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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #686FC8CE it is the complementary color #979037CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #686FC8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #686FC8CE shade: #6D6FC3CE, #7E81D6CE, #8F93E9CE, #A0A5FCCE and #B1B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #686FC8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #686FC8CE shade: #686FC8CE, #575DB5CE, #464BA2CE, #35398FCE and #24277CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #686FC8CE shade: #6970C9, #7C69C9, #9669C9, #B069C9 and #C969C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #686FC8CE shade: #6970C9 and #6969C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #686FC8CE shade matches the following richer shades: #6970C9, #5962D9, #4854EA and #3846FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #686FC8CE shade: #6970C9, #7A7EB8, #8A8CA8, #9B9A97 and #ABA887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #686FC8CE shade: #69A4C9, #698BC9, #6971C9, #7B69C9 and #9469C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #686FC8CE shade: #3B43A4, #4B53BE, #6970C9, #878DD4 and #A6AADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #686FC8CE shade: #686FC8, #C969BE and #97C969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #686FC8CE shade: #686FC8, #C96971 and #71C969

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #686FC8CE shade: #686FC8, #C969BE, #C9C169 and #69C974

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #686FC8CE shade: #686FC8, #C969A1, #C9C169 and #69C991

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 36 / 0 / 17

HEX #686FC8CE

RGBA 104 111 200 0.81

HSLA 235.63, 0.47%, 0.6%, 0.81

LABA 50.08, 21.34, -47.32, 0.81

 

Complementary color

CMYK 0 / 4 / 51 / 33

HEX #979037CE

RGBA 151 144 55 0.81

HSLA 55.63, 0.47%, 0.4%, 0.81

LABA 58.79, -8.89, 46.77, 0.81

 

CMYK 36 / 35 / 0 / 19

HEX #6D6FC3CE

RGBA 109 111 195 0.81

HSLA 238.6, 0.42%, 0.6%, 0.81

LABA 50.17, 21.05, -44.29, 0.81

 

CMYK 33 / 32 / 0 / 13

HEX #7E81D6CE

RGBA 126 129 214 0.81

HSLA 237.95, 0.52%, 0.67%, 0.81

LABA 57.07, 20.08, -44.08, 0.81

 

CMYK 31 / 30 / 0 / 7

HEX #8F93E9CE

RGBA 143 147 233 0.81

HSLA 237.33, 0.67%, 0.74%, 0.81

LABA 63.83, 19.24, -43.93, 0.81

 

CMYK 30 / 28 / 0 / 1

HEX #A0A5FCCE

RGBA 160 165 252 0.81

HSLA 236.74, 0.94%, 0.81%, 0.81

LABA 70.46, 18.51, -43.82, 0.81

 

CMYK 25 / 23 / 0 / 0

HEX #B1B7FFCE

RGBA 177 183 255 0.81

HSLA 235.38, 1%, 0.85%, 0.81

LABA 76.33, 13.85, -36.2, 0.81

 

CMYK 39 / 36 / 0 / 17

HEX #686FC8CE

RGBA 104 111 200 0.81

HSLA 235.63, 0.47%, 0.6%, 0.81

LABA 50.08, 21.34, -47.32, 0.81

 

CMYK 42 / 39 / 0 / 24

HEX #575DB5CE

RGBA 87 93 181 0.81

HSLA 236.17, 0.39%, 0.53%, 0.81

LABA 43.05, 22.61, -47.62, 0.81

 

CMYK 46 / 44 / 0 / 30

HEX #464BA2CE

RGBA 70 75 162 0.81

HSLA 236.74, 0.4%, 0.45%, 0.81

LABA 35.87, 24.16, -47.95, 0.81

 

CMYK 51 / 49 / 0 / 36

HEX #35398FCE

RGBA 53 57 143 0.81

HSLA 237.33, 0.46%, 0.38%, 0.81

LABA 28.55, 26.06, -48.31, 0.81

 

CMYK 57 / 56 / 0 / 42

HEX #24277CCE

RGBA 36 39 124 0.81

HSLA 237.95, 0.55%, 0.31%, 0.81

LABA 21.14, 28.41, -48.58, 0.81

 

