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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68CA54 it is the complementary color #9735AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68CA54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68CA54 shade: #6DCA4F, #7EDC62, #8FEE75, #A0FF88 and #B1FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68CA54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68CA54 shade: #68CA54, #57B841, #46A62E, #35941B and #248208

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68CA54 shade: #67CA53, #88CA53, #A8CA53, #C8CA53 and #CAAD53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68CA54 shade: #67CA53, #53CA5F, #53CA7F, #53CA9F and #53CABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68CA54 shade matches the following richer shades: #67CA53, #5BDC41 and #4FEF2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68CA54 shade: #67CA53, #73B865, #7FA678, #8B948A and #97829C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68CA54 shade: #A9CA53, #89CA53, #69CA53, #53CA5D and #53CA7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68CA54 shade: #429B30, #4FBB39, #67CA53, #83D473 and #9FDE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68CA54 shade: #68CA54, #53C8CA and #CA5399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68CA54 shade: #68CA54, #5369CA and #CA5369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68CA54 shade: #68CA54, #53C8CA, #B453CA and #CA5553

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68CA54 shade: #68CA54, #53A5CA, #B453CA and #CA7953

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 58 / 21

HEX #68CA54

RGB 104 202 84

HSL 109.83, 0.53%, 0.56%

LAB 73.43, -51.09, 49.24

 

Complementary color

CMYK 12 / 69 / 0 / 33

HEX #9735AB

RGB 151 53 171

HSL 289.83, 0.53%, 0.44%

LAB 41.32, 57.04, -44.09

 

CMYK 46 / 0 / 61 / 21

HEX #6DCA4F

RGB 109 202 79

HSL 105.37, 0.54%, 0.55%

LAB 73.58, -50.15, 51.7

 

CMYK 43 / 0 / 55 / 14

HEX #7EDC62

RGB 126 220 98

HSL 106.23, 0.64%, 0.62%

LAB 79.9, -50.26, 50.64

 

CMYK 40 / 0 / 51 / 7

HEX #8FEE75

RGB 143 238 117

HSL 107.11, 0.78%, 0.7%

LAB 86.14, -50.25, 49.49

 

CMYK 37 / 0 / 47 / 0

HEX #A0FF88

RGB 160 255 136

HSL 107.9, 1%, 0.77%

LAB 92.03, -49.75, 47.96

 

CMYK 31 / 0 / 39 / 0

HEX #B1FF9B

RGB 177 255 155

HSL 106.8, 1%, 0.8%

LAB 93.12, -41.87, 40.35

 

CMYK 49 / 0 / 58 / 21

HEX #68CA54

RGB 104 202 84

HSL 109.83, 0.53%, 0.56%

LAB 73.43, -51.09, 49.24

 

CMYK 53 / 0 / 65 / 28

HEX #57B841

RGB 87 184 65

HSL 108.91, 0.48%, 0.49%

LAB 67.04, -50.83, 50.25

 

CMYK 58 / 0 / 72 / 35

HEX #46A62E

RGB 70 166 46

HSL 108, 0.57%, 0.42%

LAB 60.58, -50.29, 50.93

 

CMYK 64 / 0 / 82 / 42

HEX #35941B

RGB 53 148 27

HSL 107.11, 0.69%, 0.34%

LAB 54.04, -49.31, 50.91

 

CMYK 72 / 0 / 94 / 49

HEX #248208

RGB 36 130 8

HSL 106.23, 0.88%, 0.27%

LAB 47.44, -47.65, 49.48

 

CMYK 49 / 0 / 59 / 21

HEX #67CA53

RGB 103 202 83

HSL 109.92, 0.53%, 0.56%

LAB 73.38, -51.49, 49.63

 

CMYK 33 / 0 / 59 / 21

HEX #88CA53

RGB 136 202 83

HSL 93.28, 0.53%, 0.56%

LAB 74.89, -40.92, 51.74

 

