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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #686C0E it is the complementary color #9793F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #686C0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #686C0E shade: #6D6C09, #7E7E1C, #8F902F, #A0A242 and #B1B455

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #686C0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #686C0E shade: #686C0E, #575A00, #464800, #353600 and #242400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #686C0E shade: #686C0E, #6C560E, #6C3D0E, #6C240E and #6C0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #686C0E shade: #686C0E, #4E6C0E, #356C0E, #1C6C0E and #0E6C19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #686C0E shade matches the following richer shades: #686C0E and #717604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #686C0E shade: #686C0E, #5F6217, #565821, #4D4E2B and #444435

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #686C0E shade: #6C3D0E, #6C560E, #696C0E, #506C0E and #366C0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #686C0E shade: #212304, #454709, #686C0E, #8B9012 and #AEB517

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #686C0E shade: #686C0E, #0E6C24 and #490E6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #686C0E shade: #686C0E, #0E696C and #6C0E69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #686C0E shade: #686C0E, #0E6C24, #110E6C and #6C0E56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #686C0E shade: #686C0E, #0E6C40, #110E6C and #6C0E3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

Complementary color

CMYK 37 / 39 / 0 / 5

HEX #9793F1

RGB 151 147 241

HSL 242.55, 0.77%, 0.76%

LAB 64.8, 23.5, -46.76

 

CMYK 0 / 1 / 92 / 57

HEX #6D6C09

RGB 109 108 9

HSL 59.4, 0.85%, 0.23%

LAB 44.23, -10.74, 48.22

 

CMYK 0 / 0 / 78 / 51

HEX #7E7E1C

RGB 126 126 28

HSL 60, 0.64%, 0.3%

LAB 51.2, -12, 49.41

 

CMYK 1 / 0 / 67 / 44

HEX #8F902F

RGB 143 144 47

HSL 60.62, 0.51%, 0.37%

LAB 58.03, -12.96, 49.25

 

CMYK 1 / 0 / 59 / 36

HEX #A0A242

RGB 160 162 66

HSL 61.25, 0.42%, 0.45%

LAB 64.73, -13.7, 48.46

 

CMYK 2 / 0 / 53 / 29

HEX #B1B455

RGB 177 180 85

HSL 61.89, 0.39%, 0.52%

LAB 71.31, -14.28, 47.42

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 3 / 0 / 100 / 65

HEX #575A00

RGB 87 90 0

HSL 62, 1%, 0.18%

LAB 36.63, -11.56, 43.85

 

CMYK 3 / 0 / 100 / 72

HEX #464800

RGB 70 72 0

HSL 61.67, 1%, 0.14%

LAB 29.25, -9.69, 37.7

 

CMYK 2 / 0 / 100 / 79

HEX #353600

RGB 53 54 0

HSL 61.11, 1%, 0.11%

LAB 21.56, -7.71, 29.9

 

CMYK 0 / 0 / 100 / 86

HEX #242400

RGB 36 36 0

HSL 60, 1%, 0.07%

LAB 13.45, -5.61, 19.7

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 0 / 20 / 87 / 58

HEX #6C560E

RGB 108 86 14

HSL 45.96, 0.77%, 0.24%

LAB 37.62, 1.67, 41.34

 

CMYK 0 / 44 / 87 / 58

HEX #6C3D0E

RGB 108 61 14

HSL 30, 0.77%, 0.24%

LAB 30.78, 16.88, 35.38

 

CMYK 0 / 67 / 87 / 58

HEX #6C240E

RGB 108 36 14

HSL 14.04, 0.77%, 0.24%

LAB 25.2, 30.92, 30.34

 

CMYK 0 / 87 / 87 / 58

HEX #6C0E0E

RGB 108 14 14

HSL 0, 0.77%, 0.24%

LAB 22.07, 39.55, 27.19

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 28 / 0 / 87 / 58

HEX #4E6C0E

RGB 78 108 14

HSL 79.15, 0.77%, 0.24%

LAB 41.81, -24.85, 43.97

 

CMYK 51 / 0 / 87 / 58

HEX #356C0E

RGB 53 108 14

HSL 95.11, 0.77%, 0.24%

LAB 40.43, -34.56, 42.22

 

CMYK 74 / 0 / 87 / 58

HEX #1C6C0E

RGB 28 108 14

HSL 111.06, 0.77%, 0.24%

LAB 39.59, -41.39, 41.14

 

CMYK 87 / 0 / 77 / 58

HEX #0E6C19

RGB 14 108 25

HSL 127.02, 0.77%, 0.24%

LAB 39.39, -42.83, 37.04

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 4 / 0 / 97 / 54

HEX #717604

RGB 113 118 4

HSL 62.63, 0.93%, 0.24%

LAB 47.59, -14.46, 52.1

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 3 / 0 / 77 / 62

HEX #5F6217

RGB 95 98 23

HSL 62.4, 0.62%, 0.24%

LAB 39.97, -11.31, 39.71

 

