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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68CD1F it is the complementary color #9732E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68CD1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68CD1F shade: #6DCD1A, #7EDF2D, #8FF140, #A0FF53 and #B1FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68CD1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68CD1F shade: #68CD1F, #57BB0C, #46A900, #359700 and #248500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68CD1F shade: #67CC1E, #96CC1E, #C5CC1E, #CCA41E and #CC761E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68CD1F shade: #67CC1E, #39CC1E, #1ECC33, #1ECC62 and #1ECC91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68CD1F shade matches the following richer shades: #67CC1E and #64DF0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68CD1F shade: #67CC1E, #6AB931, #6DA644, #709357 and #74806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68CD1F shade: #C6CC1E, #98CC1E, #6ACC1E, #3BCC1E and #1ECC30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68CD1F shade: #438414, #55A819, #67CC1E, #7CE133 and #93E657

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68CD1F shade: #68CD1F, #1ECCA4 and #CC1EAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68CD1F shade: #68CD1F, #1E6ACC and #CC1E6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68CD1F shade: #68CD1F, #1ECCA4, #811ECC and #CC1E47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68CD1F shade: #68CD1F, #1EC1CC, #811ECC and #CC2A1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 85 / 20

HEX #68CD1F

RGB 104 205 31

HSL 94.83, 0.74%, 0.46%

LAB 74, -56.08, 68.55

 

Complementary color

CMYK 33 / 78 / 0 / 12

HEX #9732E0

RGB 151 50 224

HSL 274.83, 0.74%, 0.54%

LAB 44.58, 69.01, -69.66

 

CMYK 47 / 0 / 87 / 20

HEX #6DCD1A

RGB 109 205 26

HSL 92.18, 0.77%, 0.45%

LAB 74.18, -54.74, 69.83

 

CMYK 43 / 0 / 80 / 13

HEX #7EDF2D

RGB 126 223 45

HSL 92.7, 0.74%, 0.53%

LAB 80.4, -55.57, 71.15

 

CMYK 41 / 0 / 73 / 5

HEX #8FF140

RGB 143 241 64

HSL 93.22, 0.86%, 0.6%

LAB 86.56, -56.15, 71.54

 

CMYK 37 / 0 / 67 / 0

HEX #A0FF53

RGB 160 255 83

HSL 93.14, 1%, 0.66%

LAB 91.51, -54.96, 70.14

 

CMYK 31 / 0 / 60 / 0

HEX #B1FF66

RGB 177 255 102

HSL 90.59, 1%, 0.7%

LAB 92.5, -47.78, 63.95

 

CMYK 49 / 0 / 85 / 20

HEX #68CD1F

RGB 104 205 31

HSL 94.83, 0.74%, 0.46%

LAB 74, -56.08, 68.55

 

CMYK 53 / 0 / 94 / 27

HEX #57BB0C

RGB 87 187 12

HSL 94.29, 0.88%, 0.39%

LAB 67.72, -54.95, 66.35

 

CMYK 59 / 0 / 100 / 34

HEX #46A900

RGB 70 169 0

HSL 95.15, 1%, 0.33%

LAB 61.38, -53.39, 62.52

 

CMYK 65 / 0 / 100 / 41

HEX #359700

RGB 53 151 0

HSL 98.94, 1%, 0.3%

LAB 54.96, -51.35, 57.23

 

CMYK 73 / 0 / 100 / 48

HEX #248500

RGB 36 133 0

HSL 103.76, 1%, 0.26%

LAB 48.45, -48.93, 51.88

 

CMYK 50 / 0 / 85 / 20

HEX #67CC1E

RGB 103 204 30

HSL 94.83, 0.74%, 0.46%

LAB 73.65, -56.05, 68.45

 

CMYK 26 / 0 / 85 / 20

HEX #96CC1E

RGB 150 204 30

HSL 78.62, 0.74%, 0.46%

LAB 75.92, -39.88, 71.3

 

