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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68B91E it is the complementary color #9746E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68B91E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68B91E shade: #6DB919, #7ECB2C, #8FDD3F, #A0EF52 and #B1FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68B91E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68B91E shade: #68B91E, #57A70B, #469500, #358300 and #247100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68B91E shade: #68B81E, #91B81E, #B8B61E, #B88C1E and #B8621E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68B91E shade: #68B81E, #3EB81E, #1EB828, #1EB851 and #1EB87B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68B91E shade matches the following richer shades: #68B81E and #67CA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68B91E shade: #68B81E, #68A72F, #699641, #6A8452 and #6B7363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68B91E shade: #B8B61E, #92B81E, #69B81E, #3FB81E and #1EB826

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68B91E shade: #407112, #549518, #68B81E, #7CDB24 and #91E148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68B91E shade: #68B91E, #1EB88D and #B81EA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68B91E shade: #68B91E, #1E69B8 and #B81E69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68B91E shade: #68B91E, #1EB88D, #6E1EB8 and #B81E4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68B91E shade: #68B91E, #1EB6B8, #6E1EB8 and #B8211E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 84 / 27

HEX #68B91E

RGB 104 185 30

HSL 91.35, 0.72%, 0.42%

LAB 67.82, -48.42, 63.33

 

Complementary color

CMYK 33 / 69 / 0 / 12

HEX #9746E1

RGB 151 70 225

HSL 271.35, 0.72%, 0.58%

LAB 47.49, 61.17, -65.5

 

CMYK 41 / 0 / 86 / 27

HEX #6DB919

RGB 109 185 25

HSL 88.5, 0.76%, 0.41%

LAB 68.03, -46.93, 64.76

 

CMYK 38 / 0 / 78 / 20

HEX #7ECB2C

RGB 126 203 44

HSL 89.06, 0.64%, 0.48%

LAB 74.4, -47.66, 65.88

 

CMYK 35 / 0 / 71 / 13

HEX #8FDD3F

RGB 143 221 63

HSL 89.62, 0.7%, 0.56%

LAB 80.69, -48.16, 66.07

 

CMYK 33 / 0 / 66 / 6

HEX #A0EF52

RGB 160 239 82

HSL 90.19, 0.83%, 0.63%

LAB 86.91, -48.49, 65.69

 

CMYK 31 / 0 / 60 / 0

HEX #B1FF65

RGB 177 255 101

HSL 90.39, 1%, 0.7%

LAB 92.49, -47.86, 64.36

 

CMYK 44 / 0 / 84 / 27

HEX #68B91E

RGB 104 185 30

HSL 91.35, 0.72%, 0.42%

LAB 67.82, -48.42, 63.33

 

CMYK 48 / 0 / 93 / 35

HEX #57A70B

RGB 87 167 11

HSL 90.77, 0.88%, 0.35%

LAB 61.38, -47.44, 61.29

 

CMYK 53 / 0 / 100 / 42

HEX #469500

RGB 70 149 0

HSL 91.81, 1%, 0.29%

LAB 54.86, -46.03, 57.39

 

CMYK 60 / 0 / 100 / 49

HEX #358300

RGB 53 131 0

HSL 95.73, 1%, 0.26%

LAB 48.25, -44.2, 51.92

 

CMYK 68 / 0 / 100 / 56

HEX #247100

RGB 36 113 0

HSL 100.88, 1%, 0.22%

LAB 41.51, -42.03, 46.36

 

CMYK 43 / 0 / 84 / 28

HEX #68B81E

RGB 104 184 30

HSL 91.17, 0.72%, 0.42%

LAB 67.51, -48.02, 63.06

 

CMYK 21 / 0 / 84 / 28

HEX #91B81E

RGB 145 184 30

HSL 75.19, 0.72%, 0.42%

LAB 69.75, -32.8, 65.88

 

