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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #690F66 it is the complementary color #96F099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #690F66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #690F66 shade: #6E0F61, #7F2174, #903387, #A1459A and #B257AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #690F66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #690F66 shade: #690F66, #580053, #470040, #36002D and #25001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #690F66 shade: #6B0F68, #6B0F4F, #6B0F37, #6B0F1E and #6B0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #690F66 shade: #6B0F68, #550F6B, #3D0F6B, #240F6B and #0F0F6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #690F66 shade matches the following richer shades: #6B0F68 and #750571

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #690F66 shade: #6B0F68, #61195F, #572356, #4D2D4C and #433743

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #690F66 shade: #3D0F6B, #560F6B, #6B0F68, #6B0F50 and #6B0F37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #690F66 shade: #230522, #470A45, #6B0F68, #8F148B and #B31AAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #690F66 shade: #690F66, #6B250F and #0F6B49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #690F66 shade: #690F66, #686B0F and #0F686B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #690F66 shade: #690F66, #6B250F, #0F6B12 and #0F566B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #690F66 shade: #690F66, #6B400F, #0F6B12 and #0F3A6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 3 / 59

HEX #690F66

RGB 105 15 102

HSL 302, 0.75%, 0.24%

LAB 24.65, 47.44, -28.29

 

Complementary color

CMYK 38 / 0 / 36 / 6

HEX #96F099

RGB 150 240 153

HSL 122, 0.75%, 0.76%

LAB 87.54, -44.03, 33.79

 

CMYK 0 / 86 / 12 / 57

HEX #6E0F61

RGB 110 15 97

HSL 308.21, 0.76%, 0.25%

LAB 25.32, 47.74, -23.9

 

CMYK 0 / 74 / 9 / 50

HEX #7F2174

RGB 127 33 116

HSL 307.02, 0.59%, 0.31%

LAB 31.49, 49.23, -26.22

 

CMYK 0 / 65 / 6 / 44

HEX #903387

RGB 144 51 135

HSL 305.81, 0.48%, 0.38%

LAB 37.93, 49.6, -27.77

 

CMYK 0 / 57 / 4 / 37

HEX #A1459A

RGB 161 69 154

HSL 304.57, 0.4%, 0.45%

LAB 44.47, 49.38, -28.87

 

CMYK 0 / 51 / 3 / 30

HEX #B257AD

RGB 178 87 173

HSL 303.3, 0.37%, 0.52%

LAB 51.03, 48.86, -29.68

 

CMYK 0 / 86 / 3 / 59

HEX #690F66

RGB 105 15 102

HSL 302, 0.75%, 0.24%

LAB 24.65, 47.44, -28.29

 

CMYK 0 / 100 / 6 / 65

HEX #580053

RGB 88 0 83

HSL 303.41, 1%, 0.17%

LAB 18.8, 44.41, -25.18

 

CMYK 0 / 100 / 10 / 72

HEX #470040

RGB 71 0 64

HSL 305.92, 1%, 0.14%

LAB 13.88, 37.92, -20.07

 

CMYK 0 / 100 / 17 / 79

HEX #36002D

RGB 54 0 45

HSL 310, 1%, 0.11%

LAB 8.77, 31.15, -14.63

 

CMYK 0 / 100 / 30 / 85

HEX #25001A

RGB 37 0 26

HSL 317.84, 1%, 0.07%

LAB 4.23, 20.5, -7.25

 

CMYK 0 / 86 / 3 / 58

HEX #6B0F68

RGB 107 15 104

HSL 301.96, 0.75%, 0.24%

LAB 25.16, 48.21, -28.76

 

CMYK 0 / 86 / 26 / 58

HEX #6B0F4F

RGB 107 15 79

HSL 318.26, 0.75%, 0.24%

LAB 23.78, 44.39, -14.38

 

CMYK 0 / 86 / 49 / 58

HEX #6B0F37

RGB 107 15 55

HSL 333.91, 0.75%, 0.24%

LAB 22.8, 41.56, 0.57

 

CMYK 0 / 86 / 72 / 58

HEX #6B0F1E

RGB 107 15 30

HSL 350.22, 0.75%, 0.24%

LAB 22.16, 39.64, 17.07

 

CMYK 0 / 86 / 86 / 58

HEX #6B0F0F

RGB 107 15 15

HSL 0, 0.75%, 0.24%

LAB 21.95, 38.99, 26.48

 

CMYK 0 / 86 / 3 / 58

HEX #6B0F68

RGB 107 15 104

HSL 301.96, 0.75%, 0.24%

LAB 25.16, 48.21, -28.76

 

CMYK 21 / 86 / 0 / 58

HEX #550F6B

RGB 85 15 107

HSL 285.65, 0.75%, 0.24%

LAB 21.34, 44.28, -37.07

 

CMYK 43 / 86 / 0 / 58

HEX #3D0F6B

RGB 61 15 107

HSL 270, 0.75%, 0.24%

LAB 17.44, 40.03, -43.59

 

CMYK 66 / 86 / 0 / 58

HEX #240F6B

RGB 36 15 107

HSL 253.7, 0.75%, 0.24%

LAB 14.28, 36.66, -48.9

 

CMYK 86 / 86 / 0 / 58

HEX #0F0F6B

RGB 15 15 107

HSL 240, 0.75%, 0.24%

LAB 12.64, 34.95, -51.67

 

CMYK 0 / 86 / 3 / 58

HEX #6B0F68

RGB 107 15 104

HSL 301.96, 0.75%, 0.24%

LAB 25.16, 48.21, -28.76

 

CMYK 0 / 96 / 3 / 54

HEX #750571

RGB 117 5 113

HSL 302.14, 0.92%, 0.24%

LAB 26.97, 53.71, -31.58

 

