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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68C21C it is the complementary color #973DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68C21C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68C21C shade: #6DC217, #7ED42A, #8FE63D, #A0F850 and #B1FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68C21C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68C21C shade: #68C21C, #57B009, #469E00, #358C00 and #247A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68C21C shade: #69C41C, #96C41C, #C4C41C, #C4971C and #C46A1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68C21C shade: #69C41C, #3CC41C, #1CC42A, #1CC457 and #1CC485

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68C21C shade matches the following richer shades: #69C41C and #68D70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68C21C shade: #69C41C, #6BB22E, #6CA040, #6E8E53 and #6F7C65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68C21C shade: #C4C41C, #97C41C, #6BC41C, #3EC41C and #1CC427

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68C21C shade: #427C12, #56A017, #69C41C, #7DE029 and #93E64D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68C21C shade: #68C21C, #1CC497 and #C41CAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68C21C shade: #68C21C, #1C6BC4 and #C41C6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68C21C shade: #68C21C, #1CC497, #761CC4 and #C41C49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68C21C shade: #68C21C, #1CBFC4, #761CC4 and #C4221C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 86 / 24

HEX #68C21C

RGB 104 194 28

HSL 92.53, 0.75%, 0.44%

LAB 70.6, -52.03, 66.24

 

Complementary color

CMYK 33 / 73 / 0 / 11

HEX #973DE3

RGB 151 61 227

HSL 272.53, 0.75%, 0.56%

LAB 46.26, 65.49, -68.62

 

CMYK 44 / 0 / 88 / 24

HEX #6DC217

RGB 109 194 23

HSL 89.82, 0.79%, 0.43%

LAB 70.8, -50.59, 67.52

 

CMYK 41 / 0 / 80 / 17

HEX #7ED42A

RGB 126 212 42

HSL 90.35, 0.67%, 0.5%

LAB 77.09, -51.4, 68.94

 

CMYK 38 / 0 / 73 / 10

HEX #8FE63D

RGB 143 230 61

HSL 90.89, 0.77%, 0.57%

LAB 83.32, -51.96, 69.35

 

CMYK 35 / 0 / 68 / 3

HEX #A0F850

RGB 160 248 80

HSL 91.43, 0.92%, 0.64%

LAB 89.48, -52.35, 69.14

 

CMYK 31 / 0 / 61 / 0

HEX #B1FF63

RGB 177 255 99

HSL 90, 1%, 0.69%

LAB 92.47, -48.03, 65.16

 

CMYK 46 / 0 / 86 / 24

HEX #68C21C

RGB 104 194 28

HSL 92.53, 0.75%, 0.44%

LAB 70.6, -52.03, 66.24

 

CMYK 51 / 0 / 95 / 31

HEX #57B009

RGB 87 176 9

HSL 91.98, 0.9%, 0.36%

LAB 64.24, -50.94, 63.88

 

CMYK 56 / 0 / 100 / 38

HEX #469E00

RGB 70 158 0

HSL 93.42, 1%, 0.31%

LAB 57.8, -49.42, 59.71

 

CMYK 62 / 0 / 100 / 45

HEX #358C00

RGB 53 140 0

HSL 97.29, 1%, 0.27%

LAB 51.28, -47.49, 54.32

 

CMYK 70 / 0 / 100 / 52

HEX #247A00

RGB 36 122 0

HSL 102.3, 1%, 0.24%

LAB 44.65, -45.2, 48.86

 

CMYK 46 / 0 / 86 / 23

HEX #69C41C

RGB 105 196 28

HSL 92.5, 0.75%, 0.44%

LAB 71.26, -52.48, 66.83

 

CMYK 23 / 0 / 86 / 23

HEX #96C41C

RGB 150 196 28

HSL 76.43, 0.75%, 0.44%

LAB 73.58, -36.37, 69.74

 

