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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #692875 it is the complementary color #96D78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #692875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #692875 shade: #6E2870, #7F3A83, #904C96, #A15EA9 and #B270BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #692875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #692875 shade: #692875, #581662, #47044F, #36003C and #250029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #692875 shade: #6A2876, #76286D, #762858, #762843 and #76282E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #692875 shade: #6A2876, #552876, #402876, #2B2876 and #282876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #692875 shade matches the following richer shades: #6A2876, #731C83, #7B0F8F and #84029C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #692875 shade: #6A2876, #613569, #58425C, #4F4F4F and #465B43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #692875 shade: #402876, #542876, #692876, #76286E and #762859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #692875 shade: #331338, #4E1E57, #6A2876, #853395 and #A13DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #692875 shade: #692875, #762B28 and #28764A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #692875 shade: #692875, #766928 and #287669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #692875 shade: #692875, #762B28, #357628 and #287376

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #692875 shade: #692875, #764228, #357628 and #285C76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 66 / 0 / 54

HEX #692875

RGB 105 40 117

HSL 290.65, 0.49%, 0.31%

LAB 28.92, 40.82, -31.16

 

Complementary color

CMYK 30 / 0 / 36 / 16

HEX #96D78A

RGB 150 215 138

HSL 110.65, 0.49%, 0.69%

LAB 80.13, -35.16, 31.62

 

CMYK 2 / 64 / 0 / 56

HEX #6E2870

RGB 110 40 112

HSL 298.33, 0.47%, 0.3%

LAB 29.42, 41.17, -27.13

 

CMYK 3 / 56 / 0 / 49

HEX #7F3A83

RGB 127 58 131

HSL 296.71, 0.39%, 0.37%

LAB 36.32, 40.79, -28.01

 

CMYK 4 / 49 / 0 / 41

HEX #904C96

RGB 144 76 150

HSL 295.14, 0.33%, 0.44%

LAB 43.21, 40.13, -28.61

 

CMYK 5 / 44 / 0 / 34

HEX #A15EA9

RGB 161 94 169

HSL 293.6, 0.3%, 0.52%

LAB 50.03, 39.37, -29.07

 

CMYK 5 / 40 / 0 / 26

HEX #B270BC

RGB 178 112 188

HSL 292.11, 0.36%, 0.59%

LAB 56.77, 38.59, -29.45

 

CMYK 10 / 66 / 0 / 54

HEX #692875

RGB 105 40 117

HSL 290.65, 0.49%, 0.31%

LAB 28.92, 40.82, -31.16

 

CMYK 10 / 78 / 0 / 62

HEX #581662

RGB 88 22 98

HSL 292.11, 0.63%, 0.24%

LAB 22.05, 40.61, -29.99

 

CMYK 10 / 95 / 0 / 69

HEX #47044F

RGB 71 4 79

HSL 293.6, 0.9%, 0.16%

LAB 15.44, 39.17, -28.02

 

CMYK 10 / 100 / 0 / 76

HEX #36003C

RGB 54 0 60

HSL 294, 1%, 0.12%

LAB 9.88, 33.84, -23.83

 

CMYK 10 / 100 / 0 / 84

HEX #250029

RGB 37 0 41

HSL 294.15, 1%, 0.08%

LAB 5, 24.71, -17.8

 

CMYK 10 / 66 / 0 / 54

HEX #6A2876

RGB 106 40 118

HSL 290.77, 0.49%, 0.31%

LAB 29.13, 41.29, -31.44

 

CMYK 0 / 66 / 8 / 54

HEX #76286D

RGB 118 40 109

HSL 306.92, 0.49%, 0.31%

LAB 30.58, 42.83, -23.31

 

CMYK 0 / 66 / 25 / 54

HEX #762858

RGB 118 40 88

HSL 323.08, 0.49%, 0.31%

LAB 29.6, 39.43, -11.25

 

