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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #688BBA it is the complementary color #977445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #688BBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #688BBA shade: #6D8BB5, #7E9DC8, #8FAFDB, #A0C1EE and #B1D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #688BBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #688BBA shade: #688BBA, #5779A7, #466794, #355581 and #24436E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #688BBA shade: #698BBA, #6976BA, #7269BA, #8869BA and #9E69BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #688BBA shade: #698BBA, #6976BA and #6969BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #688BBA shade matches the following richer shades: #698BBA, #5789CC, #4586DD and #3484EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #688BBA shade: #698BBA, #7B8EA8, #8C9196, #9E9385 and #B09673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #688BBA shade: #69B7BA, #69A2BA, #698CBA, #6976BA and #7169BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #688BBA shade: #42628F, #4F76AB, #698BBA, #85A1C7 and #A1B7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #688BBA shade: #688BBA, #A769BA and #ACBA69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #688BBA shade: #688BBA, #BA698C and #8CBA69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #688BBA shade: #688BBA, #A769BA, #BA9769 and #7CBA69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #688BBA shade: #688BBA, #BA69B5, #BA9769 and #69BA6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 25 / 0 / 27

HEX #688BBA

RGB 104 139 186

HSL 214.39, 0.37%, 0.57%

LAB 57.03, 0.38, -28.4

 

Complementary color

CMYK 0 / 23 / 54 / 41

HEX #977445

RGB 151 116 69

HSL 34.39, 0.37%, 0.43%

LAB 51.27, 7.86, 31.05

 

CMYK 40 / 23 / 0 / 29

HEX #6D8BB5

RGB 109 139 181

HSL 215, 0.33%, 0.57%

LAB 57.13, 0.3, -25.38

 

CMYK 37 / 22 / 0 / 22

HEX #7E9DC8

RGB 126 157 200

HSL 214.86, 0.4%, 0.64%

LAB 63.93, -0.05, -25.53

 

CMYK 35 / 20 / 0 / 14

HEX #8FAFDB

RGB 143 175 219

HSL 214.74, 0.51%, 0.71%

LAB 70.6, -0.34, -25.71

 

CMYK 33 / 19 / 0 / 7

HEX #A0C1EE

RGB 160 193 238

HSL 214.62, 0.7%, 0.78%

LAB 77.15, -0.6, -25.9

 

CMYK 31 / 17 / 0 / 0

HEX #B1D3FF

RGB 177 211 255

HSL 213.85, 1%, 0.85%

LAB 83.52, -1.32, -25.16

 

CMYK 44 / 25 / 0 / 27

HEX #688BBA

RGB 104 139 186

HSL 214.39, 0.37%, 0.57%

LAB 57.03, 0.38, -28.4

 

CMYK 48 / 28 / 0 / 35

HEX #5779A7

RGB 87 121 167

HSL 214.5, 0.31%, 0.5%

LAB 50.09, 0.9, -28.33

 

CMYK 53 / 30 / 0 / 42

HEX #466794

RGB 70 103 148

HSL 214.62, 0.36%, 0.43%

LAB 42.97, 1.56, -28.29

 

CMYK 59 / 34 / 0 / 49

HEX #355581

RGB 53 85 129

HSL 214.74, 0.42%, 0.36%

LAB 35.67, 2.43, -28.3

 

CMYK 67 / 39 / 0 / 57

HEX #24436E

RGB 36 67 110

HSL 214.86, 0.51%, 0.29%

LAB 28.15, 3.65, -28.35

 

CMYK 44 / 25 / 0 / 27

HEX #698BBA

RGB 105 139 186

HSL 214.81, 0.37%, 0.57%

LAB 57.09, 0.65, -28.31

 

CMYK 44 / 37 / 0 / 27

HEX #6976BA

RGB 105 118 186

HSL 230.37, 0.37%, 0.57%

LAB 51.27, 13.1, -37.38

 