CMYK 0 / 0 / 86 / 23

HEX #C4C41C

RGB 196 196 28

HSL 60, 0.75%, 0.44%

LAB 76.86, -17.27, 73.8

 

CMYK 0 / 23 / 86 / 23

HEX #C4971C

RGB 196 151 28

HSL 43.93, 0.75%, 0.44%

LAB 64.93, 6.26, 64.02

 

CMYK 0 / 46 / 86 / 23

HEX #C46A1C

RGB 196 106 28

HSL 27.86, 0.75%, 0.44%

LAB 54.16, 30.78, 55.11

 

CMYK 46 / 0 / 86 / 23

HEX #69C41C

RGB 105 196 28

HSL 92.5, 0.75%, 0.44%

LAB 71.26, -52.48, 66.83

 

CMYK 69 / 0 / 86 / 23

HEX #3CC41C

RGB 60 196 28

HSL 108.57, 0.75%, 0.44%

LAB 69.84, -63.88, 65.04

 

CMYK 86 / 0 / 79 / 23

HEX #1CC42A

RGB 28 196 42

HSL 125, 0.75%, 0.44%

LAB 69.39, -67.56, 60.75

 

CMYK 86 / 0 / 56 / 23

HEX #1CC457

RGB 28 196 87

HSL 141.07, 0.75%, 0.44%

LAB 69.76, -62.96, 43.08

 

CMYK 86 / 0 / 32 / 23

HEX #1CC485

RGB 28 196 133

HSL 157.5, 0.75%, 0.44%

LAB 70.47, -54.71, 20.56

 

CMYK 46 / 0 / 86 / 23

HEX #69C41C

RGB 105 196 28

HSL 92.5, 0.75%, 0.44%

LAB 71.26, -52.48, 66.83

 

CMYK 52 / 0 / 95 / 16

HEX #68D70A

RGB 104 215 10

HSL 92.49, 0.91%, 0.44%

LAB 77.02, -60.28, 74.38

 

CMYK 46 / 0 / 86 / 23

HEX #69C41C

RGB 105 196 28

HSL 92.5, 0.75%, 0.44%

LAB 71.26, -52.48, 66.83

 

CMYK 40 / 0 / 74 / 30

HEX #6BB22E

RGB 107 178 46

HSL 92.27, 0.59%, 0.44%

LAB 65.88, -43.72, 56.75

 

CMYK 33 / 0 / 60 / 37

HEX #6CA040

RGB 108 160 64

HSL 92.5, 0.43%, 0.44%

LAB 60.52, -34.01, 43.68

 

CMYK 23 / 0 / 42 / 44

HEX #6E8E53

RGB 110 142 83

HSL 92.54, 0.26%, 0.44%

LAB 55.37, -22.27, 27.83

 

CMYK 10 / 0 / 19 / 51

HEX #6F7C65

RGB 111 124 101

HSL 93.91, 0.1%, 0.44%

LAB 50.38, -9.38, 10.97

 

CMYK 0 / 0 / 86 / 23

HEX #C4C41C

RGB 196 196 28

HSL 60, 0.75%, 0.44%

LAB 76.86, -17.27, 73.8

 

CMYK 23 / 0 / 86 / 23

HEX #97C41C

RGB 151 196 28

HSL 76.07, 0.75%, 0.44%

LAB 73.64, -35.98, 69.81

 

CMYK 45 / 0 / 86 / 23

HEX #6BC41C

RGB 107 196 28

HSL 91.79, 0.75%, 0.44%

LAB 71.34, -51.85, 66.94

 

CMYK 68 / 0 / 86 / 23

HEX #3EC41C

RGB 62 196 28

HSL 107.86, 0.75%, 0.44%

LAB 69.89, -63.5, 65.1

 

CMYK 86 / 0 / 80 / 23

HEX #1CC427

RGB 28 196 39

HSL 123.93, 0.75%, 0.44%

LAB 69.38, -67.75, 61.63

 

