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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68B2EC it is the complementary color #974D13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68B2EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68B2EC shade: #6DB2E7, #7EC4FA, #8FD6FF, #A0E8FF and #B1FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68B2EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68B2EC shade: #68B2EC, #57A0D9, #468EC6, #357CB3 and #246AA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68B2EC shade: #69B3EC, #698FEC, #696CEC, #8A69EC and #AD69EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68B2EC shade: #69B3EC, #698FEC, #696CEC and #6969EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68B2EC shade matches the following richer shades: #69B3EC and #5CB4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68B2EC shade: #69B3EC, #77B1DF, #84B0D1, #92AEC4 and #A0ACB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68B2EC shade: #69ECDF, #69D7EC, #69B4EC, #6991EC and #696EEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68B2EC shade: #208DE3, #44A0E8, #69B3EC, #8EC5F1 and #B3D8F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68B2EC shade: #68B2EC, #BC69EC and #E8EC69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68B2EC shade: #68B2EC, #EC69B4 and #B4EC69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68B2EC shade: #68B2EC, #BC69EC, #ECA269 and #99EC69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68B2EC shade: #68B2EC, #E469EC, #ECA269 and #72EC69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 25 / 0 / 7

HEX #68B2EC

RGB 104 178 236

HSL 206.36, 0.78%, 0.67%

LAB 70.06, -6.64, -35.99

 

Complementary color

CMYK 0 / 49 / 87 / 41

HEX #974D13

RGB 151 77 19

HSL 26.36, 0.78%, 0.33%

LAB 41.11, 27.2, 44.82

 

CMYK 53 / 23 / 0 / 9

HEX #6DB2E7

RGB 109 178 231

HSL 206.07, 0.72%, 0.67%

LAB 70.08, -7.1, -33.22

 

CMYK 50 / 22 / 0 / 2

HEX #7EC4FA

RGB 126 196 250

HSL 206.13, 0.93%, 0.74%

LAB 76.57, -7.58, -33.4

 

CMYK 44 / 16 / 0 / 0

HEX #8FD6FF

RGB 143 214 255

HSL 201.96, 1%, 0.78%

LAB 82.46, -11.76, -26.95

 

CMYK 37 / 9 / 0 / 0

HEX #A0E8FF

RGB 160 232 255

HSL 194.53, 1%, 0.81%

LAB 88.16, -16.75, -18.22

 

CMYK 31 / 2 / 0 / 0

HEX #B1FAFF

RGB 177 250 255

HSL 183.85, 1%, 0.85%

LAB 93.86, -21.2, -9.61

 

CMYK 56 / 25 / 0 / 7

HEX #68B2EC

RGB 104 178 236

HSL 206.36, 0.78%, 0.67%

LAB 70.06, -6.64, -35.99

 

CMYK 60 / 26 / 0 / 15

HEX #57A0D9

RGB 87 160 217

HSL 206.31, 0.63%, 0.6%

LAB 63.49, -5.92, -35.83

 

CMYK 65 / 28 / 0 / 22

HEX #468EC6

RGB 70 142 198

HSL 206.25, 0.53%, 0.53%

LAB 56.81, -5.02, -35.68

 

CMYK 70 / 31 / 0 / 30

HEX #357CB3

RGB 53 124 179

HSL 206.19, 0.54%, 0.45%

LAB 50.01, -3.85, -35.52

 

CMYK 78 / 34 / 0 / 37

HEX #246AA0

RGB 36 106 160

HSL 206.13, 0.63%, 0.38%

LAB 43.09, -2.32, -35.33

 

CMYK 56 / 24 / 0 / 7

HEX #69B3EC

RGB 105 179 236

HSL 206.11, 0.78%, 0.67%

LAB 70.39, -6.98, -35.48

 

CMYK 56 / 39 / 0 / 7

HEX #698FEC

RGB 105 143 236

HSL 222.6, 0.78%, 0.67%

LAB 60.52, 13.56, -50.97

 

CMYK 56 / 54 / 0 / 7

HEX #696CEC

RGB 105 108 236

HSL 238.63, 0.78%, 0.67%

LAB 51.59, 34.59, -65.27

 

CMYK 42 / 56 / 0 / 7

HEX #8A69EC

RGB 138 105 236

HSL 255.11, 0.78%, 0.67%

LAB 53.56, 43.13, -61.96

 

CMYK 27 / 56 / 0 / 7

HEX #AD69EC

RGB 173 105 236

HSL 271.15, 0.78%, 0.67%

LAB 57.12, 51.31, -56.06

 

CMYK 56 / 24 / 0 / 7

HEX #69B3EC

RGB 105 179 236

HSL 206.11, 0.78%, 0.67%

LAB 70.39, -6.98, -35.48

 

CMYK 56 / 39 / 0 / 7

HEX #698FEC

RGB 105 143 236

HSL 222.6, 0.78%, 0.67%

LAB 60.52, 13.56, -50.97

 

CMYK 56 / 54 / 0 / 7

HEX #696CEC

RGB 105 108 236

HSL 238.63, 0.78%, 0.67%

LAB 51.59, 34.59, -65.27

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 56 / 24 / 0 / 7

HEX #69B3EC

RGB 105 179 236

HSL 206.11, 0.78%, 0.67%

LAB 70.39, -6.98, -35.48

 

CMYK 63 / 28 / 0 / 2

HEX #5CB4FA

RGB 92 180 250

HSL 206.58, 0.94%, 0.67%

LAB 70.75, -5.6, -42.56

 

CMYK 56 / 24 / 0 / 7

HEX #69B3EC

RGB 105 179 236

HSL 206.11, 0.78%, 0.67%

LAB 70.39, -6.98, -35.48

 

