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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68E76F it is the complementary color #971890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68E76F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68E76F shade: #6DE76A, #7EF97D, #8FFF90, #A0FFA3 and #B1FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68E76F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68E76F shade: #68E76F, #57D55C, #46C349, #35B136 and #249F23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68E76F shade: #69E870, #84E869, #A6E869, #C8E869 and #E8E569

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68E76F shade: #69E870, #69E892, #69E8B4, #69E8D6 and #69D7E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68E76F shade matches the following richer shades: #69E870 and #5BF664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68E76F shade: #69E870, #77DA7C, #85CC89, #93BE95 and #A1AFA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68E76F shade: #A6E869, #84E869, #69E86F, #69E891 and #69E8B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68E76F shade: #22DC2D, #45E24E, #69E870, #8DED92 and #B0F3B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68E76F shade: #68E76F, #69C8E8 and #E86995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68E76F shade: #68E76F, #6F69E8 and #E86F69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68E76F shade: #68E76F, #69C8E8, #E869E1 and #E88969

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68E76F shade: #68E76F, #69A2E8, #E869E1 and #E8AF69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 52 / 9

HEX #68E76F

RGB 104 231 111

HSL 123.31, 0.73%, 0.66%

LAB 82.51, -59.02, 47.54

 

Complementary color

CMYK 0 / 84 / 5 / 41

HEX #971890

RGB 151 24 144

HSL 303.31, 0.73%, 0.34%

LAB 36.45, 61.69, -35.55

 

CMYK 53 / 0 / 54 / 9

HEX #6DE76A

RGB 109 231 106

HSL 118.56, 0.72%, 0.66%

LAB 82.62, -58.4, 50.03

 

CMYK 49 / 0 / 50 / 2

HEX #7EF97D

RGB 126 249 125

HSL 119.52, 0.91%, 0.73%

LAB 88.77, -58.49, 48.79

 

CMYK 44 / 0 / 44 / 0

HEX #8FFF90

RGB 143 255 144

HSL 120.54, 1%, 0.78%

LAB 91.4, -53.69, 43.19

 

CMYK 37 / 0 / 36 / 0

HEX #A0FFA3

RGB 160 255 163

HSL 121.89, 1%, 0.81%

LAB 92.41, -45.98, 35.33

 

CMYK 31 / 0 / 29 / 0

HEX #B1FFB6

RGB 177 255 182

HSL 123.85, 1%, 0.85%

LAB 93.56, -37.82, 27.48

 

CMYK 55 / 0 / 52 / 9

HEX #68E76F

RGB 104 231 111

HSL 123.31, 0.73%, 0.66%

LAB 82.51, -59.02, 47.54

 

CMYK 59 / 0 / 57 / 16

HEX #57D55C

RGB 87 213 92

HSL 122.38, 0.6%, 0.59%

LAB 76.31, -58.74, 48.8

 

CMYK 64 / 0 / 63 / 24

HEX #46C349

RGB 70 195 73

HSL 121.44, 0.51%, 0.52%

LAB 70.04, -58.21, 49.98

 

CMYK 70 / 0 / 69 / 31

HEX #35B136

RGB 53 177 54

HSL 120.48, 0.54%, 0.45%

LAB 63.73, -57.29, 50.94

 

CMYK 77 / 0 / 78 / 38

HEX #249F23

RGB 36 159 35

HSL 119.52, 0.64%, 0.38%

LAB 57.36, -55.79, 51.38

 

CMYK 55 / 0 / 52 / 9

HEX #69E870

RGB 105 232 112

HSL 123.31, 0.73%, 0.66%

LAB 82.85, -59.02, 47.49

 

CMYK 43 / 0 / 55 / 9

HEX #84E869

RGB 132 232 105

HSL 107.24, 0.73%, 0.66%

LAB 83.78, -52.52, 52.08

 

