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Color name
HEX #690C35

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #690C35 it is the complementary color #96F3CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #690C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #690C35 shade: #6E0C30, #7F1E43, #903056, #A14269 and #B2547C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #690C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #690C35 shade: #690C35, #580022, #47000F, #360000 and #250000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #690C35 shade: #690C35, #690C1C and #690C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #690C35 shade: #690C35, #690C4E, #690C67, #520C69 and #390C69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #690C35 shade matches the following richer shades: #690C35 and #720334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #690C35 shade: #690C35, #5F1636, #561F37, #4D2939 and #43323A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #690C35 shade: #690C67, #690C4F, #690C36, #690C1D and #69140C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #690C35 shade: #1F0410, #440822, #690C35, #8E1148 and #B3155B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #690C35 shade: #690C35, #69520C and #0C5B69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #690C35 shade: #690C35, #36690C and #0C3669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #690C35 shade: #690C35, #69520C, #0C693F and #0C2369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #690C35 shade: #690C35, #64690C, #0C693F and #110C69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

Complementary color

CMYK 38 / 0 / 17 / 5

HEX #96F3CA

RGB 150 243 202

HSL 153.55, 0.79%, 0.77%

LAB 89.32, -36.59, 11.13

 

CMYK 0 / 89 / 56 / 57

HEX #6E0C30

RGB 110 12 48

HSL 337.96, 0.8%, 0.24%

LAB 22.97, 42.56, 5.76

 

CMYK 0 / 76 / 47 / 50

HEX #7F1E43

RGB 127 30 67

HSL 337.11, 0.62%, 0.31%

LAB 29.02, 43.78, 1.94

 

CMYK 0 / 67 / 40 / 44

HEX #903056

RGB 144 48 86

HSL 336.25, 0.5%, 0.38%

LAB 35.43, 43.87, -0.76

 

CMYK 0 / 59 / 35 / 37

HEX #A14269

RGB 161 66 105

HSL 335.37, 0.42%, 0.45%

LAB 41.99, 43.4, -2.77

 

CMYK 0 / 53 / 30 / 30

HEX #B2547C

RGB 178 84 124

HSL 334.47, 0.38%, 0.51%

LAB 48.59, 42.68, -4.33

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 100 / 61 / 65

HEX #580022

RGB 88 0 34

HSL 336.82, 1%, 0.17%

LAB 16.46, 38.45, 5.88

 

CMYK 0 / 100 / 79 / 72

HEX #47000F

RGB 71 0 15

HSL 347.32, 1%, 0.14%

LAB 11.78, 32.52, 12.08

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 100 / 100 / 85

HEX #250000

RGB 37 0 0

HSL 0, 1%, 0.07%

LAB 3.55, 15.94, 5.61

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 89 / 73 / 59

HEX #690C1C

RGB 105 12 28

HSL 349.68, 0.79%, 0.23%

LAB 21.39, 39.73, 17.39

 

CMYK 0 / 89 / 89 / 59

HEX #690C0C

RGB 105 12 12

HSL 0, 0.79%, 0.23%

LAB 21.18, 39.09, 26.99

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 89 / 26 / 59

HEX #690C4E

RGB 105 12 78

HSL 317.42, 0.79%, 0.23%

LAB 23.05, 44.51, -14.86

 

CMYK 0 / 89 / 2 / 59

HEX #690C67

RGB 105 12 103

HSL 301.29, 0.79%, 0.23%

LAB 24.47, 48.34, -29.24

 

CMYK 22 / 89 / 0 / 59

HEX #520C69

RGB 82 12 105

HSL 285.16, 0.79%, 0.23%

LAB 20.35, 44.18, -37.39

 

CMYK 46 / 89 / 0 / 59

HEX #390C69

RGB 57 12 105

HSL 269.03, 0.79%, 0.23%

LAB 16.27, 40.01, -44.22

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 97 / 54 / 55

HEX #720334

RGB 114 3 52

HSL 333.51, 0.95%, 0.23%

LAB 23.31, 45.91, 3.58

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 77 / 43 / 63

HEX #5F1636

RGB 95 22 54

HSL 333.7, 0.62%, 0.23%

LAB 21.11, 35.45, -1.51

 

CMYK 0 / 64 / 36 / 66

HEX #561F37

RGB 86 31 55

HSL 333.82, 0.47%, 0.23%

LAB 20.96, 28.26, -2.62

 

