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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68DF1F it is the complementary color #9720E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68DF1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68DF1F shade: #6DDF1A, #7EF12D, #8FFF40, #A0FF53 and #B1FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68DF1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68DF1F shade: #68DF1F, #57CD0C, #46BB00, #35A900 and #249700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68DF1F shade: #68E01F, #9DE01F, #D1E01F, #E0BC1F and #E0871F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68DF1F shade: #68E01F, #34E01F, #1FE03D, #1FE072 and #1FE0A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68DF1F shade matches the following richer shades: #68E01F and #63F50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68DF1F shade: #68E01F, #6DCC33, #72B748, #77A35C and #7C8E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68DF1F shade: #D0E01F, #9DE01F, #69E01F, #35E01F and #1FE03C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68DF1F shade: #479815, #57BC1A, #68E01F, #81E543 and #99EA67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68DF1F shade: #68DF1F, #1FE0BD and #E01FB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68DF1F shade: #68DF1F, #1F69E0 and #E01F69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68DF1F shade: #68DF1F, #1FE0BD, #961FE0 and #E01F42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68DF1F shade: #68DF1F, #1FCAE0, #961FE0 and #E0351F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

Complementary color

CMYK 33 / 86 / 0 / 12

HEX #9720E0

RGB 151 32 224

HSL 277.19, 0.76%, 0.5%

LAB 42.75, 74.35, -72.63

 

CMYK 51 / 0 / 88 / 13

HEX #6DDF1A

RGB 109 223 26

HSL 94.72, 0.79%, 0.49%

LAB 79.67, -61.38, 74.5

 

CMYK 48 / 0 / 81 / 5

HEX #7EF12D

RGB 126 241 45

HSL 95.2, 0.88%, 0.56%

LAB 85.77, -62.33, 76.03

 

CMYK 44 / 0 / 75 / 0

HEX #8FFF40

RGB 143 255 64

HSL 95.18, 1%, 0.63%

LAB 90.66, -61.52, 75.52

 

CMYK 37 / 0 / 67 / 0

HEX #A0FF53

RGB 160 255 83

HSL 93.14, 1%, 0.66%

LAB 91.51, -54.96, 70.14

 

CMYK 31 / 0 / 60 / 0

HEX #B1FF66

RGB 177 255 102

HSL 90.59, 1%, 0.7%

LAB 92.5, -47.78, 63.95

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 58 / 0 / 94 / 20

HEX #57CD0C

RGB 87 205 12

HSL 96.68, 0.89%, 0.43%

LAB 73.36, -61.32, 70.97

 

CMYK 63 / 0 / 100 / 27

HEX #46BB00

RGB 70 187 0

HSL 97.54, 1%, 0.37%

LAB 67.16, -59.59, 67.09

HEX #46BB00

CMYK 69 / 0 / 100 / 34

HEX #35A900

RGB 53 169 0

HSL 101.18, 1%, 0.33%

LAB 60.9, -57.37, 61.94

HEX #35A900

CMYK 76 / 0 / 100 / 41

HEX #249700

RGB 36 151 0

HSL 105.7, 1%, 0.3%

LAB 54.56, -54.76, 56.75

HEX #249700

CMYK 54 / 0 / 86 / 12

HEX #68E01F

RGB 104 224 31

HSL 97.31, 0.76%, 0.5%

LAB 79.81, -62.95, 73.61

 

CMYK 30 / 0 / 86 / 12

HEX #9DE01F

RGB 157 224 31

HSL 80.83, 0.76%, 0.5%

LAB 82.15, -45.87, 76.54

 

CMYK 7 / 0 / 86 / 12

HEX #D1E01F

RGB 209 224 31

HSL 64.66, 0.76%, 0.5%

LAB 85.49, -25.39, 80.66

 

CMYK 0 / 16 / 86 / 12

HEX #E0BC1F

RGB 224 188 31

HSL 48.81, 0.76%, 0.5%

LAB 77.23, -1.01, 74.48

 

CMYK 0 / 40 / 86 / 12

HEX #E0871F

RGB 224 135 31

HSL 32.33, 0.76%, 0.5%

LAB 64.38, 27.13, 64.08

 

CMYK 54 / 0 / 86 / 12

HEX #68E01F

RGB 104 224 31

HSL 97.31, 0.76%, 0.5%

LAB 79.81, -62.95, 73.61

 

CMYK 77 / 0 / 86 / 12

HEX #34E01F

RGB 52 224 31

HSL 113.47, 0.76%, 0.5%

LAB 78.54, -73.56, 72.01

 

CMYK 86 / 0 / 73 / 12

HEX #1FE03D

RGB 31 224 61

HSL 129.33, 0.76%, 0.5%

LAB 78.43, -74.07, 63.45

 

CMYK 86 / 0 / 49 / 12

HEX #1FE072

RGB 31 224 114

HSL 145.8, 0.76%, 0.5%

LAB 78.94, -67.8, 41.37

 

CMYK 86 / 0 / 26 / 12

HEX #1FE0A6

RGB 31 224 166

HSL 161.97, 0.76%, 0.5%

LAB 79.82, -57.7, 16.05

 

CMYK 54 / 0 / 86 / 12

HEX #68E01F

RGB 104 224 31

HSL 97.31, 0.76%, 0.5%

LAB 79.81, -62.95, 73.61

 