CMYK 28 / 0 / 55 / 9

HEX #A6E869

RGB 166 232 105

HSL 91.18, 0.73%, 0.66%

LAB 85.42, -41.41, 54.42

 

CMYK 14 / 0 / 55 / 9

HEX #C8E869

RGB 200 232 105

HSL 75.12, 0.73%, 0.66%

LAB 87.49, -28.86, 57.35

 

CMYK 0 / 1 / 55 / 9

HEX #E8E569

RGB 232 229 105

HSL 58.58, 0.73%, 0.66%

LAB 89.02, -14.79, 59.72

 

CMYK 55 / 0 / 52 / 9

HEX #69E870

RGB 105 232 112

HSL 123.31, 0.73%, 0.66%

LAB 82.85, -59.02, 47.49

 

CMYK 55 / 0 / 37 / 9

HEX #69E892

RGB 105 232 146

HSL 139.37, 0.73%, 0.66%

LAB 83.33, -53.87, 31.43

 

CMYK 55 / 0 / 22 / 9

HEX #69E8B4

RGB 105 232 180

HSL 155.43, 0.73%, 0.66%

LAB 83.97, -47.31, 14.77

 

CMYK 55 / 0 / 8 / 9

HEX #69E8D6

RGB 105 232 214

HSL 171.5, 0.73%, 0.66%

LAB 84.78, -39.5, -1.93

 

CMYK 55 / 7 / 0 / 9

HEX #69D7E8

RGB 105 215 232

HSL 188.03, 0.73%, 0.66%

LAB 80.42, -26.8, -17.96

 

CMYK 55 / 0 / 52 / 9

HEX #69E870

RGB 105 232 112

HSL 123.31, 0.73%, 0.66%

LAB 82.85, -59.02, 47.49

 

CMYK 63 / 0 / 59 / 4

HEX #5BF664

RGB 91 246 100

HSL 123.48, 0.9%, 0.66%

LAB 86.53, -68.6, 57.15

 

CMYK 55 / 0 / 52 / 9

HEX #69E870

RGB 105 232 112

HSL 123.31, 0.73%, 0.66%

LAB 82.85, -59.02, 47.49

 

CMYK 45 / 0 / 43 / 15

HEX #77DA7C

RGB 119 218 124

HSL 123.03, 0.57%, 0.66%

LAB 79.34, -48.12, 37.39

 

CMYK 35 / 0 / 33 / 20

HEX #85CC89

RGB 133 204 137

HSL 123.38, 0.41%, 0.66%

LAB 76.06, -35.76, 26.54

 

CMYK 23 / 0 / 22 / 25

HEX #93BE95

RGB 147 190 149

HSL 122.79, 0.25%, 0.66%

LAB 73.02, -22.39, 16.14

 

CMYK 8 / 0 / 7 / 31

HEX #A1AFA2

RGB 161 175 162

HSL 124.29, 0.08%, 0.66%

LAB 70.07, -7.39, 4.99

 

CMYK 28 / 0 / 55 / 9

HEX #A6E869

RGB 166 232 105

HSL 91.18, 0.73%, 0.66%

LAB 85.42, -41.41, 54.42

 

CMYK 43 / 0 / 55 / 9

HEX #84E869

RGB 132 232 105

HSL 107.24, 0.73%, 0.66%

LAB 83.78, -52.52, 52.08

 

CMYK 55 / 0 / 52 / 9

HEX #69E86F

RGB 105 232 111

HSL 122.83, 0.73%, 0.66%

LAB 82.84, -59.15, 47.95

 

CMYK 55 / 0 / 38 / 9

HEX #69E891

RGB 105 232 145

HSL 138.9, 0.73%, 0.66%

LAB 83.32, -54.04, 31.92

 

CMYK 55 / 0 / 23 / 9

HEX #69E8B3

RGB 105 232 179

HSL 154.96, 0.73%, 0.66%

LAB 83.95, -47.52, 15.26

 

