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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68D692 it is the complementary color #97296D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68D692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68D692 shade: #6DD68D, #7EE8A0, #8FFAB3, #A0FFC6 and #B1FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68D692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68D692 shade: #68D692, #57C47F, #46B26C, #35A059 and #248E46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68D692 shade: #67D591, #67D573, #78D567, #96D567 and #B4D567

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68D692 shade: #67D591, #67D5AF, #67D5CD, #67C0D5 and #67A2D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68D692 shade matches the following richer shades: #67D591, #57E58D and #48F58A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68D692 shade: #67D591, #77C695, #86B698, #96A69C and #A697A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68D692 shade: #79D567, #67D572, #67D58F, #67D5AD and #67D5CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68D692 shade: #32B765, #46CC7A, #67D591, #87DEA8 and #A8E7C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68D692 shade: #68D692, #6797D5 and #D5676B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68D692 shade: #68D692, #8F67D5 and #D58F67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68D692 shade: #68D692, #6797D5, #D567AD and #D5A567

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68D692 shade: #68D692, #6776D5, #D567AD and #D5C767

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 32 / 16

HEX #68D692

RGB 104 214 146

HSL 142.91, 0.57%, 0.62%

LAB 77.94, -46.73, 24.18

 

Complementary color

CMYK 0 / 73 / 28 / 41

HEX #97296D

RGB 151 41 109

HSL 322.91, 0.57%, 0.38%

LAB 36.5, 51.6, -13.68

 

CMYK 49 / 0 / 34 / 16

HEX #6DD68D

RGB 109 214 141

HSL 138.29, 0.56%, 0.63%

LAB 78.03, -46.38, 26.94

 

CMYK 46 / 0 / 31 / 9

HEX #7EE8A0

RGB 126 232 160

HSL 139.25, 0.7%, 0.7%

LAB 84.32, -46.2, 25.74

 

CMYK 43 / 0 / 28 / 2

HEX #8FFAB3

RGB 143 250 179

HSL 140.19, 0.91%, 0.77%

LAB 90.54, -45.99, 24.62

 

CMYK 37 / 0 / 22 / 0

HEX #A0FFC6

RGB 160 255 198

HSL 144, 1%, 0.81%

LAB 93.05, -40.04, 18.51

 

CMYK 31 / 0 / 15 / 0

HEX #B1FFD9

RGB 177 255 217

HSL 150.77, 1%, 0.85%

LAB 94.26, -31.57, 10.6

 

CMYK 51 / 0 / 32 / 16

HEX #68D692

RGB 104 214 146

HSL 142.91, 0.57%, 0.62%

LAB 77.94, -46.73, 24.18

 

CMYK 56 / 0 / 35 / 23

HEX #57C47F

RGB 87 196 127

HSL 142.02, 0.48%, 0.55%

LAB 71.58, -46.8, 25.45

 

CMYK 61 / 0 / 39 / 30

HEX #46B26C

RGB 70 178 108

HSL 141.11, 0.44%, 0.49%

LAB 65.14, -46.74, 26.82

 

CMYK 67 / 0 / 44 / 37

HEX #35A059

RGB 53 160 89

HSL 140.19, 0.5%, 0.42%

LAB 58.62, -46.47, 28.31

 

CMYK 75 / 0 / 51 / 44

HEX #248E46

RGB 36 142 70

HSL 139.25, 0.6%, 0.35%

LAB 52.02, -45.85, 29.9

 

CMYK 52 / 0 / 32 / 16

HEX #67D591

RGB 103 213 145

HSL 142.91, 0.57%, 0.62%

LAB 77.59, -46.74, 24.22

 

CMYK 52 / 0 / 46 / 16

HEX #67D573

RGB 103 213 115

HSL 126.55, 0.57%, 0.62%

LAB 77.11, -51.75, 38.9

 

CMYK 44 / 0 / 52 / 16

HEX #78D567

RGB 120 213 103

HSL 110.73, 0.57%, 0.62%

LAB 77.61, -48.62, 45.51

 

