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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68CDB8 it is the complementary color #973247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68CDB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68CDB8 shade: #6DCDB3, #7EDFC6, #8FF1D9, #A0FFEC and #B1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68CDB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68CDB8 shade: #68CDB8, #57BBA5, #46A992, #35977F and #24856C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68CDB8 shade: #6ACDB9, #6ACD9E, #6ACD83, #6CCD6A and #86CD6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68CDB8 shade: #6ACDB9, #6AC7CD, #6AACCD, #6A92CD and #6A77CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68CDB8 shade matches the following richer shades: #6ACDB9, #5ADDC2, #4AEDCB and #3AFED5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68CDB8 shade: #6ACDB9, #7ABDAF, #8AADA6, #9A9D9C and #AA8D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68CDB8 shade: #6ACD83, #6ACD9D, #6ACDB8, #6AC8CD and #6AAECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68CDB8 shade: #39AB94, #4BC3AA, #6ACDB9, #89D8C7 and #A8E2D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68CDB8 shade: #68CDB8, #6A6BCD and #CD906A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68CDB8 shade: #68CDB8, #B86ACD and #CDB86A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68CDB8 shade: #68CDB8, #6A6BCD, #CD6A7F and #CDCC6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68CDB8 shade: #68CDB8, #866ACD, #CD6A7F and #B1CD6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 10 / 20

HEX #68CDB8

RGB 104 205 184

HSL 167.52, 0.5%, 0.61%

LAB 76.11, -34.62, 1.38

 

Complementary color

CMYK 0 / 67 / 53 / 41

HEX #973247

RGB 151 50 71

HSL 347.52, 0.5%, 0.39%

LAB 36.58, 43.79, 10.67

 

CMYK 47 / 0 / 13 / 20

HEX #6DCDB3

RGB 109 205 179

HSL 163.75, 0.49%, 0.62%

LAB 76.17, -34.61, 4.19

 

CMYK 43 / 0 / 11 / 13

HEX #7EDFC6

RGB 126 223 198

HSL 164.54, 0.6%, 0.68%

LAB 82.53, -34.48, 3.34

 

CMYK 41 / 0 / 10 / 5

HEX #8FF1D9

RGB 143 241 217

HSL 165.31, 0.78%, 0.75%

LAB 88.81, -34.33, 2.54

 

CMYK 37 / 0 / 7 / 0

HEX #A0FFEC

RGB 160 255 236

HSL 168, 1%, 0.81%

LAB 93.9, -32.31, 0.19

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 49 / 0 / 10 / 20

HEX #68CDB8

RGB 104 205 184

HSL 167.52, 0.5%, 0.61%

LAB 76.11, -34.62, 1.38

 

CMYK 53 / 0 / 12 / 27

HEX #57BBA5

RGB 87 187 165

HSL 166.8, 0.42%, 0.54%

LAB 69.67, -34.64, 2.27

 

CMYK 59 / 0 / 14 / 34

HEX #46A992

RGB 70 169 146

HSL 166.06, 0.41%, 0.47%

LAB 63.14, -34.58, 3.24

 

CMYK 65 / 0 / 16 / 41

HEX #35977F

RGB 53 151 127

HSL 165.31, 0.48%, 0.4%

LAB 56.51, -34.37, 4.32

 

CMYK 73 / 0 / 19 / 48

HEX #24856C

RGB 36 133 108

HSL 164.54, 0.57%, 0.33%

LAB 49.78, -33.94, 5.54

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB9

RGB 106 205 185

HSL 167.88, 0.5%, 0.61%

LAB 76.21, -33.92, 1

 

CMYK 48 / 0 / 23 / 20

HEX #6ACD9E

RGB 106 205 158

HSL 151.52, 0.5%, 0.61%

LAB 75.57, -39.96, 14.58

 

CMYK 48 / 0 / 36 / 20

HEX #6ACD83

RGB 106 205 131

HSL 135.15, 0.5%, 0.61%

LAB 75.05, -45.11, 28.12

 