CMYK 17 / 0 / 59 / 21

HEX #A8CA53

RGB 168 202 83

HSL 77.14, 0.53%, 0.56%

LAB 76.79, -28.97, 54.41

 

CMYK 1 / 0 / 59 / 21

HEX #C8CA53

RGB 200 202 83

HSL 61.01, 0.53%, 0.56%

LAB 79.12, -16.04, 57.65

 

CMYK 0 / 14 / 59 / 21

HEX #CAAD53

RGB 202 173 83

HSL 45.38, 0.53%, 0.56%

LAB 71.6, -0.22, 49.27

 

CMYK 49 / 0 / 59 / 21

HEX #67CA53

RGB 103 202 83

HSL 109.92, 0.53%, 0.56%

LAB 73.38, -51.49, 49.63

 

CMYK 59 / 0 / 53 / 21

HEX #53CA5F

RGB 83 202 95

HSL 126.05, 0.53%, 0.56%

LAB 72.83, -55.21, 43.22

 

CMYK 59 / 0 / 37 / 21

HEX #53CA7F

RGB 83 202 127

HSL 142.18, 0.53%, 0.56%

LAB 73.29, -50.15, 27.72

 

CMYK 59 / 0 / 21 / 21

HEX #53CA9F

RGB 83 202 159

HSL 158.32, 0.53%, 0.56%

LAB 73.92, -43.62, 11.61

 

CMYK 59 / 0 / 5 / 21

HEX #53CABF

RGB 83 202 191

HSL 174.45, 0.53%, 0.56%

LAB 74.72, -35.8, -4.51

 

CMYK 49 / 0 / 59 / 21

HEX #67CA53

RGB 103 202 83

HSL 109.92, 0.53%, 0.56%

LAB 73.38, -51.49, 49.63

 

CMYK 59 / 0 / 70 / 14

HEX #5BDC41

RGB 91 220 65

HSL 109.94, 0.69%, 0.56%

LAB 78.34, -62.98, 62.3

 

CMYK 67 / 0 / 80 / 6

HEX #4FEF2F

RGB 79 239 47

HSL 110, 0.86%, 0.56%

LAB 83.76, -72.96, 73.16

 

CMYK 49 / 0 / 59 / 21

HEX #67CA53

RGB 103 202 83

HSL 109.92, 0.53%, 0.56%

LAB 73.38, -51.49, 49.63

 

CMYK 38 / 0 / 45 / 28

HEX #73B865

RGB 115 184 101

HSL 109.88, 0.37%, 0.56%

LAB 68.65, -38, 35.35

 

CMYK 23 / 0 / 28 / 35

HEX #7FA678

RGB 127 166 120

HSL 110.87, 0.21%, 0.56%

LAB 64.27, -22.36, 19.63

 

CMYK 6 / 0 / 7 / 42

HEX #8B948A

RGB 139 148 138

HSL 114, 0.04%, 0.56%

LAB 60.34, -5.21, 4.16

 

CMYK 3 / 17 / 0 / 39

HEX #97829C

RGB 151 130 156

HSL 288.46, 0.12%, 0.56%

LAB 57.02, 12.9, -10.92

 

CMYK 16 / 0 / 59 / 21

HEX #A9CA53

RGB 169 202 83

HSL 76.64, 0.53%, 0.56%

LAB 76.86, -28.58, 54.5

 

CMYK 32 / 0 / 59 / 21

HEX #89CA53

RGB 137 202 83

HSL 92.77, 0.53%, 0.56%

LAB 74.94, -40.57, 51.82

 

CMYK 48 / 0 / 59 / 21

HEX #69CA53

RGB 105 202 83

HSL 108.91, 0.53%, 0.56%

LAB 73.46, -50.91, 49.74

 

CMYK 59 / 0 / 54 / 21

HEX #53CA5D

RGB 83 202 93

HSL 125.04, 0.53%, 0.56%

LAB 72.81, -55.47, 44.14

 

CMYK 59 / 0 / 38 / 21

HEX #53CA7D

RGB 83 202 125

HSL 141.18, 0.53%, 0.56%

LAB 73.26, -50.51, 28.71

 

