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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68D09C it is the complementary color #972F63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68D09C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68D09C shade: #6DD097, #7EE2AA, #8FF4BD, #A0FFD0 and #B1FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68D09C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68D09C shade: #68D09C, #57BE89, #46AC76, #359A63 and #248850

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68D09C shade: #67D09C, #67D07F, #6BD067, #87D067 and #A4D067

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68D09C shade: #67D09C, #67D0B8, #67CCD0, #67B0D0 and #6793D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68D09C shade matches the following richer shades: #67D09C, #57E09C and #47F09C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68D09C shade: #67D09C, #77C09C, #87B09C, #97A09C and #A7909C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68D09C shade: #6AD067, #67D07F, #67D09C, #67D0B8 and #67CDD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68D09C shade: #36AF72, #47C787, #67D09C, #86DAB0 and #A6E4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68D09C shade: #68D09C, #6786D0 and #D07167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68D09C shade: #68D09C, #9C67D0 and #D09C67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68D09C shade: #68D09C, #6786D0, #D0679C and #D0B167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68D09C shade: #68D09C, #6767D0, #D0679C and #D0D067

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 25 / 18

HEX #68D09C

RGB 104 208 156

HSL 150, 0.53%, 0.61%

LAB 76.35, -42.19, 16.72

 

Complementary color

CMYK 0 / 69 / 34 / 41

HEX #972F63

RGB 151 47 99

HSL 330, 0.53%, 0.39%

LAB 36.95, 48.01, -6.66

 

CMYK 48 / 0 / 27 / 18

HEX #6DD097

RGB 109 208 151

HSL 145.45, 0.51%, 0.62%

LAB 76.43, -41.93, 19.52

 

CMYK 44 / 0 / 25 / 11

HEX #7EE2AA

RGB 126 226 170

HSL 146.4, 0.63%, 0.69%

LAB 82.77, -41.73, 18.42

 

CMYK 41 / 0 / 23 / 4

HEX #8FF4BD

RGB 143 244 189

HSL 147.33, 0.82%, 0.76%

LAB 89.02, -41.5, 17.4

 

CMYK 37 / 0 / 18 / 0

HEX #A0FFD0

RGB 160 255 208

HSL 150.32, 1%, 0.81%

LAB 93.25, -38.12, 13.68

 

CMYK 31 / 0 / 11 / 0

HEX #B1FFE3

RGB 177 255 227

HSL 158.46, 1%, 0.85%

LAB 94.49, -29.59, 5.78

 

CMYK 50 / 0 / 25 / 18

HEX #68D09C

RGB 104 208 156

HSL 150, 0.53%, 0.61%

LAB 76.35, -42.19, 16.72

 

CMYK 54 / 0 / 28 / 25

HEX #57BE89

RGB 87 190 137

HSL 149.13, 0.44%, 0.54%

LAB 69.94, -42.3, 17.88

 

CMYK 59 / 0 / 31 / 33

HEX #46AC76

RGB 70 172 118

HSL 148.24, 0.42%, 0.47%

LAB 63.44, -42.32, 19.15

 

CMYK 66 / 0 / 36 / 40

HEX #359A63

RGB 53 154 99

HSL 147.33, 0.49%, 0.41%

LAB 56.85, -42.16, 20.55

 

CMYK 74 / 0 / 41 / 47

HEX #248850

RGB 36 136 80

HSL 146.4, 0.58%, 0.34%

LAB 50.17, -41.71, 22.1

 

CMYK 50 / 0 / 25 / 18

HEX #67D09C

RGB 103 208 156

HSL 150.29, 0.53%, 0.61%

LAB 76.31, -42.44, 16.66

 

CMYK 50 / 0 / 39 / 18

HEX #67D07F

RGB 103 208 127

HSL 133.71, 0.53%, 0.61%

LAB 75.78, -47.83, 31.13

 