CMYK 0 / 86 / 3 / 58

HEX #6B0F68

RGB 107 15 104

HSL 301.96, 0.75%, 0.24%

LAB 25.16, 48.21, -28.76

 

CMYK 0 / 74 / 2 / 62

HEX #61195F

RGB 97 25 95

HSL 301.67, 0.59%, 0.24%

LAB 23.88, 41.06, -25.02

 

CMYK 0 / 60 / 1 / 66

HEX #572356

RGB 87 35 86

HSL 301.15, 0.43%, 0.24%

LAB 23.34, 31.83, -20.03

 

CMYK 0 / 42 / 1 / 70

HEX #4D2D4C

RGB 77 45 76

HSL 301.88, 0.26%, 0.24%

LAB 23.59, 20.4, -13.08

 

CMYK 0 / 18 / 0 / 74

HEX #433743

RGB 67 55 67

HSL 300, 0.1%, 0.24%

LAB 24.74, 7.86, -5.44

 

CMYK 43 / 86 / 0 / 58

HEX #3D0F6B

RGB 61 15 107

HSL 270, 0.75%, 0.24%

LAB 17.44, 40.03, -43.59

 

CMYK 20 / 86 / 0 / 58

HEX #560F6B

RGB 86 15 107

HSL 286.3, 0.75%, 0.24%

LAB 21.51, 44.47, -36.78

 

CMYK 0 / 86 / 3 / 58

HEX #6B0F68

RGB 107 15 104

HSL 301.96, 0.75%, 0.24%

LAB 25.16, 48.21, -28.76

 

CMYK 0 / 86 / 25 / 58

HEX #6B0F50

RGB 107 15 80

HSL 317.61, 0.75%, 0.24%

LAB 23.83, 44.52, -14.98

 

CMYK 0 / 86 / 49 / 58

HEX #6B0F37

RGB 107 15 55

HSL 333.91, 0.75%, 0.24%

LAB 22.8, 41.56, 0.57

 

CMYK 0 / 86 / 3 / 86

HEX #230522

RGB 35 5 34

HSL 302, 0.75%, 0.08%

LAB 5.25, 19.26, -12.05

 

CMYK 0 / 86 / 3 / 72

HEX #470A45

RGB 71 10 69

HSL 301.97, 0.75%, 0.16%

LAB 15.42, 35.28, -21.15

 

CMYK 0 / 86 / 3 / 58

HEX #6B0F68

RGB 107 15 104

HSL 301.96, 0.75%, 0.24%

LAB 25.16, 48.21, -28.76

 

CMYK 0 / 86 / 3 / 44

HEX #8F148B

RGB 143 20 139

HSL 301.95, 0.75%, 0.32%

LAB 34.4, 60.18, -35.81

 

CMYK 0 / 85 / 3 / 30

HEX #B31AAE

RGB 179 26 174

HSL 301.96, 0.75%, 0.4%

LAB 43.33, 71.33, -42.4

 

CMYK 0 / 86 / 3 / 59

HEX #690F66

RGB 105 15 102

HSL 302, 0.75%, 0.24%

LAB 24.65, 47.44, -28.29

 

CMYK 0 / 65 / 86 / 58

HEX #6B250F

RGB 107 37 15

HSL 14.35, 0.75%, 0.24%

LAB 25.21, 30.06, 29.76

 

CMYK 86 / 0 / 32 / 58

HEX #0F6B49

RGB 15 107 73

HSL 157.83, 0.75%, 0.24%

LAB 39.75, -34.17, 12.02

 

CMYK 0 / 86 / 3 / 59

HEX #690F66

RGB 105 15 102

HSL 302, 0.75%, 0.24%

LAB 24.65, 47.44, -28.29

 

CMYK 3 / 0 / 86 / 58

HEX #686B0F

RGB 104 107 15

HSL 61.96, 0.75%, 0.24%

LAB 43.5, -12.4, 45.94

 

CMYK 86 / 3 / 0 / 58

HEX #0F686B

RGB 15 104 107

HSL 181.96, 0.75%, 0.24%

LAB 39.69, -22.74, -8.72

 

CMYK 0 / 86 / 3 / 59

HEX #690F66

RGB 105 15 102

HSL 302, 0.75%, 0.24%

LAB 24.65, 47.44, -28.29

 

CMYK 0 / 65 / 86 / 58

HEX #6B250F

RGB 107 37 15

HSL 14.35, 0.75%, 0.24%

LAB 25.21, 30.06, 29.76

 

CMYK 86 / 0 / 83 / 58

HEX #0F6B12

RGB 15 107 18

HSL 121.96, 0.75%, 0.24%

LAB 39, -42.94, 39.25

 

CMYK 86 / 20 / 0 / 58

HEX #0F566B

RGB 15 86 107

HSL 193.7, 0.75%, 0.24%

LAB 33.6, -12.76, -17.99

 

CMYK 0 / 86 / 3 / 59

HEX #690F66

RGB 105 15 102

HSL 302, 0.75%, 0.24%

LAB 24.65, 47.44, -28.29

 

CMYK 0 / 40 / 86 / 58

HEX #6B400F

RGB 107 64 15

HSL 31.96, 0.75%, 0.24%

LAB 31.41, 14.61, 35.46

 

CMYK 86 / 0 / 83 / 58

HEX #0F6B12

RGB 15 107 18

HSL 121.96, 0.75%, 0.24%

LAB 39, -42.94, 39.25

 

CMYK 86 / 46 / 0 / 58

HEX #0F3A6B

RGB 15 58 107

HSL 211.96, 0.75%, 0.24%

LAB 24.29, 5.39, -32.65

 

Description

Color code: HEX #690F66 | qconv.com Color code: HEX #690F66 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 15 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 15 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 3 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 3% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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