CMYK 30 / 0 / 52 / 16

HEX #96D567

RGB 150 213 103

HSL 94.36, 0.57%, 0.62%

LAB 79.07, -38.82, 47.61

 

CMYK 15 / 0 / 52 / 16

HEX #B4D567

RGB 180 213 103

HSL 78, 0.57%, 0.62%

LAB 80.89, -27.74, 50.22

 

CMYK 52 / 0 / 32 / 16

HEX #67D591

RGB 103 213 145

HSL 142.91, 0.57%, 0.62%

LAB 77.59, -46.74, 24.22

 

CMYK 52 / 0 / 18 / 16

HEX #67D5AF

RGB 103 213 175

HSL 159.27, 0.57%, 0.62%

LAB 78.21, -40.58, 9.23

 

CMYK 52 / 0 / 4 / 16

HEX #67D5CD

RGB 103 213 205

HSL 175.64, 0.57%, 0.62%

LAB 78.97, -33.4, -5.71

 

CMYK 52 / 10 / 0 / 16

HEX #67C0D5

RGB 103 192 213

HSL 191.45, 0.57%, 0.62%

LAB 73.15, -20.97, -18.74

 

CMYK 52 / 24 / 0 / 16

HEX #67A2D5

RGB 103 162 213

HSL 207.82, 0.57%, 0.62%

LAB 64.59, -4.95, -31.86

 

CMYK 52 / 0 / 32 / 16

HEX #67D591

RGB 103 213 145

HSL 142.91, 0.57%, 0.62%

LAB 77.59, -46.74, 24.22

 

CMYK 62 / 0 / 38 / 10

HEX #57E58D

RGB 87 229 141

HSL 142.82, 0.73%, 0.62%

LAB 81.83, -57.4, 31.88

 

CMYK 71 / 0 / 44 / 4

HEX #48F58A

RGB 72 245 138

HSL 142.89, 0.9%, 0.62%

LAB 86.26, -66.38, 39.1

 

CMYK 52 / 0 / 32 / 16

HEX #67D591

RGB 103 213 145

HSL 142.91, 0.57%, 0.62%

LAB 77.59, -46.74, 24.22

 

CMYK 40 / 0 / 25 / 22

HEX #77C695

RGB 119 198 149

HSL 142.78, 0.41%, 0.62%

LAB 73.86, -35.09, 17.07

 

CMYK 26 / 0 / 16 / 29

HEX #86B698

RGB 134 182 152

HSL 142.5, 0.25%, 0.62%

LAB 70.03, -22.16, 10.18

 

CMYK 10 / 0 / 6 / 35

HEX #96A69C

RGB 150 166 156

HSL 142.5, 0.08%, 0.62%

LAB 66.64, -7.59, 3.25

 

CMYK 0 / 9 / 4 / 35

HEX #A697A0

RGB 166 151 160

HSL 324, 0.08%, 0.62%

LAB 63.98, 7.16, -2.71

 

CMYK 43 / 0 / 52 / 16

HEX #79D567

RGB 121 213 103

HSL 110.18, 0.57%, 0.62%

LAB 77.66, -48.32, 45.57

 

CMYK 52 / 0 / 46 / 16

HEX #67D572

RGB 103 213 114

HSL 126, 0.57%, 0.62%

LAB 77.09, -51.9, 39.38

 

CMYK 52 / 0 / 33 / 16

HEX #67D58F

RGB 103 213 143

HSL 141.82, 0.57%, 0.62%

LAB 77.55, -47.11, 25.21

 

CMYK 52 / 0 / 19 / 16

HEX #67D5AD

RGB 103 213 173

HSL 158.18, 0.57%, 0.62%

LAB 78.16, -41.02, 10.23

 

CMYK 52 / 0 / 5 / 16

HEX #67D5CA

RGB 103 213 202

HSL 174, 0.57%, 0.62%

LAB 78.89, -34.16, -4.22

 