CMYK 0 / 47 / 26 / 70

HEX #4D2939

RGB 77 41 57

HSL 333.33, 0.31%, 0.23%

LAB 21.8, 19.19, -2.92

 

CMYK 0 / 25 / 13 / 74

HEX #43323A

RGB 67 50 58

HSL 331.76, 0.15%, 0.23%

LAB 22.93, 9.23, -2.08

 

CMYK 0 / 89 / 2 / 59

HEX #690C67

RGB 105 12 103

HSL 301.29, 0.79%, 0.23%

LAB 24.47, 48.34, -29.24

 

CMYK 0 / 89 / 25 / 59

HEX #690C4F

RGB 105 12 79

HSL 316.77, 0.79%, 0.23%

LAB 23.1, 44.65, -15.46

 

CMYK 0 / 89 / 49 / 59

HEX #690C36

RGB 105 12 54

HSL 332.9, 0.79%, 0.23%

LAB 22.06, 41.69, 0.13

 

CMYK 0 / 89 / 72 / 59

HEX #690C1D

RGB 105 12 29

HSL 349.03, 0.79%, 0.23%

LAB 21.41, 39.78, 16.73

 

CMYK 0 / 81 / 89 / 59

HEX #69140C

RGB 105 20 12

HSL 5.16, 0.79%, 0.23%

LAB 22.05, 36.63, 27.93

 

CMYK 0 / 87 / 48 / 88

HEX #1F0410

RGB 31 4 16

HSL 333.33, 0.77%, 0.07%

LAB 3.75, 12.58, -1.16

 

CMYK 0 / 88 / 50 / 73

HEX #440822

RGB 68 8 34

HSL 334, 0.79%, 0.15%

LAB 12.72, 29.87, -0.08

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 88 / 49 / 44

HEX #8E1148

RGB 142 17 72

HSL 333.6, 0.79%, 0.31%

LAB 30.92, 52.18, 1.76

 

CMYK 0 / 88 / 49 / 30

HEX #B3155B

RGB 179 21 91

HSL 333.42, 0.79%, 0.39%

LAB 39.37, 62.39, 2.59

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 22 / 89 / 59

HEX #69520C

RGB 105 82 12

HSL 45.16, 0.79%, 0.23%

LAB 36.11, 2.53, 40.57

 

CMYK 89 / 13 / 0 / 59

HEX #0C5B69

RGB 12 91 105

HSL 189.03, 0.79%, 0.23%

LAB 35.16, -16.67, -14.34

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 49 / 0 / 89 / 59

HEX #36690C

RGB 54 105 12

HSL 92.9, 0.79%, 0.23%

LAB 39.44, -33.03, 41.9

 

CMYK 89 / 49 / 0 / 59

HEX #0C3669

RGB 12 54 105

HSL 212.9, 0.79%, 0.23%

LAB 22.78, 7.06, -33.78

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 0 / 22 / 89 / 59

HEX #69520C

RGB 105 82 12

HSL 45.16, 0.79%, 0.23%

LAB 36.11, 2.53, 40.57

 

CMYK 89 / 0 / 40 / 59

HEX #0C693F

RGB 12 105 63

HSL 152.9, 0.79%, 0.23%

LAB 38.79, -35.99, 16.65

 

CMYK 89 / 67 / 0 / 59

HEX #0C2369

RGB 12 35 105

HSL 225.16, 0.79%, 0.23%

LAB 16.99, 20.96, -43.18

 

CMYK 0 / 89 / 50 / 59

HEX #690C35

RGB 105 12 53

HSL 333.55, 0.79%, 0.23%

LAB 22.03, 41.6, 0.78

 

CMYK 5 / 0 / 89 / 59

HEX #64690C

RGB 100 105 12

HSL 63.23, 0.79%, 0.23%

LAB 42.52, -13.29, 45.78

 

CMYK 89 / 0 / 40 / 59

HEX #0C693F

RGB 12 105 63

HSL 152.9, 0.79%, 0.23%

LAB 38.79, -35.99, 16.65

 

CMYK 84 / 89 / 0 / 59

HEX #110C69

RGB 17 12 105

HSL 243.23, 0.79%, 0.23%

LAB 11.97, 35.9, -51.46

 

Description

Color code: HEX #690C35 | qconv.com Color code: HEX #690C35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 12 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 12 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 50 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 50% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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