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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #691D94 it is the complementary color #96E26B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #691D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #691D94 shade: #6E1D8F, #7F2FA2, #9041B5, #A153C8 and #B265DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #691D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #691D94 shade: #691D94, #580B81, #47006E, #36005B and #250048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #691D94 shade: #6A1D95, #8A1D95, #951D80, #951D60 and #951D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #691D94 shade: #6A1D95, #4A1D95, #291D95 and #1D1D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #691D94 shade matches the following richer shades: #6A1D95, #6E0FA3 and #7201B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #691D94 shade: #6A1D95, #662C87, #623A78, #5E496A and #5A575B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #691D94 shade: #291D95, #491D95, #691D95, #891D95 and #951D81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #691D94 shade: #391050, #511773, #6A1D95, #8224B7 and #9A2FD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #691D94 shade: #691D94, #951D31 and #1D9539

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #691D94 shade: #691D94, #95691D and #1D9569

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #691D94 shade: #691D94, #951D31, #49951D and #1D9581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #691D94 shade: #691D94, #952D1D, #49951D and #1D8595

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 80 / 0 / 42

HEX #691D94

RGB 105 29 148

HSL 278.32, 0.67%, 0.35%

LAB 29.46, 52.13, -49.65

 

Complementary color

CMYK 34 / 0 / 53 / 11

HEX #96E26B

RGB 150 226 107

HSL 98.32, 0.67%, 0.65%

LAB 82.88, -44.08, 50.3

 

CMYK 23 / 80 / 0 / 44

HEX #6E1D8F

RGB 110 29 143

HSL 282.63, 0.66%, 0.34%

LAB 29.85, 51.98, -45.9

 

CMYK 22 / 71 / 0 / 36

HEX #7F2FA2

RGB 127 47 162

HSL 281.74, 0.55%, 0.41%

LAB 36.28, 52.4, -46.99

 

CMYK 20 / 64 / 0 / 29

HEX #9041B5

RGB 144 65 181

HSL 280.86, 0.47%, 0.48%

LAB 42.83, 52.16, -47.64

 

CMYK 20 / 59 / 0 / 22

HEX #A153C8

RGB 161 83 200

HSL 280, 0.52%, 0.55%

LAB 49.42, 51.58, -48.04

 

CMYK 19 / 54 / 0 / 14

HEX #B265DB

RGB 178 101 219

HSL 279.15, 0.62%, 0.63%

LAB 55.97, 50.86, -48.31

 

CMYK 29 / 80 / 0 / 42

HEX #691D94

RGB 105 29 148

HSL 278.32, 0.67%, 0.35%

LAB 29.46, 52.13, -49.65

 

CMYK 32 / 91 / 0 / 49

HEX #580B81

RGB 88 11 129

HSL 279.15, 0.84%, 0.27%

LAB 23.33, 50.55, -47.91

 

CMYK 35 / 100 / 0 / 57

HEX #47006E

RGB 71 0 110

HSL 278.73, 1%, 0.22%

LAB 17.76, 46.85, -44.95

 

CMYK 41 / 100 / 0 / 64

HEX #36005B

RGB 54 0 91

HSL 275.6, 1%, 0.18%

LAB 12.86, 40.52, -40.53

 

CMYK 49 / 100 / 0 / 72

HEX #250048

RGB 37 0 72

HSL 270.83, 1%, 0.14%

LAB 7.78, 33.98, -35.93

 

CMYK 29 / 81 / 0 / 42

HEX #6A1D95

RGB 106 29 149

HSL 278.5, 0.67%, 0.35%

LAB 29.7, 52.53, -49.88

 

CMYK 7 / 81 / 0 / 42

HEX #8A1D95

RGB 138 29 149

HSL 294.5, 0.67%, 0.35%

LAB 34.91, 58.62, -41.21

 

CMYK 0 / 81 / 14 / 42

HEX #951D80

RGB 149 29 128

HSL 310.5, 0.67%, 0.35%

LAB 35.65, 57.59, -26.95

 

CMYK 0 / 81 / 36 / 42

HEX #951D60

RGB 149 29 96

HSL 326.5, 0.67%, 0.35%

LAB 34.22, 53.42, -8.89

 

CMYK 0 / 81 / 58 / 42

HEX #951D3F

RGB 149 29 63

HSL 343, 0.67%, 0.35%

LAB 33.19, 50.31, 11.11

 

CMYK 29 / 81 / 0 / 42

HEX #6A1D95

RGB 106 29 149

HSL 278.5, 0.67%, 0.35%

LAB 29.7, 52.53, -49.88

 

CMYK 50 / 81 / 0 / 42

HEX #4A1D95

RGB 74 29 149

HSL 262.5, 0.67%, 0.35%

LAB 25.27, 47.33, -57.29

 

CMYK 72 / 81 / 0 / 42

HEX #291D95

RGB 41 29 149

HSL 246, 0.67%, 0.35%

LAB 22.02, 43.48, -62.77

 

CMYK 81 / 81 / 0 / 42

HEX #1D1D95

RGB 29 29 149

HSL 240, 0.67%, 0.35%

LAB 21.24, 42.57, -64.07

 

CMYK 29 / 81 / 0 / 42

HEX #6A1D95

RGB 106 29 149

HSL 278.5, 0.67%, 0.35%

LAB 29.7, 52.53, -49.88

 

CMYK 33 / 91 / 0 / 36

HEX #6E0FA3

RGB 110 15 163

HSL 278.51, 0.83%, 0.35%

LAB 30.16, 60.05, -57.64

 

CMYK 36 / 99 / 0 / 30

HEX #7201B2

RGB 114 1 178

HSL 278.31, 0.99%, 0.35%

LAB 31.38, 65.9, -64.64

 

