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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68B512 it is the complementary color #974AED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68B512. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68B512 shade: #6DB50D, #7EC720, #8FD933, #A0EB46 and #B1FD59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68B512. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68B512 shade: #68B512, #57A300, #469100, #357F00 and #246D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68B512 shade: #68B512, #94B512, #B5AA12, #B57E12 and #B55212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68B512 shade: #68B512, #3CB512, #12B514, #12B540 and #12B56C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68B512 shade matches the following richer shades: #68B512 and #69C502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68B512 shade: #68B512, #67A522, #669532, #658542 and #647552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68B512 shade: #B5AA12, #94B512, #69B512, #3DB512 and #12B512

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68B512 shade: #3D6A0A, #528F0E, #68B512, #7EDB16 and #92EA2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68B512 shade: #68B512, #12B57F and #B512AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68B512 shade: #68B512, #1269B5 and #B51269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68B512 shade: #68B512, #12B57F, #5E12B5 and #B51248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68B512 shade: #68B512, #12B5B0, #5E12B5 and #B51217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

Complementary color

CMYK 36 / 69 / 0 / 7

HEX #974AED

RGB 151 74 237

HSL 268.34, 0.82%, 0.61%

LAB 49, 62.15, -69.83

 

CMYK 40 / 0 / 93 / 29

HEX #6DB50D

RGB 109 181 13

HSL 85.71, 0.87%, 0.38%

LAB 66.77, -45.63, 65.82

 

CMYK 37 / 0 / 84 / 22

HEX #7EC720

RGB 126 199 32

HSL 86.23, 0.72%, 0.45%

LAB 73.15, -46.53, 67.94

 

CMYK 34 / 0 / 76 / 15

HEX #8FD933

RGB 143 217 51

HSL 86.75, 0.69%, 0.53%

LAB 79.45, -47.18, 68.81

 

CMYK 32 / 0 / 70 / 8

HEX #A0EB46

RGB 160 235 70

HSL 87.27, 0.8%, 0.6%

LAB 85.67, -47.65, 68.88

 

CMYK 30 / 0 / 65 / 1

HEX #B1FD59

RGB 177 253 89

HSL 87.8, 0.98%, 0.67%

LAB 91.83, -47.97, 68.46

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 47 / 0 / 100 / 36

HEX #57A300

RGB 87 163 0

HSL 87.98, 1%, 0.32%

LAB 60.09, -46.1, 61.78

 

CMYK 52 / 0 / 100 / 43

HEX #469100

RGB 70 145 0

HSL 91.03, 1%, 0.28%

LAB 53.55, -44.49, 56.36

 

CMYK 58 / 0 / 100 / 50

HEX #357F00

RGB 53 127 0

HSL 94.96, 1%, 0.25%

LAB 46.89, -42.7, 50.85

 

CMYK 67 / 0 / 100 / 57

HEX #246D00

RGB 36 109 0

HSL 100.18, 1%, 0.21%

LAB 40.1, -40.58, 45.25

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 18 / 0 / 90 / 29

HEX #94B512

RGB 148 181 18

HSL 72.15, 0.82%, 0.39%

LAB 69.03, -30.5, 67.83

 

CMYK 0 / 6 / 90 / 29

HEX #B5AA12

RGB 181 170 18

HSL 55.95, 0.82%, 0.39%

LAB 68.47, -10.78, 68.46

 

CMYK 0 / 30 / 90 / 29

HEX #B57E12

RGB 181 126 18

HSL 39.75, 0.82%, 0.39%

LAB 56.87, 13.07, 59.41

 

CMYK 0 / 55 / 90 / 29

HEX #B55212

RGB 181 82 18

HSL 23.56, 0.82%, 0.39%

LAB 46.85, 36.96, 51.72

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 67 / 0 / 90 / 29

HEX #3CB512

RGB 60 181 18

HSL 104.54, 0.82%, 0.39%

LAB 65, -59.41, 62.84

 

CMYK 90 / 0 / 89 / 29

HEX #12B514

RGB 18 181 20

HSL 120.74, 0.82%, 0.39%

LAB 64.34, -65.15, 61.64

 

CMYK 90 / 0 / 65 / 29

HEX #12B540

RGB 18 181 64

HSL 136.93, 0.82%, 0.39%

LAB 64.6, -61.9, 47.57

 

CMYK 90 / 0 / 40 / 29

HEX #12B56C

RGB 18 181 108

HSL 153.13, 0.82%, 0.39%

LAB 65.17, -55.07, 26.69

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 47 / 0 / 99 / 23

HEX #69C502

RGB 105 197 2

HSL 88.31, 0.98%, 0.39%

LAB 71.51, -53.46, 70.82

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 38 / 0 / 79 / 35

HEX #67A522

RGB 103 165 34

HSL 88.4, 0.66%, 0.39%

LAB 61.58, -40.31, 56.53

 

