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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #691598 it is the complementary color #96EA67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #691598. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #691598 shade: #6E1593, #7F27A6, #9039B9, #A14BCC and #B25DDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #691598. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #691598 shade: #691598, #580385, #470072, #36005F and #25004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #691598 shade: #691599, #8D1599, #991581, #99155D and #99153A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #691598 shade: #691599, #461599, #221599 and #151599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #691598 shade matches the following richer shades: #691599 and #6D07A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #691598 shade: #691599, #65238B, #61317D, #5D3F6F and #594D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #691598 shade: #221599, #451599, #681599, #8B1599 and #991583

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #691598 shade: #370B50, #501074, #691599, #821ABD and #9B1FE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #691598 shade: #691598, #99152B and #159934

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #691598 shade: #691598, #996815 and #159968

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #691598 shade: #691598, #99152B, #459915 and #159983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #691598 shade: #691598, #992615, #459915 and #158799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 86 / 0 / 40

HEX #691598

RGB 105 21 152

HSL 278.47, 0.76%, 0.34%

LAB 28.92, 55.54, -52.99

 

Complementary color

CMYK 36 / 0 / 56 / 8

HEX #96EA67

RGB 150 234 103

HSL 98.47, 0.76%, 0.66%

LAB 85.15, -47.91, 54.8

 

CMYK 25 / 86 / 0 / 42

HEX #6E1593

RGB 110 21 147

HSL 282.38, 0.75%, 0.33%

LAB 29.31, 55.3, -49.26

 

CMYK 23 / 77 / 0 / 35

HEX #7F27A6

RGB 127 39 166

HSL 281.57, 0.62%, 0.4%

LAB 35.43, 56.45, -50.76

 

CMYK 22 / 69 / 0 / 27

HEX #9039B9

RGB 144 57 185

HSL 280.78, 0.53%, 0.47%

LAB 41.78, 56.64, -51.68

 

CMYK 21 / 63 / 0 / 20

HEX #A14BCC

RGB 161 75 204

HSL 280, 0.56%, 0.55%

LAB 48.22, 56.33, -52.25

 

CMYK 20 / 58 / 0 / 13

HEX #B25DDF

RGB 178 93 223

HSL 279.23, 0.67%, 0.62%

LAB 54.68, 55.74, -52.62

 

CMYK 31 / 86 / 0 / 40

HEX #691598

RGB 105 21 152

HSL 278.47, 0.76%, 0.34%

LAB 28.92, 55.54, -52.99

 

CMYK 34 / 98 / 0 / 48

HEX #580385

RGB 88 3 133

HSL 279.23, 0.96%, 0.27%

LAB 23.11, 53.16, -50.79

 

CMYK 38 / 100 / 0 / 55

HEX #470072

RGB 71 0 114

HSL 277.37, 1%, 0.22%

LAB 18.16, 47.72, -46.89

 

CMYK 43 / 100 / 0 / 63

HEX #36005F

RGB 54 0 95

HSL 274.11, 1%, 0.19%

LAB 13.29, 41.44, -42.5

 

CMYK 51 / 100 / 0 / 70

HEX #25004C

RGB 37 0 76

HSL 269.21, 1%, 0.15%

LAB 8.26, 34.99, -37.92

 

CMYK 31 / 86 / 0 / 40

HEX #691599

RGB 105 21 153

HSL 278.18, 0.76%, 0.34%

LAB 29, 55.76, -53.47

 

CMYK 8 / 86 / 0 / 40

HEX #8D1599

RGB 141 21 153

HSL 294.55, 0.76%, 0.34%

LAB 35, 61.89, -43.47

 

CMYK 0 / 86 / 16 / 40

HEX #991581

RGB 153 21 129

HSL 310.91, 0.76%, 0.34%

LAB 35.78, 60.54, -27.32

 

CMYK 0 / 86 / 39 / 40

HEX #99155D

RGB 153 21 93

HSL 327.27, 0.76%, 0.34%

LAB 34.19, 56.14, -6.92

 

CMYK 0 / 86 / 62 / 40

HEX #99153A

RGB 153 21 58

HSL 343.18, 0.76%, 0.34%

LAB 33.17, 53.19, 14.48

 

CMYK 31 / 86 / 0 / 40

HEX #691599

RGB 105 21 153

HSL 278.18, 0.76%, 0.34%

LAB 29, 55.76, -53.47

 

CMYK 54 / 86 / 0 / 40

HEX #461599

RGB 70 21 153

HSL 262.27, 0.76%, 0.34%

LAB 24.12, 51.03, -61.66

 

CMYK 78 / 86 / 0 / 40

HEX #221599

RGB 34 21 153

HSL 245.91, 0.76%, 0.34%

LAB 20.74, 47.97, -67.38

 

CMYK 86 / 86 / 0 / 40

HEX #151599

RGB 21 21 153

HSL 240, 0.76%, 0.34%

LAB 20.03, 47.35, -68.58

 

CMYK 31 / 86 / 0 / 40

HEX #691599

RGB 105 21 153

HSL 278.18, 0.76%, 0.34%

LAB 29, 55.76, -53.47

 

CMYK 35 / 96 / 0 / 35

HEX #6D07A7

RGB 109 7 167

HSL 278.25, 0.92%, 0.34%

LAB 29.89, 62.13, -60.5

 

CMYK 31 / 86 / 0 / 40

HEX #691599

RGB 105 21 153

HSL 278.18, 0.76%, 0.34%

LAB 29, 55.76, -53.47

 

