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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #689A81 it is the complementary color #97657E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #689A81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #689A81 shade: #6D9A7C, #7EAC8F, #8FBEA2, #A0D0B5 and #B1E2C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #689A81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #689A81 shade: #689A81, #57886E, #46765B, #356448 and #245235

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #689A81 shade: #699B82, #699B75, #6B9B69, #799B69 and #869B69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #689A81 shade: #699B82, #699B90, #69999B, #698C9B and #697E9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #689A81 shade matches the following richer shades: #699B82, #55AF82, #41C382, #2CD882 and #18EC82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #689A81 shade: #699B82, #7D8782, #917382, #A65E82 and #BA4A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #689A81 shade: #6B9B69, #699B75, #699B82, #699B8F and #69999B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #689A81 shade: #476B59, #58836D, #699B82, #82AC97 and #9BBCAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #689A81 shade: #689A81, #69789B and #9B6E69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #689A81 shade: #689A81, #82699B and #9B8269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #689A81 shade: #689A81, #69789B, #9B6982 and #9B8C69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #689A81 shade: #689A81, #69699B, #9B6982 and #9B9B69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 16 / 40

HEX #689A81

RGB 104 154 129

HSL 150, 0.2%, 0.51%

LAB 59.56, -22.34, 7.83

 

Complementary color

CMYK 0 / 33 / 17 / 41

HEX #97657E

RGB 151 101 126

HSL 330, 0.2%, 0.49%

LAB 48.75, 24.04, -5.68

 

CMYK 29 / 0 / 19 / 40

HEX #6D9A7C

RGB 109 154 124

HSL 140, 0.18%, 0.52%

LAB 59.72, -21.74, 10.92

 

CMYK 27 / 0 / 17 / 33

HEX #7EAC8F

RGB 126 172 143

HSL 142.17, 0.22%, 0.58%

LAB 66.46, -21.5, 10

 

CMYK 25 / 0 / 15 / 25

HEX #8FBEA2

RGB 143 190 162

HSL 144.26, 0.27%, 0.65%

LAB 73.07, -21.29, 9.14

 

CMYK 23 / 0 / 13 / 18

HEX #A0D0B5

RGB 160 208 181

HSL 146.25, 0.34%, 0.72%

LAB 79.57, -21.11, 8.33

 

CMYK 22 / 0 / 12 / 11

HEX #B1E2C8

RGB 177 226 200

HSL 148.16, 0.46%, 0.79%

LAB 85.96, -20.94, 7.55

 

CMYK 32 / 0 / 16 / 40

HEX #689A81

RGB 104 154 129

HSL 150, 0.2%, 0.51%

LAB 59.56, -22.34, 7.83

 

CMYK 36 / 0 / 19 / 47

HEX #57886E

RGB 87 136 110

HSL 148.16, 0.22%, 0.44%

LAB 52.69, -22.6, 8.78

 

CMYK 41 / 0 / 23 / 54

HEX #46765B

RGB 70 118 91

HSL 146.25, 0.26%, 0.37%

LAB 45.65, -22.88, 9.82

 

CMYK 47 / 0 / 28 / 61

HEX #356448

RGB 53 100 72

HSL 144.26, 0.31%, 0.3%

LAB 38.44, -23.16, 10.99

 

CMYK 56 / 0 / 35 / 68

HEX #245235

RGB 36 82 53

HSL 142.17, 0.39%, 0.23%

LAB 31.04, -23.38, 12.34

 

CMYK 32 / 0 / 16 / 39

HEX #699B82

RGB 105 155 130

HSL 150, 0.2%, 0.51%

LAB 59.94, -22.32, 7.82

 

CMYK 32 / 0 / 25 / 39

HEX #699B75

RGB 105 155 117

HSL 134.4, 0.2%, 0.51%

LAB 59.64, -24.95, 14.71

 

CMYK 31 / 0 / 32 / 39

HEX #6B9B69

RGB 107 155 105

HSL 117.6, 0.2%, 0.51%

LAB 59.52, -26.45, 21.21

 