CMYK 47 / 0 / 48 / 20

HEX #6CCD6A

RGB 108 205 106

HSL 118.79, 0.5%, 0.61%

LAB 74.76, -48.44, 40.44

 

CMYK 35 / 0 / 48 / 20

HEX #86CD6A

RGB 134 205 106

HSL 103.03, 0.5%, 0.61%

LAB 75.93, -40.39, 42.15

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB9

RGB 106 205 185

HSL 167.88, 0.5%, 0.61%

LAB 76.21, -33.92, 1

 

CMYK 48 / 3 / 0 / 20

HEX #6AC7CD

RGB 106 199 205

HSL 183.64, 0.5%, 0.61%

LAB 75.03, -26, -11.56

 

CMYK 48 / 16 / 0 / 20

HEX #6AACCD

RGB 106 172 205

HSL 200, 0.5%, 0.61%

LAB 67.26, -12.08, -23.3

 

CMYK 48 / 29 / 0 / 20

HEX #6A92CD

RGB 106 146 205

HSL 215.76, 0.5%, 0.61%

LAB 59.92, 2.44, -34.64

 

CMYK 48 / 42 / 0 / 20

HEX #6A77CD

RGB 106 119 205

HSL 232.12, 0.5%, 0.61%

LAB 52.58, 18.48, -46.18

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB9

RGB 106 205 185

HSL 167.88, 0.5%, 0.61%

LAB 76.21, -33.92, 1

 

CMYK 59 / 0 / 12 / 13

HEX #5ADDC2

RGB 90 221 194

HSL 167.63, 0.66%, 0.61%

LAB 80.62, -42.35, 2.53

 

CMYK 69 / 0 / 14 / 7

HEX #4AEDCB

RGB 74 237 203

HSL 167.48, 0.82%, 0.61%

LAB 85.17, -49.61, 4.32

 

CMYK 77 / 0 / 16 / 0

HEX #3AFED5

RGB 58 254 213

HSL 167.45, 0.99%, 0.61%

LAB 90.13, -56.01, 6.24

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB9

RGB 106 205 185

HSL 167.88, 0.5%, 0.61%

LAB 76.21, -33.92, 1

 

CMYK 35 / 0 / 7 / 26

HEX #7ABDAF

RGB 122 189 175

HSL 167.46, 0.34%, 0.61%

LAB 71.98, -24.42, 0.34

 

CMYK 20 / 0 / 4 / 32

HEX #8AADA6

RGB 138 173 166

HSL 168, 0.18%, 0.61%

LAB 68.05, -13.35, -0.34

 

CMYK 2 / 0 / 1 / 38

HEX #9A9D9C

RGB 154 157 156

HSL 160, 0.02%, 0.61%

LAB 64.47, -1.27, 0.14

 

CMYK 0 / 17 / 14 / 33

HEX #AA8D93

RGB 170 141 147

HSL 347.59, 0.15%, 0.61%

LAB 61.4, 11.93, 0.91

 

CMYK 48 / 0 / 36 / 20

HEX #6ACD83

RGB 106 205 131

HSL 135.15, 0.5%, 0.61%

LAB 75.05, -45.11, 28.12

 

CMYK 48 / 0 / 23 / 20

HEX #6ACD9D

RGB 106 205 157

HSL 150.91, 0.5%, 0.61%

LAB 75.55, -40.17, 15.08

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB8

RGB 106 205 184

HSL 167.27, 0.5%, 0.61%

LAB 76.18, -34.16, 1.5

 

CMYK 48 / 2 / 0 / 20

HEX #6AC8CD

RGB 106 200 205

HSL 183.03, 0.5%, 0.61%

LAB 75.31, -26.49, -11.13

 

CMYK 48 / 15 / 0 / 20

HEX #6AAECD

RGB 106 174 205

HSL 198.79, 0.5%, 0.61%

LAB 67.83, -13.15, -22.43

 

