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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68CECE it is the complementary color #973131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68CECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68CECE shade: #6DCEC9, #7EE0DC, #8FF2EF, #A0FFFF and #B1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68CECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68CECE shade: #68CECE, #57BCBB, #46AAA8, #359895 and #248682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68CECE shade: #68CECE, #68CEB2, #68CE97, #68CE7C and #70CE68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68CECE shade: #68CECE, #68B2CE, #6897CE, #687CCE and #6868CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68CECE shade matches the following richer shades: #68CECE, #58DEDE, #48EEEE and #38FEFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68CECE shade: #68CECE, #78BEBE, #89AEAE, #999D9D and #A98D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68CECE shade: #68CE98, #68CEB3, #68CECE, #68B3CE and #6898CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68CECE shade: #38ACAC, #49C4C4, #68CECE, #87D8D8 and #A7E2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68CECE shade: #68CECE, #7D68CE and #CEA568

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68CECE shade: #68CECE, #CE68CE and #CECE68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68CECE shade: #68CECE, #7D68CE, #CE6868 and #B9CE68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68CECE shade: #68CECE, #9B68CE, #CE6868 and #9BCE68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

Complementary color

CMYK 0 / 68 / 68 / 41

HEX #973131

RGB 151 49 49

HSL 0, 0.51%, 0.39%

LAB 35.98, 42.59, 23.79

 

CMYK 47 / 0 / 2 / 19

HEX #6DCEC9

RGB 109 206 201

HSL 176.91, 0.5%, 0.62%

LAB 77.05, -29.77, -6.38

 

CMYK 44 / 0 / 2 / 12

HEX #7EE0DC

RGB 126 224 220

HSL 177.55, 0.61%, 0.69%

LAB 83.4, -29.77, -7.05

 

CMYK 41 / 0 / 1 / 5

HEX #8FF2EF

RGB 143 242 239

HSL 178.18, 0.79%, 0.75%

LAB 89.66, -29.74, -7.69

 

CMYK 37 / 0 / 0 / 0

HEX #A0FFFF

RGB 160 255 255

HSL 180, 1%, 0.81%

LAB 94.4, -28.01, -8.89

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 54 / 0 / 1 / 26

HEX #57BCBB

RGB 87 188 187

HSL 179.41, 0.43%, 0.54%

LAB 70.58, -29.45, -8.46

 

CMYK 59 / 0 / 1 / 33

HEX #46AAA8

RGB 70 170 168

HSL 178.8, 0.42%, 0.47%

LAB 64.06, -29.21, -7.7

 

CMYK 65 / 0 / 2 / 40

HEX #359895

RGB 53 152 149

HSL 178.18, 0.48%, 0.4%

LAB 57.45, -28.81, -6.86

 

CMYK 73 / 0 / 3 / 47

HEX #248682

RGB 36 134 130

HSL 177.55, 0.58%, 0.33%

LAB 50.73, -28.17, -5.92

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 50 / 0 / 14 / 19

HEX #68CEB2

RGB 104 206 178

HSL 163.53, 0.51%, 0.61%

LAB 76.25, -36.5, 4.82

 

CMYK 50 / 0 / 27 / 19

HEX #68CE97

RGB 104 206 151

HSL 147.65, 0.51%, 0.61%

LAB 75.65, -42.33, 18.4

 

CMYK 50 / 0 / 40 / 19

HEX #68CE7C

RGB 104 206 124

HSL 131.76, 0.51%, 0.61%

LAB 75.16, -47.24, 31.87

 

CMYK 46 / 0 / 50 / 19

HEX #70CE68

RGB 112 206 104

HSL 115.29, 0.51%, 0.61%

LAB 75.19, -47.97, 41.99

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 50 / 14 / 0 / 19

HEX #68B2CE

RGB 104 178 206

HSL 196.47, 0.51%, 0.61%

LAB 68.92, -15.45, -21.32

 

CMYK 50 / 27 / 0 / 19

HEX #6897CE

RGB 104 151 206

HSL 212.35, 0.51%, 0.61%

LAB 61.25, -0.61, -33.14

 

CMYK 50 / 40 / 0 / 19

HEX #687CCE

RGB 104 124 206

HSL 228.24, 0.51%, 0.61%

LAB 53.83, 15.29, -44.78

 

CMYK 50 / 50 / 0 / 19

HEX #6868CE

RGB 104 104 206

HSL 240, 0.51%, 0.61%

LAB 48.64, 27.46, -53.06

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 60 / 0 / 0 / 13

HEX #58DEDE

RGB 88 222 222

HSL 180, 0.67%, 0.61%

LAB 81.62, -35.94, -10.9

 

CMYK 70 / 0 / 0 / 7

HEX #48EEEE

RGB 72 238 238

HSL 180, 0.83%, 0.61%

LAB 86.36, -41.14, -12.32

 

