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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #693DCA it is the complementary color #96C235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #693DCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #693DCA shade: #6E3DC5, #7F4FD8, #9061EB, #A173FE and #B285FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #693DCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #693DCA shade: #693DCA, #582BB7, #4719A4, #360791 and #25007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #693DCA shade: #6A3FCA, #903FCA, #B63FCA, #CA3FB9 and #CA3F94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #693DCA shade: #6A3FCA, #453FCA and #3F3FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #693DCA shade matches the following richer shades: #6A3FCA, #632BDE and #5B17F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #693DCA shade: #6A3FCA, #7253B7, #7966A3, #817A8F and #888E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #693DCA shade: #3F5FCA, #433FCA, #693FCA, #8E3FCA and #B33FCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #693DCA shade: #48278F, #5830B0, #6A3FCA, #835FD3 and #9C80DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #693DCA shade: #693DCA, #CA3F85 and #4DCA3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #693DCA shade: #693DCA, #CA693F and #3FCA69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #693DCA shade: #693DCA, #CA3F85, #A1CA3F and #3FCA85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #693DCA shade: #693DCA, #CA3F5B, #A1CA3F and #3FCAAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 70 / 0 / 21

HEX #693DCA

RGB 105 61 202

HSL 258.72, 0.57%, 0.52%

LAB 38.91, 51.29, -66.49

 

Complementary color

CMYK 23 / 0 / 73 / 24

HEX #96C235

RGB 150 194 53

HSL 78.72, 0.57%, 0.48%

LAB 73.11, -34.39, 62.2

 

CMYK 44 / 69 / 0 / 23

HEX #6E3DC5

RGB 110 61 197

HSL 261.62, 0.54%, 0.51%

LAB 39.04, 50.82, -63.34

 

CMYK 41 / 63 / 0 / 15

HEX #7F4FD8

RGB 127 79 216

HSL 261.02, 0.64%, 0.58%

LAB 45.72, 49.75, -63.37

 

CMYK 39 / 59 / 0 / 8

HEX #9061EB

RGB 144 97 235

HSL 260.43, 0.78%, 0.65%

LAB 52.37, 48.62, -63.28

 

CMYK 37 / 55 / 0 / 0

HEX #A173FE

RGB 161 115 254

HSL 259.86, 0.99%, 0.72%

LAB 58.97, 47.51, -63.14

 

CMYK 30 / 48 / 0 / 0

HEX #B285FF

RGB 178 133 255

HSL 262.13, 1%, 0.76%

LAB 64.53, 41.99, -54.72

 

CMYK 48 / 70 / 0 / 21

HEX #693DCA

RGB 105 61 202

HSL 258.72, 0.57%, 0.52%

LAB 38.91, 51.29, -66.49

 

CMYK 52 / 77 / 0 / 28

HEX #582BB7

RGB 88 43 183

HSL 259.29, 0.62%, 0.44%

LAB 32.31, 52.25, -66.22

 

CMYK 57 / 85 / 0 / 36

HEX #4719A4

RGB 71 25 164

HSL 259.86, 0.74%, 0.37%

LAB 25.91, 52.6, -65.43

 

CMYK 63 / 95 / 0 / 43

HEX #360791

RGB 54 7 145

HSL 260.43, 0.91%, 0.3%

LAB 19.97, 51.6, -63.66

 

CMYK 71 / 100 / 0 / 51

HEX #25007E

RGB 37 0 126

HSL 257.62, 1%, 0.25%

LAB 14.95, 47.85, -60.07

 

CMYK 48 / 69 / 0 / 21

HEX #6A3FCA

RGB 106 63 202

HSL 258.56, 0.57%, 0.52%

LAB 39.38, 50.43, -65.71

 

CMYK 29 / 69 / 0 / 21

HEX #903FCA

RGB 144 63 202

HSL 274.96, 0.57%, 0.52%

LAB 43.87, 57.7, -58.22

 

CMYK 10 / 69 / 0 / 21

HEX #B63FCA

RGB 182 63 202

HSL 291.37, 0.57%, 0.52%

LAB 49.21, 65.78, -49.35

 

CMYK 0 / 69 / 8 / 21

HEX #CA3FB9

RGB 202 63 185

HSL 307.34, 0.57%, 0.52%

LAB 51.4, 67.5, -35.85

 

CMYK 0 / 69 / 27 / 21

HEX #CA3F94

RGB 202 63 148

HSL 323.31, 0.57%, 0.52%

LAB 49.8, 62.33, -16.52

 

CMYK 48 / 69 / 0 / 21

HEX #6A3FCA

RGB 106 63 202

HSL 258.56, 0.57%, 0.52%

LAB 39.38, 50.43, -65.71

 

CMYK 66 / 69 / 0 / 21

HEX #453FCA

RGB 69 63 202

HSL 242.59, 0.57%, 0.52%

LAB 36.15, 44.78, -71.14

 

CMYK 69 / 69 / 0 / 21

HEX #3F3FCA

RGB 63 63 202

HSL 240, 0.57%, 0.52%

LAB 35.74, 44.06, -71.81

 

CMYK 48 / 69 / 0 / 21

HEX #6A3FCA

RGB 106 63 202

HSL 258.56, 0.57%, 0.52%

LAB 39.38, 50.43, -65.71

 

CMYK 55 / 81 / 0 / 13

HEX #632BDE

RGB 99 43 222

HSL 258.77, 0.73%, 0.52%

LAB 37.21, 63.97, -80.83

 

CMYK 62 / 90 / 0 / 5

HEX #5B17F2

RGB 91 23 242

HSL 258.63, 0.89%, 0.52%

LAB 36.46, 74.46, -93.5

 