CMYK 32 / 0 / 66 / 42

HEX #669532

RGB 102 149 50

HSL 88.48, 0.5%, 0.39%

LAB 56.63, -32.46, 45.61

 

CMYK 24 / 0 / 50 / 48

HEX #658542

RGB 101 133 66

HSL 88.66, 0.34%, 0.39%

LAB 51.76, -23.47, 32.29

 

CMYK 15 / 0 / 30 / 54

HEX #647552

RGB 100 117 82

HSL 89.14, 0.18%, 0.39%

LAB 47.03, -13.14, 17.29

 

CMYK 0 / 6 / 90 / 29

HEX #B5AA12

RGB 181 170 18

HSL 55.95, 0.82%, 0.39%

LAB 68.47, -10.78, 68.46

 

CMYK 18 / 0 / 90 / 29

HEX #94B512

RGB 148 181 18

HSL 72.15, 0.82%, 0.39%

LAB 69.03, -30.5, 67.83

 

CMYK 42 / 0 / 90 / 29

HEX #69B512

RGB 105 181 18

HSL 87.98, 0.82%, 0.39%

LAB 66.59, -46.89, 64.82

 

CMYK 66 / 0 / 90 / 29

HEX #3DB512

RGB 61 181 18

HSL 104.17, 0.82%, 0.39%

LAB 65.03, -59.2, 62.87

 

CMYK 90 / 0 / 90 / 29

HEX #12B512

RGB 18 181 18

HSL 120, 0.82%, 0.39%

LAB 64.34, -65.22, 62.01

 

CMYK 42 / 0 / 91 / 58

HEX #3D6A0A

RGB 61 106 10

HSL 88.13, 0.83%, 0.23%

LAB 40.12, -30.98, 43.15

 

CMYK 43 / 0 / 90 / 44

HEX #528F0E

RGB 82 143 14

HSL 88.37, 0.82%, 0.31%

LAB 53.46, -39.29, 54.09

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 42 / 0 / 90 / 14

HEX #7EDB16

RGB 126 219 22

HSL 88.32, 0.82%, 0.47%

LAB 79.13, -54.83, 74.98

 

CMYK 38 / 0 / 80 / 8

HEX #92EA2F

RGB 146 234 47

HSL 88.24, 0.82%, 0.55%

LAB 84.57, -53.28, 74.75

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 90 / 0 / 30 / 29

HEX #12B57F

RGB 18 181 127

HSL 160.12, 0.82%, 0.39%

LAB 65.52, -51.02, 16.97

 

CMYK 0 / 90 / 6 / 29

HEX #B512AA

RGB 181 18 170

HSL 304.05, 0.82%, 0.39%

LAB 43, 72.44, -40.52

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 90 / 42 / 0 / 29

HEX #1269B5

RGB 18 105 181

HSL 207.98, 0.82%, 0.39%

LAB 43.61, 4.86, -46.88

 

CMYK 0 / 90 / 42 / 29

HEX #B51269

RGB 181 18 105

HSL 327.98, 0.82%, 0.39%

LAB 40.04, 64.61, -5.25

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 90 / 0 / 30 / 29

HEX #12B57F

RGB 18 181 127

HSL 160.12, 0.82%, 0.39%

LAB 65.52, -51.02, 16.97

 

CMYK 48 / 90 / 0 / 29

HEX #5E12B5

RGB 94 18 181

HSL 267.98, 0.82%, 0.39%

LAB 29.78, 61.41, -69.16

 

CMYK 0 / 90 / 60 / 29

HEX #B51248

RGB 181 18 72

HSL 340.12, 0.82%, 0.39%

LAB 39.11, 62.02, 14.43

 

CMYK 43 / 0 / 90 / 29

HEX #68B512

RGB 104 181 18

HSL 88.34, 0.82%, 0.39%

LAB 66.55, -47.23, 64.76

 

CMYK 90 / 0 / 3 / 29

HEX #12B5B0

RGB 18 181 176

HSL 178.16, 0.82%, 0.39%

LAB 66.76, -38.03, -8.24

 

CMYK 48 / 90 / 0 / 29

HEX #5E12B5

RGB 94 18 181

HSL 267.98, 0.82%, 0.39%

LAB 29.78, 61.41, -69.16

 

CMYK 0 / 90 / 87 / 29

HEX #B51217

RGB 181 18 23

HSL 358.16, 0.82%, 0.39%

LAB 38.41, 60.01, 43.06

 

Description

Color code: HEX #68B512 | qconv.com Color code: HEX #68B512 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 181 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 181 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 90 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 90% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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