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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68D43C it is the complementary color #972BC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68D43C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68D43C shade: #6DD437, #7EE64A, #8FF85D, #A0FF70 and #B1FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68D43C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68D43C shade: #68D43C, #57C229, #46B016, #359E03 and #248C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68D43C shade: #67D43A, #90D43A, #BAD43A, #D4C53A and #D49B3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68D43C shade: #67D43A, #3DD43A, #3AD461, #3AD48A and #3AD4B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68D43C shade matches the following richer shades: #67D43A, #5FE727 and #57FB14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68D43C shade: #67D43A, #6FC04E, #77AD61, #7F9A75 and #888688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68D43C shade: #BAD43A, #91D43A, #68D43A, #40D43A and #3AD45E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68D43C shade: #459A22, #54BC29, #67D43A, #81DB5C and #9BE37E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68D43C shade: #68D43C, #3AD4C5 and #D43AA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68D43C shade: #68D43C, #3A68D4 and #D43A68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68D43C shade: #68D43C, #3AD4C5, #A63AD4 and #D43A4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68D43C shade: #68D43C, #3AB5D4, #A63AD4 and #D4593A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 72 / 17

HEX #68D43C

RGB 104 212 60

HSL 102.63, 0.64%, 0.53%

LAB 76.29, -57.1, 62.15

 

Complementary color

CMYK 23 / 78 / 0 / 24

HEX #972BC3

RGB 151 43 195

HSL 282.63, 0.64%, 0.47%

LAB 41.61, 65.41, -57.76

 

CMYK 49 / 0 / 74 / 17

HEX #6DD437

RGB 109 212 55

HSL 99.36, 0.65%, 0.52%

LAB 76.44, -56.01, 64.1

 

CMYK 45 / 0 / 68 / 10

HEX #7EE64A

RGB 126 230 74

HSL 100, 0.76%, 0.6%

LAB 82.66, -56.47, 63.81

 

CMYK 42 / 0 / 63 / 3

HEX #8FF85D

RGB 143 248 93

HSL 100.65, 0.92%, 0.67%

LAB 88.81, -56.75, 63.13

 

CMYK 37 / 0 / 56 / 0

HEX #A0FF70

RGB 160 255 112

HSL 99.86, 1%, 0.72%

LAB 91.76, -52.46, 58.61

 

CMYK 31 / 0 / 49 / 0

HEX #B1FF83

RGB 177 255 131

HSL 97.74, 1%, 0.76%

LAB 92.8, -44.89, 51.44

 

CMYK 51 / 0 / 72 / 17

HEX #68D43C

RGB 104 212 60

HSL 102.63, 0.64%, 0.53%

LAB 76.29, -57.1, 62.15

 

CMYK 55 / 0 / 79 / 24

HEX #57C229

RGB 87 194 41

HSL 101.96, 0.65%, 0.46%

LAB 70.01, -56.39, 62.09

 

CMYK 60 / 0 / 88 / 31

HEX #46B016

RGB 70 176 22

HSL 101.3, 0.78%, 0.39%

LAB 63.68, -55.28, 61.04

 

CMYK 66 / 0 / 98 / 38

HEX #359E03

RGB 53 158 3

HSL 100.65, 0.96%, 0.32%

LAB 57.29, -53.66, 58.61

 

CMYK 74 / 0 / 100 / 45

HEX #248C00

RGB 36 140 0

HSL 104.57, 1%, 0.27%

LAB 50.84, -51.23, 53.78

 

CMYK 51 / 0 / 73 / 17

HEX #67D43A

RGB 103 212 58

HSL 102.47, 0.64%, 0.53%

LAB 76.24, -57.52, 62.79

 

CMYK 32 / 0 / 73 / 17

HEX #90D43A

RGB 144 212 58

HSL 86.49, 0.64%, 0.53%

LAB 78.06, -44.33, 65.22

 

CMYK 12 / 0 / 73 / 17

HEX #BAD43A

RGB 186 212 58

HSL 70.13, 0.64%, 0.53%

LAB 80.65, -28.16, 68.61

 

