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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68DD5E it is the complementary color #9722A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68DD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68DD5E shade: #6DDD59, #7EEF6C, #8FFF7F, #A0FF92 and #B1FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68DD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68DD5E shade: #68DD5E, #57CB4B, #46B938, #35A725 and #249512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68DD5E shade: #69DD5F, #8BDD5F, #ADDD5F, #CFDD5F and #DDC95F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68DD5E shade: #69DD5F, #5FDD77, #5FDD99, #5FDDBB and #5FDDDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68DD5E shade matches the following richer shades: #69DD5F, #5CED4F and #4FFC40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68DD5E shade: #69DD5F, #76CD6F, #83BE7E, #91AE8E and #9E9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68DD5E shade: #ADDD5F, #8BDD5F, #6ADD5F, #5FDD76 and #5FDD98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68DD5E shade: #35C129, #49D63D, #69DD5F, #89E481 and #A9ECA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68DD5E shade: #68DD5E, #5FCEDD and #DD5F9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68DD5E shade: #68DD5E, #5F6ADD and #DD5F6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68DD5E shade: #68DD5E, #5FCEDD, #D35FDD and #DD6E5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68DD5E shade: #68DD5E, #5FA9DD, #D35FDD and #DD945F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 57 / 13

HEX #68DD5E

RGB 104 221 94

HSL 115.28, 0.65%, 0.62%

LAB 79.31, -57.32, 51.54

 

Complementary color

CMYK 6 / 79 / 0 / 37

HEX #9722A1

RGB 151 34 161

HSL 295.28, 0.65%, 0.38%

LAB 38.37, 61.89, -42.82

 

CMYK 51 / 0 / 60 / 13

HEX #6DDD59

RGB 109 221 89

HSL 110.91, 0.66%, 0.61%

LAB 79.43, -56.54, 53.95

 

CMYK 47 / 0 / 55 / 6

HEX #7EEF6C

RGB 126 239 108

HSL 111.76, 0.8%, 0.68%

LAB 85.63, -56.69, 52.85

 

CMYK 44 / 0 / 50 / 0

HEX #8FFF7F

RGB 143 255 127

HSL 112.5, 1%, 0.75%

LAB 91.19, -55.92, 50.97

 

CMYK 37 / 0 / 43 / 0

HEX #A0FF92

RGB 160 255 146

HSL 112.29, 1%, 0.79%

LAB 92.16, -48.44, 43.34

 

CMYK 31 / 0 / 35 / 0

HEX #B1FFA5

RGB 177 255 165

HSL 112, 1%, 0.82%

LAB 93.27, -40.45, 35.62

 

CMYK 53 / 0 / 57 / 13

HEX #68DD5E

RGB 104 221 94

HSL 115.28, 0.65%, 0.62%

LAB 79.31, -57.32, 51.54

 

CMYK 57 / 0 / 63 / 20

HEX #57CB4B

RGB 87 203 75

HSL 114.38, 0.55%, 0.55%

LAB 73.05, -56.98, 52.62

 

CMYK 62 / 0 / 70 / 27

HEX #46B938

RGB 70 185 56

HSL 113.49, 0.54%, 0.47%

LAB 66.74, -56.34, 53.45

 

CMYK 68 / 0 / 78 / 35

HEX #35A725

RGB 53 167 37

HSL 112.62, 0.64%, 0.4%

LAB 60.36, -55.27, 53.76

 

CMYK 76 / 0 / 88 / 42

HEX #249512

RGB 36 149 18

HSL 111.76, 0.78%, 0.33%

LAB 53.94, -53.54, 53.05

 

CMYK 52 / 0 / 57 / 13

HEX #69DD5F

RGB 105 221 95

HSL 115.24, 0.65%, 0.62%

LAB 79.35, -56.95, 51.15

 

CMYK 37 / 0 / 57 / 13

HEX #8BDD5F

RGB 139 221 95

HSL 99.05, 0.65%, 0.62%

LAB 80.75, -46.87, 53.14

 