CMYK 57 / 0 / 69 / 39

HEX #429B30

RGB 66 155 48

HSL 109.91, 0.53%, 0.4%

LAB 56.89, -47.02, 46.25

 

CMYK 58 / 0 / 70 / 27

HEX #4FBB39

RGB 79 187 57

HSL 109.85, 0.53%, 0.48%

LAB 67.65, -54.81, 54.1

 

CMYK 49 / 0 / 59 / 21

HEX #67CA53

RGB 103 202 83

HSL 109.92, 0.53%, 0.56%

LAB 73.38, -51.49, 49.63

 

CMYK 38 / 0 / 46 / 17

HEX #83D473

RGB 131 212 115

HSL 110.1, 0.53%, 0.64%

LAB 77.96, -43.26, 40.23

 

CMYK 28 / 0 / 34 / 13

HEX #9FDE92

RGB 159 222 146

HSL 109.74, 0.54%, 0.72%

LAB 82.75, -34.19, 31.07

 

CMYK 49 / 0 / 58 / 21

HEX #68CA54

RGB 104 202 84

HSL 109.83, 0.53%, 0.56%

LAB 73.43, -51.09, 49.24

 

CMYK 59 / 1 / 0 / 21

HEX #53C8CA

RGB 83 200 202

HSL 181.01, 0.53%, 0.56%

LAB 74.45, -31.9, -10.87

 

CMYK 0 / 59 / 24 / 21

HEX #CA5399

RGB 202 83 153

HSL 324.71, 0.53%, 0.56%

LAB 53, 54.73, -14.63

 

CMYK 49 / 0 / 58 / 21

HEX #68CA54

RGB 104 202 84

HSL 109.83, 0.53%, 0.56%

LAB 73.43, -51.09, 49.24

 

CMYK 59 / 48 / 0 / 21

HEX #5369CA

RGB 83 105 202

HSL 228.91, 0.53%, 0.56%

LAB 47.24, 21.18, -53.07

 

CMYK 0 / 59 / 48 / 21

HEX #CA5369

RGB 202 83 105

HSL 348.91, 0.53%, 0.56%

LAB 51.57, 49.19, 11.85

 

CMYK 49 / 0 / 58 / 21

HEX #68CA54

RGB 104 202 84

HSL 109.83, 0.53%, 0.56%

LAB 73.43, -51.09, 49.24

 

CMYK 59 / 1 / 0 / 21

HEX #53C8CA

RGB 83 200 202

HSL 181.01, 0.53%, 0.56%

LAB 74.45, -31.9, -10.87

 

CMYK 11 / 59 / 0 / 21

HEX #B453CA

RGB 180 83 202

HSL 288.91, 0.53%, 0.56%

LAB 52.01, 56.76, -44.91

 

CMYK 0 / 58 / 59 / 21

HEX #CA5553

RGB 202 85 83

HSL 1.01, 0.53%, 0.56%

LAB 51.47, 46.43, 24.78

 

CMYK 49 / 0 / 58 / 21

HEX #68CA54

RGB 104 202 84

HSL 109.83, 0.53%, 0.56%

LAB 73.43, -51.09, 49.24

 

CMYK 59 / 18 / 0 / 21

HEX #53A5CA

RGB 83 165 202

HSL 198.66, 0.53%, 0.56%

LAB 64.17, -14.14, -26.46

 

CMYK 11 / 59 / 0 / 21

HEX #B453CA

RGB 180 83 202

HSL 288.91, 0.53%, 0.56%

LAB 52.01, 56.76, -44.91

 

CMYK 0 / 40 / 59 / 21

HEX #CA7953

RGB 202 121 83

HSL 19.16, 0.53%, 0.56%

LAB 58.84, 27.96, 34.11

 

Description

Color code: HEX #68CA54 | qconv.com Color code: HEX #68CA54 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 202 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 202 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 58 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 58% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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