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Color name
HEX #68F338

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68F338 it is the complementary color #970CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68F338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68F338 shade: #6DF333, #7EFF46, #8FFF59, #A0FF6C and #B1FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68F338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68F338 shade: #68F338, #57E125, #46CF12, #35BD00 and #24AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68F338 shade: #69F339, #9BF339, #CEF339, #F3E739 and #F3B539

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68F338 shade: #69F339, #39F33C, #39F36E, #39F3A0 and #39F3D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68F338 shade matches the following richer shades: #69F339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68F338 shade: #69F339, #71E34A, #7AD25B, #82C16C and #8AB07D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68F338 shade: #CEF339, #9DF339, #6BF339, #39F339 and #39F36B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68F338 shade: #3ECE0C, #4CF112, #69F339, #87F660 and #A4F887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68F338 shade: #68F338, #39F3E7 and #F339B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68F338 shade: #68F338, #396BF3 and #F3396B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68F338 shade: #68F338, #39F3E7, #C239F3 and #F33946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68F338 shade: #68F338, #39C8F3, #C239F3 and #F36539

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 77 / 5

HEX #68F338

RGB 104 243 56

HSL 104.6, 0.89%, 0.59%

LAB 85.67, -68.37, 72.67

 

Complementary color

CMYK 24 / 94 / 0 / 22

HEX #970CC7

RGB 151 12 199

HSL 284.6, 0.89%, 0.41%

LAB 39.52, 73.17, -63.48

 

CMYK 55 / 0 / 79 / 5

HEX #6DF333

RGB 109 243 51

HSL 101.88, 0.89%, 0.58%

LAB 85.8, -67.4, 74.27

 

CMYK 51 / 0 / 73 / 0

HEX #7EFF46

RGB 126 255 70

HSL 101.84, 1%, 0.64%

LAB 90.04, -66.04, 72.78

 

CMYK 44 / 0 / 65 / 0

HEX #8FFF59

RGB 143 255 89

HSL 100.48, 1%, 0.67%

LAB 90.82, -59.8, 66.9

 

CMYK 37 / 0 / 58 / 0

HEX #A0FF6C

RGB 160 255 108

HSL 98.78, 1%, 0.71%

LAB 91.72, -52.86, 60.3

 

CMYK 31 / 0 / 50 / 0

HEX #B1FF7F

RGB 177 255 127

HSL 96.56, 1%, 0.75%

LAB 92.75, -45.33, 53.24

 

CMYK 57 / 0 / 77 / 5

HEX #68F338

RGB 104 243 56

HSL 104.6, 0.89%, 0.59%

LAB 85.67, -68.37, 72.67

 

CMYK 61 / 0 / 84 / 12

HEX #57E125

RGB 87 225 37

HSL 104.04, 0.76%, 0.51%

LAB 79.62, -67.28, 71.95

 

CMYK 66 / 0 / 91 / 19

HEX #46CF12

RGB 70 207 18

HSL 103.49, 0.84%, 0.44%

LAB 73.53, -65.76, 70.14

 

CMYK 72 / 0 / 100 / 26

HEX #35BD00

RGB 53 189 0

HSL 103.17, 1%, 0.37%

LAB 67.39, -63.71, 67.11

 

CMYK 79 / 0 / 100 / 33

HEX #24AB00

RGB 36 171 0

HSL 107.37, 1%, 0.34%

LAB 61.22, -60.92, 62.06

 

CMYK 57 / 0 / 77 / 5

HEX #69F339

RGB 105 243 57

HSL 104.52, 0.89%, 0.59%

LAB 85.71, -68.07, 72.42

 

CMYK 36 / 0 / 77 / 5

HEX #9BF339

RGB 155 243 57

HSL 88.39, 0.89%, 0.59%

LAB 87.66, -53.39, 74.97

 

CMYK 15 / 0 / 77 / 5

HEX #CEF339

RGB 206 243 57

HSL 71.94, 0.89%, 0.59%

LAB 90.56, -34.62, 78.71

 

CMYK 0 / 5 / 77 / 5

HEX #F3E739

RGB 243 231 57

HSL 56.13, 0.89%, 0.59%

LAB 90.09, -13.91, 79.29

 

CMYK 0 / 26 / 77 / 5

HEX #F3B539

RGB 243 181 57

HSL 40, 0.89%, 0.59%

LAB 77.52, 11.59, 67.73

 

CMYK 57 / 0 / 77 / 5

HEX #69F339

RGB 105 243 57

HSL 104.52, 0.89%, 0.59%

LAB 85.71, -68.07, 72.42

 

CMYK 77 / 0 / 75 / 5

HEX #39F33C

RGB 57 243 60

HSL 120.97, 0.89%, 0.59%

LAB 84.64, -76.93, 70.09

 

CMYK 77 / 0 / 55 / 5

HEX #39F36E

RGB 57 243 110

HSL 137.1, 0.89%, 0.59%

LAB 85.05, -71.94, 50.8

 

CMYK 77 / 0 / 34 / 5

HEX #39F3A0

RGB 57 243 160

HSL 153.23, 0.89%, 0.59%

LAB 85.76, -63.67, 27.39

 

CMYK 77 / 0 / 14 / 5

HEX #39F3D2

RGB 57 243 210

HSL 169.35, 0.89%, 0.59%

LAB 86.81, -52.39, 3

 

CMYK 57 / 0 / 77 / 5

HEX #69F339

RGB 105 243 57

HSL 104.52, 0.89%, 0.59%

LAB 85.71, -68.07, 72.42

 

CMYK 57 / 0 / 77 / 5

HEX #69F339

RGB 105 243 57

HSL 104.52, 0.89%, 0.59%

LAB 85.71, -68.07, 72.42

 

