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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68F9BC it is the complementary color #970643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68F9BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68F9BC shade: #6DF9B7, #7EFFCA, #8FFFDD, #A0FFF0 and #B1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68F9BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68F9BC shade: #68F9BC, #57E7A9, #46D596, #35C383 and #24B170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68F9BC shade: #67F9BB, #67F994, #67F96D, #89F967 and #B0F967

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68F9BC shade: #67F9BB, #67F9E3, #67E7F9, #67C0F9 and #6799F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68F9BC shade matches the following richer shades: #67F9BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68F9BC shade: #67F9BB, #74ECB9, #81DFB7, #8ED2B5 and #9AC6B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68F9BC shade: #67F96C, #67F993, #67F9BA, #67F9E0 and #67EAF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68F9BC shade: #18F598, #40F7AA, #67F9BB, #8FFACD and #B6FCDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68F9BC shade: #68F9BC, #6789F9 and #F97F67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68F9BC shade: #68F9BC, #BA67F9 and #F9BA67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68F9BC shade: #68F9BC, #6789F9, #F967A6 and #F9D767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68F9BC shade: #68F9BC, #7167F9, #F967A6 and #EFF967

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 24 / 2

HEX #68F9BC

RGB 104 249 188

HSL 154.76, 0.92%, 0.69%

LAB 89.08, -52.92, 17.78

 

Complementary color

CMYK 0 / 96 / 56 / 41

HEX #970643

RGB 151 6 67

HSL 334.76, 0.92%, 0.31%

LAB 32.07, 55.87, 6.96

 

CMYK 56 / 0 / 27 / 2

HEX #6DF9B7

RGB 109 249 183

HSL 151.71, 0.92%, 0.7%

LAB 89.12, -52.93, 20.44

 

CMYK 51 / 0 / 21 / 0

HEX #7EFFCA

RGB 126 255 202

HSL 155.35, 1%, 0.75%

LAB 91.78, -47.86, 14.49

 

CMYK 44 / 0 / 13 / 0

HEX #8FFFDD

RGB 143 255 221

HSL 161.79, 1%, 0.78%

LAB 92.83, -39.85, 6.29

 

CMYK 37 / 0 / 6 / 0

HEX #A0FFF0

RGB 160 255 240

HSL 170.53, 1%, 0.81%

LAB 94.01, -31.43, -1.73

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 58 / 0 / 24 / 2

HEX #68F9BC

RGB 104 249 188

HSL 154.76, 0.92%, 0.69%

LAB 89.08, -52.92, 17.78

 

CMYK 62 / 0 / 27 / 9

HEX #57E7A9

RGB 87 231 169

HSL 154.17, 0.75%, 0.62%

LAB 82.94, -52.79, 18.98

 

CMYK 67 / 0 / 30 / 16

HEX #46D596

RGB 70 213 150

HSL 153.57, 0.63%, 0.55%

LAB 76.74, -52.52, 20.27

 

CMYK 73 / 0 / 33 / 24

HEX #35C383

RGB 53 195 131

HSL 152.96, 0.57%, 0.49%

LAB 70.47, -52.03, 21.69

 

CMYK 80 / 0 / 37 / 31

HEX #24B170

RGB 36 177 112

HSL 152.34, 0.66%, 0.42%

LAB 64.15, -51.22, 23.24

 

CMYK 59 / 0 / 25 / 2

HEX #67F9BB

RGB 103 249 187

HSL 154.52, 0.92%, 0.69%

LAB 89.03, -53.32, 18.23

 

CMYK 59 / 0 / 41 / 2

HEX #67F994

RGB 103 249 148

HSL 138.49, 0.92%, 0.69%

LAB 88.34, -60.58, 37.01

 

CMYK 59 / 0 / 56 / 2

HEX #67F96D

RGB 103 249 109

HSL 122.47, 0.92%, 0.69%

LAB 87.84, -66.07, 54.82

 

CMYK 45 / 0 / 59 / 2

HEX #89F967

RGB 137 249 103

HSL 106.03, 0.92%, 0.69%

LAB 88.95, -57.98, 59.02

 

CMYK 29 / 0 / 59 / 2

HEX #B0F967

RGB 176 249 103

HSL 90, 0.92%, 0.69%

LAB 90.76, -45.48, 61.57

 

CMYK 59 / 0 / 25 / 2

HEX #67F9BB

RGB 103 249 187

HSL 154.52, 0.92%, 0.69%

LAB 89.03, -53.32, 18.23

 

CMYK 59 / 0 / 9 / 2

HEX #67F9E3

RGB 103 249 227

HSL 170.96, 0.92%, 0.69%

LAB 89.94, -44.25, -1.18

 

CMYK 59 / 7 / 0 / 2

HEX #67E7F9

RGB 103 231 249

HSL 187.4, 0.92%, 0.69%

LAB 85.44, -30.23, -19.4

 

CMYK 59 / 23 / 0 / 2

HEX #67C0F9

RGB 103 192 249

HSL 203.42, 0.92%, 0.69%

LAB 74.46, -10.46, -36.2

 

CMYK 59 / 39 / 0 / 2

HEX #6799F9

RGB 103 153 249

HSL 219.45, 0.92%, 0.69%

LAB 63.76, 11.44, -52.99

 

CMYK 59 / 0 / 25 / 2

HEX #67F9BB

RGB 103 249 187

HSL 154.52, 0.92%, 0.69%

LAB 89.03, -53.32, 18.23

 

CMYK 59 / 0 / 25 / 2

HEX #67F9BB

RGB 103 249 187

HSL 154.52, 0.92%, 0.69%

LAB 89.03, -53.32, 18.23

 

