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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #689AF5 it is the complementary color #97650A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #689AF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #689AF5 shade: #6D9AF0, #7EACFF, #8FBEFF, #A0D0FF and #B1E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #689AF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #689AF5 shade: #689AF5, #5788E2, #4676CF, #3564BC and #2452A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #689AF5 shade: #6699F5, #6672F5, #8066F5, #A766F5 and #CE66F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #689AF5 shade: #6699F5, #6672F5 and #6666F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #689AF5 shade matches the following richer shades: #6699F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #689AF5 shade: #6699F5, #739CE8, #80A0DB, #8DA4CE and #9AA8C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #689AF5 shade: #66E7F5, #66C1F5, #669AF5, #6674F5 and #7E66F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #689AF5 shade: #1865F0, #3F7FF3, #6699F5, #8CB2F8 and #B3CCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #689AF5 shade: #689AF5, #DD66F5 and #D4F566

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #689AF5 shade: #689AF5, #F5669A and #9AF566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #689AF5 shade: #689AF5, #DD66F5, #F5C166 and #7EF566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #689AF5 shade: #689AF5, #F566E2, #F5C166 and #66F579

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 37 / 0 / 4

HEX #689AF5

RGB 104 154 245

HSL 218.72, 0.88%, 0.68%

LAB 63.87, 9.77, -50.61

 

Complementary color

CMYK 0 / 33 / 93 / 41

HEX #97650A

RGB 151 101 10

HSL 38.72, 0.88%, 0.32%

LAB 46.85, 13.37, 52.01

 

CMYK 55 / 36 / 0 / 6

HEX #6D9AF0

RGB 109 154 240

HSL 219.39, 0.81%, 0.68%

LAB 63.88, 9.2, -47.84

 

CMYK 51 / 33 / 0 / 0

HEX #7EACFF

RGB 126 172 255

HSL 218.6, 1%, 0.75%

LAB 70.29, 7.1, -45.87

 

CMYK 44 / 25 / 0 / 0

HEX #8FBEFF

RGB 143 190 255

HSL 214.82, 1%, 0.78%

LAB 76, 1.04, -36.89

 

CMYK 37 / 18 / 0 / 0

HEX #A0D0FF

RGB 160 208 255

HSL 209.68, 1%, 0.81%

LAB 81.73, -4.34, -27.98

 

CMYK 31 / 11 / 0 / 0

HEX #B1E2FF

RGB 177 226 255

HSL 202.31, 1%, 0.85%

LAB 87.47, -9.15, -19.18

 

CMYK 58 / 37 / 0 / 4

HEX #689AF5

RGB 104 154 245

HSL 218.72, 0.88%, 0.68%

LAB 63.87, 9.77, -50.61

 

CMYK 62 / 40 / 0 / 11

HEX #5788E2

RGB 87 136 226

HSL 218.85, 0.71%, 0.61%

LAB 57.2, 10.98, -50.75

 

CMYK 66 / 43 / 0 / 19

HEX #4676CF

RGB 70 118 207

HSL 218.98, 0.59%, 0.54%

LAB 50.41, 12.46, -50.9

 

CMYK 72 / 47 / 0 / 26

HEX #3564BC

RGB 53 100 188

HSL 219.11, 0.56%, 0.47%

LAB 43.51, 14.31, -51.06

 

CMYK 79 / 51 / 0 / 34

HEX #2452A9

RGB 36 82 169

HSL 219.25, 0.65%, 0.4%

LAB 36.51, 16.64, -51.2

 

CMYK 58 / 38 / 0 / 4

HEX #6699F5

RGB 102 153 245

HSL 218.6, 0.88%, 0.68%

LAB 63.51, 9.96, -51.2

 

CMYK 58 / 53 / 0 / 4

HEX #6672F5

RGB 102 114 245

HSL 234.97, 0.88%, 0.68%

LAB 53.44, 33.29, -67.31

 

CMYK 48 / 58 / 0 / 4

HEX #8066F5

RGB 128 102 245

HSL 250.91, 0.88%, 0.68%

LAB 52.6, 45.24, -68.57

 

CMYK 32 / 58 / 0 / 4

HEX #A766F5

RGB 167 102 245

HSL 267.27, 0.88%, 0.68%

LAB 56.4, 53.58, -62.26

 

CMYK 16 / 58 / 0 / 4

HEX #CE66F5

RGB 206 102 245

HSL 283.64, 0.88%, 0.68%

LAB 60.97, 62.73, -54.68

 

CMYK 58 / 38 / 0 / 4

HEX #6699F5

RGB 102 153 245

HSL 218.6, 0.88%, 0.68%

LAB 63.51, 9.96, -51.2

 

CMYK 58 / 53 / 0 / 4

HEX #6672F5

RGB 102 114 245

HSL 234.97, 0.88%, 0.68%

LAB 53.44, 33.29, -67.31

 

CMYK 58 / 58 / 0 / 4

HEX #6666F5

RGB 102 102 245

HSL 240, 0.88%, 0.68%

LAB 50.59, 40.47, -71.92

 

CMYK 58 / 38 / 0 / 4

HEX #6699F5

RGB 102 153 245

HSL 218.6, 0.88%, 0.68%

LAB 63.51, 9.96, -51.2

 

CMYK 58 / 38 / 0 / 4

HEX #6699F5

RGB 102 153 245

HSL 218.6, 0.88%, 0.68%

LAB 63.51, 9.96, -51.2

 

CMYK 50 / 33 / 0 / 9

HEX #739CE8

RGB 115 156 232

HSL 218.97, 0.72%, 0.68%

LAB 64.36, 6.89, -42.66

 

