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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6864BC it is the complementary color #979B43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6864BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6864BC shade: #6D64B7, #7E76CA, #8F88DD, #A09AF0 and #B1ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6864BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6864BC shade: #6864BC, #5752A9, #464096, #352E83 and #241C70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6864BC shade: #6662BC, #7E62BC, #9662BC, #AF62BC and #BC62B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6864BC shade: #6662BC and #6262BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6864BC shade matches the following richer shades: #6662BC, #5650CE, #453EE0 and #342BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6864BC shade: #6662BC, #7774AA, #878697, #989885 and #A8AB73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6864BC shade: #628FBC, #6277BC, #6562BC, #7D62BC and #9562BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6864BC shade: #413D8E, #4E49AB, #6662BC, #827FC8 and #9E9CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6864BC shade: #6864BC, #BC62A7 and #83BC62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6864BC shade: #6864BC, #BC6562 and #62BC65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6864BC shade: #6864BC, #BC62A7, #B9BC62 and #62BC77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6864BC shade: #6864BC, #BC628C, #B9BC62 and #62BC92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 47 / 0 / 26

HEX #6864BC

RGB 104 100 188

HSL 242.73, 0.4%, 0.56%

LAB 46.56, 24.44, -46.01

 

Complementary color

CMYK 3 / 0 / 57 / 39

HEX #979B43

RGB 151 155 67

HSL 62.73, 0.4%, 0.44%

LAB 62.02, -13.83, 44.77

 

CMYK 40 / 45 / 0 / 28

HEX #6D64B7

RGB 109 100 183

HSL 246.51, 0.37%, 0.55%

LAB 46.69, 24.23, -42.87

 

CMYK 38 / 42 / 0 / 21

HEX #7E76CA

RGB 126 118 202

HSL 245.71, 0.44%, 0.63%

LAB 53.66, 23.24, -42.67

 

CMYK 35 / 38 / 0 / 13

HEX #8F88DD

RGB 143 136 221

HSL 244.94, 0.56%, 0.7%

LAB 60.49, 22.38, -42.52

 

CMYK 33 / 36 / 0 / 6

HEX #A09AF0

RGB 160 154 240

HSL 244.19, 0.74%, 0.77%

LAB 67.18, 21.62, -42.42

 

CMYK 31 / 33 / 0 / 0

HEX #B1ACFF

RGB 177 172 255

HSL 243.61, 1%, 0.84%

LAB 73.59, 19.95, -40.46

 

CMYK 45 / 47 / 0 / 26

HEX #6864BC

RGB 104 100 188

HSL 242.73, 0.4%, 0.56%

LAB 46.56, 24.44, -46.01

 

CMYK 49 / 51 / 0 / 34

HEX #5752A9

RGB 87 82 169

HSL 243.45, 0.35%, 0.49%

LAB 39.45, 25.71, -46.3

 

CMYK 53 / 57 / 0 / 41

HEX #464096

RGB 70 64 150

HSL 244.19, 0.4%, 0.42%

LAB 32.19, 27.24, -46.64

 

CMYK 60 / 65 / 0 / 49

HEX #352E83

RGB 53 46 131

HSL 244.94, 0.48%, 0.35%

LAB 24.79, 29.07, -46.97

 

CMYK 68 / 75 / 0 / 56

HEX #241C70

RGB 36 28 112

HSL 245.71, 0.6%, 0.27%

LAB 17.35, 31.16, -47.1

 

CMYK 46 / 48 / 0 / 26

HEX #6662BC

RGB 102 98 188

HSL 242.67, 0.4%, 0.56%

LAB 45.89, 25.18, -47.08

 

CMYK 33 / 48 / 0 / 26

HEX #7E62BC

RGB 126 98 188

HSL 258.67, 0.4%, 0.56%

LAB 48.01, 31.32, -43.59

 

CMYK 20 / 48 / 0 / 26

HEX #9662BC

RGB 150 98 188

HSL 274.67, 0.4%, 0.56%

LAB 50.51, 37.98, -39.46

 

CMYK 7 / 48 / 0 / 26

HEX #AF62BC

RGB 175 98 188

HSL 291.33, 0.4%, 0.56%

LAB 53.47, 45.19, -34.61

 

CMYK 0 / 48 / 6 / 26

HEX #BC62B1

RGB 188 98 177

HSL 307.33, 0.4%, 0.56%

LAB 54.66, 47.01, -26.28

 

CMYK 46 / 48 / 0 / 26

HEX #6662BC

RGB 102 98 188

HSL 242.67, 0.4%, 0.56%

LAB 45.89, 25.18, -47.08

 

CMYK 48 / 48 / 0 / 26

HEX #6262BC

RGB 98 98 188

HSL 240, 0.4%, 0.56%

LAB 45.58, 24.23, -47.6

 

CMYK 46 / 48 / 0 / 26

HEX #6662BC

RGB 102 98 188

HSL 242.67, 0.4%, 0.56%

LAB 45.89, 25.18, -47.08

 

CMYK 58 / 61 / 0 / 19

HEX #5650CE

RGB 86 80 206

HSL 242.86, 0.56%, 0.56%

LAB 41.49, 38.52, -64.67

 

CMYK 69 / 72 / 0 / 12

HEX #453EE0

RGB 69 62 224

HSL 242.59, 0.72%, 0.56%

LAB 38.01, 52.37, -80.75

 

CMYK 79 / 82 / 0 / 5

HEX #342BF2

RGB 52 43 242

HSL 242.71, 0.88%, 0.56%

LAB 35.73, 65.78, -94.79

 