CMYK 49 / 0 / 50 / 18

HEX #6BD067

RGB 107 208 103

HSL 117.71, 0.53%, 0.61%

LAB 75.59, -50.34, 42.92

 

CMYK 35 / 0 / 50 / 18

HEX #87D067

RGB 135 208 103

HSL 101.71, 0.53%, 0.61%

LAB 76.83, -41.74, 44.71

 

CMYK 21 / 0 / 50 / 18

HEX #A4D067

RGB 164 208 103

HSL 85.14, 0.53%, 0.61%

LAB 78.45, -31.45, 47.06

 

CMYK 50 / 0 / 25 / 18

HEX #67D09C

RGB 103 208 156

HSL 150.29, 0.53%, 0.61%

LAB 76.31, -42.44, 16.66

 

CMYK 50 / 0 / 12 / 18

HEX #67D0B8

RGB 103 208 184

HSL 166.29, 0.53%, 0.61%

LAB 76.95, -36.24, 2.6

 

CMYK 50 / 2 / 0 / 18

HEX #67CCD0

RGB 103 204 208

HSL 182.29, 0.53%, 0.61%

LAB 76.45, -28.31, -11.06

 

CMYK 50 / 15 / 0 / 18

HEX #67B0D0

RGB 103 176 208

HSL 198.29, 0.53%, 0.61%

LAB 68.38, -14.05, -23.26

 

CMYK 50 / 29 / 0 / 18

HEX #6793D0

RGB 103 147 208

HSL 214.86, 0.53%, 0.61%

LAB 60.16, 2.06, -35.95

 

CMYK 50 / 0 / 25 / 18

HEX #67D09C

RGB 103 208 156

HSL 150.29, 0.53%, 0.61%

LAB 76.31, -42.44, 16.66

 

CMYK 61 / 0 / 30 / 12

HEX #57E09C

RGB 87 224 156

HSL 150.22, 0.69%, 0.61%

LAB 80.59, -52.63, 22.51

 

CMYK 70 / 0 / 35 / 6

HEX #47F09C

RGB 71 240 156

HSL 150.18, 0.85%, 0.61%

LAB 85.03, -61.52, 28.47

 

CMYK 50 / 0 / 25 / 18

HEX #67D09C

RGB 103 208 156

HSL 150.29, 0.53%, 0.61%

LAB 76.31, -42.44, 16.66

 

CMYK 38 / 0 / 19 / 25

HEX #77C09C

RGB 119 192 156

HSL 150.41, 0.37%, 0.61%

LAB 72.24, -30.87, 11.04

 

CMYK 23 / 0 / 11 / 31

HEX #87B09C

RGB 135 176 156

HSL 150.73, 0.21%, 0.61%

LAB 68.46, -17.98, 5.75

 

CMYK 6 / 0 / 2 / 37

HEX #97A09C

RGB 151 160 156

HSL 153.33, 0.05%, 0.61%

LAB 65.06, -3.99, 0.97

 

CMYK 0 / 14 / 7 / 35

HEX #A7909C

RGB 167 144 156

HSL 328.7, 0.12%, 0.61%

LAB 62.14, 10.72, -3.15

 

CMYK 49 / 0 / 50 / 18

HEX #6AD067

RGB 106 208 103

HSL 118.29, 0.53%, 0.61%

LAB 75.55, -50.62, 42.86

 

CMYK 50 / 0 / 39 / 18

HEX #67D07F

RGB 103 208 127

HSL 133.71, 0.53%, 0.61%

LAB 75.78, -47.83, 31.13

 

CMYK 50 / 0 / 25 / 18

HEX #67D09C

RGB 103 208 156

HSL 150.29, 0.53%, 0.61%

LAB 76.31, -42.44, 16.66

 

CMYK 50 / 0 / 12 / 18

HEX #67D0B8

RGB 103 208 184

HSL 166.29, 0.53%, 0.61%

LAB 76.95, -36.24, 2.6

 