CMYK 22 / 0 / 57 / 13

HEX #ADDD5F

RGB 173 221 95

HSL 82.86, 0.65%, 0.62%

LAB 82.61, -34.88, 55.75

 

CMYK 6 / 0 / 57 / 13

HEX #CFDD5F

RGB 207 221 95

HSL 66.67, 0.65%, 0.62%

LAB 84.9, -21.67, 58.96

 

CMYK 0 / 9 / 57 / 13

HEX #DDC95F

RGB 221 201 95

HSL 50.48, 0.65%, 0.62%

LAB 80.72, -5.96, 54.54

 

CMYK 52 / 0 / 57 / 13

HEX #69DD5F

RGB 105 221 95

HSL 115.24, 0.65%, 0.62%

LAB 79.35, -56.95, 51.15

 

CMYK 57 / 0 / 46 / 13

HEX #5FDD77

RGB 95 221 119

HSL 131.43, 0.65%, 0.62%

LAB 79.32, -56.24, 39.67

 

CMYK 57 / 0 / 31 / 13

HEX #5FDD99

RGB 95 221 153

HSL 147.62, 0.65%, 0.62%

LAB 79.87, -50.37, 23.11

 

CMYK 57 / 0 / 15 / 13

HEX #5FDDBB

RGB 95 221 187

HSL 163.81, 0.65%, 0.62%

LAB 80.59, -43.07, 6.22

 

CMYK 57 / 0 / 0 / 13

HEX #5FDDDD

RGB 95 221 221

HSL 180, 0.65%, 0.62%

LAB 81.49, -34.53, -10.53

 

CMYK 52 / 0 / 57 / 13

HEX #69DD5F

RGB 105 221 95

HSL 115.24, 0.65%, 0.62%

LAB 79.35, -56.95, 51.15

 

CMYK 61 / 0 / 67 / 7

HEX #5CED4F

RGB 92 237 79

HSL 115.06, 0.81%, 0.62%

LAB 83.66, -67.43, 62.6

 

CMYK 69 / 0 / 75 / 1

HEX #4FFC40

RGB 79 252 64

HSL 115.21, 0.97%, 0.62%

LAB 87.8, -76, 72.07

 

CMYK 52 / 0 / 57 / 13

HEX #69DD5F

RGB 105 221 95

HSL 115.24, 0.65%, 0.62%

LAB 79.35, -56.95, 51.15

 

CMYK 42 / 0 / 46 / 20

HEX #76CD6F

RGB 118 205 111

HSL 115.53, 0.48%, 0.62%

LAB 75.24, -44.82, 38.66

 

CMYK 31 / 0 / 34 / 25

HEX #83BE7E

RGB 131 190 126

HSL 115.31, 0.33%, 0.62%

LAB 71.66, -31.7, 26.42

 

CMYK 17 / 0 / 18 / 32

HEX #91AE8E

RGB 145 174 142

HSL 114.38, 0.16%, 0.62%

LAB 68.2, -16.2, 13.17

 

CMYK 22 / 0 / 57 / 13

HEX #ADDD5F

RGB 173 221 95

HSL 82.86, 0.65%, 0.62%

LAB 82.61, -34.88, 55.75

 

CMYK 37 / 0 / 57 / 13

HEX #8BDD5F

RGB 139 221 95

HSL 99.05, 0.65%, 0.62%

LAB 80.75, -46.87, 53.14

 

CMYK 52 / 0 / 57 / 13

HEX #6ADD5F

RGB 106 221 95

HSL 114.76, 0.65%, 0.62%

LAB 79.39, -56.68, 51.2

 

CMYK 57 / 0 / 47 / 13

HEX #5FDD76

RGB 95 221 118

HSL 130.95, 0.65%, 0.62%

LAB 79.3, -56.39, 40.14

 

CMYK 57 / 0 / 31 / 13

HEX #5FDD98

RGB 95 221 152

HSL 147.14, 0.65%, 0.62%

LAB 79.85, -50.56, 23.6

 