CMYK 0 / 66 / 43 / 54

HEX #762843

RGB 118 40 67

HSL 339.23, 0.49%, 0.31%

LAB 28.84, 36.67, 1.46

 

CMYK 0 / 66 / 61 / 54

HEX #76282E

RGB 118 40 46

HSL 355.38, 0.49%, 0.31%

LAB 28.29, 34.63, 14.65

 

CMYK 10 / 66 / 0 / 54

HEX #6A2876

RGB 106 40 118

HSL 290.77, 0.49%, 0.31%

LAB 29.13, 41.29, -31.44

 

CMYK 28 / 66 / 0 / 54

HEX #552876

RGB 85 40 118

HSL 274.62, 0.49%, 0.31%

LAB 26.03, 35.88, -36.58

 

CMYK 46 / 66 / 0 / 54

HEX #402876

RGB 64 40 118

HSL 258.46, 0.49%, 0.31%

LAB 23.39, 30.87, -40.97

 

CMYK 64 / 66 / 0 / 54

HEX #2B2876

RGB 43 40 118

HSL 242.31, 0.49%, 0.31%

LAB 21.35, 26.65, -44.38

 

CMYK 66 / 66 / 0 / 54

HEX #282876

RGB 40 40 118

HSL 240, 0.49%, 0.31%

LAB 21.12, 26.14, -44.77

 

CMYK 10 / 66 / 0 / 54

HEX #6A2876

RGB 106 40 118

HSL 290.77, 0.49%, 0.31%

LAB 29.13, 41.29, -31.44

 

CMYK 12 / 79 / 0 / 49

HEX #731C83

RGB 115 28 131

HSL 290.68, 0.65%, 0.31%

LAB 29.7, 50.91, -38.64

 

CMYK 14 / 90 / 0 / 44

HEX #7B0F8F

RGB 123 15 143

HSL 290.63, 0.81%, 0.31%

LAB 30.73, 58.16, -44.38

 

CMYK 15 / 99 / 0 / 39

HEX #84029C

RGB 132 2 156

HSL 290.65, 0.97%, 0.31%

LAB 32.59, 63.96, -49.27

 

CMYK 10 / 66 / 0 / 54

HEX #6A2876

RGB 106 40 118

HSL 290.77, 0.49%, 0.31%

LAB 29.13, 41.29, -31.44

 

CMYK 8 / 50 / 0 / 59

HEX #613569

RGB 97 53 105

HSL 290.77, 0.33%, 0.31%

LAB 29.68, 28.88, -22.38

 

CMYK 4 / 28 / 0 / 64

HEX #58425C

RGB 88 66 92

HSL 290.77, 0.16%, 0.31%

LAB 31.22, 14.73, -11.77

 

CMYK 0 / 0 / 0 / 69

HEX #4F4F4F

RGB 79 79 79

HSL 0, 0%, 0.31%

LAB 33.6, 0, -0

 

CMYK 23 / 0 / 26 / 64

HEX #465B43

RGB 70 91 67

HSL 112.5, 0.15%, 0.31%

LAB 36.35, -13.29, 11.29

 

CMYK 46 / 66 / 0 / 54

HEX #402876

RGB 64 40 118

HSL 258.46, 0.49%, 0.31%

LAB 23.39, 30.87, -40.97

 

CMYK 29 / 66 / 0 / 54

HEX #542876

RGB 84 40 118

HSL 273.85, 0.49%, 0.31%

LAB 25.89, 35.63, -36.81

 

CMYK 11 / 66 / 0 / 54

HEX #692876

RGB 105 40 118

HSL 290, 0.49%, 0.31%

LAB 28.98, 41.03, -31.7

 

CMYK 0 / 66 / 7 / 54

HEX #76286E

RGB 118 40 110

HSL 306.15, 0.49%, 0.31%

LAB 30.63, 43.01, -23.86

 