CMYK 0 / 7 / 73 / 17

HEX #D4C53A

RGB 212 197 58

HSL 54.16, 0.64%, 0.53%

LAB 78.6, -9.91, 67.35

 

CMYK 0 / 27 / 73 / 17

HEX #D49B3A

RGB 212 155 58

HSL 37.79, 0.64%, 0.53%

LAB 67.83, 12.21, 56.78

 

CMYK 51 / 0 / 73 / 17

HEX #67D43A

RGB 103 212 58

HSL 102.47, 0.64%, 0.53%

LAB 76.24, -57.52, 62.79

 

CMYK 71 / 0 / 73 / 17

HEX #3DD43A

RGB 61 212 58

HSL 118.83, 0.64%, 0.53%

LAB 75.07, -66.99, 61.23

 

CMYK 73 / 0 / 54 / 17

HEX #3AD461

RGB 58 212 97

HSL 135.19, 0.64%, 0.53%

LAB 75.36, -63.3, 45.18

 

CMYK 73 / 0 / 35 / 17

HEX #3AD48A

RGB 58 212 138

HSL 151.17, 0.64%, 0.53%

LAB 75.96, -56.42, 25.46

 

CMYK 73 / 0 / 15 / 17

HEX #3AD4B4

RGB 58 212 180

HSL 167.53, 0.64%, 0.53%

LAB 76.85, -46.93, 4.45

 

CMYK 51 / 0 / 73 / 17

HEX #67D43A

RGB 103 212 58

HSL 102.47, 0.64%, 0.53%

LAB 76.24, -57.52, 62.79

 

CMYK 59 / 0 / 83 / 9

HEX #5FE727

RGB 95 231 39

HSL 102.5, 0.8%, 0.53%

LAB 81.69, -67.33, 73.42

 

CMYK 65 / 0 / 92 / 2

HEX #57FB14

RGB 87 251 20

HSL 102.6, 0.97%, 0.53%

LAB 87.52, -76.08, 81.67

 

CMYK 51 / 0 / 73 / 17

HEX #67D43A

RGB 103 212 58

HSL 102.47, 0.64%, 0.53%

LAB 76.24, -57.52, 62.79

 

CMYK 42 / 0 / 59 / 25

HEX #6FC04E

RGB 111 192 78

HSL 102.63, 0.48%, 0.53%

LAB 70.61, -45.55, 48.8

 

CMYK 31 / 0 / 44 / 32

HEX #77AD61

RGB 119 173 97

HSL 102.63, 0.32%, 0.53%

LAB 65.49, -32.15, 33.45

 

CMYK 18 / 0 / 24 / 40

HEX #7F9A75

RGB 127 154 117

HSL 103.78, 0.15%, 0.53%

LAB 60.7, -16.7, 16.38

 

CMYK 0 / 1 / 0 / 47

HEX #888688

RGB 136 134 136

HSL 300, 0.01%, 0.53%

LAB 56.15, 1.14, -0.82

 

CMYK 12 / 0 / 73 / 17

HEX #BAD43A

RGB 186 212 58

HSL 70.13, 0.64%, 0.53%

LAB 80.65, -28.16, 68.61

 

CMYK 32 / 0 / 73 / 17

HEX #91D43A

RGB 145 212 58

HSL 86.1, 0.64%, 0.53%

LAB 78.12, -43.97, 65.29

 

CMYK 51 / 0 / 73 / 17

HEX #68D43A

RGB 104 212 58

HSL 102.08, 0.64%, 0.53%

LAB 76.27, -57.24, 62.84

 

CMYK 70 / 0 / 73 / 17

HEX #40D43A

RGB 64 212 58

HSL 117.66, 0.64%, 0.53%

LAB 75.13, -66.47, 61.31

 

CMYK 73 / 0 / 56 / 17

HEX #3AD45E

RGB 58 212 94

HSL 134.03, 0.64%, 0.53%

LAB 75.32, -63.7, 46.54

 

