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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #688B18 it is the complementary color #9774E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #688B18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #688B18 shade: #6D8B13, #7E9D26, #8FAF39, #A0C14C and #B1D35F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #688B18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #688B18 shade: #688B18, #577905, #466700, #355500 and #244300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #688B18 shade: #688C18, #888C18, #8C7018, #8C5118 and #8C3218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #688B18 shade: #688C18, #498C18, #2A8C18, #188C25 and #188C44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #688B18 shade matches the following richer shades: #688C18 and #6D990A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #688B18 shade: #688C18, #637E25, #5E7132, #59643F and #54574C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #688B18 shade: #8C7018, #888C18, #698C18, #4A8C18 and #2B8C18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #688B18 shade: #34450C, #4E6812, #688C18, #83AF1E and #9DD224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #688B18 shade: #688B18, #188C52 and #80188C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #688B18 shade: #688B18, #18698C and #8C1869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #688B18 shade: #688B18, #188C52, #3A188C and #8C1852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #688B18 shade: #688B18, #188C74, #3A188C and #8C182F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 83 / 45

HEX #688B18

RGB 104 139 24

HSL 78.26, 0.71%, 0.32%

LAB 53.46, -28.58, 52.12

 

Complementary color

CMYK 35 / 50 / 0 / 9

HEX #9774E7

RGB 151 116 231

HSL 258.26, 0.71%, 0.68%

LAB 56.92, 38.64, -53.72

 

CMYK 22 / 0 / 86 / 45

HEX #6D8B13

RGB 109 139 19

HSL 75, 0.76%, 0.31%

LAB 53.78, -26.67, 53.86

 

CMYK 20 / 0 / 76 / 38

HEX #7E9D26

RGB 126 157 38

HSL 75.63, 0.61%, 0.38%

LAB 60.51, -27.45, 54.7

 

CMYK 18 / 0 / 67 / 31

HEX #8FAF39

RGB 143 175 57

HSL 76.27, 0.51%, 0.45%

LAB 67.12, -28, 54.52

 

CMYK 17 / 0 / 61 / 24

HEX #A0C14C

RGB 160 193 76

HSL 76.92, 0.49%, 0.53%

LAB 73.63, -28.41, 53.82

 

CMYK 16 / 0 / 55 / 17

HEX #B1D35F

RGB 177 211 95

HSL 77.59, 0.57%, 0.6%

LAB 80.05, -28.7, 52.88

 

CMYK 25 / 0 / 83 / 45

HEX #688B18

RGB 104 139 24

HSL 78.26, 0.71%, 0.32%

LAB 53.46, -28.58, 52.12

 

CMYK 28 / 0 / 96 / 53

HEX #577905

RGB 87 121 5

HSL 77.59, 0.92%, 0.25%

LAB 46.59, -27.66, 50.27

 

CMYK 32 / 0 / 100 / 60

HEX #466700

RGB 70 103 0

HSL 79.22, 1%, 0.2%

LAB 39.58, -26.32, 45.51

 

CMYK 38 / 0 / 100 / 67

HEX #355500

RGB 53 85 0

HSL 82.59, 1%, 0.17%

LAB 32.38, -24.79, 39.51

 

CMYK 46 / 0 / 100 / 74

HEX #244300

RGB 36 67 0

HSL 87.76, 1%, 0.13%

LAB 24.92, -23.16, 32.91

 

CMYK 26 / 0 / 83 / 45

HEX #688C18

RGB 104 140 24

HSL 78.62, 0.71%, 0.32%

LAB 53.78, -29.06, 52.4

 

CMYK 3 / 0 / 83 / 45

HEX #888C18

RGB 136 140 24

HSL 62.07, 0.71%, 0.32%

LAB 56.14, -15.08, 55.4

 

CMYK 0 / 20 / 83 / 45

HEX #8C7018

RGB 140 112 24

HSL 45.52, 0.71%, 0.32%

LAB 48.55, 2.24, 48.9

 

CMYK 0 / 42 / 83 / 45

HEX #8C5118

RGB 140 81 24

HSL 29.48, 0.71%, 0.32%

LAB 40.45, 20.24, 41.61

 

CMYK 0 / 64 / 83 / 45

HEX #8C3218

RGB 140 50 24

HSL 13.45, 0.71%, 0.32%

LAB 33.82, 36.92, 35.38

 

CMYK 26 / 0 / 83 / 45

HEX #688C18

RGB 104 140 24

HSL 78.62, 0.71%, 0.32%

LAB 53.78, -29.06, 52.4

 

CMYK 48 / 0 / 83 / 45

HEX #498C18

RGB 73 140 24

HSL 94.66, 0.71%, 0.32%

LAB 52.11, -40.72, 50.26

 

CMYK 70 / 0 / 83 / 45

HEX #2A8C18

RGB 42 140 24

HSL 110.69, 0.71%, 0.32%

LAB 51.05, -49.13, 48.91

 

CMYK 83 / 0 / 74 / 45

HEX #188C25

RGB 24 140 37

HSL 126.72, 0.71%, 0.32%

LAB 50.79, -51.13, 44

 

CMYK 83 / 0 / 51 / 45

HEX #188C44

RGB 24 140 68

HSL 142.76, 0.71%, 0.32%

LAB 51.11, -47.12, 29.78

 

CMYK 26 / 0 / 83 / 45

HEX #688C18

RGB 104 140 24

HSL 78.62, 0.71%, 0.32%

LAB 53.78, -29.06, 52.4

 

CMYK 29 / 0 / 93 / 40

HEX #6D990A

RGB 109 153 10

HSL 78.46, 0.88%, 0.32%

LAB 58.09, -33.54, 59.21

 