CMYK 50 / 0 / 67 / 11

HEX #71E34A

RGB 113 227 74

HSL 104.71, 0.73%, 0.59%

LAB 81.26, -59.09, 62.19

 

CMYK 42 / 0 / 57 / 18

HEX #7AD25B

RGB 122 210 91

HSL 104.37, 0.57%, 0.59%

LAB 76.67, -48.16, 50.01

 

CMYK 33 / 0 / 44 / 24

HEX #82C16C

RGB 130 193 108

HSL 104.47, 0.41%, 0.59%

LAB 72.21, -36.09, 36.45

 

CMYK 22 / 0 / 29 / 31

HEX #8AB07D

RGB 138 176 125

HSL 104.71, 0.24%, 0.59%

LAB 67.97, -22.62, 22.05

 

CMYK 15 / 0 / 77 / 5

HEX #CEF339

RGB 206 243 57

HSL 71.94, 0.89%, 0.59%

LAB 90.56, -34.62, 78.71

 

CMYK 35 / 0 / 77 / 5

HEX #9DF339

RGB 157 243 57

HSL 87.74, 0.89%, 0.59%

LAB 87.76, -52.71, 75.09

 

CMYK 56 / 0 / 77 / 5

HEX #6BF339

RGB 107 243 57

HSL 103.87, 0.89%, 0.59%

LAB 85.77, -67.57, 72.5

 

CMYK 77 / 0 / 77 / 5

HEX #39F339

RGB 57 243 57

HSL 120, 0.89%, 0.59%

LAB 84.62, -77.12, 71

 

CMYK 77 / 0 / 56 / 5

HEX #39F36B

RGB 57 243 107

HSL 136.13, 0.89%, 0.59%

LAB 85.01, -72.33, 52.12

 

CMYK 70 / 0 / 94 / 19

HEX #3ECE0C

RGB 62 206 12

HSL 104.54, 0.89%, 0.43%

LAB 73.02, -67.13, 70.42

 

CMYK 68 / 0 / 93 / 5

HEX #4CF112

RGB 76 241 18

HSL 104.39, 0.89%, 0.51%

LAB 84.22, -75.16, 79.09

 

CMYK 57 / 0 / 77 / 5

HEX #69F339

RGB 105 243 57

HSL 104.52, 0.89%, 0.59%

LAB 85.71, -68.07, 72.42

 

CMYK 45 / 0 / 61 / 4

HEX #87F660

RGB 135 246 96

HSL 104.4, 0.89%, 0.67%

LAB 87.92, -58.08, 60.81

 

CMYK 34 / 0 / 46 / 3

HEX #A4F887

RGB 164 248 135

HSL 104.6, 0.89%, 0.75%

LAB 90.22, -45.65, 46.22

 

CMYK 57 / 0 / 77 / 5

HEX #68F338

RGB 104 243 56

HSL 104.6, 0.89%, 0.59%

LAB 85.67, -68.37, 72.67

 

CMYK 77 / 0 / 5 / 5

HEX #39F3E7

RGB 57 243 231

HSL 176.13, 0.89%, 0.59%

LAB 87.36, -46.89, -7.18

 

CMYK 0 / 77 / 26 / 5

HEX #F339B5

RGB 243 57 181

HSL 320, 0.89%, 0.59%

LAB 57.38, 78.42, -23.7

 

CMYK 57 / 0 / 77 / 5

HEX #68F338

RGB 104 243 56

HSL 104.6, 0.89%, 0.59%

LAB 85.67, -68.37, 72.67

 

CMYK 77 / 56 / 0 / 5

HEX #396BF3

RGB 57 107 243

HSL 223.87, 0.89%, 0.59%

LAB 49.32, 30.57, -72.98

 

CMYK 0 / 77 / 56 / 5

HEX #F3396B

RGB 243 57 107

HSL 343.87, 0.89%, 0.59%

LAB 55.12, 71.5, 16.65

 

CMYK 57 / 0 / 77 / 5

HEX #68F338

RGB 104 243 56

HSL 104.6, 0.89%, 0.59%

LAB 85.67, -68.37, 72.67

 

CMYK 77 / 0 / 5 / 5

HEX #39F3E7

RGB 57 243 231

HSL 176.13, 0.89%, 0.59%

LAB 87.36, -46.89, -7.18

 

CMYK 20 / 77 / 0 / 5

HEX #C239F3

RGB 194 57 243

HSL 284.19, 0.89%, 0.59%

LAB 52.8, 77.78, -66.76

 

CMYK 0 / 77 / 71 / 5

HEX #F33946

RGB 243 57 70

HSL 355.81, 0.89%, 0.59%

LAB 54.47, 69.46, 37.6

 

CMYK 57 / 0 / 77 / 5

HEX #68F338

RGB 104 243 56

HSL 104.6, 0.89%, 0.59%

LAB 85.67, -68.37, 72.67

 

CMYK 77 / 18 / 0 / 5

HEX #39C8F3

RGB 57 200 243

HSL 193.87, 0.89%, 0.59%

LAB 75.23, -23.23, -31.88

 

CMYK 20 / 77 / 0 / 5

HEX #C239F3

RGB 194 57 243

HSL 284.19, 0.89%, 0.59%

LAB 52.8, 77.78, -66.76

 

CMYK 0 / 58 / 77 / 5

HEX #F36539

RGB 243 101 57

HSL 14.19, 0.89%, 0.59%

LAB 60.48, 52.26, 51.1

 

Description

Color code: HEX #68F338 | qconv.com Color code: HEX #68F338 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 243 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 243 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 77% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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