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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #687918 it is the complementary color #9786E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #687918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #687918 shade: #6D7913, #7E8B26, #8F9D39, #A0AF4C and #B1C15F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #687918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #687918 shade: #687918, #576705, #465500, #354300 and #243100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #687918 shade: #667718, #776E18, #775418, #773B18 and #772118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #687918 shade: #667718, #4D7718, #337718, #197718 and #187730

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #687918 shade matches the following richer shades: #667718, #6E830C and #758E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #687918 shade: #667718, #5F6C23, #57602F, #50553A and #484946

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #687918 shade: #775418, #776E18, #677718, #4E7718 and #347718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #687918 shade: #2B320A, #495511, #667718, #849A1E and #A2BC25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #687918 shade: #687918, #18773B and #611877

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #687918 shade: #687918, #186777 and #771867

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #687918 shade: #687918, #18773B, #281877 and #771854

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #687918 shade: #687918, #187757, #281877 and #771837

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 80 / 53

HEX #687918

RGB 104 121 24

HSL 70.52, 0.67%, 0.28%

LAB 47.86, -19.56, 47.03

 

Complementary color

CMYK 35 / 42 / 0 / 9

HEX #9786E7

RGB 151 134 231

HSL 250.52, 0.67%, 0.72%

LAB 61.13, 28.33, -47.03

 

CMYK 10 / 0 / 84 / 53

HEX #6D7913

RGB 109 121 19

HSL 67.06, 0.73%, 0.27%

LAB 48.23, -17.5, 49.06

 

CMYK 9 / 0 / 73 / 45

HEX #7E8B26

RGB 126 139 38

HSL 67.72, 0.57%, 0.35%

LAB 55.11, -18.41, 49.48

 

CMYK 9 / 0 / 64 / 38

HEX #8F9D39

RGB 143 157 57

HSL 68.4, 0.47%, 0.42%

LAB 61.87, -19.07, 48.99

 

CMYK 9 / 0 / 57 / 31

HEX #A0AF4C

RGB 160 175 76

HSL 69.09, 0.39%, 0.49%

LAB 68.5, -19.57, 48.08

 

CMYK 8 / 0 / 51 / 24

HEX #B1C15F

RGB 177 193 95

HSL 69.8, 0.44%, 0.56%

LAB 75.02, -19.95, 47

 

CMYK 14 / 0 / 80 / 53

HEX #687918

RGB 104 121 24

HSL 70.52, 0.67%, 0.28%

LAB 47.86, -19.56, 47.03

 

CMYK 16 / 0 / 95 / 60

HEX #576705

RGB 87 103 5

HSL 69.8, 0.91%, 0.21%

LAB 40.8, -18.55, 45.64

 

CMYK 18 / 0 / 100 / 67

HEX #465500

RGB 70 85 0

HSL 70.59, 1%, 0.17%

LAB 33.56, -17.07, 40.93

 

CMYK 21 / 0 / 100 / 74

HEX #354300

RGB 53 67 0

HSL 72.54, 1%, 0.13%

LAB 26.07, -15.39, 34.4

 

CMYK 27 / 0 / 100 / 81

HEX #243100

RGB 36 49 0

HSL 75.92, 1%, 0.1%

LAB 18.24, -13.68, 25.72

 

CMYK 14 / 0 / 80 / 53

HEX #667718

RGB 102 119 24

HSL 70.74, 0.66%, 0.28%

LAB 47.08, -19.42, 46.26

 

CMYK 0 / 8 / 80 / 53

HEX #776E18

RGB 119 110 24

HSL 54.32, 0.66%, 0.28%

LAB 45.83, -6.59, 45.64

 

CMYK 0 / 29 / 80 / 53

HEX #775418

RGB 119 84 24

HSL 37.89, 0.66%, 0.28%

LAB 38.43, 8.65, 38.7

 

CMYK 0 / 50 / 80 / 53

HEX #773B18

RGB 119 59 24

HSL 22.11, 0.66%, 0.28%

LAB 32.07, 23.51, 32.45

 

CMYK 0 / 72 / 80 / 53

HEX #772118

RGB 119 33 24

HSL 5.68, 0.66%, 0.28%

LAB 26.95, 36.85, 27.13

 

CMYK 14 / 0 / 80 / 53

HEX #667718

RGB 102 119 24

HSL 70.74, 0.66%, 0.28%

LAB 47.08, -19.42, 46.26

 

CMYK 35 / 0 / 80 / 53

HEX #4D7718

RGB 77 119 24

HSL 86.53, 0.66%, 0.28%

LAB 45.41, -30.07, 44.09

 

CMYK 57 / 0 / 80 / 53

HEX #337718

RGB 51 119 24

HSL 102.95, 0.66%, 0.28%

LAB 44.18, -39.12, 42.49

 

CMYK 79 / 0 / 80 / 53

HEX #197718

RGB 25 119 24

HSL 119.37, 0.66%, 0.28%

LAB 43.46, -45.09, 41.54

 

CMYK 80 / 0 / 60 / 53

HEX #187730

RGB 24 119 48

HSL 135.16, 0.66%, 0.28%

LAB 43.66, -42.61, 31.11

 

CMYK 14 / 0 / 80 / 53

HEX #667718

RGB 102 119 24

HSL 70.74, 0.66%, 0.28%

LAB 47.08, -19.42, 46.26

 

CMYK 16 / 0 / 91 / 49

HEX #6E830C

RGB 110 131 12

HSL 70.59, 0.83%, 0.28%

LAB 51.35, -22.45, 53.42

 

CMYK 18 / 0 / 100 / 44

HEX #758E00

RGB 117 142 0

HSL 70.56, 1%, 0.28%

LAB 55.2, -25.15, 58.77

 