CMYK 3 / 0 / 85 / 20

HEX #C5CC1E

RGB 197 204 30

HSL 62.41, 0.74%, 0.46%

LAB 79.13, -20.76, 75.28

 

CMYK 0 / 20 / 85 / 20

HEX #CCA41E

RGB 204 164 30

HSL 46.21, 0.74%, 0.46%

LAB 69.1, 2.86, 67.28

 

CMYK 0 / 42 / 85 / 20

HEX #CC761E

RGB 204 118 30

HSL 30.34, 0.74%, 0.46%

LAB 57.93, 27.77, 58.02

 

CMYK 50 / 0 / 85 / 20

HEX #67CC1E

RGB 103 204 30

HSL 94.83, 0.74%, 0.46%

LAB 73.65, -56.05, 68.45

 

CMYK 72 / 0 / 85 / 20

HEX #39CC1E

RGB 57 204 30

HSL 110.69, 0.74%, 0.46%

LAB 72.33, -66.84, 66.78

 

CMYK 85 / 0 / 75 / 20

HEX #1ECC33

RGB 30 204 51

HSL 127.24, 0.74%, 0.46%

LAB 72.03, -69.1, 60.44

 

CMYK 85 / 0 / 52 / 20

HEX #1ECC62

RGB 30 204 98

HSL 143.45, 0.74%, 0.46%

LAB 72.46, -63.8, 41.08

 

CMYK 85 / 0 / 29 / 20

HEX #1ECC91

RGB 30 204 145

HSL 159.66, 0.74%, 0.46%

LAB 73.22, -54.93, 17.97

 

CMYK 50 / 0 / 85 / 20

HEX #67CC1E

RGB 103 204 30

HSL 94.83, 0.74%, 0.46%

LAB 73.65, -56.05, 68.45

 

CMYK 55 / 0 / 95 / 13

HEX #64DF0C

RGB 100 223 12

HSL 94.98, 0.9%, 0.46%

LAB 79.33, -64.15, 76

 

CMYK 50 / 0 / 85 / 20

HEX #67CC1E

RGB 103 204 30

HSL 94.83, 0.74%, 0.46%

LAB 73.65, -56.05, 68.45

 

CMYK 43 / 0 / 74 / 27

HEX #6AB931

RGB 106 185 49

HSL 94.85, 0.58%, 0.46%

LAB 68.01, -46.75, 57.78

 

CMYK 34 / 0 / 59 / 35

HEX #6DA644

RGB 109 166 68

HSL 94.9, 0.42%, 0.46%

LAB 62.46, -35.97, 44.04

 

CMYK 24 / 0 / 41 / 42

HEX #709357

RGB 112 147 87

HSL 95, 0.26%, 0.46%

LAB 57.08, -23.47, 27.89

 

CMYK 9 / 0 / 17 / 50

HEX #74806A

RGB 116 128 106

HSL 92.73, 0.09%, 0.46%

LAB 52.05, -8.76, 10.47

 

CMYK 3 / 0 / 85 / 20

HEX #C6CC1E

RGB 198 204 30

HSL 62.07, 0.74%, 0.46%

LAB 79.21, -20.34, 75.37

 

CMYK 25 / 0 / 85 / 20

HEX #98CC1E

RGB 152 204 30

HSL 77.93, 0.74%, 0.46%

LAB 76.04, -39.11, 71.45

 

CMYK 48 / 0 / 85 / 20

HEX #6ACC1E

RGB 106 204 30

HSL 93.79, 0.74%, 0.46%

LAB 73.77, -55.15, 68.6

 

CMYK 71 / 0 / 85 / 20

HEX #3BCC1E

RGB 59 204 30

HSL 110, 0.74%, 0.46%

LAB 72.37, -66.5, 66.83

 

CMYK 85 / 0 / 76 / 20

HEX #1ECC30

RGB 30 204 48

HSL 126.21, 0.74%, 0.46%

LAB 72.01, -69.31, 61.41

 