CMYK 60 / 0 / 96 / 4

HEX #63F50A

RGB 99 245 10

HSL 97.28, 0.92%, 0.5%

LAB 86, -71.77, 81.55

 

CMYK 54 / 0 / 86 / 12

HEX #68E01F

RGB 104 224 31

HSL 97.31, 0.76%, 0.5%

LAB 79.81, -62.95, 73.61

 

CMYK 47 / 0 / 75 / 20

HEX #6DCC33

RGB 109 204 51

HSL 97.25, 0.6%, 0.5%

LAB 73.98, -53.2, 63.02

 

CMYK 38 / 0 / 61 / 28

HEX #72B748

RGB 114 183 72

HSL 97.3, 0.44%, 0.5%

LAB 67.96, -41.34, 48.52

 

CMYK 27 / 0 / 44 / 36

HEX #77A35C

RGB 119 163 92

HSL 97.18, 0.28%, 0.5%

LAB 62.41, -28.06, 32.15

 

CMYK 13 / 0 / 20 / 44

HEX #7C8E71

RGB 124 142 113

HSL 97.24, 0.11%, 0.5%

LAB 56.9, -12.13, 13.33

 

CMYK 7 / 0 / 86 / 12

HEX #D0E01F

RGB 208 224 31

HSL 64.97, 0.76%, 0.5%

LAB 85.41, -25.8, 80.57

 

CMYK 30 / 0 / 86 / 12

HEX #9DE01F

RGB 157 224 31

HSL 80.83, 0.76%, 0.5%

LAB 82.15, -45.87, 76.54

 

CMYK 53 / 0 / 86 / 12

HEX #69E01F

RGB 105 224 31

HSL 96.99, 0.76%, 0.5%

LAB 79.85, -62.68, 73.66

 

CMYK 76 / 0 / 86 / 12

HEX #35E01F

RGB 53 224 31

HSL 113.16, 0.76%, 0.5%

LAB 78.56, -73.43, 72.03

 

CMYK 86 / 0 / 73 / 12

HEX #1FE03C

RGB 31 224 60

HSL 129.02, 0.76%, 0.5%

LAB 78.42, -74.15, 63.79

 

CMYK 53 / 0 / 86 / 40

HEX #479815

RGB 71 152 21

HSL 97.1, 0.76%, 0.34%

LAB 55.94, -46.26, 54.49

 

CMYK 54 / 0 / 86 / 26

HEX #57BC1A

RGB 87 188 26

HSL 97.41, 0.76%, 0.42%

LAB 68.07, -54.91, 64.22

 

CMYK 54 / 0 / 86 / 12

HEX #68E01F

RGB 104 224 31

HSL 97.31, 0.76%, 0.5%

LAB 79.81, -62.95, 73.61

 

CMYK 44 / 0 / 71 / 10

HEX #81E543

RGB 129 229 67

HSL 97.04, 0.76%, 0.58%

LAB 82.44, -55.68, 66.2

 

CMYK 35 / 0 / 56 / 8

HEX #99EA67

RGB 153 234 103

HSL 97.1, 0.76%, 0.66%

LAB 85.3, -46.92, 55

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 86 / 0 / 16 / 12

HEX #1FE0BD

RGB 31 224 189

HSL 169.12, 0.76%, 0.5%

LAB 80.33, -52.12, 4.64

 

CMYK 0 / 86 / 19 / 12

HEX #E01FB6

RGB 224 31 182

HSL 313.06, 0.76%, 0.5%

LAB 52.07, 80.28, -32.78

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 86 / 53 / 0 / 12

HEX #1F69E0

RGB 31 105 224

HSL 216.99, 0.76%, 0.5%

LAB 46.68, 22.55, -66.63

 

CMYK 0 / 86 / 53 / 12

HEX #E01F69

RGB 224 31 105

HSL 336.99, 0.76%, 0.5%

LAB 49.31, 72.66, 9.24

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 86 / 0 / 16 / 12

HEX #1FE0BD

RGB 31 224 189

HSL 169.12, 0.76%, 0.5%

LAB 80.33, -52.12, 4.64

 

CMYK 33 / 86 / 0 / 12

HEX #961FE0

RGB 150 31 224

HSL 276.99, 0.76%, 0.5%

LAB 42.53, 74.45, -73.01

 

CMYK 0 / 86 / 71 / 12

HEX #E01F42

RGB 224 31 66

HSL 349.12, 0.76%, 0.5%

LAB 48.54, 70.43, 32

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 86 / 10 / 0 / 12

HEX #1FCAE0

RGB 31 202 224

HSL 186.84, 0.76%, 0.5%

LAB 74.77, -32.39, -22.39

 

CMYK 33 / 86 / 0 / 12

HEX #961FE0

RGB 150 31 224

HSL 276.99, 0.76%, 0.5%

LAB 42.53, 74.45, -73.01

 

CMYK 0 / 76 / 86 / 12

HEX #E0351F

RGB 224 53 31

HSL 6.84, 0.76%, 0.5%

LAB 50.09, 63.92, 52.45

 

Description

Color code: HEX #68DF1F | qconv.com Color code: HEX #68DF1F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 223 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 223 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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