CMYK 27 / 75 / 0 / 45

HEX #65238B

RGB 101 35 139

HSL 278.08, 0.6%, 0.34%

LAB 28.99, 46.98, -44.89

 

CMYK 22 / 61 / 0 / 51

HEX #61317D

RGB 97 49 125

HSL 277.89, 0.44%, 0.34%

LAB 29.96, 35.8, -34.62

 

CMYK 16 / 43 / 0 / 56

HEX #5D3F6F

RGB 93 63 111

HSL 277.5, 0.28%, 0.34%

LAB 31.87, 22.89, -22.81

 

CMYK 7 / 20 / 0 / 62

HEX #594D60

RGB 89 77 96

HSL 277.89, 0.11%, 0.34%

LAB 34.55, 9.03, -9.25

 

CMYK 78 / 86 / 0 / 40

HEX #221599

RGB 34 21 153

HSL 245.91, 0.76%, 0.34%

LAB 20.74, 47.97, -67.38

 

CMYK 55 / 86 / 0 / 40

HEX #451599

RGB 69 21 153

HSL 261.82, 0.76%, 0.34%

LAB 24, 50.92, -61.86

 

CMYK 32 / 86 / 0 / 40

HEX #681599

RGB 104 21 153

HSL 277.73, 0.76%, 0.34%

LAB 28.85, 55.6, -53.73

 

CMYK 9 / 86 / 0 / 40

HEX #8B1599

RGB 139 21 153

HSL 293.64, 0.76%, 0.34%

LAB 34.65, 61.53, -44.05

 

CMYK 0 / 86 / 14 / 40

HEX #991583

RGB 153 21 131

HSL 310, 0.76%, 0.34%

LAB 35.88, 60.83, -28.4

 

CMYK 31 / 86 / 0 / 69

HEX #370B50

RGB 55 11 80

HSL 278.26, 0.76%, 0.18%

LAB 13.42, 33.7, -32.13

 

CMYK 31 / 86 / 0 / 55

HEX #501074

RGB 80 16 116

HSL 278.4, 0.76%, 0.26%

LAB 21.35, 45.01, -42.92

 

CMYK 31 / 86 / 0 / 40

HEX #691599

RGB 105 21 153

HSL 278.18, 0.76%, 0.34%

LAB 29, 55.76, -53.47

 

CMYK 31 / 86 / 0 / 26

HEX #821ABD

RGB 130 26 189

HSL 278.28, 0.76%, 0.42%

LAB 36.29, 65.74, -63.03

 

CMYK 31 / 86 / 0 / 12

HEX #9B1FE1

RGB 155 31 225

HSL 278.35, 0.76%, 0.5%

LAB 43.34, 75.33, -72.23

 

CMYK 31 / 86 / 0 / 40

HEX #691598

RGB 105 21 152

HSL 278.47, 0.76%, 0.34%

LAB 28.92, 55.54, -52.99

 

CMYK 0 / 86 / 72 / 40

HEX #99152B

RGB 153 21 43

HSL 350, 0.76%, 0.34%

LAB 32.88, 52.36, 23.87

 

CMYK 86 / 0 / 66 / 40

HEX #159934

RGB 21 153 52

HSL 134.09, 0.76%, 0.34%

LAB 55.27, -54.14, 42.47

 

CMYK 31 / 86 / 0 / 40

HEX #691598

RGB 105 21 152

HSL 278.47, 0.76%, 0.34%

LAB 28.92, 55.54, -52.99

 

CMYK 0 / 32 / 86 / 40

HEX #996815

RGB 153 104 21

HSL 37.73, 0.76%, 0.34%

LAB 47.91, 12.82, 49.94

 

CMYK 86 / 0 / 32 / 40

HEX #159968

RGB 21 153 104

HSL 157.73, 0.76%, 0.34%

LAB 56.03, -45.17, 16.56

 

CMYK 31 / 86 / 0 / 40

HEX #691598

RGB 105 21 152

HSL 278.47, 0.76%, 0.34%

LAB 28.92, 55.54, -52.99

 

CMYK 0 / 86 / 72 / 40

HEX #99152B

RGB 153 21 43

HSL 350, 0.76%, 0.34%

LAB 32.88, 52.36, 23.87

 

CMYK 55 / 0 / 86 / 40

HEX #459915

RGB 69 153 21

HSL 98.18, 0.76%, 0.34%

LAB 56.19, -47.22, 54.68

 

CMYK 86 / 0 / 14 / 40

HEX #159983

RGB 21 153 131

HSL 170, 0.76%, 0.34%

LAB 56.66, -38.3, 2.19

 

CMYK 31 / 86 / 0 / 40

HEX #691598

RGB 105 21 152

HSL 278.47, 0.76%, 0.34%

LAB 28.92, 55.54, -52.99

 

CMYK 0 / 75 / 86 / 40

HEX #992615

RGB 153 38 21

HSL 7.73, 0.76%, 0.34%

LAB 34.42, 46.5, 38.37

 

CMYK 55 / 0 / 86 / 40

HEX #459915

RGB 69 153 21

HSL 98.18, 0.76%, 0.34%

LAB 56.19, -47.22, 54.68

 

CMYK 86 / 12 / 0 / 40

HEX #158799

RGB 21 135 153

HSL 188.18, 0.76%, 0.34%

LAB 51.6, -22.83, -18.04

 

Description

Color code: HEX #691598 | qconv.com Color code: HEX #691598 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 21 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 21 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 86 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 86% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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