CMYK 49 / 0 / 85 / 48

HEX #438414

RGB 67 132 20

HSL 94.82, 0.74%, 0.3%

LAB 49.19, -39.61, 48.66

 

CMYK 49 / 0 / 85 / 34

HEX #55A819

RGB 85 168 25

HSL 94.83, 0.74%, 0.38%

LAB 61.66, -48.01, 58.79

 

CMYK 50 / 0 / 85 / 20

HEX #67CC1E

RGB 103 204 30

HSL 94.83, 0.74%, 0.46%

LAB 73.65, -56.05, 68.45

 

CMYK 45 / 0 / 77 / 12

HEX #7CE133

RGB 124 225 51

HSL 94.83, 0.74%, 0.54%

LAB 80.95, -56.66, 69.92

 

CMYK 36 / 0 / 62 / 10

HEX #93E657

RGB 147 230 87

HSL 94.83, 0.74%, 0.62%

LAB 83.7, -48.74, 60.02

 

CMYK 49 / 0 / 85 / 20

HEX #68CD1F

RGB 104 205 31

HSL 94.83, 0.74%, 0.46%

LAB 74, -56.08, 68.55

 

CMYK 85 / 0 / 20 / 20

HEX #1ECCA4

RGB 30 204 164

HSL 166.21, 0.74%, 0.46%

LAB 73.64, -50.42, 8.37

 

CMYK 0 / 85 / 14 / 20

HEX #CC1EAF

RGB 204 30 175

HSL 310, 0.74%, 0.46%

LAB 48.08, 75.56, -35.18

 

CMYK 49 / 0 / 85 / 20

HEX #68CD1F

RGB 104 205 31

HSL 94.83, 0.74%, 0.46%

LAB 74, -56.08, 68.55

 

CMYK 85 / 48 / 0 / 20

HEX #1E6ACC

RGB 30 106 204

HSL 213.79, 0.74%, 0.46%

LAB 45.56, 14.09, -57.05

 

CMYK 0 / 85 / 48 / 20

HEX #CC1E6A

RGB 204 30 106

HSL 333.79, 0.74%, 0.46%

LAB 45.37, 68.05, 2.47

 

CMYK 49 / 0 / 85 / 20

HEX #68CD1F

RGB 104 205 31

HSL 94.83, 0.74%, 0.46%

LAB 74, -56.08, 68.55

 

CMYK 85 / 0 / 20 / 20

HEX #1ECCA4

RGB 30 204 164

HSL 166.21, 0.74%, 0.46%

LAB 73.64, -50.42, 8.37

 

CMYK 37 / 85 / 0 / 20

HEX #811ECC

RGB 129 30 204

HSL 274.14, 0.74%, 0.46%

LAB 37.76, 67.71, -69.41

 

CMYK 0 / 85 / 65 / 20

HEX #CC1E47

RGB 204 30 71

HSL 345.86, 0.74%, 0.46%

LAB 44.55, 65.67, 23.11

 

CMYK 49 / 0 / 85 / 20

HEX #68CD1F

RGB 104 205 31

HSL 94.83, 0.74%, 0.46%

LAB 74, -56.08, 68.55

 

CMYK 85 / 5 / 0 / 20

HEX #1EC1CC

RGB 30 193 204

HSL 183.79, 0.74%, 0.46%

LAB 71.4, -34.4, -16.64

 

CMYK 37 / 85 / 0 / 20

HEX #811ECC

RGB 129 30 204

HSL 274.14, 0.74%, 0.46%

LAB 37.76, 67.71, -69.41

 

CMYK 0 / 79 / 85 / 20

HEX #CC2A1E

RGB 204 42 30

HSL 4.14, 0.74%, 0.46%

LAB 45.06, 61.22, 47.14

 

Description

Color code: HEX #68CD1F | qconv.com Color code: HEX #68CD1F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 205 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 205 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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