CMYK 0 / 66 / 25 / 54

HEX #762859

RGB 118 40 89

HSL 322.31, 0.49%, 0.31%

LAB 29.64, 39.58, -11.84

 

CMYK 9 / 66 / 0 / 78

HEX #331338

RGB 51 19 56

HSL 291.89, 0.49%, 0.15%

LAB 12.32, 22.8, -17.1

 

CMYK 10 / 66 / 0 / 66

HEX #4E1E57

RGB 78 30 87

HSL 290.53, 0.49%, 0.23%

LAB 20.97, 32, -24.53

 

CMYK 10 / 66 / 0 / 54

HEX #6A2876

RGB 106 40 118

HSL 290.77, 0.49%, 0.31%

LAB 29.13, 41.29, -31.44

 

CMYK 11 / 66 / 0 / 42

HEX #853395

RGB 133 51 149

HSL 290.2, 0.49%, 0.39%

LAB 36.97, 49.35, -37.95

 

CMYK 10 / 66 / 0 / 30

HEX #A13DB3

RGB 161 61 179

HSL 290.85, 0.49%, 0.47%

LAB 44.47, 57.56, -43.7

 

CMYK 10 / 66 / 0 / 54

HEX #692875

RGB 105 40 117

HSL 290.65, 0.49%, 0.31%

LAB 28.92, 40.82, -31.16

 

CMYK 0 / 64 / 66 / 54

HEX #762B28

RGB 118 43 40

HSL 2.31, 0.49%, 0.31%

LAB 28.73, 32.7, 19.12

 

CMYK 66 / 0 / 37 / 54

HEX #28764A

RGB 40 118 74

HSL 146.15, 0.49%, 0.31%

LAB 44.09, -34.64, 17.44

 

CMYK 10 / 66 / 0 / 54

HEX #692875

RGB 105 40 117

HSL 290.65, 0.49%, 0.31%

LAB 28.92, 40.82, -31.16

 

CMYK 0 / 11 / 66 / 54

HEX #766928

RGB 118 105 40

HSL 50, 0.49%, 0.31%

LAB 44.39, -3.3, 37.35

 

CMYK 66 / 0 / 11 / 54

HEX #287669

RGB 40 118 105

HSL 170, 0.49%, 0.31%

LAB 44.84, -26.96, 0.18

 

CMYK 10 / 66 / 0 / 54

HEX #692875

RGB 105 40 117

HSL 290.65, 0.49%, 0.31%

LAB 28.92, 40.82, -31.16

 

CMYK 0 / 64 / 66 / 54

HEX #762B28

RGB 118 43 40

HSL 2.31, 0.49%, 0.31%

LAB 28.73, 32.7, 19.12

 

CMYK 55 / 0 / 66 / 54

HEX #357628

RGB 53 118 40

HSL 110, 0.49%, 0.31%

LAB 44.04, -36.71, 35.7

 

CMYK 66 / 3 / 0 / 54

HEX #287376

RGB 40 115 118

HSL 182.31, 0.49%, 0.31%

LAB 44.26, -21.56, -8.45

 

CMYK 10 / 66 / 0 / 54

HEX #692875

RGB 105 40 117

HSL 290.65, 0.49%, 0.31%

LAB 28.92, 40.82, -31.16

 

CMYK 0 / 44 / 66 / 54

HEX #764228

RGB 118 66 40

HSL 20, 0.49%, 0.31%

LAB 33.78, 19.93, 25.31

 

CMYK 55 / 0 / 66 / 54

HEX #357628

RGB 53 118 40

HSL 110, 0.49%, 0.31%

LAB 44.04, -36.71, 35.7

 

CMYK 66 / 22 / 0 / 54

HEX #285C76

RGB 40 92 118

HSL 200, 0.49%, 0.31%

LAB 36.77, -8.58, -19.87

 

Description

Color code: HEX #692875 | qconv.com Color code: HEX #692875 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 40 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 40 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 66 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 66% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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