CMYK 50 / 1 / 0 / 18

HEX #67CDD0

RGB 103 205 208

HSL 181.71, 0.53%, 0.61%

LAB 76.74, -28.8, -10.63

 

CMYK 69 / 0 / 35 / 31

HEX #36AF72

RGB 54 175 114

HSL 149.75, 0.53%, 0.45%

LAB 63.88, -47.49, 21.86

 

CMYK 64 / 0 / 32 / 22

HEX #47C787

RGB 71 199 135

HSL 150, 0.53%, 0.53%

LAB 72.19, -49.83, 21.96

 

CMYK 50 / 0 / 25 / 18

HEX #67D09C

RGB 103 208 156

HSL 150.29, 0.53%, 0.61%

LAB 76.31, -42.44, 16.66

 

CMYK 39 / 0 / 19 / 15

HEX #86DAB0

RGB 134 218 176

HSL 150, 0.53%, 0.69%

LAB 80.93, -34.74, 12.74

 

CMYK 27 / 0 / 14 / 11

HEX #A6E4C5

RGB 166 228 197

HSL 150, 0.53%, 0.77%

LAB 85.82, -25.92, 8.84

 

CMYK 50 / 0 / 25 / 18

HEX #68D09C

RGB 104 208 156

HSL 150, 0.53%, 0.61%

LAB 76.35, -42.19, 16.72

 

CMYK 50 / 36 / 0 / 18

HEX #6786D0

RGB 103 134 208

HSL 222.29, 0.53%, 0.61%

LAB 56.57, 9.68, -41.58

 

CMYK 0 / 46 / 50 / 18

HEX #D07167

RGB 208 113 103

HSL 5.71, 0.53%, 0.61%

LAB 58.23, 36.27, 22.27

 

CMYK 50 / 0 / 25 / 18

HEX #68D09C

RGB 104 208 156

HSL 150, 0.53%, 0.61%

LAB 76.35, -42.19, 16.72

 

CMYK 25 / 50 / 0 / 18

HEX #9C67D0

RGB 156 103 208

HSL 270.29, 0.53%, 0.61%

LAB 53.3, 41.52, -46.48

 

CMYK 0 / 25 / 50 / 18

HEX #D09C67

RGB 208 156 103

HSL 30.29, 0.53%, 0.61%

LAB 68.14, 13.1, 35.16

 

CMYK 50 / 0 / 25 / 18

HEX #68D09C

RGB 104 208 156

HSL 150, 0.53%, 0.61%

LAB 76.35, -42.19, 16.72

 

CMYK 50 / 36 / 0 / 18

HEX #6786D0

RGB 103 134 208

HSL 222.29, 0.53%, 0.61%

LAB 56.57, 9.68, -41.58

 

CMYK 0 / 50 / 25 / 18

HEX #D0679C

RGB 208 103 156

HSL 329.71, 0.53%, 0.61%

LAB 57.57, 47.52, -9.42

 

CMYK 0 / 15 / 50 / 18

HEX #D0B167

RGB 208 177 103

HSL 42.29, 0.53%, 0.61%

LAB 73.44, 1.82, 41.76

 

CMYK 50 / 0 / 25 / 18

HEX #68D09C

RGB 104 208 156

HSL 150, 0.53%, 0.61%

LAB 76.35, -42.19, 16.72

 

CMYK 50 / 50 / 0 / 18

HEX #6767D0

RGB 103 103 208

HSL 240, 0.53%, 0.61%

LAB 48.43, 28.47, -54.53

 

CMYK 0 / 50 / 25 / 18

HEX #D0679C

RGB 208 103 156

HSL 329.71, 0.53%, 0.61%

LAB 57.57, 47.52, -9.42

 

CMYK 0 / 0 / 50 / 18

HEX #D0D067

RGB 208 208 103

HSL 60, 0.53%, 0.61%

LAB 81.57, -14.2, 51.52

 

Description

Color code: HEX #68D09C | qconv.com Color code: HEX #68D09C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 208 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 208 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 25 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 25% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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