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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68D194 it is the complementary color #972E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68D194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68D194 shade: #6DD18F, #7EE3A2, #8FF5B5, #A0FFC8 and #B1FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68D194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68D194 shade: #68D194, #57BF81, #46AD6E, #359B5B and #248948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68D194 shade: #67D093, #67D077, #74D067, #90D067 and #ACD067

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68D194 shade: #67D093, #67D0AF, #67D0CC, #67B8D0 and #679CD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68D194 shade matches the following richer shades: #67D093, #57E090 and #47F08E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68D194 shade: #67D093, #77C096, #87B098, #97A09B and #A7909D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68D194 shade: #73D067, #67D077, #67D093, #67D0AF and #67D0CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68D194 shade: #36AF68, #47C77D, #67D093, #86DAA9 and #A6E4C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68D194 shade: #68D194, #678FD0 and #D06967

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68D194 shade: #68D194, #9367D0 and #D09367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68D194 shade: #68D194, #678FD0, #D067A4 and #D0A867

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68D194 shade: #68D194, #6770D0, #D067A4 and #D0C767

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 29 / 18

HEX #68D194

RGB 104 209 148

HSL 145.14, 0.53%, 0.61%

LAB 76.49, -44.22, 21.14

 

Complementary color

CMYK 0 / 70 / 29 / 41

HEX #972E6B

RGB 151 46 107

HSL 325.14, 0.53%, 0.39%

LAB 37.11, 49.42, -11.5

 

CMYK 48 / 0 / 32 / 18

HEX #6DD18F

RGB 109 209 143

HSL 140.4, 0.52%, 0.62%

LAB 76.58, -43.89, 23.93

 

CMYK 44 / 0 / 29 / 11

HEX #7EE3A2

RGB 126 227 162

HSL 141.39, 0.64%, 0.69%

LAB 82.9, -43.68, 22.77

 

CMYK 42 / 0 / 26 / 4

HEX #8FF5B5

RGB 143 245 181

HSL 142.35, 0.84%, 0.76%

LAB 89.15, -43.45, 21.69

 

CMYK 37 / 0 / 22 / 0

HEX #A0FFC8

RGB 160 255 200

HSL 145.26, 1%, 0.81%

LAB 93.09, -39.66, 17.55

 

CMYK 31 / 0 / 14 / 0

HEX #B1FFDB

RGB 177 255 219

HSL 152.31, 1%, 0.85%

LAB 94.3, -31.18, 9.63

 

CMYK 50 / 0 / 29 / 18

HEX #68D194

RGB 104 209 148

HSL 145.14, 0.53%, 0.61%

LAB 76.49, -44.22, 21.14

 

CMYK 54 / 0 / 32 / 25

HEX #57BF81

RGB 87 191 129

HSL 144.23, 0.45%, 0.55%

LAB 70.09, -44.32, 22.37

 

CMYK 60 / 0 / 36 / 32

HEX #46AD6E

RGB 70 173 110

HSL 143.3, 0.42%, 0.48%

LAB 63.6, -44.32, 23.71

 

CMYK 66 / 0 / 41 / 39

HEX #359B5B

RGB 53 155 91

HSL 142.35, 0.49%, 0.41%

LAB 57.03, -44.12, 25.16

 

CMYK 74 / 0 / 47 / 46

HEX #248948

RGB 36 137 72

HSL 141.39, 0.58%, 0.34%

LAB 50.37, -43.6, 26.76

 

CMYK 50 / 0 / 29 / 18

HEX #67D093

RGB 103 208 147

HSL 145.14, 0.53%, 0.61%

LAB 76.13, -44.23, 21.18

 

CMYK 50 / 0 / 43 / 18

HEX #67D077

RGB 103 208 119

HSL 129.14, 0.53%, 0.61%

LAB 75.65, -49.12, 35.04

 

CMYK 44 / 0 / 50 / 18

HEX #74D067

RGB 116 208 103

HSL 112.57, 0.53%, 0.61%

LAB 75.95, -47.75, 43.44

 