CMYK 47 / 21 / 0 / 13

HEX #77B1DF

RGB 119 177 223

HSL 206.54, 0.62%, 0.67%

LAB 69.96, -6.6, -29

 

CMYK 37 / 16 / 0 / 18

HEX #84B0D1

RGB 132 176 209

HSL 205.71, 0.46%, 0.67%

LAB 69.87, -6.52, -21.41

 

CMYK 26 / 11 / 0 / 23

HEX #92AEC4

RGB 146 174 196

HSL 206.4, 0.3%, 0.67%

LAB 69.73, -4.6, -14.38

 

CMYK 12 / 5 / 0 / 29

HEX #A0ACB6

RGB 160 172 182

HSL 207.27, 0.13%, 0.67%

LAB 69.72, -2.14, -6.56

 

CMYK 56 / 0 / 6 / 7

HEX #69ECDF

RGB 105 236 223

HSL 174.05, 0.78%, 0.67%

LAB 86.17, -39.07, -4.63

 

CMYK 56 / 9 / 0 / 7

HEX #69D7EC

RGB 105 215 236

HSL 189.62, 0.78%, 0.67%

LAB 80.55, -25.7, -19.9

 

CMYK 56 / 24 / 0 / 7

HEX #69B4EC

RGB 105 180 236

HSL 205.65, 0.78%, 0.67%

LAB 70.66, -7.53, -35.05

 

CMYK 56 / 39 / 0 / 7

HEX #6991EC

RGB 105 145 236

HSL 221.68, 0.78%, 0.67%

LAB 61.05, 12.38, -50.12

 

CMYK 56 / 53 / 0 / 7

HEX #696EEC

RGB 105 110 236

HSL 237.71, 0.78%, 0.67%

LAB 52.08, 33.39, -64.49

 

CMYK 86 / 38 / 0 / 11

HEX #208DE3

RGB 32 141 227

HSL 206.46, 0.78%, 0.51%

LAB 56.98, 1.39, -51.75

 

CMYK 71 / 31 / 0 / 9

HEX #44A0E8

RGB 68 160 232

HSL 206.34, 0.78%, 0.59%

LAB 63.51, -4.09, -44.14

 

CMYK 56 / 24 / 0 / 7

HEX #69B3EC

RGB 105 179 236

HSL 206.11, 0.78%, 0.67%

LAB 70.39, -6.98, -35.48

 

CMYK 41 / 18 / 0 / 5

HEX #8EC5F1

RGB 142 197 241

HSL 206.67, 0.78%, 0.75%

LAB 77.3, -6.78, -27.38

 

CMYK 27 / 12 / 0 / 4

HEX #B3D8F6

RGB 179 216 246

HSL 206.87, 0.79%, 0.83%

LAB 84.66, -5.5, -18.65

 

CMYK 56 / 25 / 0 / 7

HEX #68B2EC

RGB 104 178 236

HSL 206.36, 0.78%, 0.67%

LAB 70.06, -6.64, -35.99

 

CMYK 20 / 56 / 0 / 7

HEX #BC69EC

RGB 188 105 236

HSL 278.02, 0.78%, 0.67%

LAB 58.84, 55.01, -53.22

 

CMYK 2 / 0 / 56 / 7

HEX #E8EC69

RGB 232 236 105

HSL 61.83, 0.78%, 0.67%

LAB 90.86, -18.22, 61.79

 

CMYK 56 / 25 / 0 / 7

HEX #68B2EC

RGB 104 178 236

HSL 206.36, 0.78%, 0.67%

LAB 70.06, -6.64, -35.99

 

CMYK 0 / 56 / 24 / 7

HEX #EC69B4

RGB 236 105 180

HSL 325.65, 0.78%, 0.67%

LAB 62.7, 58.61, -15.12

 

CMYK 24 / 0 / 56 / 7

HEX #B4EC69

RGB 180 236 105

HSL 85.65, 0.78%, 0.67%

LAB 87.35, -38.18, 56.86

 

CMYK 56 / 25 / 0 / 7

HEX #68B2EC

RGB 104 178 236

HSL 206.36, 0.78%, 0.67%

LAB 70.06, -6.64, -35.99

 

CMYK 20 / 56 / 0 / 7

HEX #BC69EC

RGB 188 105 236

HSL 278.02, 0.78%, 0.67%

LAB 58.84, 55.01, -53.22

 

CMYK 0 / 31 / 56 / 7

HEX #ECA269

RGB 236 162 105

HSL 26.11, 0.78%, 0.67%

LAB 72.69, 21.51, 40.46

 

CMYK 35 / 0 / 56 / 7

HEX #99EC69

RGB 153 236 105

HSL 98.02, 0.78%, 0.67%

LAB 85.9, -47.56, 54.81

 

CMYK 56 / 25 / 0 / 7

HEX #68B2EC

RGB 104 178 236

HSL 206.36, 0.78%, 0.67%

LAB 70.06, -6.64, -35.99

 

CMYK 3 / 56 / 0 / 7

HEX #E469EC

RGB 228 105 236

HSL 296.34, 0.78%, 0.67%

LAB 63.88, 65.12, -44.91

 

CMYK 0 / 31 / 56 / 7

HEX #ECA269

RGB 236 162 105

HSL 26.11, 0.78%, 0.67%

LAB 72.69, 21.51, 40.46

 

CMYK 52 / 0 / 56 / 7

HEX #72EC69

RGB 114 236 105

HSL 115.88, 0.78%, 0.67%

LAB 84.27, -59.12, 52.49

 

Description

Color code: HEX #68B2EC | qconv.com Color code: HEX #68B2EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 178 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 178 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 25 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 25% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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