CMYK 39 / 44 / 0 / 27

HEX #7269BA

RGB 114 105 186

HSL 246.67, 0.37%, 0.57%

LAB 48.54, 23.37, -41.65

 

CMYK 27 / 44 / 0 / 27

HEX #8869BA

RGB 136 105 186

HSL 262.96, 0.37%, 0.57%

LAB 50.55, 29.48, -38.35

 

CMYK 15 / 44 / 0 / 27

HEX #9E69BA

RGB 158 105 186

HSL 279.26, 0.37%, 0.57%

LAB 52.86, 35.95, -34.56

 

CMYK 44 / 25 / 0 / 27

HEX #698BBA

RGB 105 139 186

HSL 214.81, 0.37%, 0.57%

LAB 57.09, 0.65, -28.31

 

CMYK 44 / 37 / 0 / 27

HEX #6976BA

RGB 105 118 186

HSL 230.37, 0.37%, 0.57%

LAB 51.27, 13.1, -37.38

 

CMYK 44 / 44 / 0 / 27

HEX #6969BA

RGB 105 105 186

HSL 240, 0.37%, 0.57%

LAB 47.82, 21.02, -42.84

 

CMYK 44 / 25 / 0 / 27

HEX #698BBA

RGB 105 139 186

HSL 214.81, 0.37%, 0.57%

LAB 57.09, 0.65, -28.31

 

CMYK 57 / 33 / 0 / 20

HEX #5789CC

RGB 87 137 204

HSL 214.36, 0.53%, 0.57%

LAB 56.36, 3.12, -39.71

 

CMYK 69 / 39 / 0 / 13

HEX #4586DD

RGB 69 134 221

HSL 214.34, 0.69%, 0.57%

LAB 55.62, 7.46, -50.5

 

CMYK 78 / 45 / 0 / 6

HEX #3484EF

RGB 52 132 239

HSL 214.33, 0.85%, 0.57%

LAB 55.55, 13.02, -60.7

 

CMYK 44 / 25 / 0 / 27

HEX #698BBA

RGB 105 139 186

HSL 214.81, 0.37%, 0.57%

LAB 57.09, 0.65, -28.31

 

CMYK 27 / 15 / 0 / 34

HEX #7B8EA8

RGB 123 142 168

HSL 214.67, 0.21%, 0.57%

LAB 58.4, -0.72, -15.94

 

CMYK 7 / 3 / 0 / 41

HEX #8C9196

RGB 140 145 150

HSL 210, 0.05%, 0.57%

LAB 59.91, -0.8, -3.28

 

CMYK 0 / 7 / 16 / 38

HEX #9E9385

RGB 158 147 133

HSL 33.6, 0.11%, 0.57%

LAB 61.51, 1.62, 8.87

 

CMYK 0 / 15 / 35 / 31

HEX #B09673

RGB 176 150 115

HSL 34.43, 0.28%, 0.57%

LAB 63.57, 4.5, 22.07

 

CMYK 44 / 2 / 0 / 27

HEX #69B7BA

RGB 105 183 186

HSL 182.22, 0.37%, 0.57%

LAB 69.76, -23.21, -9.05

 

CMYK 44 / 13 / 0 / 27

HEX #69A2BA

RGB 105 162 186

HSL 197.78, 0.37%, 0.57%

LAB 63.66, -12.24, -18.23

 

CMYK 44 / 25 / 0 / 27

HEX #698CBA

RGB 105 140 186

HSL 214.07, 0.37%, 0.57%

LAB 57.37, 0.07, -27.87

 

CMYK 44 / 37 / 0 / 27

HEX #6976BA

RGB 105 118 186

HSL 230.37, 0.37%, 0.57%

LAB 51.27, 13.1, -37.38

 

CMYK 39 / 44 / 0 / 27

HEX #7169BA

RGB 113 105 186

HSL 245.93, 0.37%, 0.57%

LAB 48.46, 23.1, -41.79

 