CMYK 48 / 44 / 0 / 21

HEX #6970C9

RGB 105 112 201

HSL 235.63, 0.47%, 0.6%

LAB 50.46, 21.27, -47.27

 

CMYK 38 / 48 / 0 / 21

HEX #7C69C9

RGB 124 105 201

HSL 251.88, 0.47%, 0.6%

LAB 50.22, 30.18, -47.57

 

CMYK 25 / 48 / 0 / 21

HEX #9669C9

RGB 150 105 201

HSL 268.13, 0.47%, 0.6%

LAB 52.73, 37.1, -43.42

 

CMYK 12 / 48 / 0 / 21

HEX #B069C9

RGB 176 105 201

HSL 284.38, 0.47%, 0.6%

LAB 55.63, 44.41, -38.65

 

CMYK 0 / 48 / 0 / 21

HEX #C969C8

RGB 201 105 200

HSL 300.63, 0.47%, 0.6%

LAB 58.69, 51.4, -33.08

 

CMYK 48 / 44 / 0 / 21

HEX #6970C9

RGB 105 112 201

HSL 235.63, 0.47%, 0.6%

LAB 50.46, 21.27, -47.27

 

CMYK 48 / 48 / 0 / 21

HEX #6969C9

RGB 105 105 201

HSL 240, 0.47%, 0.6%

LAB 48.67, 25.54, -50.14

 

CMYK 48 / 44 / 0 / 21

HEX #6970C9

RGB 105 112 201

HSL 235.63, 0.47%, 0.6%

LAB 50.46, 21.27, -47.27

 

CMYK 59 / 55 / 0 / 15

HEX #5962D9

RGB 89 98 217

HSL 235.78, 0.63%, 0.6%

LAB 46.8, 31.63, -62.34

 

CMYK 69 / 64 / 0 / 8

HEX #4854EA

RGB 72 84 234

HSL 235.56, 0.79%, 0.6%

LAB 43.74, 43.3, -77.01

 

CMYK 78 / 72 / 0 / 2

HEX #3846FA

RGB 56 70 250

HSL 235.67, 0.95%, 0.6%

LAB 41.41, 55.17, -89.87

 

CMYK 48 / 44 / 0 / 21

HEX #6970C9

RGB 105 112 201

HSL 235.63, 0.47%, 0.6%

LAB 50.46, 21.27, -47.27

 

CMYK 34 / 32 / 0 / 28

HEX #7A7EB8

RGB 122 126 184

HSL 236.13, 0.3%, 0.6%

LAB 54.57, 12.44, -30.98

 

CMYK 18 / 17 / 0 / 34

HEX #8A8CA8

RGB 138 140 168

HSL 236, 0.15%, 0.6%

LAB 58.96, 5.28, -14.99

 

CMYK 0 / 1 / 3 / 39

HEX #9B9A97

RGB 155 154 151

HSL 45, 0.02%, 0.6%

LAB 63.6, -0.2, 1.69

 

CMYK 0 / 2 / 21 / 33

HEX #ABA887

RGB 171 168 135

HSL 55, 0.18%, 0.6%

LAB 68.32, -4.5, 17.48

 

CMYK 48 / 18 / 0 / 21

HEX #69A4C9

RGB 105 164 201

HSL 203.13, 0.47%, 0.6%

LAB 64.78, -9.11, -24.89

 

CMYK 48 / 31 / 0 / 21

HEX #698BC9

RGB 105 139 201

HSL 218.75, 0.47%, 0.6%

LAB 57.74, 5.07, -35.8

 

CMYK 48 / 44 / 0 / 21

HEX #6971C9

RGB 105 113 201

HSL 235, 0.47%, 0.6%

LAB 50.72, 20.66, -46.86

 

CMYK 39 / 48 / 0 / 21

HEX #7B69C9

RGB 123 105 201

HSL 251.25, 0.47%, 0.6%

LAB 50.13, 29.92, -47.71

 

