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Color name
HEX #68EB32

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68EB32 it is the complementary color #9714CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68EB32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68EB32 shade: #6DEB2D, #7EFD40, #8FFF53, #A0FF66 and #B1FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68EB32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68EB32 shade: #68EB32, #57D91F, #46C70C, #35B500 and #24A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68EB32 shade: #68EB33, #9AEB33, #CCEB33, #EBD833 and #EBA733

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68EB32 shade: #68EB33, #37EB33, #33EB60, #33EB92 and #33EBC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68EB32 shade matches the following richer shades: #68EB33 and #61FD21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68EB32 shade: #68EB33, #70D945, #78C657, #7FB469 and #87A27B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68EB32 shade: #CCEB33, #9BEB33, #6AEB33, #39EB33 and #33EB5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68EB32 shade: #43B912, #50DE16, #68EB33, #84EF58 and #A0F27E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68EB32 shade: #68EB32, #33EBD8 and #EB33B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68EB32 shade: #68EB32, #336AEB and #EB336A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68EB32 shade: #68EB32, #33EBD8, #B433EB and #EB3345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68EB32 shade: #68EB32, #33C6EB, #B433EB and #EB5833

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 79 / 8

HEX #68EB32

RGB 104 235 50

HSL 102.49, 0.82%, 0.56%

LAB 83.23, -65.96, 72.09

 

Complementary color

CMYK 26 / 90 / 0 / 20

HEX #9714CD

RGB 151 20 205

HSL 282.49, 0.82%, 0.44%

LAB 40.39, 73.11, -65.56

 

CMYK 54 / 0 / 81 / 8

HEX #6DEB2D

RGB 109 235 45

HSL 99.79, 0.83%, 0.55%

LAB 83.37, -64.91, 73.62

 

CMYK 50 / 0 / 75 / 1

HEX #7EFD40

RGB 126 253 64

HSL 100.32, 0.98%, 0.62%

LAB 89.42, -65.69, 74.1

 

CMYK 44 / 0 / 67 / 0

HEX #8FFF53

RGB 143 255 83

HSL 99.07, 1%, 0.66%

LAB 90.77, -60.27, 69.14

 

CMYK 37 / 0 / 60 / 0

HEX #A0FF66

RGB 160 255 102

HSL 97.25, 1%, 0.7%

LAB 91.66, -53.42, 62.79

 

CMYK 31 / 0 / 53 / 0

HEX #B1FF79

RGB 177 255 121

HSL 94.93, 1%, 0.74%

LAB 92.68, -45.98, 55.9

 

CMYK 56 / 0 / 79 / 8

HEX #68EB32

RGB 104 235 50

HSL 102.49, 0.82%, 0.56%

LAB 83.23, -65.96, 72.09

 

CMYK 60 / 0 / 86 / 15

HEX #57D91F

RGB 87 217 31

HSL 101.94, 0.75%, 0.49%

LAB 77.13, -64.86, 71.07

 

CMYK 65 / 0 / 94 / 22

HEX #46C70C

RGB 70 199 12

HSL 101.39, 0.89%, 0.41%

LAB 70.99, -63.32, 68.83

 

CMYK 71 / 0 / 100 / 29

HEX #35B500

RGB 53 181 0

HSL 102.43, 1%, 0.35%

LAB 64.81, -61.22, 65.05

 

CMYK 78 / 0 / 100 / 36

HEX #24A300

RGB 36 163 0

HSL 106.75, 1%, 0.32%

LAB 58.57, -58.49, 59.94

 

CMYK 56 / 0 / 78 / 8

HEX #68EB33

RGB 104 235 51

HSL 102.72, 0.82%, 0.56%

LAB 83.23, -65.91, 71.81

 

CMYK 34 / 0 / 78 / 8

HEX #9AEB33

RGB 154 235 51

HSL 86.41, 0.82%, 0.56%

LAB 85.26, -50.77, 74.44

 