CMYK 85 / 0 / 80 / 14

HEX #22DC2D

RGB 34 220 45

HSL 123.55, 0.73%, 0.5%

LAB 77.11, -73.77, 67.23

 

CMYK 69 / 0 / 65 / 11

HEX #45E24E

RGB 69 226 78

HSL 123.44, 0.73%, 0.58%

LAB 79.73, -68.37, 58.6

 

CMYK 55 / 0 / 52 / 9

HEX #69E870

RGB 105 232 112

HSL 123.31, 0.73%, 0.66%

LAB 82.85, -59.02, 47.49

 

CMYK 41 / 0 / 38 / 7

HEX #8DED92

RGB 141 237 146

HSL 123.13, 0.73%, 0.74%

LAB 86.16, -46.48, 35.41

 

CMYK 28 / 0 / 26 / 5

HEX #B0F3B4

RGB 176 243 180

HSL 123.58, 0.74%, 0.82%

LAB 90.15, -32.97, 23.83

 

CMYK 55 / 0 / 52 / 9

HEX #68E76F

RGB 104 231 111

HSL 123.31, 0.73%, 0.66%

LAB 82.51, -59.02, 47.54

 

CMYK 55 / 14 / 0 / 9

HEX #69C8E8

RGB 105 200 232

HSL 195.12, 0.73%, 0.66%

LAB 76.15, -19.28, -24.44

 

CMYK 0 / 55 / 36 / 9

HEX #E86995

RGB 232 105 149

HSL 339.21, 0.73%, 0.66%

LAB 61.16, 53.49, 0.33

 

CMYK 55 / 0 / 52 / 9

HEX #68E76F

RGB 104 231 111

HSL 123.31, 0.73%, 0.66%

LAB 82.51, -59.02, 47.54

 

CMYK 52 / 55 / 0 / 9

HEX #6F69E8

RGB 111 105 232

HSL 242.83, 0.73%, 0.66%

LAB 51.05, 36.3, -63.88

 

CMYK 0 / 52 / 55 / 9

HEX #E86F69

RGB 232 111 105

HSL 2.83, 0.73%, 0.66%

LAB 61.26, 46.35, 25.77

 

CMYK 55 / 0 / 52 / 9

HEX #68E76F

RGB 104 231 111

HSL 123.31, 0.73%, 0.66%

LAB 82.51, -59.02, 47.54

 

CMYK 55 / 14 / 0 / 9

HEX #69C8E8

RGB 105 200 232

HSL 195.12, 0.73%, 0.66%

LAB 76.15, -19.28, -24.44

 

CMYK 0 / 55 / 3 / 9

HEX #E869E1

RGB 232 105 225

HSL 303.31, 0.73%, 0.66%

LAB 63.91, 64.28, -38.7

 

CMYK 0 / 41 / 55 / 9

HEX #E88969

RGB 232 137 105

HSL 15.12, 0.73%, 0.66%

LAB 66.57, 33.13, 32.67

 

CMYK 55 / 0 / 52 / 9

HEX #68E76F

RGB 104 231 111

HSL 123.31, 0.73%, 0.66%

LAB 82.51, -59.02, 47.54

 

CMYK 55 / 30 / 0 / 9

HEX #69A2E8

RGB 105 162 232

HSL 213.07, 0.73%, 0.66%

LAB 65.49, 1.27, -40.93

 

CMYK 0 / 55 / 3 / 9

HEX #E869E1

RGB 232 105 225

HSL 303.31, 0.73%, 0.66%

LAB 63.91, 64.28, -38.7

 

CMYK 0 / 25 / 55 / 9

HEX #E8AF69

RGB 232 175 105

HSL 33.07, 0.73%, 0.66%

LAB 75.35, 12.98, 43.63

 

Description

Color code: HEX #68E76F | qconv.com Color code: HEX #68E76F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 231 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 231 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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