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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68F52D it is the complementary color #970AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68F52D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68F52D shade: #6DF528, #7EFF3B, #8FFF4E, #A0FF61 and #B1FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68F52D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68F52D shade: #68F52D, #57E31A, #46D107, #35BF00 and #24AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68F52D shade: #68F52E, #9EF52E, #D4F52E, #F5E02E and #F5AB2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68F52D shade: #68F52E, #33F52E, #2EF55E, #2EF594 and #2EF5CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68F52D shade matches the following richer shades: #68F52E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68F52D shade: #68F52E, #70E33F, #77D251, #7EC063 and #86AE75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68F52D shade: #D4F52E, #9FF52E, #69F52E, #34F52E and #2EF55C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68F52D shade: #41C709, #4EEE0B, #68F52E, #85F755 and #A1F97C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68F52D shade: #68F52D, #2EF5E1 and #F52EB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68F52D shade: #68F52D, #2E69F5 and #F52E69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68F52D shade: #68F52D, #2EF5E1, #B92EF5 and #F52E42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68F52D shade: #68F52D, #2ECDF5, #B92EF5 and #F5552E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 82 / 4

HEX #68F52D

RGB 104 245 45

HSL 102.3, 0.91%, 0.57%

LAB 86.22, -69.6, 76.16

 

Complementary color

CMYK 28 / 95 / 0 / 18

HEX #970AD2

RGB 151 10 210

HSL 282.3, 0.91%, 0.43%

LAB 40.33, 75.43, -68.56

 

CMYK 56 / 0 / 84 / 4

HEX #6DF528

RGB 109 245 40

HSL 99.8, 0.91%, 0.56%

LAB 86.36, -68.58, 77.51

 

CMYK 51 / 0 / 77 / 0

HEX #7EFF3B

RGB 126 255 59

HSL 99.49, 1%, 0.62%

LAB 89.99, -66.69, 76.15

 

CMYK 44 / 0 / 69 / 0

HEX #8FFF4E

RGB 143 255 78

HSL 97.97, 1%, 0.65%

LAB 90.74, -60.63, 70.93

 

CMYK 37 / 0 / 62 / 0

HEX #A0FF61

RGB 160 255 97

HSL 96.08, 1%, 0.69%

LAB 91.62, -53.86, 64.81

 

CMYK 31 / 0 / 55 / 0

HEX #B1FF74

RGB 177 255 116

HSL 93.67, 1%, 0.73%

LAB 92.63, -46.48, 58.07

 

CMYK 58 / 0 / 82 / 4

HEX #68F52D

RGB 104 245 45

HSL 102.3, 0.91%, 0.57%

LAB 86.22, -69.6, 76.16

 

CMYK 62 / 0 / 89 / 11

HEX #57E31A

RGB 87 227 26

HSL 101.79, 0.79%, 0.5%

LAB 80.2, -68.33, 74.67

 

CMYK 67 / 0 / 97 / 18

HEX #46D107

RGB 70 209 7

HSL 101.29, 0.94%, 0.42%

LAB 74.14, -66.61, 71.92

 

CMYK 72 / 0 / 100 / 25

HEX #35BF00

RGB 53 191 0

HSL 103.35, 1%, 0.37%

LAB 68.03, -64.33, 67.62

 

CMYK 79 / 0 / 100 / 32

HEX #24AD00

RGB 36 173 0

HSL 107.51, 1%, 0.34%

LAB 61.88, -61.52, 62.58

 

CMYK 58 / 0 / 81 / 4

HEX #68F52E

RGB 104 245 46

HSL 102.51, 0.91%, 0.57%

LAB 86.23, -69.56, 75.92

 

CMYK 36 / 0 / 81 / 4

HEX #9EF52E

RGB 158 245 46

HSL 86.23, 0.91%, 0.57%

LAB 88.34, -53.66, 78.61

 

CMYK 13 / 0 / 81 / 4

HEX #D4F52E

RGB 212 245 46

HSL 69.95, 0.91%, 0.57%

LAB 91.46, -33.56, 82.55

 

CMYK 0 / 9 / 81 / 4

HEX #F5E02E

RGB 245 224 46

HSL 53.67, 0.91%, 0.57%

LAB 88.41, -9.97, 80.92

 

CMYK 0 / 30 / 81 / 4

HEX #F5AB2E

RGB 245 171 46

HSL 37.69, 0.91%, 0.57%

LAB 75.29, 17.32, 69.59

 

CMYK 58 / 0 / 81 / 4

HEX #68F52E

RGB 104 245 46

HSL 102.51, 0.91%, 0.57%

LAB 86.23, -69.56, 75.92

 

CMYK 79 / 0 / 81 / 4

HEX #33F52E

RGB 51 245 46

HSL 118.49, 0.91%, 0.57%

LAB 85.1, -79.08, 74.47

 

CMYK 81 / 0 / 62 / 4

HEX #2EF55E

RGB 46 245 94

HSL 134.47, 0.91%, 0.57%

LAB 85.35, -75.76, 58.14

 

CMYK 81 / 0 / 40 / 4

HEX #2EF594

RGB 46 245 148

HSL 150.75, 0.91%, 0.57%

LAB 86.02, -67.79, 33.75

 

CMYK 81 / 0 / 18 / 4

HEX #2EF5CA

RGB 46 245 202

HSL 167.04, 0.91%, 0.57%

LAB 87.07, -56.19, 7.53

 

CMYK 58 / 0 / 81 / 4

HEX #68F52E

RGB 104 245 46

HSL 102.51, 0.91%, 0.57%

LAB 86.23, -69.56, 75.92

 

CMYK 58 / 0 / 81 / 4

HEX #68F52E

RGB 104 245 46

HSL 102.51, 0.91%, 0.57%

LAB 86.23, -69.56, 75.92

 