CMYK 78 / 0 / 0 / 0

HEX #38FEFE

RGB 56 254 254

HSL 180, 0.99%, 0.61%

LAB 91.18, -45.42, -13.48

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 37 / 0 / 0 / 25

HEX #78BEBE

RGB 120 190 190

HSL 180, 0.35%, 0.61%

LAB 72.59, -21.91, -6.97

 

CMYK 21 / 0 / 0 / 32

HEX #89AEAE

RGB 137 174 174

HSL 180, 0.19%, 0.61%

LAB 68.49, -12.45, -4.13

 

CMYK 3 / 0 / 0 / 38

HEX #999D9D

RGB 153 157 157

HSL 180, 0.02%, 0.61%

LAB 64.42, -1.43, -0.51

 

CMYK 0 / 17 / 17 / 34

HEX #A98D8D

RGB 169 141 141

HSL 0, 0.14%, 0.61%

LAB 61.14, 10.54, 3.94

 

CMYK 50 / 0 / 26 / 19

HEX #68CE98

RGB 104 206 152

HSL 148.24, 0.51%, 0.61%

LAB 75.67, -42.13, 17.9

 

CMYK 50 / 0 / 13 / 19

HEX #68CEB3

RGB 104 206 179

HSL 164.12, 0.51%, 0.61%

LAB 76.28, -36.26, 4.32

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 50 / 13 / 0 / 19

HEX #68B3CE

RGB 104 179 206

HSL 195.88, 0.51%, 0.61%

LAB 69.21, -15.98, -20.88

 

CMYK 50 / 26 / 0 / 19

HEX #6898CE

RGB 104 152 206

HSL 211.76, 0.51%, 0.61%

LAB 61.53, -1.18, -32.7

 

CMYK 67 / 0 / 0 / 33

HEX #38ACAC

RGB 56 172 172

HSL 180, 0.51%, 0.45%

LAB 64.42, -31.37, -9.43

 

CMYK 63 / 0 / 0 / 23

HEX #49C4C4

RGB 73 196 196

HSL 180, 0.51%, 0.53%

LAB 72.81, -33.36, -10.09

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 38 / 0 / 0 / 15

HEX #87D8D8

RGB 135 216 216

HSL 180, 0.51%, 0.69%

LAB 81.41, -24.66, -7.83

 

CMYK 26 / 0 / 0 / 11

HEX #A7E2E2

RGB 167 226 226

HSL 180, 0.5%, 0.77%

LAB 86.06, -18.59, -6.08

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 39 / 50 / 0 / 19

HEX #7D68CE

RGB 125 104 206

HSL 252.35, 0.51%, 0.61%

LAB 50.35, 32.41, -50.21

 

CMYK 0 / 20 / 50 / 19

HEX #CEA568

RGB 206 165 104

HSL 35.88, 0.51%, 0.61%

LAB 70.2, 7.5, 37.18

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 0 / 50 / 0 / 19

HEX #CE68CE

RGB 206 104 206

HSL 300, 0.51%, 0.61%

LAB 59.41, 54.39, -35.3

 

CMYK 0 / 0 / 50 / 19

HEX #CECE68

RGB 206 206 104

HSL 60, 0.51%, 0.61%

LAB 80.89, -13.92, 50.21

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 39 / 50 / 0 / 19

HEX #7D68CE

RGB 125 104 206

HSL 252.35, 0.51%, 0.61%

LAB 50.35, 32.41, -50.21

 

CMYK 0 / 50 / 50 / 19

HEX #CE6868

RGB 206 104 104

HSL 0, 0.51%, 0.61%

LAB 56.11, 40.26, 18.79

 

CMYK 10 / 0 / 50 / 19

HEX #B9CE68

RGB 185 206 104

HSL 72.35, 0.51%, 0.61%

LAB 79.3, -22.32, 47.94

 

CMYK 50 / 0 / 0 / 19

HEX #68CECE

RGB 104 206 206

HSL 180, 0.51%, 0.61%

LAB 77.01, -29.59, -9.15

 

CMYK 25 / 50 / 0 / 19

HEX #9B68CE

RGB 155 104 206

HSL 270, 0.51%, 0.61%

LAB 53.3, 40.22, -45.34

 

CMYK 0 / 50 / 50 / 19

HEX #CE6868

RGB 206 104 104

HSL 0, 0.51%, 0.61%

LAB 56.11, 40.26, 18.79

 

CMYK 25 / 0 / 50 / 19

HEX #9BCE68

RGB 155 206 104

HSL 90, 0.51%, 0.61%

LAB 77.35, -33.73, 45.12

 

Description

Color code: HEX #68CECE | qconv.com Color code: HEX #68CECE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 206 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 206 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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