CMYK 55 / 0 / 78 / 40

HEX #459A22

RGB 69 154 34

HSL 102.5, 0.64%, 0.37%

LAB 56.58, -46.91, 51.26

 

CMYK 55 / 0 / 78 / 26

HEX #54BC29

RGB 84 188 41

HSL 102.45, 0.64%, 0.45%

LAB 68.03, -55.01, 60.17

 

CMYK 51 / 0 / 73 / 17

HEX #67D43A

RGB 103 212 58

HSL 102.47, 0.64%, 0.53%

LAB 76.24, -57.52, 62.79

 

CMYK 41 / 0 / 58 / 14

HEX #81DB5C

RGB 129 219 92

HSL 102.52, 0.64%, 0.61%

LAB 79.67, -49.56, 53.11

 

CMYK 32 / 0 / 44 / 11

HEX #9BE37E

RGB 155 227 126

HSL 102.77, 0.64%, 0.69%

LAB 83.66, -40.58, 42.24

 

CMYK 51 / 0 / 72 / 17

HEX #68D43C

RGB 104 212 60

HSL 102.63, 0.64%, 0.53%

LAB 76.29, -57.1, 62.15

 

CMYK 73 / 0 / 7 / 17

HEX #3AD4C5

RGB 58 212 197

HSL 174.16, 0.64%, 0.53%

LAB 77.29, -42.49, -4.03

 

CMYK 0 / 73 / 22 / 17

HEX #D43AA6

RGB 212 58 166

HSL 317.92, 0.64%, 0.53%

LAB 51.58, 68.93, -24.31

 

CMYK 51 / 0 / 72 / 17

HEX #68D43C

RGB 104 212 60

HSL 102.63, 0.64%, 0.53%

LAB 76.29, -57.1, 62.15

 

CMYK 73 / 51 / 0 / 17

HEX #3A68D4

RGB 58 104 212

HSL 222.08, 0.64%, 0.53%

LAB 46.38, 21.28, -60.25

 

CMYK 0 / 73 / 51 / 17

HEX #D43A68

RGB 212 58 104

HSL 342.08, 0.64%, 0.53%

LAB 49.52, 62.35, 9.83

 

CMYK 51 / 0 / 72 / 17

HEX #68D43C

RGB 104 212 60

HSL 102.63, 0.64%, 0.53%

LAB 76.29, -57.1, 62.15

 

CMYK 73 / 0 / 7 / 17

HEX #3AD4C5

RGB 58 212 197

HSL 174.16, 0.64%, 0.53%

LAB 77.29, -42.49, -4.03

 

CMYK 22 / 73 / 0 / 17

HEX #A63AD4

RGB 166 58 212

HSL 282.08, 0.64%, 0.53%

LAB 46.83, 66.28, -59.06

 

CMYK 0 / 73 / 65 / 17

HEX #D43A4A

RGB 212 58 74

HSL 353.77, 0.64%, 0.53%

LAB 48.91, 60.29, 27.16

 

CMYK 51 / 0 / 72 / 17

HEX #68D43C

RGB 104 212 60

HSL 102.63, 0.64%, 0.53%

LAB 76.29, -57.1, 62.15

 

CMYK 73 / 15 / 0 / 17

HEX #3AB5D4

RGB 58 181 212

HSL 192.08, 0.64%, 0.53%

LAB 68.53, -23.36, -25.35

 

CMYK 22 / 73 / 0 / 17

HEX #A63AD4

RGB 166 58 212

HSL 282.08, 0.64%, 0.53%

LAB 46.83, 66.28, -59.06

 

CMYK 0 / 58 / 73 / 17

HEX #D4593A

RGB 212 89 58

HSL 12.08, 0.64%, 0.53%

LAB 53.44, 46.68, 41.62

 

Description

Color code: HEX #68D43C | qconv.com Color code: HEX #68D43C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 212 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 212 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 72 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 72% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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