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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #691260 it is the complementary color #96ED9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #691260. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #691260 shade: #6E125B, #7F246E, #903681, #A14894 and #B25AA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #691260. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #691260 shade: #691260, #58004D, #47003A, #360027 and #250014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #691260 shade: #691260, #691248, #691231, #691219 and #691212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #691260 shade: #691260, #5A1269, #431269, #2B1269 and #141269

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #691260 shade matches the following richer shades: #691260 and #730868

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #691260 shade: #691260, #5F1C58, #552650, #4B2F48 and #413940

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #691260 shade: #431269, #5A1269, #691260, #691249 and #691232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #691260 shade: #22061F, #450C3F, #691260, #8C1880 and #AF1EA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #691260 shade: #691260, #692C12 and #12694F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #691260 shade: #691260, #606912 and #126069

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #691260 shade: #691260, #692C12, #12691A and #124F69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #691260 shade: #691260, #694612, #12691A and #123569

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

Complementary color

CMYK 37 / 0 / 33 / 7

HEX #96ED9F

RGB 150 237 159

HSL 126.21, 0.71%, 0.76%

LAB 86.78, -41.77, 29.75

 

CMYK 0 / 84 / 17 / 57

HEX #6E125B

RGB 110 18 91

HSL 312.39, 0.72%, 0.25%

LAB 25.27, 46.02, -20.03

 

CMYK 0 / 72 / 13 / 50

HEX #7F246E

RGB 127 36 110

HSL 311.21, 0.56%, 0.32%

LAB 31.58, 47.13, -22.27

 

CMYK 0 / 63 / 10 / 44

HEX #903681

RGB 144 54 129

HSL 310, 0.45%, 0.39%

LAB 38.11, 47.26, -23.78

 

CMYK 0 / 55 / 8 / 37

HEX #A14894

RGB 161 72 148

HSL 308.76, 0.38%, 0.46%

LAB 44.73, 46.89, -24.86

 

CMYK 0 / 49 / 6 / 30

HEX #B25AA7

RGB 178 90 167

HSL 307.5, 0.36%, 0.53%

LAB 51.34, 46.3, -25.69

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 100 / 13 / 65

HEX #58004D

RGB 88 0 77

HSL 307.5, 1%, 0.17%

LAB 18.41, 43.46, -21.7

 

CMYK 0 / 100 / 18 / 72

HEX #47003A

RGB 71 0 58

HSL 310.99, 1%, 0.14%

LAB 13.5, 36.97, -16.4

 

CMYK 0 / 100 / 28 / 79

HEX #360027

RGB 54 0 39

HSL 316.67, 1%, 0.11%

LAB 8.4, 30.23, -10.7

 

CMYK 0 / 100 / 46 / 85

HEX #250014

RGB 37 0 20

HSL 327.57, 1%, 0.07%

LAB 4.01, 19.11, -3.11

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 83 / 31 / 59

HEX #691248

RGB 105 18 72

HSL 322.76, 0.71%, 0.24%

LAB 23.35, 42.06, -10.34

 

CMYK 0 / 83 / 53 / 59

HEX #691231

RGB 105 18 49

HSL 338.62, 0.71%, 0.24%

LAB 22.51, 39.5, 4.26

 

CMYK 0 / 83 / 76 / 59

HEX #691219

RGB 105 18 25

HSL 355.17, 0.71%, 0.24%

LAB 21.97, 37.82, 20.12

 

CMYK 0 / 83 / 83 / 59

HEX #691212

RGB 105 18 18

HSL 0, 0.71%, 0.24%

LAB 21.87, 37.51, 24.55

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 14 / 83 / 0 / 59

HEX #5A1269

RGB 90 18 105

HSL 289.66, 0.71%, 0.24%

LAB 22.4, 43.91, -34.01

 

CMYK 36 / 83 / 0 / 59

HEX #431269

RGB 67 18 105

HSL 273.79, 0.71%, 0.24%

LAB 18.57, 39.36, -40.4

 

CMYK 59 / 83 / 0 / 59

HEX #2B1269

RGB 43 18 105

HSL 257.24, 0.71%, 0.24%

LAB 15.31, 35.45, -45.86

 

CMYK 81 / 83 / 0 / 59

HEX #141269

RGB 20 18 105

HSL 241.38, 0.71%, 0.24%

LAB 13.24, 32.94, -49.35

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 93 / 10 / 55

HEX #730868

RGB 115 8 104

HSL 306.17, 0.87%, 0.24%

LAB 26.21, 51.36, -27

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 71 / 7 / 63

HEX #5F1C58

RGB 95 28 88

HSL 306.27, 0.54%, 0.24%

LAB 23.57, 38, -20.91

 