CMYK 13 / 0 / 78 / 8

HEX #CCEB33

RGB 204 235 51

HSL 70.11, 0.82%, 0.56%

LAB 88.21, -31.98, 78.21

 

CMYK 0 / 8 / 78 / 8

HEX #EBD833

RGB 235 216 51

HSL 53.8, 0.82%, 0.56%

LAB 85.51, -10.03, 76.7

 

CMYK 0 / 29 / 78 / 8

HEX #EBA733

RGB 235 167 51

HSL 37.83, 0.82%, 0.56%

LAB 73.25, 15.36, 65.62

 

CMYK 56 / 0 / 78 / 8

HEX #68EB33

RGB 104 235 51

HSL 102.72, 0.82%, 0.56%

LAB 83.23, -65.91, 71.81

 

CMYK 77 / 0 / 78 / 8

HEX #37EB33

RGB 55 235 51

HSL 118.7, 0.82%, 0.56%

LAB 82.09, -75.4, 70.33

 

CMYK 78 / 0 / 59 / 8

HEX #33EB60

RGB 51 235 96

HSL 134.67, 0.82%, 0.56%

LAB 82.36, -71.89, 53.88

 

CMYK 78 / 0 / 38 / 8

HEX #33EB92

RGB 51 235 146

HSL 150.98, 0.82%, 0.56%

LAB 83.02, -64.16, 30.79

 

CMYK 78 / 0 / 17 / 8

HEX #33EBC4

RGB 51 235 196

HSL 167.28, 0.82%, 0.56%

LAB 84.02, -53.22, 6.29

 

CMYK 56 / 0 / 78 / 8

HEX #68EB33

RGB 104 235 51

HSL 102.72, 0.82%, 0.56%

LAB 83.23, -65.91, 71.81

 

CMYK 62 / 0 / 87 / 1

HEX #61FD21

RGB 97 253 33

HSL 102.55, 0.98%, 0.56%

LAB 88.4, -74.28, 80.56

 

CMYK 56 / 0 / 78 / 8

HEX #68EB33

RGB 104 235 51

HSL 102.72, 0.82%, 0.56%

LAB 83.23, -65.91, 71.81

 

CMYK 48 / 0 / 68 / 15

HEX #70D945

RGB 112 217 69

HSL 102.57, 0.66%, 0.56%

LAB 78.17, -56.02, 60.84

 

CMYK 39 / 0 / 56 / 22

HEX #78C657

RGB 120 198 87

HSL 102.16, 0.49%, 0.56%

LAB 72.94, -44.21, 47.47

 

CMYK 29 / 0 / 42 / 29

HEX #7FB469

RGB 127 180 105

HSL 102.4, 0.33%, 0.56%

LAB 68.15, -31.52, 32.78

 

CMYK 17 / 0 / 24 / 36

HEX #87A27B

RGB 135 162 123

HSL 101.54, 0.17%, 0.56%

LAB 63.69, -16.9, 17.26

 

CMYK 13 / 0 / 78 / 8

HEX #CCEB33

RGB 204 235 51

HSL 70.11, 0.82%, 0.56%

LAB 88.21, -31.98, 78.21

 

CMYK 34 / 0 / 78 / 8

HEX #9BEB33

RGB 155 235 51

HSL 86.09, 0.82%, 0.56%

LAB 85.31, -50.43, 74.5

 

CMYK 55 / 0 / 78 / 8

HEX #6AEB33

RGB 106 235 51

HSL 102.07, 0.82%, 0.56%

LAB 83.29, -65.4, 71.9

 

CMYK 76 / 0 / 78 / 8

HEX #39EB33

RGB 57 235 51

HSL 118.04, 0.82%, 0.56%

LAB 82.12, -75.13, 70.37

 

CMYK 78 / 0 / 60 / 8

HEX #33EB5E

RGB 51 235 94

HSL 134.02, 0.82%, 0.56%

LAB 82.34, -72.13, 54.73

 

