, -15.4, 0.87

 

CMYK 35 / 33 / 0 / 59

HEX #444669

RGB 68 70 105

HSL 236.76, 0.21%, 0.34%

LAB 30.95, 8.45, -20.64

 

CMYK 0 / 35 / 27 / 59

HEX #69444D

RGB 105 68 77

HSL 345.41, 0.21%, 0.34%

LAB 33.29, 17.37, 1.17

 

CMYK 9 / 0 / 35 / 59

HEX #606944

RGB 96 105 68

HSL 74.59, 0.21%, 0.34%

LAB 42.77, -10.28, 19.7

 

CMYK 35 / 0 / 9 / 59

HEX #446960

RGB 68 105 96

HSL 165.41, 0.21%, 0.34%

LAB 41.5, -15.4, 0.87

 

CMYK 26 / 35 / 0 / 59

HEX #4E4469

RGB 78 68 105

HSL 256.22, 0.21%, 0.34%

LAB 31.29, 13.08, -20.05

 

Description

Color code: HEX #69444D | qconv.com Color code: HEX #69444D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 68 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 68 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 27 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 27% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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