CMYK 48 / 69 / 0 / 21

HEX #6A3FCA

RGB 106 63 202

HSL 258.56, 0.57%, 0.52%

LAB 39.38, 50.43, -65.71

 

CMYK 38 / 55 / 0 / 28

HEX #7253B7

RGB 114 83 183

HSL 258.6, 0.41%, 0.52%

LAB 43.04, 35.71, -48.68

 

CMYK 26 / 37 / 0 / 36

HEX #7966A3

RGB 121 102 163

HSL 258.69, 0.25%, 0.52%

LAB 47.25, 20.98, -30.22

 

CMYK 10 / 15 / 0 / 44

HEX #817A8F

RGB 129 122 143

HSL 260, 0.09%, 0.52%

LAB 52.47, 6.98, -10.4

 

CMYK 4 / 0 / 13 / 44

HEX #888E7B

RGB 136 142 123

HSL 78.95, 0.08%, 0.52%

LAB 58.05, -5.79, 9.38

 

CMYK 69 / 53 / 0 / 21

HEX #3F5FCA

RGB 63 95 202

HSL 226.19, 0.57%, 0.52%

LAB 43.52, 24.09, -59.14

 

CMYK 67 / 69 / 0 / 21

HEX #433FCA

RGB 67 63 202

HSL 241.73, 0.57%, 0.52%

LAB 36.01, 44.54, -71.37

 

CMYK 48 / 69 / 0 / 21

HEX #693FCA

RGB 105 63 202

HSL 258.13, 0.57%, 0.52%

LAB 39.28, 50.25, -65.88

 

CMYK 30 / 69 / 0 / 21

HEX #8E3FCA

RGB 142 63 202

HSL 274.1, 0.57%, 0.52%

LAB 43.61, 57.3, -58.65

 

CMYK 11 / 69 / 0 / 21

HEX #B33FCA

RGB 179 63 202

HSL 290.07, 0.57%, 0.52%

LAB 48.76, 65.13, -50.09

 

CMYK 50 / 73 / 0 / 44

HEX #48278F

RGB 72 39 143

HSL 259.04, 0.57%, 0.36%

LAB 26.19, 40.46, -52.09

 

CMYK 50 / 73 / 0 / 31

HEX #5830B0

RGB 88 48 176

HSL 258.75, 0.57%, 0.44%

LAB 32.53, 47.88, -61.69

 

CMYK 48 / 69 / 0 / 21

HEX #6A3FCA

RGB 106 63 202

HSL 258.56, 0.57%, 0.52%

LAB 39.38, 50.43, -65.71

 

CMYK 38 / 55 / 0 / 17

HEX #835FD3

RGB 131 95 211

HSL 258.62, 0.57%, 0.6%

LAB 49.15, 40.45, -54.97

 

CMYK 29 / 42 / 0 / 14

HEX #9C80DC

RGB 156 128 220

HSL 258.26, 0.57%, 0.68%

LAB 59.59, 30.31, -43.3

 

CMYK 48 / 70 / 0 / 21

HEX #693DCA

RGB 105 61 202

HSL 258.72, 0.57%, 0.52%

LAB 38.91, 51.29, -66.49

 

CMYK 0 / 69 / 34 / 21

HEX #CA3F85

RGB 202 63 133

HSL 329.78, 0.57%, 0.52%

LAB 49.26, 60.53, -8.34

 

CMYK 62 / 0 / 69 / 21

HEX #4DCA3F

RGB 77 202 63

HSL 113.96, 0.57%, 0.52%

LAB 72.35, -60.11, 56.68

 

CMYK 48 / 70 / 0 / 21

HEX #693DCA

RGB 105 61 202

HSL 258.72, 0.57%, 0.52%

LAB 38.91, 51.29, -66.49

 

CMYK 0 / 48 / 69 / 21

HEX #CA693F

RGB 202 105 63

HSL 18.13, 0.57%, 0.52%

LAB 55.09, 35.16, 40.41

 

CMYK 69 / 0 / 48 / 21

HEX #3FCA69

RGB 63 202 105

HSL 138.13, 0.57%, 0.52%

LAB 72.44, -57.8, 37.74

 

CMYK 48 / 70 / 0 / 21

HEX #693DCA

RGB 105 61 202

HSL 258.72, 0.57%, 0.52%

LAB 38.91, 51.29, -66.49

 

CMYK 0 / 69 / 34 / 21

HEX #CA3F85

RGB 202 63 133

HSL 329.78, 0.57%, 0.52%

LAB 49.26, 60.53, -8.34

 

CMYK 20 / 0 / 69 / 21

HEX #A1CA3F

RGB 161 202 63

HSL 77.7, 0.57%, 0.52%

LAB 76.18, -33.17, 61.85

 

CMYK 69 / 0 / 34 / 21

HEX #3FCA85

RGB 63 202 133

HSL 150.22, 0.57%, 0.52%

LAB 72.89, -52.81, 23.94

 

CMYK 48 / 70 / 0 / 21

HEX #693DCA

RGB 105 61 202

HSL 258.72, 0.57%, 0.52%

LAB 38.91, 51.29, -66.49

 

CMYK 0 / 69 / 55 / 21

HEX #CA3F5B

RGB 202 63 91

HSL 347.91, 0.57%, 0.52%

LAB 48.09, 56.53, 15.48

 

CMYK 20 / 0 / 69 / 21

HEX #A1CA3F

RGB 161 202 63

HSL 77.7, 0.57%, 0.52%

LAB 76.18, -33.17, 61.85

 

CMYK 69 / 0 / 14 / 21

HEX #3FCAAE

RGB 63 202 174

HSL 167.91, 0.57%, 0.52%

LAB 73.77, -43.49, 3.24

 

Description

Color code: HEX #693DCA | qconv.com Color code: HEX #693DCA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 61 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 61 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 70 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 70% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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