CMYK 73 / 0 / 79 / 24

HEX #35C129

RGB 53 193 41

HSL 115.26, 0.65%, 0.46%

LAB 68.79, -63.51, 60.61

 

CMYK 66 / 0 / 71 / 16

HEX #49D63D

RGB 73 214 61

HSL 115.29, 0.65%, 0.54%

LAB 75.97, -65.2, 61.17

 

CMYK 52 / 0 / 57 / 13

HEX #69DD5F

RGB 105 221 95

HSL 115.24, 0.65%, 0.62%

LAB 79.35, -56.95, 51.15

 

CMYK 40 / 0 / 43 / 11

HEX #89E481

RGB 137 228 129

HSL 115.15, 0.65%, 0.7%

LAB 83.12, -46.34, 39.9

 

CMYK 28 / 0 / 31 / 7

HEX #A9ECA3

RGB 169 236 163

HSL 115.07, 0.66%, 0.78%

LAB 87.52, -34.74, 28.87

 

CMYK 53 / 0 / 57 / 13

HEX #68DD5E

RGB 104 221 94

HSL 115.28, 0.65%, 0.62%

LAB 79.31, -57.32, 51.54

 

CMYK 57 / 7 / 0 / 13

HEX #5FCEDD

RGB 95 206 221

HSL 187.14, 0.65%, 0.62%

LAB 77.16, -27.35, -17.03

 

CMYK 0 / 57 / 29 / 13

HEX #DD5F9C

RGB 221 95 156

HSL 330.95, 0.65%, 0.62%

LAB 58, 55.47, -8.58

 

CMYK 53 / 0 / 57 / 13

HEX #68DD5E

RGB 104 221 94

HSL 115.28, 0.65%, 0.62%

LAB 79.31, -57.32, 51.54

 

CMYK 57 / 52 / 0 / 13

HEX #5F6ADD

RGB 95 106 221

HSL 234.76, 0.65%, 0.62%

LAB 49.45, 29.13, -60.32

 

CMYK 0 / 57 / 52 / 13

HEX #DD5F6A

RGB 221 95 106

HSL 354.76, 0.65%, 0.62%

LAB 56.68, 50.19, 18.77

 

CMYK 53 / 0 / 57 / 13

HEX #68DD5E

RGB 104 221 94

HSL 115.28, 0.65%, 0.62%

LAB 79.31, -57.32, 51.54

 

CMYK 57 / 7 / 0 / 13

HEX #5FCEDD

RGB 95 206 221

HSL 187.14, 0.65%, 0.62%

LAB 77.16, -27.35, -17.03

 

CMYK 5 / 57 / 0 / 13

HEX #D35FDD

RGB 211 95 221

HSL 295.24, 0.65%, 0.62%

LAB 59.21, 62.64, -44.04

 

CMYK 0 / 50 / 57 / 13

HEX #DD6E5F

RGB 221 110 95

HSL 7.14, 0.65%, 0.62%

LAB 59.3, 42.03, 28.56

 

CMYK 53 / 0 / 57 / 13

HEX #68DD5E

RGB 104 221 94

HSL 115.28, 0.65%, 0.62%

LAB 79.31, -57.32, 51.54

 

CMYK 57 / 24 / 0 / 13

HEX #5FA9DD

RGB 95 169 221

HSL 204.76, 0.65%, 0.62%

LAB 66.54, -8.1, -33.27

 

CMYK 5 / 57 / 0 / 13

HEX #D35FDD

RGB 211 95 221

HSL 295.24, 0.65%, 0.62%

LAB 59.21, 62.64, -44.04

 

CMYK 0 / 33 / 57 / 13

HEX #DD945F

RGB 221 148 95

HSL 25.24, 0.65%, 0.62%

LAB 67.56, 22.09, 38.96

 

Description

Color code: HEX #68DD5E | qconv.com Color code: HEX #68DD5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 221 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 221 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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