CMYK 22 / 0 / 32 / 39

HEX #799B69

RGB 121 155 105

HSL 100.8, 0.2%, 0.51%

LAB 60.36, -21.43, 22.5

 

CMYK 14 / 0 / 32 / 39

HEX #869B69

RGB 134 155 105

HSL 85.2, 0.2%, 0.51%

LAB 61.25, -16.48, 23.84

 

CMYK 32 / 0 / 16 / 39

HEX #699B82

RGB 105 155 130

HSL 150, 0.2%, 0.51%

LAB 59.94, -22.32, 7.82

 

CMYK 32 / 0 / 7 / 39

HEX #699B90

RGB 105 155 144

HSL 166.8, 0.2%, 0.51%

LAB 60.3, -19.21, 0.42

 

CMYK 32 / 1 / 0 / 39

HEX #69999B

RGB 105 153 155

HSL 182.4, 0.2%, 0.51%

LAB 60.03, -15.52, -6.22

 

CMYK 32 / 10 / 0 / 39

HEX #698C9B

RGB 105 140 155

HSL 198, 0.2%, 0.51%

LAB 56.21, -8.42, -11.91

 

CMYK 32 / 19 / 0 / 39

HEX #697E9B

RGB 105 126 155

HSL 214.8, 0.2%, 0.51%

LAB 52.17, -0.42, -18.05

 

CMYK 32 / 0 / 16 / 39

HEX #699B82

RGB 105 155 130

HSL 150, 0.2%, 0.51%

LAB 59.94, -22.32, 7.82

 

CMYK 51 / 0 / 26 / 31

HEX #55AF82

RGB 85 175 130

HSL 150, 0.36%, 0.51%

LAB 65.12, -37.62, 14.99

 

CMYK 67 / 0 / 33 / 24

HEX #41C382

RGB 65 195 130

HSL 150, 0.52%, 0.51%

LAB 70.71, -50.32, 22.58

 

CMYK 80 / 0 / 40 / 15

HEX #2CD882

RGB 44 216 130

HSL 150, 0.69%, 0.51%

LAB 76.84, -61.15, 30.72

 

CMYK 90 / 0 / 45 / 7

HEX #18EC82

RGB 24 236 130

HSL 150, 0.85%, 0.51%

LAB 82.81, -69.56, 38.45

 

CMYK 32 / 0 / 16 / 39

HEX #699B82

RGB 105 155 130

HSL 150, 0.2%, 0.51%

LAB 59.94, -22.32, 7.82

 

CMYK 7 / 0 / 4 / 47

HEX #7D8782

RGB 125 135 130

HSL 150, 0.04%, 0.51%

LAB 55.38, -4.68, 1.42

 

CMYK 0 / 21 / 10 / 43

HEX #917382

RGB 145 115 130

HSL 330, 0.12%, 0.51%

LAB 51.72, 14.36, -3.74

 

CMYK 0 / 43 / 22 / 35

HEX #A65E82

RGB 166 94 130

HSL 330, 0.29%, 0.51%

LAB 49.16, 34.1, -7.26

 

CMYK 0 / 60 / 30 / 27

HEX #BA4A82

RGB 186 74 130

HSL 330, 0.45%, 0.51%

LAB 48.19, 50.87, -8.4

 

CMYK 31 / 0 / 32 / 39

HEX #6B9B69

RGB 107 155 105

HSL 117.6, 0.2%, 0.51%

LAB 59.52, -26.45, 21.21

 

CMYK 32 / 0 / 25 / 39

HEX #699B75

RGB 105 155 117

HSL 134.4, 0.2%, 0.51%

LAB 59.64, -24.95, 14.71

 

CMYK 32 / 0 / 16 / 39

HEX #699B82

RGB 105 155 130

HSL 150, 0.2%, 0.51%

LAB 59.94, -22.32, 7.82

 

CMYK 32 / 0 / 8 / 39

HEX #699B8F

RGB 105 155 143

HSL 165.6, 0.2%, 0.51%

LAB 60.27, -19.44, 0.95

 