CMYK 29 / 81 / 0 / 42

HEX #6A1D95

RGB 106 29 149

HSL 278.5, 0.67%, 0.35%

LAB 29.7, 52.53, -49.88

 

CMYK 24 / 67 / 0 / 47

HEX #662C87

RGB 102 44 135

HSL 278.24, 0.51%, 0.35%

LAB 30.34, 42.08, -40.22

 

CMYK 18 / 52 / 0 / 53

HEX #623A78

RGB 98 58 120

HSL 278.71, 0.35%, 0.35%

LAB 31.76, 29.71, -28.61

 

CMYK 11 / 31 / 0 / 58

HEX #5E496A

RGB 94 73 106

HSL 278.18, 0.18%, 0.35%

LAB 34.37, 15.76, -15.78

 

CMYK 1 / 4 / 0 / 64

HEX #5A575B

RGB 90 87 91

HSL 285, 0.02%, 0.35%

LAB 37.38, 2.05, -1.89

 

CMYK 72 / 81 / 0 / 42

HEX #291D95

RGB 41 29 149

HSL 246, 0.67%, 0.35%

LAB 22.02, 43.48, -62.77

 

CMYK 51 / 81 / 0 / 42

HEX #491D95

RGB 73 29 149

HSL 262, 0.67%, 0.35%

LAB 25.15, 47.19, -57.49

 

CMYK 30 / 81 / 0 / 42

HEX #691D95

RGB 105 29 149

HSL 278, 0.67%, 0.35%

LAB 29.54, 52.35, -50.14

 

CMYK 8 / 81 / 0 / 42

HEX #891D95

RGB 137 29 149

HSL 294, 0.67%, 0.35%

LAB 34.74, 58.42, -41.49

 

CMYK 0 / 81 / 13 / 42

HEX #951D81

RGB 149 29 129

HSL 310, 0.67%, 0.35%

LAB 35.7, 57.74, -27.49

 

CMYK 29 / 80 / 0 / 69

HEX #391050

RGB 57 16 80

HSL 278.44, 0.67%, 0.19%

LAB 14.51, 31.94, -30.34

 

CMYK 30 / 80 / 0 / 55

HEX #511773

RGB 81 23 115

HSL 277.83, 0.67%, 0.27%

LAB 22.3, 42.41, -40.71

 

CMYK 29 / 81 / 0 / 42

HEX #6A1D95

RGB 106 29 149

HSL 278.5, 0.67%, 0.35%

LAB 29.7, 52.53, -49.88

 

CMYK 29 / 80 / 0 / 28

HEX #8224B7

RGB 130 36 183

HSL 278.37, 0.67%, 0.43%

LAB 36.79, 61.6, -58.67

 

CMYK 28 / 78 / 0 / 16

HEX #9A2FD6

RGB 154 47 214

HSL 278.44, 0.67%, 0.51%

LAB 43.88, 68.44, -65.05

 

CMYK 29 / 80 / 0 / 42

HEX #691D94

RGB 105 29 148

HSL 278.32, 0.67%, 0.35%

LAB 29.46, 52.13, -49.65

 

CMYK 0 / 81 / 67 / 42

HEX #951D31

RGB 149 29 49

HSL 350, 0.67%, 0.35%

LAB 32.9, 49.39, 19.84

 

CMYK 81 / 0 / 62 / 42

HEX #1D9539

RGB 29 149 57

HSL 134, 0.67%, 0.35%

LAB 54.08, -51.29, 38.86

 

CMYK 29 / 80 / 0 / 42

HEX #691D94

RGB 105 29 148

HSL 278.32, 0.67%, 0.35%

LAB 29.46, 52.13, -49.65

 

CMYK 0 / 30 / 81 / 42

HEX #95691D

RGB 149 105 29

HSL 38, 0.67%, 0.35%

LAB 47.73, 10.66, 46.7

 

CMYK 81 / 0 / 30 / 42

HEX #1D9569

RGB 29 149 105

HSL 158, 0.67%, 0.35%

LAB 54.84, -42.53, 14.37

 

CMYK 29 / 80 / 0 / 42

HEX #691D94

RGB 105 29 148

HSL 278.32, 0.67%, 0.35%

LAB 29.46, 52.13, -49.65

 

CMYK 0 / 81 / 67 / 42

HEX #951D31

RGB 149 29 49

HSL 350, 0.67%, 0.35%

LAB 32.9, 49.39, 19.84

 

CMYK 51 / 0 / 81 / 42

HEX #49951D

RGB 73 149 29

HSL 98, 0.67%, 0.35%

LAB 55.07, -44.08, 51.5

 

CMYK 81 / 0 / 13 / 42

HEX #1D9581

RGB 29 149 129

HSL 170, 0.67%, 0.35%

LAB 55.42, -36.36, 1.54

 

CMYK 29 / 80 / 0 / 42

HEX #691D94

RGB 105 29 148

HSL 278.32, 0.67%, 0.35%

LAB 29.46, 52.13, -49.65

 

CMYK 0 / 70 / 81 / 42

HEX #952D1D

RGB 149 45 29

HSL 8, 0.67%, 0.35%

LAB 34.71, 42.64, 34.14

 

CMYK 51 / 0 / 81 / 42

HEX #49951D

RGB 73 149 29

HSL 98, 0.67%, 0.35%

LAB 55.07, -44.08, 51.5

 

CMYK 81 / 11 / 0 / 42

HEX #1D8595

RGB 29 133 149

HSL 188, 0.67%, 0.35%

LAB 50.93, -22.43, -16.72

 

Description

Color code: HEX #691D94 | qconv.com Color code: HEX #691D94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 29 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 29 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 80 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 80% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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