CMYK 26 / 0 / 83 / 45

HEX #688C18

RGB 104 140 24

HSL 78.62, 0.71%, 0.32%

LAB 53.78, -29.06, 52.4

 

CMYK 21 / 0 / 71 / 51

HEX #637E25

RGB 99 126 37

HSL 78.2, 0.55%, 0.32%

LAB 49.14, -23.55, 43.23

 

CMYK 17 / 0 / 56 / 56

HEX #5E7132

RGB 94 113 50

HSL 78.1, 0.39%, 0.32%

LAB 44.83, -17.82, 32.24

 

CMYK 11 / 0 / 37 / 61

HEX #59643F

RGB 89 100 63

HSL 77.84, 0.23%, 0.32%

LAB 40.57, -11.19, 19.62

 

CMYK 3 / 0 / 13 / 66

HEX #54574C

RGB 84 87 76

HSL 76.36, 0.07%, 0.32%

LAB 36.41, -3.47, 5.98

 

CMYK 0 / 20 / 83 / 45

HEX #8C7018

RGB 140 112 24

HSL 45.52, 0.71%, 0.32%

LAB 48.55, 2.24, 48.9

 

CMYK 3 / 0 / 83 / 45

HEX #888C18

RGB 136 140 24

HSL 62.07, 0.71%, 0.32%

LAB 56.14, -15.08, 55.4

 

CMYK 25 / 0 / 83 / 45

HEX #698C18

RGB 105 140 24

HSL 78.1, 0.71%, 0.32%

LAB 53.84, -28.64, 52.48

 

CMYK 47 / 0 / 83 / 45

HEX #4A8C18

RGB 74 140 24

HSL 94.14, 0.71%, 0.32%

LAB 52.15, -40.39, 50.32

 

CMYK 69 / 0 / 83 / 45

HEX #2B8C18

RGB 43 140 24

HSL 110.17, 0.71%, 0.32%

LAB 51.08, -48.92, 48.94

 

CMYK 25 / 0 / 83 / 73

HEX #34450C

RGB 52 69 12

HSL 77.89, 0.7%, 0.16%

LAB 26.77, -16.28, 30.18

 

CMYK 25 / 0 / 83 / 59

HEX #4E6812

RGB 78 104 18

HSL 78.14, 0.7%, 0.24%

LAB 40.51, -22.65, 41.58

 

CMYK 26 / 0 / 83 / 45

HEX #688C18

RGB 104 140 24

HSL 78.62, 0.71%, 0.32%

LAB 53.78, -29.06, 52.4

 

CMYK 25 / 0 / 83 / 31

HEX #83AF1E

RGB 131 175 30

HSL 78.21, 0.71%, 0.4%

LAB 66.2, -34.26, 62.44

 

CMYK 25 / 0 / 83 / 18

HEX #9DD224

RGB 157 210 36

HSL 78.28, 0.71%, 0.48%

LAB 78.1, -39.65, 71.98

 

CMYK 25 / 0 / 83 / 45

HEX #688B18

RGB 104 139 24

HSL 78.26, 0.71%, 0.32%

LAB 53.46, -28.58, 52.12

 

CMYK 83 / 0 / 41 / 45

HEX #188C52

RGB 24 140 82

HSL 150, 0.71%, 0.32%

LAB 51.34, -44.54, 22.49

 

CMYK 9 / 83 / 0 / 45

HEX #80188C

RGB 128 24 140

HSL 293.79, 0.71%, 0.32%

LAB 32.11, 56.43, -40.25

 

CMYK 25 / 0 / 83 / 45

HEX #688B18

RGB 104 139 24

HSL 78.26, 0.71%, 0.32%

LAB 53.46, -28.58, 52.12

 

CMYK 83 / 25 / 0 / 45

HEX #18698C

RGB 24 105 140

HSL 198.1, 0.71%, 0.32%

LAB 41.52, -10.61, -25.9

 

CMYK 0 / 83 / 25 / 45

HEX #8C1869

RGB 140 24 105

HSL 318.1, 0.71%, 0.32%

LAB 32.37, 53.63, -17.66

 

CMYK 25 / 0 / 83 / 45

HEX #688B18

RGB 104 139 24

HSL 78.26, 0.71%, 0.32%

LAB 53.46, -28.58, 52.12

 

CMYK 83 / 0 / 41 / 45

HEX #188C52

RGB 24 140 82

HSL 150, 0.71%, 0.32%

LAB 51.34, -44.54, 22.49

 

CMYK 59 / 83 / 0 / 45

HEX #3A188C

RGB 58 24 140

HSL 257.59, 0.71%, 0.32%

LAB 21.75, 44.91, -57.57

 

CMYK 0 / 83 / 41 / 45

HEX #8C1852

RGB 140 24 82

HSL 330, 0.71%, 0.32%

LAB 31.44, 50.92, -4.14

 

CMYK 25 / 0 / 83 / 45

HEX #688B18

RGB 104 139 24

HSL 78.26, 0.71%, 0.32%

LAB 53.46, -28.58, 52.12

 

CMYK 83 / 0 / 17 / 45

HEX #188C74

RGB 24 140 116

HSL 167.59, 0.71%, 0.32%

LAB 52.08, -36.43, 4.17

 

CMYK 59 / 83 / 0 / 45

HEX #3A188C

RGB 58 24 140

HSL 257.59, 0.71%, 0.32%

LAB 21.75, 44.91, -57.57

 

CMYK 0 / 83 / 66 / 45

HEX #8C182F

RGB 140 24 47

HSL 348.1, 0.71%, 0.32%

LAB 30.48, 48.05, 17.68

 

Description

Color code: HEX #688B18 | qconv.com Color code: HEX #688B18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 139 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 139 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 83 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 83% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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