CMYK 51 / 0 / 22 / 7

HEX #74ECB9

RGB 116 236 185

HSL 154.5, 0.76%, 0.69%

LAB 85.61, -45.53, 14.52

 

CMYK 42 / 0 / 18 / 13

HEX #81DFB7

RGB 129 223 183

HSL 154.47, 0.59%, 0.69%

LAB 82.3, -36.97, 10.96

 

CMYK 32 / 0 / 14 / 18

HEX #8ED2B5

RGB 142 210 181

HSL 154.41, 0.43%, 0.69%

LAB 79.14, -27.64, 7.59

 

CMYK 22 / 0 / 10 / 22

HEX #9AC6B3

RGB 154 198 179

HSL 154.09, 0.28%, 0.69%

LAB 76.38, -18.4, 4.77

 

CMYK 59 / 0 / 57 / 2

HEX #67F96C

RGB 103 249 108

HSL 122.05, 0.92%, 0.69%

LAB 87.83, -66.18, 55.25

 

CMYK 59 / 0 / 41 / 2

HEX #67F993

RGB 103 249 147

HSL 138.08, 0.92%, 0.69%

LAB 88.32, -60.74, 37.49

 

CMYK 59 / 0 / 25 / 2

HEX #67F9BA

RGB 103 249 186

HSL 154.11, 0.92%, 0.69%

LAB 89.01, -53.53, 18.71

 

CMYK 59 / 0 / 10 / 2

HEX #67F9E0

RGB 103 249 224

HSL 169.73, 0.92%, 0.69%

LAB 89.87, -44.98, 0.27

 

CMYK 59 / 6 / 0 / 2

HEX #67EAF9

RGB 103 234 249

HSL 186.16, 0.92%, 0.69%

LAB 86.29, -31.66, -18.12

 

CMYK 90 / 0 / 38 / 4

HEX #18F598

RGB 24 245 152

HSL 154.75, 0.92%, 0.53%

LAB 85.89, -68.6, 31.55

 

CMYK 74 / 0 / 31 / 3

HEX #40F7AA

RGB 64 247 170

HSL 154.75, 0.92%, 0.61%

LAB 87.25, -62.3, 24.34

 

CMYK 59 / 0 / 25 / 2

HEX #67F9BB

RGB 103 249 187

HSL 154.52, 0.92%, 0.69%

LAB 89.03, -53.32, 18.23

 

CMYK 43 / 0 / 18 / 2

HEX #8FFACD

RGB 143 250 205

HSL 154.77, 0.91%, 0.77%

LAB 91.06, -40.98, 12.01

 

CMYK 28 / 0 / 12 / 1

HEX #B6FCDF

RGB 182 252 223

HSL 155.14, 0.92%, 0.85%

LAB 93.84, -27.52, 6.94

 

CMYK 58 / 0 / 24 / 2

HEX #68F9BC

RGB 104 249 188

HSL 154.76, 0.92%, 0.69%

LAB 89.08, -52.92, 17.78

 

CMYK 59 / 45 / 0 / 2

HEX #6789F9

RGB 103 137 249

HSL 226.03, 0.92%, 0.69%

LAB 59.54, 20.92, -59.71

 

CMYK 0 / 49 / 59 / 2

HEX #F97F67

RGB 249 127 103

HSL 9.86, 0.92%, 0.69%

LAB 66.75, 44.54, 34.45

 

CMYK 58 / 0 / 24 / 2

HEX #68F9BC

RGB 104 249 188

HSL 154.76, 0.92%, 0.69%

LAB 89.08, -52.92, 17.78

 

CMYK 25 / 59 / 0 / 2

HEX #BA67F9

RGB 186 103 249

HSL 274.11, 0.92%, 0.69%

LAB 58.96, 58.36, -60.26

 

CMYK 0 / 25 / 59 / 2

HEX #F9BA67

RGB 249 186 103

HSL 34.11, 0.92%, 0.69%

LAB 79.75, 13.99, 50.32

 

CMYK 58 / 0 / 24 / 2

HEX #68F9BC

RGB 104 249 188

HSL 154.76, 0.92%, 0.69%

LAB 89.08, -52.92, 17.78

 

CMYK 59 / 45 / 0 / 2

HEX #6789F9

RGB 103 137 249

HSL 226.03, 0.92%, 0.69%

LAB 59.54, 20.92, -59.71

 

CMYK 0 / 59 / 33 / 2

HEX #F967A6

RGB 249 103 166

HSL 334.11, 0.92%, 0.69%

LAB 63.83, 61.67, -5.23

 

CMYK 0 / 14 / 59 / 2

HEX #F9D767

RGB 249 215 103

HSL 46.03, 0.92%, 0.69%

LAB 86.86, -1.01, 58.54

 

CMYK 58 / 0 / 24 / 2

HEX #68F9BC

RGB 104 249 188

HSL 154.76, 0.92%, 0.69%

LAB 89.08, -52.92, 17.78

 

CMYK 55 / 59 / 0 / 2

HEX #7167F9

RGB 113 103 249

HSL 244.11, 0.92%, 0.69%

LAB 51.89, 43.02, -72

 

CMYK 0 / 59 / 33 / 2

HEX #F967A6

RGB 249 103 166

HSL 334.11, 0.92%, 0.69%

LAB 63.83, 61.67, -5.23

 

CMYK 4 / 0 / 59 / 2

HEX #EFF967

RGB 239 249 103

HSL 64.11, 0.92%, 0.69%

LAB 94.77, -21.84, 67.15

 

Description

Color code: HEX #68F9BC | qconv.com Color code: HEX #68F9BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 249 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 249 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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