CMYK 0 / 1 / 84 / 28

HEX #B8B61E

RGB 184 182 30

HSL 59.22, 0.72%, 0.42%

LAB 72.05, -15.35, 68.99

 

CMYK 0 / 24 / 84 / 28

HEX #B88C1E

RGB 184 140 30

HSL 42.86, 0.72%, 0.42%

LAB 60.82, 6.96, 59.49

 

CMYK 0 / 47 / 84 / 28

HEX #B8621E

RGB 184 98 30

HSL 26.49, 0.72%, 0.42%

LAB 50.71, 30.1, 50.74

 

CMYK 43 / 0 / 84 / 28

HEX #68B81E

RGB 104 184 30

HSL 91.17, 0.72%, 0.42%

LAB 67.51, -48.02, 63.06

 

CMYK 66 / 0 / 84 / 28

HEX #3EB81E

RGB 62 184 30

HSL 107.53, 0.72%, 0.42%

LAB 66.06, -59.5, 61.2

 

CMYK 84 / 0 / 78 / 28

HEX #1EB828

RGB 30 184 40

HSL 123.9, 0.72%, 0.42%

LAB 65.52, -63.94, 57.65

 

CMYK 84 / 0 / 56 / 28

HEX #1EB851

RGB 30 184 81

HSL 139.87, 0.72%, 0.42%

LAB 65.87, -59.69, 41.27

 

CMYK 84 / 0 / 33 / 28

HEX #1EB87B

RGB 30 184 123

HSL 156.23, 0.72%, 0.42%

LAB 66.51, -52.18, 20.5

 

CMYK 43 / 0 / 84 / 28

HEX #68B81E

RGB 104 184 30

HSL 91.17, 0.72%, 0.42%

LAB 67.51, -48.02, 63.06

 

CMYK 49 / 0 / 94 / 21

HEX #67CA0D

RGB 103 202 13

HSL 91.43, 0.88%, 0.42%

LAB 72.99, -55.77, 70.79

 

CMYK 43 / 0 / 84 / 28

HEX #68B81E

RGB 104 184 30

HSL 91.17, 0.72%, 0.42%

LAB 67.51, -48.02, 63.06

 

CMYK 38 / 0 / 72 / 35

HEX #68A72F

RGB 104 167 47

HSL 91.5, 0.56%, 0.42%

LAB 62.33, -40.02, 52.79

 

CMYK 30 / 0 / 57 / 41

HEX #699641

RGB 105 150 65

HSL 91.76, 0.4%, 0.42%

LAB 57.27, -30.35, 39.42

 

CMYK 20 / 0 / 38 / 48

HEX #6A8452

RGB 106 132 82

HSL 91.2, 0.23%, 0.42%

LAB 52.04, -18.81, 24.02

 

CMYK 7 / 0 / 14 / 55

HEX #6B7363

RGB 107 115 99

HSL 90, 0.07%, 0.42%

LAB 47.35, -6.23, 7.83

 

CMYK 0 / 1 / 84 / 28

HEX #B8B61E

RGB 184 182 30

HSL 59.22, 0.72%, 0.42%

LAB 72.05, -15.35, 68.99

 

CMYK 21 / 0 / 84 / 28

HEX #92B81E

RGB 146 184 30

HSL 74.81, 0.72%, 0.42%

LAB 69.81, -32.4, 65.96

 

CMYK 43 / 0 / 84 / 28

HEX #69B81E

RGB 105 184 30

HSL 90.78, 0.72%, 0.42%

LAB 67.56, -47.69, 63.12

 

CMYK 66 / 0 / 84 / 28

HEX #3FB81E

RGB 63 184 30

HSL 107.14, 0.72%, 0.42%

LAB 66.08, -59.29, 61.24

 

CMYK 84 / 0 / 79 / 28

HEX #1EB826

RGB 30 184 38

HSL 123.12, 0.72%, 0.42%

LAB 65.51, -64.08, 58.26

 