CMYK 26 / 48 / 0 / 21

HEX #9469C9

RGB 148 105 201

HSL 266.88, 0.47%, 0.6%

LAB 52.53, 36.55, -43.76

 

CMYK 64 / 59 / 0 / 36

HEX #3B43A4

RGB 59 67 164

HSL 235.43, 0.47%, 0.44%

LAB 33.19, 27.98, -53.54

 

CMYK 61 / 56 / 0 / 25

HEX #4B53BE

RGB 75 83 190

HSL 235.83, 0.47%, 0.52%

LAB 40.25, 29.49, -57.44

 

CMYK 48 / 44 / 0 / 21

HEX #6970C9

RGB 105 112 201

HSL 235.63, 0.47%, 0.6%

LAB 50.46, 21.27, -47.27

 

CMYK 36 / 33 / 0 / 17

HEX #878DD4

RGB 135 141 212

HSL 235.32, 0.47%, 0.68%

LAB 60.74, 14.87, -37.14

 

CMYK 26 / 24 / 0 / 13

HEX #A6AADF

RGB 166 170 223

HSL 235.79, 0.47%, 0.76%

LAB 71, 10.09, -27.15

 

CMYK 48 / 45 / 0 / 22

HEX #686FC8

RGB 104 111 200

HSL 235.63, 0.47%, 0.6%

LAB 50.08, 21.34, -47.32

 

CMYK 0 / 48 / 5 / 21

HEX #C969BE

RGB 201 105 190

HSL 306.88, 0.47%, 0.6%

LAB 58.26, 49.64, -28.04

 

CMYK 25 / 0 / 48 / 21

HEX #97C969

RGB 151 201 105

HSL 91.25, 0.47%, 0.6%

LAB 75.68, -32.75, 42.54

 

CMYK 48 / 45 / 0 / 22

HEX #686FC8

RGB 104 111 200

HSL 235.63, 0.47%, 0.6%

LAB 50.08, 21.34, -47.32

 

CMYK 0 / 48 / 44 / 21

HEX #C96971

RGB 201 105 113

HSL 355, 0.47%, 0.6%

LAB 55.8, 38.79, 13

 

CMYK 44 / 0 / 48 / 21

HEX #71C969

RGB 113 201 105

HSL 115, 0.47%, 0.6%

LAB 73.74, -45.46, 39.71

 

CMYK 48 / 45 / 0 / 22

HEX #686FC8

RGB 104 111 200

HSL 235.63, 0.47%, 0.6%

LAB 50.08, 21.34, -47.32

 

CMYK 0 / 48 / 5 / 21

HEX #C969BE

RGB 201 105 190

HSL 306.88, 0.47%, 0.6%

LAB 58.26, 49.64, -28.04

 

CMYK 0 / 4 / 48 / 21

HEX #C9C169

RGB 201 193 105

HSL 55, 0.47%, 0.6%

LAB 77.03, -9.25, 45

 

CMYK 48 / 0 / 42 / 21

HEX #69C974

RGB 105 201 116

HSL 126.88, 0.47%, 0.6%

LAB 73.57, -46.16, 33.9

 

CMYK 48 / 45 / 0 / 22

HEX #686FC8

RGB 104 111 200

HSL 235.63, 0.47%, 0.6%

LAB 50.08, 21.34, -47.32

 

CMYK 0 / 48 / 20 / 21

HEX #C969A1

RGB 201 105 161

HSL 325, 0.47%, 0.6%

LAB 57.17, 44.95, -13.02

 

CMYK 0 / 4 / 48 / 21

HEX #C9C169

RGB 201 193 105

HSL 55, 0.47%, 0.6%

LAB 77.03, -9.25, 45

 

CMYK 48 / 0 / 28 / 21

HEX #69C991

RGB 105 201 145

HSL 145, 0.47%, 0.6%

LAB 74.08, -41.06, 19.42

 

Description

Color code: HEX #686FC8CE | qconv.com Color code: HEX #686FC8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 111 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 111 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 36 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 36% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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