CMYK 64 / 0 / 90 / 27

HEX #43B912

RGB 67 185 18

HSL 102.4, 0.82%, 0.4%

LAB 66.47, -59.21, 64.16

 

CMYK 64 / 0 / 90 / 13

HEX #50DE16

RGB 80 222 22

HSL 102.6, 0.82%, 0.48%

LAB 78.47, -68.36, 73.78

 

CMYK 56 / 0 / 78 / 8

HEX #68EB33

RGB 104 235 51

HSL 102.72, 0.82%, 0.56%

LAB 83.23, -65.91, 71.81

 

CMYK 45 / 0 / 63 / 6

HEX #84EF58

RGB 132 239 88

HSL 102.52, 0.83%, 0.64%

LAB 85.68, -56.99, 61.6

 

CMYK 34 / 0 / 48 / 5

HEX #A0F27E

RGB 160 242 126

HSL 102.41, 0.82%, 0.72%

LAB 88.2, -45.47, 47.95

 

CMYK 56 / 0 / 79 / 8

HEX #68EB32

RGB 104 235 50

HSL 102.49, 0.82%, 0.56%

LAB 83.23, -65.96, 72.09

 

CMYK 78 / 0 / 8 / 8

HEX #33EBD8

RGB 51 235 216

HSL 173.8, 0.82%, 0.56%

LAB 84.52, -48.07, -3.5

 

CMYK 0 / 78 / 23 / 8

HEX #EB33B4

RGB 235 51 180

HSL 317.93, 0.82%, 0.56%

LAB 55.41, 78.08, -26.28

 

CMYK 56 / 0 / 79 / 8

HEX #68EB32

RGB 104 235 50

HSL 102.49, 0.82%, 0.56%

LAB 83.23, -65.96, 72.09

 

CMYK 78 / 55 / 0 / 8

HEX #336AEB

RGB 51 106 235

HSL 222.07, 0.82%, 0.56%

LAB 48.27, 27.68, -70.22

 

CMYK 0 / 78 / 55 / 8

HEX #EB336A

RGB 235 51 106

HSL 342.07, 0.82%, 0.56%

LAB 53.03, 70.96, 14.14

 

CMYK 56 / 0 / 79 / 8

HEX #68EB32

RGB 104 235 50

HSL 102.49, 0.82%, 0.56%

LAB 83.23, -65.96, 72.09

 

CMYK 78 / 0 / 8 / 8

HEX #33EBD8

RGB 51 235 216

HSL 173.8, 0.82%, 0.56%

LAB 84.52, -48.07, -3.5

 

CMYK 23 / 78 / 0 / 8

HEX #B433EB

RGB 180 51 235

HSL 282.07, 0.82%, 0.56%

LAB 49.58, 75.72, -67.58

 

CMYK 0 / 78 / 71 / 8

HEX #EB3345

RGB 235 51 69

HSL 354.13, 0.82%, 0.56%

LAB 52.35, 68.87, 35.31

 

CMYK 56 / 0 / 79 / 8

HEX #68EB32

RGB 104 235 50

HSL 102.49, 0.82%, 0.56%

LAB 83.23, -65.96, 72.09

 

CMYK 78 / 16 / 0 / 8

HEX #33C6EB

RGB 51 198 235

HSL 192.07, 0.82%, 0.56%

LAB 74.25, -25.39, -29.1

 

CMYK 23 / 78 / 0 / 8

HEX #B433EB

RGB 180 51 235

HSL 282.07, 0.82%, 0.56%

LAB 49.58, 75.72, -67.58

 

CMYK 0 / 63 / 78 / 8

HEX #EB5833

RGB 235 88 51

HSL 12.07, 0.82%, 0.56%

LAB 56.96, 54.99, 50.05

 

Description

Color code: HEX #68EB32 | qconv.com Color code: HEX #68EB32 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 235 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 235 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 79 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 79% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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