CMYK 0 / 55 / 6 / 67

HEX #552650

RGB 85 38 80

HSL 306.38, 0.38%, 0.24%

LAB 23.33, 28.32, -16.07

 

CMYK 0 / 37 / 4 / 71

HEX #4B2F48

RGB 75 47 72

HSL 306.43, 0.23%, 0.24%

LAB 23.66, 17.49, -10.32

 

CMYK 0 / 12 / 2 / 75

HEX #413940

RGB 65 57 64

HSL 307.5, 0.07%, 0.24%

LAB 25.01, 5.01, -3.05

 

CMYK 36 / 83 / 0 / 59

HEX #431269

RGB 67 18 105

HSL 273.79, 0.71%, 0.24%

LAB 18.57, 39.36, -40.4

 

CMYK 14 / 83 / 0 / 59

HEX #5A1269

RGB 90 18 105

HSL 289.66, 0.71%, 0.24%

LAB 22.4, 43.91, -34.01

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 83 / 30 / 59

HEX #691249

RGB 105 18 73

HSL 322.07, 0.71%, 0.24%

LAB 23.39, 42.19, -10.95

 

CMYK 0 / 83 / 52 / 59

HEX #691232

RGB 105 18 50

HSL 337.93, 0.71%, 0.24%

LAB 22.54, 39.59, 3.61

 

CMYK 0 / 82 / 9 / 87

HEX #22061F

RGB 34 6 31

HSL 306.43, 0.7%, 0.08%

LAB 5.14, 17.4, -9.89

 

CMYK 0 / 83 / 9 / 73

HEX #450C3F

RGB 69 12 63

HSL 306.32, 0.7%, 0.16%

LAB 14.88, 32.96, -17.81

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 83 / 9 / 45

HEX #8C1880

RGB 140 24 128

HSL 306.21, 0.71%, 0.32%

LAB 33.54, 56.91, -30.39

 

CMYK 0 / 83 / 9 / 31

HEX #AF1EA0

RGB 175 30 160

HSL 306.21, 0.71%, 0.4%

LAB 42.12, 67.62, -36

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 58 / 83 / 59

HEX #692C12

RGB 105 44 18

HSL 17.93, 0.71%, 0.24%

LAB 26.3, 25.61, 29.07

 

CMYK 83 / 0 / 25 / 59

HEX #12694F

RGB 18 105 79

HSL 162.07, 0.71%, 0.24%

LAB 39.24, -31.41, 7.7

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 9 / 0 / 83 / 59

HEX #606912

RGB 96 105 18

HSL 66.21, 0.71%, 0.24%

LAB 42.21, -14.97, 43.63

 

CMYK 83 / 9 / 0 / 59

HEX #126069

RGB 18 96 105

HSL 186.21, 0.71%, 0.24%

LAB 36.96, -18.85, -11.61

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 58 / 83 / 59

HEX #692C12

RGB 105 44 18

HSL 17.93, 0.71%, 0.24%

LAB 26.3, 25.61, 29.07

 

CMYK 83 / 0 / 75 / 59

HEX #12691A

RGB 18 105 26

HSL 125.52, 0.71%, 0.24%

LAB 38.39, -41.18, 35.61

 

CMYK 83 / 25 / 0 / 59

HEX #124F69

RGB 18 79 105

HSL 197.93, 0.71%, 0.24%

LAB 31.21, -8.98, -20.43

 

CMYK 0 / 83 / 9 / 59

HEX #691260

RGB 105 18 96

HSL 306.21, 0.71%, 0.24%

LAB 24.58, 45.61, -24.48

 

CMYK 0 / 33 / 83 / 59

HEX #694612

RGB 105 70 18

HSL 35.86, 0.71%, 0.24%

LAB 32.76, 10.08, 35.31

 

CMYK 83 / 0 / 75 / 59

HEX #12691A

RGB 18 105 26

HSL 125.52, 0.71%, 0.24%

LAB 38.39, -41.18, 35.61

 

CMYK 83 / 50 / 0 / 59

HEX #123569

RGB 18 53 105

HSL 215.86, 0.71%, 0.24%

LAB 22.64, 8.43, -34

 

Description

Color code: HEX #691260 | qconv.com Color code: HEX #691260 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 18 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 18 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 9 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 9% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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