CMYK 31 / 0 / 50 / 18

HEX #90D067

RGB 144 208 103

HSL 96.57, 0.53%, 0.61%

LAB 77.29, -38.68, 45.39

 

CMYK 17 / 0 / 50 / 18

HEX #ACD067

RGB 172 208 103

HSL 80.57, 0.53%, 0.61%

LAB 78.96, -28.43, 47.8

 

CMYK 50 / 0 / 29 / 18

HEX #67D093

RGB 103 208 147

HSL 145.14, 0.53%, 0.61%

LAB 76.13, -44.23, 21.18

 

CMYK 50 / 0 / 16 / 18

HEX #67D0AF

RGB 103 208 175

HSL 161.14, 0.53%, 0.61%

LAB 76.73, -38.33, 7.12

 

CMYK 50 / 0 / 2 / 18

HEX #67D0CC

RGB 103 208 204

HSL 177.71, 0.53%, 0.61%

LAB 77.49, -31.29, -7.36

 

CMYK 50 / 12 / 0 / 18

HEX #67B8D0

RGB 103 184 208

HSL 193.71, 0.53%, 0.61%

LAB 70.68, -18.26, -19.76

 

CMYK 50 / 25 / 0 / 18

HEX #679CD0

RGB 103 156 208

HSL 209.71, 0.53%, 0.61%

LAB 62.69, -3.08, -32.02

 

CMYK 50 / 0 / 29 / 18

HEX #67D093

RGB 103 208 147

HSL 145.14, 0.53%, 0.61%

LAB 76.13, -44.23, 21.18

 

CMYK 61 / 0 / 36 / 12

HEX #57E090

RGB 87 224 144

HSL 144.96, 0.69%, 0.61%

LAB 80.38, -54.93, 28.41

 

CMYK 70 / 0 / 41 / 6

HEX #47F08E

RGB 71 240 142

HSL 145.21, 0.85%, 0.61%

LAB 84.8, -64.07, 35.21

 

CMYK 50 / 0 / 29 / 18

HEX #67D093

RGB 103 208 147

HSL 145.14, 0.53%, 0.61%

LAB 76.13, -44.23, 21.18

 

CMYK 38 / 0 / 22 / 25

HEX #77C096

RGB 119 192 150

HSL 145.48, 0.37%, 0.61%

LAB 72.11, -32.09, 14.1

 

CMYK 23 / 0 / 14 / 31

HEX #87B098

RGB 135 176 152

HSL 144.88, 0.21%, 0.61%

LAB 68.36, -18.79, 7.82

 

CMYK 6 / 0 / 3 / 37

HEX #97A09B

RGB 151 160 155

HSL 146.67, 0.05%, 0.61%

LAB 65.03, -4.18, 1.49

 

CMYK 0 / 14 / 6 / 35

HEX #A7909D

RGB 167 144 157

HSL 326.09, 0.12%, 0.61%

LAB 62.17, 10.9, -3.68

 

CMYK 45 / 0 / 50 / 18

HEX #73D067

RGB 115 208 103

HSL 113.14, 0.53%, 0.61%

LAB 75.91, -48.05, 43.38

 

CMYK 50 / 0 / 43 / 18

HEX #67D077

RGB 103 208 119

HSL 129.14, 0.53%, 0.61%

LAB 75.65, -49.12, 35.04

 

CMYK 50 / 0 / 29 / 18

HEX #67D093

RGB 103 208 147

HSL 145.14, 0.53%, 0.61%

LAB 76.13, -44.23, 21.18

 

CMYK 50 / 0 / 16 / 18

HEX #67D0AF

RGB 103 208 175

HSL 161.14, 0.53%, 0.61%

LAB 76.73, -38.33, 7.12

 

CMYK 50 / 0 / 2 / 18

HEX #67D0CB

RGB 103 208 203

HSL 177.14, 0.53%, 0.61%

LAB 77.46, -31.54, -6.86

 