CMYK 67 / 0 / 13 / 33

HEX #39AB94

RGB 57 171 148

HSL 167.89, 0.5%, 0.45%

LAB 63.45, -37.37, 2.54

 

CMYK 62 / 0 / 13 / 24

HEX #4BC3AA

RGB 75 195 170

HSL 167.5, 0.5%, 0.53%

LAB 71.84, -39.45, 2.65

 

CMYK 48 / 0 / 10 / 20

HEX #6ACDB9

RGB 106 205 185

HSL 167.88, 0.5%, 0.61%

LAB 76.21, -33.92, 1

 

CMYK 37 / 0 / 8 / 15

HEX #89D8C7

RGB 137 216 199

HSL 167.09, 0.5%, 0.69%

LAB 81.05, -28.08, 0.7

 

CMYK 26 / 0 / 5 / 11

HEX #A8E2D6

RGB 168 226 214

HSL 167.59, 0.5%, 0.77%

LAB 85.79, -20.89, -0.13

 

CMYK 49 / 0 / 10 / 20

HEX #68CDB8

RGB 104 205 184

HSL 167.52, 0.5%, 0.61%

LAB 76.11, -34.62, 1.38

 

CMYK 48 / 48 / 0 / 20

HEX #6A6BCD

RGB 106 107 205

HSL 239.39, 0.5%, 0.61%

LAB 49.48, 25.78, -51.12

 

CMYK 0 / 30 / 48 / 20

HEX #CD906A

RGB 205 144 106

HSL 23.03, 0.5%, 0.61%

LAB 64.94, 18.68, 29.37

 

CMYK 49 / 0 / 10 / 20

HEX #68CDB8

RGB 104 205 184

HSL 167.52, 0.5%, 0.61%

LAB 76.11, -34.62, 1.38

 

CMYK 10 / 48 / 0 / 20

HEX #B86ACD

RGB 184 106 205

HSL 287.27, 0.5%, 0.61%

LAB 56.98, 46.98, -38.74

 

CMYK 0 / 10 / 48 / 20

HEX #CDB86A

RGB 205 184 106

HSL 47.27, 0.5%, 0.61%

LAB 75.01, -2.84, 42.12

 

CMYK 49 / 0 / 10 / 20

HEX #68CDB8

RGB 104 205 184

HSL 167.52, 0.5%, 0.61%

LAB 76.11, -34.62, 1.38

 

CMYK 48 / 48 / 0 / 20

HEX #6A6BCD

RGB 106 107 205

HSL 239.39, 0.5%, 0.61%

LAB 49.48, 25.78, -51.12

 

CMYK 0 / 48 / 38 / 20

HEX #CD6A7F

RGB 205 106 127

HSL 347.27, 0.5%, 0.61%

LAB 56.9, 41.28, 6.46

 

CMYK 0 / 0 / 48 / 20

HEX #CDCC6A

RGB 205 204 106

HSL 59.39, 0.5%, 0.61%

LAB 80.3, -13.14, 48.53

 

CMYK 49 / 0 / 10 / 20

HEX #68CDB8

RGB 104 205 184

HSL 167.52, 0.5%, 0.61%

LAB 76.11, -34.62, 1.38

 

CMYK 35 / 48 / 0 / 20

HEX #866ACD

RGB 134 106 205

HSL 256.97, 0.5%, 0.61%

LAB 51.59, 33.25, -47.62

 

CMYK 0 / 48 / 38 / 20

HEX #CD6A7F

RGB 205 106 127

HSL 347.27, 0.5%, 0.61%

LAB 56.9, 41.28, 6.46

 

CMYK 14 / 0 / 48 / 20

HEX #B1CD6A

RGB 177 205 106

HSL 76.97, 0.5%, 0.61%

LAB 78.49, -24.75, 45.87

 

Description

Color code: HEX #68CDB8 | qconv.com Color code: HEX #68CDB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 205 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 205 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 10 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 10% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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