CMYK 51 / 0 / 72 / 11

HEX #70E33F

RGB 112 227 63

HSL 102.07, 0.75%, 0.57%

LAB 81.15, -60.2, 66.09

 

CMYK 43 / 0 / 61 / 18

HEX #77D251

RGB 119 210 81

HSL 102.33, 0.59%, 0.57%

LAB 76.44, -50.12, 54.15

 

CMYK 34 / 0 / 48 / 25

HEX #7EC063

RGB 126 192 99

HSL 102.58, 0.42%, 0.57%

LAB 71.58, -38.18, 40.14

 

CMYK 23 / 0 / 33 / 32

HEX #86AE75

RGB 134 174 117

HSL 102.11, 0.26%, 0.57%

LAB 66.99, -24.34, 25

 

CMYK 13 / 0 / 81 / 4

HEX #D4F52E

RGB 212 245 46

HSL 69.95, 0.91%, 0.57%

LAB 91.46, -33.56, 82.55

 

CMYK 35 / 0 / 81 / 4

HEX #9FF52E

RGB 159 245 46

HSL 85.93, 0.91%, 0.57%

LAB 88.39, -53.32, 78.67

 

CMYK 57 / 0 / 81 / 4

HEX #69F52E

RGB 105 245 46

HSL 102.21, 0.91%, 0.57%

LAB 86.26, -69.32, 75.96

 

CMYK 79 / 0 / 81 / 4

HEX #34F52E

RGB 52 245 46

HSL 118.19, 0.91%, 0.57%

LAB 85.11, -78.96, 74.49

 

CMYK 81 / 0 / 62 / 4

HEX #2EF55C

RGB 46 245 92

HSL 133.87, 0.91%, 0.57%

LAB 85.33, -75.98, 58.96

 

CMYK 67 / 0 / 95 / 22

HEX #41C709

RGB 65 199 9

HSL 102.32, 0.91%, 0.41%

LAB 70.86, -64.41, 69

 

CMYK 67 / 0 / 95 / 7

HEX #4EEE0B

RGB 78 238 11

HSL 102.29, 0.91%, 0.49%

LAB 83.33, -74, 79.1

 

CMYK 58 / 0 / 81 / 4

HEX #68F52E

RGB 104 245 46

HSL 102.51, 0.91%, 0.57%

LAB 86.23, -69.56, 75.92

 

CMYK 46 / 0 / 66 / 3

HEX #85F755

RGB 133 247 85

HSL 102.22, 0.91%, 0.65%

LAB 88.05, -60.02, 65.37

 

CMYK 35 / 0 / 50 / 2

HEX #A1F97C

RGB 161 249 124

HSL 102.24, 0.91%, 0.73%

LAB 90.22, -48.36, 51.37

 

CMYK 58 / 0 / 82 / 4

HEX #68F52D

RGB 104 245 45

HSL 102.3, 0.91%, 0.57%

LAB 86.22, -69.6, 76.16

 

CMYK 81 / 0 / 8 / 4

HEX #2EF5E1

RGB 46 245 225

HSL 173.97, 0.91%, 0.57%

LAB 87.64, -50.31, -3.64

 

CMYK 0 / 81 / 24 / 4

HEX #F52EB9

RGB 245 46 185

HSL 318.09, 0.91%, 0.57%

LAB 56.95, 82.05, -26.66

 

CMYK 58 / 0 / 82 / 4

HEX #68F52D

RGB 104 245 45

HSL 102.3, 0.91%, 0.57%

LAB 86.22, -69.6, 76.16

 

CMYK 81 / 57 / 0 / 4

HEX #2E69F5

RGB 46 105 245

HSL 222.21, 0.91%, 0.57%

LAB 48.61, 31.56, -75.28

 

CMYK 0 / 81 / 57 / 4

HEX #F52E69

RGB 245 46 105

HSL 342.21, 0.91%, 0.57%

LAB 54.43, 74.76, 16.98

 

CMYK 58 / 0 / 82 / 4

HEX #68F52D

RGB 104 245 45

HSL 102.3, 0.91%, 0.57%

LAB 86.22, -69.6, 76.16

 

CMYK 81 / 0 / 8 / 4

HEX #2EF5E1

RGB 46 245 225

HSL 173.97, 0.91%, 0.57%

LAB 87.64, -50.31, -3.64

 

CMYK 24 / 81 / 0 / 4

HEX #B92EF5

RGB 185 46 245

HSL 281.91, 0.91%, 0.57%

LAB 50.52, 79.87, -71.64

 

CMYK 0 / 81 / 73 / 4

HEX #F52E42

RGB 245 46 66

HSL 353.97, 0.91%, 0.57%

LAB 53.77, 72.76, 39.17

 

CMYK 58 / 0 / 82 / 4

HEX #68F52D

RGB 104 245 45

HSL 102.3, 0.91%, 0.57%

LAB 86.22, -69.6, 76.16

 

CMYK 81 / 16 / 0 / 4

HEX #2ECDF5

RGB 46 205 245

HSL 192.06, 0.91%, 0.57%

LAB 76.58, -26.11, -30.9

 

CMYK 24 / 81 / 0 / 4

HEX #B92EF5

RGB 185 46 245

HSL 281.91, 0.91%, 0.57%

LAB 50.52, 79.87, -71.64

 

CMYK 0 / 65 / 81 / 4

HEX #F5552E

RGB 245 85 46

HSL 11.76, 0.91%, 0.57%

LAB 58.14, 59.45, 54.15

 

Description

Color code: HEX #68F52D | qconv.com Color code: HEX #68F52D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 245 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 245 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 82% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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