CMYK 69 / 0 / 41 / 31

HEX #36AF68

RGB 54 175 104

HSL 144.79, 0.53%, 0.45%

LAB 63.71, -49.43, 26.98

 

CMYK 64 / 0 / 37 / 22

HEX #47C77D

RGB 71 199 125

HSL 145.31, 0.53%, 0.53%

LAB 72.01, -51.78, 26.99

 

CMYK 50 / 0 / 29 / 18

HEX #67D093

RGB 103 208 147

HSL 145.14, 0.53%, 0.61%

LAB 76.13, -44.23, 21.18

 

CMYK 39 / 0 / 22 / 15

HEX #86DAA9

RGB 134 218 169

HSL 145, 0.53%, 0.69%

LAB 80.78, -36.13, 16.22

 

CMYK 27 / 0 / 16 / 11

HEX #A6E4C0

RGB 166 228 192

HSL 145.16, 0.53%, 0.77%

LAB 85.71, -26.88, 11.31

 

CMYK 50 / 0 / 29 / 18

HEX #68D194

RGB 104 209 148

HSL 145.14, 0.53%, 0.61%

LAB 76.49, -44.22, 21.14

 

CMYK 50 / 31 / 0 / 18

HEX #678FD0

RGB 103 143 208

HSL 217.14, 0.53%, 0.61%

LAB 59.05, 4.38, -37.69

 

CMYK 0 / 50 / 50 / 18

HEX #D06967

RGB 208 105 103

HSL 1.14, 0.53%, 0.61%

LAB 56.58, 40.4, 20.05

 

CMYK 50 / 0 / 29 / 18

HEX #68D194

RGB 104 209 148

HSL 145.14, 0.53%, 0.61%

LAB 76.49, -44.22, 21.14

 

CMYK 29 / 50 / 0 / 18

HEX #9367D0

RGB 147 103 208

HSL 265.14, 0.53%, 0.61%

LAB 52.35, 39.14, -48.04

 

CMYK 0 / 29 / 50 / 18

HEX #D09367

RGB 208 147 103

HSL 25.14, 0.53%, 0.61%

LAB 65.95, 17.99, 32.37

 

CMYK 50 / 0 / 29 / 18

HEX #68D194

RGB 104 209 148

HSL 145.14, 0.53%, 0.61%

LAB 76.49, -44.22, 21.14

 

CMYK 50 / 31 / 0 / 18

HEX #678FD0

RGB 103 143 208

HSL 217.14, 0.53%, 0.61%

LAB 59.05, 4.38, -37.69

 

CMYK 0 / 50 / 21 / 18

HEX #D067A4

RGB 208 103 164

HSL 325.14, 0.53%, 0.61%

LAB 57.84, 48.66, -13.65

 

CMYK 0 / 19 / 50 / 18

HEX #D0A867

RGB 208 168 103

HSL 37.14, 0.53%, 0.61%

LAB 71.14, 6.62, 38.92

 

CMYK 50 / 0 / 29 / 18

HEX #68D194

RGB 104 209 148

HSL 145.14, 0.53%, 0.61%

LAB 76.49, -44.22, 21.14

 

CMYK 50 / 46 / 0 / 18

HEX #6770D0

RGB 103 112 208

HSL 234.86, 0.53%, 0.61%

LAB 50.72, 22.97, -50.87

 

CMYK 0 / 50 / 21 / 18

HEX #D067A4

RGB 208 103 164

HSL 325.14, 0.53%, 0.61%

LAB 57.84, 48.66, -13.65

 

CMYK 0 / 4 / 50 / 18

HEX #D0C767

RGB 208 199 103

HSL 54.86, 0.53%, 0.61%

LAB 79.18, -9.64, 48.7

 

Description

Color code: HEX #68D194 | qconv.com Color code: HEX #68D194 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 209 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 209 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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