CMYK 47 / 0 / 85 / 51

HEX #427C12

RGB 66 124 18

HSL 92.83, 0.75%, 0.28%

LAB 46.47, -36.7, 46.75

 

CMYK 46 / 0 / 86 / 37

HEX #56A017

RGB 86 160 23

HSL 92.41, 0.75%, 0.36%

LAB 59.14, -44.61, 57.07

 

CMYK 46 / 0 / 86 / 23

HEX #69C41C

RGB 105 196 28

HSL 92.5, 0.75%, 0.44%

LAB 71.26, -52.48, 66.83

 

CMYK 44 / 0 / 82 / 12

HEX #7DE029

RGB 125 224 41

HSL 92.46, 0.75%, 0.52%

LAB 80.64, -56.45, 72.4

 

CMYK 36 / 0 / 67 / 10

HEX #93E64D

RGB 147 230 77

HSL 92.55, 0.75%, 0.6%

LAB 83.62, -49.55, 63.95

 

CMYK 46 / 0 / 86 / 24

HEX #68C21C

RGB 104 194 28

HSL 92.53, 0.75%, 0.44%

LAB 70.6, -52.03, 66.24

 

CMYK 86 / 0 / 23 / 23

HEX #1CC497

RGB 28 196 151

HSL 163.93, 0.75%, 0.44%

LAB 70.84, -50.57, 11.41

 

CMYK 0 / 86 / 11 / 23

HEX #C41CAE

RGB 196 28 174

HSL 307.86, 0.75%, 0.44%

LAB 46.47, 74.22, -37.22

 

CMYK 46 / 0 / 86 / 24

HEX #68C21C

RGB 104 194 28

HSL 92.53, 0.75%, 0.44%

LAB 70.6, -52.03, 66.24

 

CMYK 86 / 45 / 0 / 23

HEX #1C6BC4

RGB 28 107 196

HSL 211.79, 0.75%, 0.44%

LAB 45.29, 10.18, -52.88

 

CMYK 0 / 86 / 45 / 23

HEX #C41C6B

RGB 196 28 107

HSL 331.79, 0.75%, 0.44%

LAB 43.69, 66.58, -0.78

 

CMYK 46 / 0 / 86 / 24

HEX #68C21C

RGB 104 194 28

HSL 92.53, 0.75%, 0.44%

LAB 70.6, -52.03, 66.24

 

CMYK 86 / 0 / 23 / 23

HEX #1CC497

RGB 28 196 151

HSL 163.93, 0.75%, 0.44%

LAB 70.84, -50.57, 11.41

 

CMYK 40 / 86 / 0 / 23

HEX #761CC4

RGB 118 28 196

HSL 272.14, 0.75%, 0.44%

LAB 35.34, 65.06, -68.77

 

CMYK 0 / 86 / 63 / 23

HEX #C41C49

RGB 196 28 73

HSL 343.93, 0.75%, 0.44%

LAB 42.83, 64.1, 19.32

 

CMYK 46 / 0 / 86 / 24

HEX #68C21C

RGB 104 194 28

HSL 92.53, 0.75%, 0.44%

LAB 70.6, -52.03, 66.24

 

CMYK 86 / 3 / 0 / 23

HEX #1CBFC4

RGB 28 191 196

HSL 181.79, 0.75%, 0.44%

LAB 70.52, -36.04, -13.6

 

CMYK 40 / 86 / 0 / 23

HEX #761CC4

RGB 118 28 196

HSL 272.14, 0.75%, 0.44%

LAB 35.34, 65.06, -68.77

 

CMYK 0 / 83 / 86 / 23

HEX #C4221C

RGB 196 34 28

HSL 2.14, 0.75%, 0.44%

LAB 42.71, 60.97, 45.46

 

Description

Color code: HEX #68C21C | qconv.com Color code: HEX #68C21C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 194 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 194 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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