CMYK 32 / 1 / 0 / 39

HEX #69999B

RGB 105 153 155

HSL 182.4, 0.2%, 0.51%

LAB 60.03, -15.52, -6.22

 

CMYK 34 / 0 / 17 / 58

HEX #476B59

RGB 71 107 89

HSL 150, 0.2%, 0.35%

LAB 42.12, -17.18, 6.02

 

CMYK 33 / 0 / 17 / 49

HEX #58836D

RGB 88 131 109

HSL 149.3, 0.2%, 0.43%

LAB 51.17, -19.9, 7.21

 

CMYK 32 / 0 / 16 / 39

HEX #699B82

RGB 105 155 130

HSL 150, 0.2%, 0.51%

LAB 59.94, -22.32, 7.82

 

CMYK 24 / 0 / 12 / 33

HEX #82AC97

RGB 130 172 151

HSL 150, 0.2%, 0.59%

LAB 66.89, -18.58, 6.22

 

CMYK 18 / 0 / 9 / 26

HEX #9BBCAB

RGB 155 188 171

HSL 149.09, 0.2%, 0.67%

LAB 73.46, -14.55, 4.9

 

CMYK 32 / 0 / 16 / 40

HEX #689A81

RGB 104 154 129

HSL 150, 0.2%, 0.51%

LAB 59.56, -22.34, 7.83

 

CMYK 32 / 23 / 0 / 39

HEX #69789B

RGB 105 120 155

HSL 222, 0.2%, 0.51%

LAB 50.46, 3.1, -20.66

 

CMYK 0 / 29 / 32 / 39

HEX #9B6E69

RGB 155 110 105

HSL 6, 0.2%, 0.51%

LAB 50.85, 17.18, 9.9

 

CMYK 32 / 0 / 16 / 40

HEX #689A81

RGB 104 154 129

HSL 150, 0.2%, 0.51%

LAB 59.56, -22.34, 7.83

 

CMYK 16 / 32 / 0 / 39

HEX #82699B

RGB 130 105 155

HSL 270, 0.2%, 0.51%

LAB 48.53, 20.11, -23.45

 

CMYK 0 / 16 / 32 / 39

HEX #9B8269

RGB 155 130 105

HSL 30, 0.2%, 0.51%

LAB 56.04, 5.73, 17.11

 

CMYK 32 / 0 / 16 / 40

HEX #689A81

RGB 104 154 129

HSL 150, 0.2%, 0.51%

LAB 59.56, -22.34, 7.83

 

CMYK 32 / 23 / 0 / 39

HEX #69789B

RGB 105 120 155

HSL 222, 0.2%, 0.51%

LAB 50.46, 3.1, -20.66

 

CMYK 0 / 32 / 16 / 39

HEX #9B6982

RGB 155 105 130

HSL 330, 0.2%, 0.51%

LAB 50.31, 23.91, -5.69

 

CMYK 0 / 10 / 32 / 39

HEX #9B8C69

RGB 155 140 105

HSL 42, 0.2%, 0.51%

LAB 58.74, 0.11, 20.77

 

CMYK 32 / 0 / 16 / 40

HEX #689A81

RGB 104 154 129

HSL 150, 0.2%, 0.51%

LAB 59.56, -22.34, 7.83

 

CMYK 32 / 32 / 0 / 39

HEX #69699B

RGB 105 105 155

HSL 240, 0.2%, 0.51%

LAB 46.28, 12.14, -27.12

 

CMYK 0 / 32 / 16 / 39

HEX #9B6982

RGB 155 105 130

HSL 330, 0.2%, 0.51%

LAB 50.31, 23.91, -5.69

 

CMYK 0 / 0 / 32 / 39

HEX #9B9B69

RGB 155 155 105

HSL 60, 0.2%, 0.51%

LAB 62.87, -8.1, 26.28

 

Description

Color code: HEX #689A81 | qconv.com Color code: HEX #689A81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 154 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 154 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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