CMYK 2 / 0 / 63 / 65

HEX #565821

RGB 86 88 33

HSL 62.18, 0.45%, 0.24%

LAB 36.11, -9.2, 30.9

 

CMYK 1 / 0 / 45 / 69

HEX #4D4E2B

RGB 77 78 43

HSL 61.71, 0.29%, 0.24%

LAB 32.26, -6.52, 20.55

 

CMYK 0 / 0 / 22 / 73

HEX #444435

RGB 68 68 53

HSL 60, 0.12%, 0.24%

LAB 28.43, -3.01, 9.12

 

CMYK 0 / 44 / 87 / 58

HEX #6C3D0E

RGB 108 61 14

HSL 30, 0.77%, 0.24%

LAB 30.78, 16.88, 35.38

 

CMYK 0 / 20 / 87 / 58

HEX #6C560E

RGB 108 86 14

HSL 45.96, 0.77%, 0.24%

LAB 37.62, 1.67, 41.34

 

CMYK 3 / 0 / 87 / 58

HEX #696C0E

RGB 105 108 14

HSL 61.91, 0.77%, 0.24%

LAB 43.89, -12.51, 46.58

 

CMYK 26 / 0 / 87 / 58

HEX #506C0E

RGB 80 108 14

HSL 77.87, 0.77%, 0.24%

LAB 41.94, -23.98, 44.14

 

CMYK 50 / 0 / 87 / 58

HEX #366C0E

RGB 54 108 14

HSL 94.47, 0.77%, 0.24%

LAB 40.48, -34.22, 42.28

 

CMYK 6 / 0 / 89 / 86

HEX #212304

RGB 33 35 4

HSL 63.87, 0.79%, 0.08%

LAB 12.82, -6.21, 17.17

 

CMYK 3 / 0 / 87 / 72

HEX #454709

RGB 69 71 9

HSL 61.94, 0.78%, 0.16%

LAB 28.88, -9.19, 33.81

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 3 / 0 / 88 / 44

HEX #8B9012

RGB 139 144 18

HSL 62.38, 0.78%, 0.32%

LAB 57.54, -16.01, 58.17

 

CMYK 4 / 0 / 87 / 29

HEX #AEB517

RGB 174 181 23

HSL 62.66, 0.77%, 0.4%

LAB 70.95, -19.36, 69.26

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 87 / 0 / 67 / 58

HEX #0E6C24

RGB 14 108 36

HSL 134.04, 0.77%, 0.24%

LAB 39.49, -41.63, 32.24

 

CMYK 32 / 87 / 0 / 58

HEX #490E6C

RGB 73 14 108

HSL 277.66, 0.77%, 0.24%

LAB 19.28, 42.62, -41.15

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 87 / 3 / 0 / 58

HEX #0E696C

RGB 14 105 108

HSL 181.91, 0.77%, 0.24%

LAB 40.05, -23.01, -8.79

 

CMYK 0 / 87 / 3 / 58

HEX #6C0E69

RGB 108 14 105

HSL 301.91, 0.77%, 0.24%

LAB 25.33, 48.84, -29.13

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 87 / 0 / 67 / 58

HEX #0E6C24

RGB 14 108 36

HSL 134.04, 0.77%, 0.24%

LAB 39.49, -41.63, 32.24

 

CMYK 84 / 87 / 0 / 58

HEX #110E6C

RGB 17 14 108

HSL 241.91, 0.77%, 0.24%

LAB 12.71, 35.92, -52.2

 

CMYK 0 / 87 / 20 / 58

HEX #6C0E56

RGB 108 14 86

HSL 314.04, 0.77%, 0.24%

LAB 24.24, 45.87, -18.34

 

CMYK 4 / 0 / 87 / 58

HEX #686C0E

RGB 104 108 14

HSL 62.55, 0.77%, 0.24%

LAB 43.8, -12.99, 46.47

 

CMYK 87 / 0 / 41 / 58

HEX #0E6C40

RGB 14 108 64

HSL 151.91, 0.77%, 0.24%

LAB 39.9, -36.79, 17.54

 

CMYK 84 / 87 / 0 / 58

HEX #110E6C

RGB 17 14 108

HSL 241.91, 0.77%, 0.24%

LAB 12.71, 35.92, -52.2

 

CMYK 0 / 87 / 46 / 58

HEX #6C0E3A

RGB 108 14 58

HSL 331.91, 0.77%, 0.24%

LAB 23.03, 42.41, -1.16

 

Description

Color code: HEX #686C0E | qconv.com Color code: HEX #686C0E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 108 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 108 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 87 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 87% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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