CMYK 14 / 0 / 80 / 53

HEX #667718

RGB 102 119 24

HSL 70.74, 0.66%, 0.28%

LAB 47.08, -19.42, 46.26

 

CMYK 12 / 0 / 68 / 58

HEX #5F6C23

RGB 95 108 35

HSL 70.68, 0.51%, 0.28%

LAB 43.18, -16.06, 37.81

 

CMYK 9 / 0 / 51 / 62

HEX #57602F

RGB 87 96 47

HSL 71.02, 0.34%, 0.28%

LAB 38.89, -11.91, 26.64

 

CMYK 6 / 0 / 32 / 67

HEX #50553A

RGB 80 85 58

HSL 71.11, 0.19%, 0.28%

LAB 35.02, -7.18, 15.13

 

CMYK 1 / 0 / 4 / 71

HEX #484946

RGB 72 73 70

HSL 80, 0.02%, 0.28%

LAB 30.84, -1.06, 1.65

 

CMYK 0 / 29 / 80 / 53

HEX #775418

RGB 119 84 24

HSL 37.89, 0.66%, 0.28%

LAB 38.43, 8.65, 38.7

 

CMYK 0 / 8 / 80 / 53

HEX #776E18

RGB 119 110 24

HSL 54.32, 0.66%, 0.28%

LAB 45.83, -6.59, 45.64

 

CMYK 13 / 0 / 80 / 53

HEX #677718

RGB 103 119 24

HSL 70.11, 0.66%, 0.28%

LAB 47.16, -18.97, 46.36

 

CMYK 34 / 0 / 80 / 53

HEX #4E7718

RGB 78 119 24

HSL 85.89, 0.66%, 0.28%

LAB 45.47, -29.67, 44.17

 

CMYK 56 / 0 / 80 / 53

HEX #347718

RGB 52 119 24

HSL 102.32, 0.66%, 0.28%

LAB 44.22, -38.83, 42.54

 

CMYK 14 / 0 / 80 / 80

HEX #2B320A

RGB 43 50 10

HSL 70.5, 0.67%, 0.12%

LAB 19.29, -9.82, 23.03

 

CMYK 14 / 0 / 80 / 67

HEX #495511

RGB 73 85 17

HSL 70.59, 0.67%, 0.2%

LAB 33.89, -14.87, 35.59

 

CMYK 14 / 0 / 80 / 53

HEX #667718

RGB 102 119 24

HSL 70.74, 0.66%, 0.28%

LAB 47.08, -19.42, 46.26

 

CMYK 14 / 0 / 81 / 40

HEX #849A1E

RGB 132 154 30

HSL 70.65, 0.67%, 0.36%

LAB 59.99, -23.81, 56.94

 

CMYK 14 / 0 / 80 / 26

HEX #A2BC25

RGB 162 188 37

HSL 70.33, 0.67%, 0.44%

LAB 72.08, -27.47, 66.56

 

CMYK 14 / 0 / 80 / 53

HEX #687918

RGB 104 121 24

HSL 70.52, 0.67%, 0.28%

LAB 47.86, -19.56, 47.03

 

CMYK 80 / 0 / 50 / 53

HEX #18773B

RGB 24 119 59

HSL 142.11, 0.66%, 0.28%

LAB 43.8, -40.84, 25.46

 

CMYK 18 / 80 / 0 / 53

HEX #611877

RGB 97 24 119

HSL 286.11, 0.66%, 0.28%

LAB 25.34, 46.15, -38.23

 

CMYK 14 / 0 / 80 / 53

HEX #687918

RGB 104 121 24

HSL 70.52, 0.67%, 0.28%

LAB 47.86, -19.56, 47.03

 

CMYK 80 / 13 / 0 / 53

HEX #186777

RGB 24 103 119

HSL 190.11, 0.66%, 0.28%

LAB 39.96, -17.11, -15.61

 

CMYK 0 / 80 / 13 / 53

HEX #771867

RGB 119 24 103

HSL 310.11, 0.66%, 0.28%

LAB 28.26, 48.24, -23.07

 

CMYK 14 / 0 / 80 / 53

HEX #687918

RGB 104 121 24

HSL 70.52, 0.67%, 0.28%

LAB 47.86, -19.56, 47.03

 

CMYK 80 / 0 / 50 / 53

HEX #18773B

RGB 24 119 59

HSL 142.11, 0.66%, 0.28%

LAB 43.8, -40.84, 25.46

 

CMYK 66 / 80 / 0 / 53

HEX #281877

RGB 40 24 119

HSL 250.11, 0.66%, 0.28%

LAB 17.63, 36.35, -51.14

 

CMYK 0 / 80 / 29 / 53

HEX #771854

RGB 119 24 84

HSL 322.11, 0.66%, 0.28%

LAB 27.34, 45.51, -12.05

 

CMYK 14 / 0 / 80 / 53

HEX #687918

RGB 104 121 24

HSL 70.52, 0.67%, 0.28%

LAB 47.86, -19.56, 47.03

 

CMYK 80 / 0 / 27 / 53

HEX #187757

RGB 24 119 87

HSL 159.79, 0.66%, 0.28%

LAB 44.34, -34.81, 10.12

 

CMYK 66 / 80 / 0 / 53

HEX #281877

RGB 40 24 119

HSL 250.11, 0.66%, 0.28%

LAB 17.63, 36.35, -51.14

 

CMYK 0 / 80 / 54 / 53

HEX #771837

RGB 119 24 55

HSL 340.42, 0.66%, 0.28%

LAB 26.31, 42.32, 5.93

 

Description

Color code: HEX #687918 | qconv.com Color code: HEX #687918 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 121 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 121 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 80 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 80% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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