CMYK 42 / 27 / 0 / 14

HEX #80A0DB

RGB 128 160 219

HSL 218.9, 0.56%, 0.68%

LAB 65.63, 3.99, -33.45

 

CMYK 32 / 20 / 0 / 19

HEX #8DA4CE

RGB 141 164 206

HSL 218.77, 0.4%, 0.68%

LAB 67.03, 1.86, -24.04

 

CMYK 20 / 13 / 0 / 25

HEX #9AA8C0

RGB 154 168 192

HSL 217.89, 0.23%, 0.68%

LAB 68.52, 0.26, -13.94

 

CMYK 58 / 6 / 0 / 4

HEX #66E7F5

RGB 102 231 245

HSL 185.87, 0.88%, 0.68%

LAB 85.29, -31.51, -17.53

 

CMYK 58 / 21 / 0 / 4

HEX #66C1F5

RGB 102 193 245

HSL 201.82, 0.88%, 0.68%

LAB 74.54, -12.39, -33.92

 

CMYK 58 / 37 / 0 / 4

HEX #669AF5

RGB 102 154 245

HSL 218.18, 0.88%, 0.68%

LAB 63.78, 9.38, -50.77

 

CMYK 58 / 53 / 0 / 4

HEX #6674F5

RGB 102 116 245

HSL 234.13, 0.88%, 0.68%

LAB 53.93, 32.09, -66.52

 

CMYK 49 / 58 / 0 / 4

HEX #7E66F5

RGB 126 102 245

HSL 250.07, 0.88%, 0.68%

LAB 52.43, 44.85, -68.86

 

CMYK 90 / 58 / 0 / 6

HEX #1865F0

RGB 24 101 240

HSL 218.61, 0.88%, 0.52%

LAB 46.7, 30.84, -75.61

 

CMYK 74 / 48 / 0 / 5

HEX #3F7FF3

RGB 63 127 243

HSL 218.67, 0.88%, 0.6%

LAB 54.77, 18.77, -64.15

 

CMYK 58 / 38 / 0 / 4

HEX #6699F5

RGB 102 153 245

HSL 218.6, 0.88%, 0.68%

LAB 63.51, 9.96, -51.2

 

CMYK 44 / 28 / 0 / 3

HEX #8CB2F8

RGB 140 178 248

HSL 218.89, 0.89%, 0.76%

LAB 72.36, 4.99, -38.79

 

CMYK 28 / 18 / 0 / 2

HEX #B3CCFA

RGB 179 204 250

HSL 218.87, 0.88%, 0.84%

LAB 81.66, 1.78, -25.33

 

CMYK 58 / 37 / 0 / 4

HEX #689AF5

RGB 104 154 245

HSL 218.72, 0.88%, 0.68%

LAB 63.87, 9.77, -50.61

 

CMYK 10 / 58 / 0 / 4

HEX #DD66F5

RGB 221 102 245

HSL 289.93, 0.88%, 0.68%

LAB 62.9, 66.35, -51.5

 

CMYK 13 / 0 / 58 / 4

HEX #D4F566

RGB 212 245 102

HSL 73.85, 0.88%, 0.68%

LAB 91.8, -30.56, 63.75

 

CMYK 58 / 37 / 0 / 4

HEX #689AF5

RGB 104 154 245

HSL 218.72, 0.88%, 0.68%

LAB 63.87, 9.77, -50.61

 

CMYK 0 / 58 / 37 / 4

HEX #F5669A

RGB 245 102 154

HSL 338.18, 0.88%, 0.68%

LAB 62.72, 59.54, -0.05

 

CMYK 37 / 0 / 58 / 4

HEX #9AF566

RGB 154 245 102

HSL 98.18, 0.88%, 0.68%

LAB 88.51, -51.27, 59.15

 

CMYK 58 / 37 / 0 / 4

HEX #689AF5

RGB 104 154 245

HSL 218.72, 0.88%, 0.68%

LAB 63.87, 9.77, -50.61

 

CMYK 10 / 58 / 0 / 4

HEX #DD66F5

RGB 221 102 245

HSL 289.93, 0.88%, 0.68%

LAB 62.9, 66.35, -51.5

 

CMYK 0 / 21 / 58 / 4

HEX #F5C166

RGB 245 193 102

HSL 38.18, 0.88%, 0.68%

LAB 81.02, 8.62, 52.19

 

CMYK 49 / 0 / 58 / 4

HEX #7EF566

RGB 126 245 102

HSL 109.93, 0.88%, 0.68%

LAB 87.34, -59.65, 57.5

 

CMYK 58 / 37 / 0 / 4

HEX #689AF5

RGB 104 154 245

HSL 218.72, 0.88%, 0.68%

LAB 63.87, 9.77, -50.61

 

CMYK 0 / 58 / 8 / 4

HEX #F566E2

RGB 245 102 226

HSL 307.97, 0.88%, 0.68%

LAB 65.28, 69.14, -36.98

 

CMYK 0 / 21 / 58 / 4

HEX #F5C166

RGB 245 193 102

HSL 38.18, 0.88%, 0.68%

LAB 81.02, 8.62, 52.19

 

CMYK 58 / 0 / 51 / 4

HEX #66F579

RGB 102 245 121

HSL 127.97, 0.88%, 0.68%

LAB 86.76, -63.34, 48.02

 

Description

Color code: HEX #689AF5 | qconv.com Color code: HEX #689AF5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 154 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 154 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 37 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 37% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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