CMYK 54 / 31 / 0 / 44

HEX #42628F

RGB 66 98 143

HSL 215.06, 0.37%, 0.41%

LAB 41.02, 2.04, -28.37

 

CMYK 54 / 31 / 0 / 33

HEX #4F76AB

RGB 79 118 171

HSL 214.57, 0.37%, 0.49%

LAB 48.96, 2.02, -32.45

 

CMYK 44 / 25 / 0 / 27

HEX #698BBA

RGB 105 139 186

HSL 214.81, 0.37%, 0.57%

LAB 57.09, 0.65, -28.31

 

CMYK 33 / 19 / 0 / 22

HEX #85A1C7

RGB 133 161 199

HSL 214.55, 0.37%, 0.65%

LAB 65.44, -0.57, -22.63

 

CMYK 24 / 14 / 0 / 17

HEX #A1B7D4

RGB 161 183 212

HSL 214.12, 0.37%, 0.73%

LAB 73.67, -1.16, -17.1

 

CMYK 44 / 25 / 0 / 27

HEX #688BBA

RGB 104 139 186

HSL 214.39, 0.37%, 0.57%

LAB 57.03, 0.38, -28.4

 

CMYK 10 / 44 / 0 / 27

HEX #A769BA

RGB 167 105 186

HSL 285.93, 0.37%, 0.57%

LAB 53.88, 38.65, -32.88

 

CMYK 8 / 0 / 44 / 27

HEX #ACBA69

RGB 172 186 105

HSL 70.37, 0.37%, 0.57%

LAB 72.83, -17.41, 39.32

 

CMYK 44 / 25 / 0 / 27

HEX #688BBA

RGB 104 139 186

HSL 214.39, 0.37%, 0.57%

LAB 57.03, 0.38, -28.4

 

CMYK 0 / 44 / 25 / 27

HEX #BA698C

RGB 186 105 140

HSL 334.07, 0.37%, 0.57%

LAB 54.49, 36.74, -4.98

 

CMYK 25 / 0 / 44 / 27

HEX #8CBA69

RGB 140 186 105

HSL 94.07, 0.37%, 0.57%

LAB 70.67, -29.7, 36.15

 

CMYK 44 / 25 / 0 / 27

HEX #688BBA

RGB 104 139 186

HSL 214.39, 0.37%, 0.57%

LAB 57.03, 0.38, -28.4

 

CMYK 10 / 44 / 0 / 27

HEX #A769BA

RGB 167 105 186

HSL 285.93, 0.37%, 0.57%

LAB 53.88, 38.65, -32.88

 

CMYK 0 / 19 / 44 / 27

HEX #BA9769

RGB 186 151 105

HSL 34.07, 0.37%, 0.57%

LAB 64.64, 6.89, 29.14

 

CMYK 33 / 0 / 44 / 27

HEX #7CBA69

RGB 124 186 105

HSL 105.93, 0.37%, 0.57%

LAB 69.77, -35.35, 34.82

 

CMYK 44 / 25 / 0 / 27

HEX #688BBA

RGB 104 139 186

HSL 214.39, 0.37%, 0.57%

LAB 57.03, 0.38, -28.4

 

CMYK 0 / 44 / 3 / 27

HEX #BA69B5

RGB 186 105 181

HSL 303.7, 0.37%, 0.57%

LAB 55.97, 43.49, -26.59

 

CMYK 0 / 19 / 44 / 27

HEX #BA9769

RGB 186 151 105

HSL 34.07, 0.37%, 0.57%

LAB 64.64, 6.89, 29.14

 

CMYK 44 / 0 / 41 / 27

HEX #69BA6E

RGB 105 186 110

HSL 123.7, 0.37%, 0.57%

LAB 68.93, -40.68, 30.98

 

Description

Color code: HEX #688BBA | qconv.com Color code: HEX #688BBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 139 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 139 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 25 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 25% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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