CMYK 73 / 0 / 45 / 28

HEX #32B765

RGB 50 183 101

HSL 143.01, 0.57%, 0.46%

LAB 66.12, -53.65, 31.67

 

CMYK 66 / 0 / 40 / 20

HEX #46CC7A

RGB 70 204 122

HSL 143.28, 0.57%, 0.54%

LAB 73.48, -54.45, 30.49

 

CMYK 52 / 0 / 32 / 16

HEX #67D591

RGB 103 213 145

HSL 142.91, 0.57%, 0.62%

LAB 77.59, -46.74, 24.22

 

CMYK 39 / 0 / 24 / 13

HEX #87DEA8

RGB 135 222 168

HSL 142.76, 0.57%, 0.7%

LAB 81.96, -37.86, 18.4

 

CMYK 27 / 0 / 17 / 9

HEX #A8E7C0

RGB 168 231 192

HSL 142.86, 0.57%, 0.78%

LAB 86.64, -27.7, 12.65

 

CMYK 51 / 0 / 32 / 16

HEX #68D692

RGB 104 214 146

HSL 142.91, 0.57%, 0.62%

LAB 77.94, -46.73, 24.18

 

CMYK 52 / 29 / 0 / 16

HEX #6797D5

RGB 103 151 213

HSL 213.82, 0.57%, 0.62%

LAB 61.5, 1.28, -36.66

 

CMYK 0 / 52 / 50 / 16

HEX #D5676B

RGB 213 103 107

HSL 357.82, 0.57%, 0.62%

LAB 56.99, 43.6, 18.41

 

CMYK 51 / 0 / 32 / 16

HEX #68D692

RGB 104 214 146

HSL 142.91, 0.57%, 0.62%

LAB 77.94, -46.73, 24.18

 

CMYK 33 / 52 / 0 / 16

HEX #8F67D5

RGB 143 103 213

HSL 261.82, 0.57%, 0.62%

LAB 52.22, 39.37, -51.11

 

CMYK 0 / 33 / 52 / 16

HEX #D58F67

RGB 213 143 103

HSL 21.82, 0.57%, 0.62%

LAB 65.57, 22.2, 32

 

CMYK 51 / 0 / 32 / 16

HEX #68D692

RGB 104 214 146

HSL 142.91, 0.57%, 0.62%

LAB 77.94, -46.73, 24.18

 

CMYK 52 / 29 / 0 / 16

HEX #6797D5

RGB 103 151 213

HSL 213.82, 0.57%, 0.62%

LAB 61.5, 1.28, -36.66

 

CMYK 0 / 52 / 19 / 16

HEX #D567AD

RGB 213 103 173

HSL 321.82, 0.57%, 0.62%

LAB 58.85, 51.55, -17.25

 

CMYK 0 / 23 / 52 / 16

HEX #D5A567

RGB 213 165 103

HSL 33.82, 0.57%, 0.62%

LAB 70.9, 10.31, 38.73

 

CMYK 51 / 0 / 32 / 16

HEX #68D692

RGB 104 214 146

HSL 142.91, 0.57%, 0.62%

LAB 77.94, -46.73, 24.18

 

CMYK 52 / 45 / 0 / 16

HEX #6776D5

RGB 103 118 213

HSL 231.82, 0.57%, 0.62%

LAB 52.56, 20.88, -50.77

 

CMYK 0 / 52 / 19 / 16

HEX #D567AD

RGB 213 103 173

HSL 321.82, 0.57%, 0.62%

LAB 58.85, 51.55, -17.25

 

CMYK 0 / 7 / 52 / 16

HEX #D5C767

RGB 213 199 103

HSL 52.36, 0.57%, 0.62%

LAB 79.6, -7.59, 49.3

 

Description

Color code: HEX #68D692 | qconv.com Color code: HEX #68D692 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 214 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 214 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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