CMYK 43 / 0 / 84 / 56

HEX #407112

RGB 64 113 18

HSL 90.95, 0.73%, 0.26%

LAB 42.68, -32.63, 43.27

 

CMYK 44 / 0 / 84 / 42

HEX #549518

RGB 84 149 24

HSL 91.2, 0.72%, 0.34%

LAB 55.53, -40.73, 53.56

 

CMYK 43 / 0 / 84 / 28

HEX #68B81E

RGB 104 184 30

HSL 91.17, 0.72%, 0.42%

LAB 67.51, -48.02, 63.06

 

CMYK 43 / 0 / 84 / 14

HEX #7CDB24

RGB 124 219 36

HSL 91.15, 0.72%, 0.5%

LAB 79.08, -55.04, 72.2

 

CMYK 36 / 0 / 68 / 12

HEX #91E148

RGB 145 225 72

HSL 91.37, 0.72%, 0.58%

LAB 82.02, -48.53, 64.17

 

CMYK 44 / 0 / 84 / 27

HEX #68B91E

RGB 104 185 30

HSL 91.35, 0.72%, 0.42%

LAB 67.82, -48.42, 63.33

 

CMYK 84 / 0 / 23 / 28

HEX #1EB88D

RGB 30 184 141

HSL 163.25, 0.72%, 0.42%

LAB 66.89, -48.04, 11.25

 

CMYK 0 / 84 / 10 / 28

HEX #B81EA6

RGB 184 30 166

HSL 307.01, 0.72%, 0.42%

LAB 44.05, 70.32, -36.44

 

CMYK 44 / 0 / 84 / 27

HEX #68B91E

RGB 104 185 30

HSL 91.35, 0.72%, 0.42%

LAB 67.82, -48.42, 63.33

 

CMYK 84 / 43 / 0 / 28

HEX #1E69B8

RGB 30 105 184

HSL 210.78, 0.72%, 0.42%

LAB 44, 6.92, -47.99

 

CMYK 0 / 84 / 43 / 28

HEX #B81E69

RGB 184 30 105

HSL 330.78, 0.72%, 0.42%

LAB 41.44, 63.02, -3.12

 

CMYK 44 / 0 / 84 / 27

HEX #68B91E

RGB 104 185 30

HSL 91.35, 0.72%, 0.42%

LAB 67.82, -48.42, 63.33

 

CMYK 84 / 0 / 23 / 28

HEX #1EB88D

RGB 30 184 141

HSL 163.25, 0.72%, 0.42%

LAB 66.89, -48.04, 11.25

 

CMYK 40 / 84 / 0 / 28

HEX #6E1EB8

RGB 110 30 184

HSL 271.17, 0.72%, 0.42%

LAB 33.36, 60.69, -64.99

 

CMYK 0 / 84 / 60 / 28

HEX #B81E4A

RGB 184 30 74

HSL 342.86, 0.72%, 0.42%

LAB 40.59, 60.55, 15.27

 

CMYK 44 / 0 / 84 / 27

HEX #68B91E

RGB 104 185 30

HSL 91.35, 0.72%, 0.42%

LAB 67.82, -48.42, 63.33

 

CMYK 84 / 1 / 0 / 28

HEX #1EB6B8

RGB 30 182 184

HSL 180.78, 0.72%, 0.42%

LAB 67.42, -35.35, -11.66

 

CMYK 40 / 84 / 0 / 28

HEX #6E1EB8

RGB 110 30 184

HSL 271.17, 0.72%, 0.42%

LAB 33.36, 60.69, -64.99

 

CMYK 0 / 82 / 84 / 28

HEX #B8211E

RGB 184 33 30

HSL 1.17, 0.72%, 0.42%

LAB 40.2, 57.83, 41.29

 

Description

Color code: HEX #68B91E | qconv.com Color code: HEX #68B91E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 185 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 185 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 84 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 84% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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