CMYK 46 / 48 / 0 / 26

HEX #6662BC

RGB 102 98 188

HSL 242.67, 0.4%, 0.56%

LAB 45.89, 25.18, -47.08

 

CMYK 30 / 32 / 0 / 33

HEX #7774AA

RGB 119 116 170

HSL 243.33, 0.24%, 0.56%

LAB 51.05, 13.77, -28.4

 

CMYK 11 / 11 / 0 / 41

HEX #878697

RGB 135 134 151

HSL 243.53, 0.08%, 0.56%

LAB 56.52, 3.89, -8.93

 

CMYK 0 / 0 / 13 / 40

HEX #989885

RGB 152 152 133

HSL 60, 0.08%, 0.56%

LAB 62.36, -3.45, 10.01

 

CMYK 2 / 0 / 33 / 33

HEX #A8AB73

RGB 168 171 115

HSL 63.21, 0.25%, 0.56%

LAB 68.52, -10.07, 28.54

 

CMYK 48 / 24 / 0 / 26

HEX #628FBC

RGB 98 143 188

HSL 210, 0.4%, 0.56%

LAB 57.92, -2.85, -28.19

 

CMYK 48 / 37 / 0 / 26

HEX #6277BC

RGB 98 119 188

HSL 226, 0.4%, 0.56%

LAB 51.18, 11.32, -38.72

 

CMYK 46 / 48 / 0 / 26

HEX #6562BC

RGB 101 98 188

HSL 242, 0.4%, 0.56%

LAB 45.82, 24.94, -47.21

 

CMYK 34 / 48 / 0 / 26

HEX #7D62BC

RGB 125 98 188

HSL 258, 0.4%, 0.56%

LAB 47.91, 31.05, -43.75

 

CMYK 21 / 48 / 0 / 26

HEX #9562BC

RGB 149 98 188

HSL 274, 0.4%, 0.56%

LAB 50.4, 37.7, -39.65

 

CMYK 54 / 57 / 0 / 44

HEX #413D8E

RGB 65 61 142

HSL 242.96, 0.4%, 0.4%

LAB 30.43, 25.46, -44.6

 

CMYK 54 / 57 / 0 / 33

HEX #4E49AB

RGB 78 73 171

HSL 243.06, 0.4%, 0.48%

LAB 36.6, 30.05, -52.13

 

CMYK 46 / 48 / 0 / 26

HEX #6662BC

RGB 102 98 188

HSL 242.67, 0.4%, 0.56%

LAB 45.89, 25.18, -47.08

 

CMYK 35 / 37 / 0 / 22

HEX #827FC8

RGB 130 127 200

HSL 242.47, 0.4%, 0.64%

LAB 56.18, 18.45, -37.54

 

CMYK 25 / 26 / 0 / 17

HEX #9E9CD4

RGB 158 156 212

HSL 242.14, 0.39%, 0.72%

LAB 66.37, 12.9, -28.27

 

CMYK 45 / 47 / 0 / 26

HEX #6864BC

RGB 104 100 188

HSL 242.73, 0.4%, 0.56%

LAB 46.56, 24.44, -46.01

 

CMYK 0 / 48 / 11 / 26

HEX #BC62A7

RGB 188 98 167

HSL 314, 0.4%, 0.56%

LAB 54.26, 45.3, -21.09

 

CMYK 30 / 0 / 48 / 26

HEX #83BC62

RGB 131 188 98

HSL 98, 0.4%, 0.56%

LAB 70.65, -34.76, 39.54

 

CMYK 45 / 47 / 0 / 26

HEX #6864BC

RGB 104 100 188

HSL 242.73, 0.4%, 0.56%

LAB 46.56, 24.44, -46.01

 

CMYK 0 / 46 / 48 / 26

HEX #BC6562

RGB 188 101 98

HSL 2, 0.4%, 0.56%

LAB 52.82, 34.46, 17.39

 

CMYK 48 / 0 / 46 / 26

HEX #62BC65

RGB 98 188 101

HSL 122, 0.4%, 0.56%

LAB 69.11, -44.94, 35.78

 

CMYK 45 / 47 / 0 / 26

HEX #6864BC

RGB 104 100 188

HSL 242.73, 0.4%, 0.56%

LAB 46.56, 24.44, -46.01

 

CMYK 0 / 48 / 11 / 26

HEX #BC62A7

RGB 188 98 167

HSL 314, 0.4%, 0.56%

LAB 54.26, 45.3, -21.09

 

CMYK 2 / 0 / 48 / 26

HEX #B9BC62

RGB 185 188 98

HSL 62, 0.4%, 0.56%

LAB 74.29, -13.89, 44.83

 

CMYK 48 / 0 / 37 / 26

HEX #62BC77

RGB 98 188 119

HSL 134, 0.4%, 0.56%

LAB 69.39, -42.06, 26.82

 

CMYK 45 / 47 / 0 / 26

HEX #6864BC

RGB 104 100 188

HSL 242.73, 0.4%, 0.56%

LAB 46.56, 24.44, -46.01

 

CMYK 0 / 48 / 26 / 26

HEX #BC628C

RGB 188 98 140

HSL 332, 0.4%, 0.56%

LAB 53.3, 41.13, -6.72

 

CMYK 2 / 0 / 48 / 26

HEX #B9BC62

RGB 185 188 98

HSL 62, 0.4%, 0.56%

LAB 74.29, -13.89, 44.83

 

CMYK 48 / 0 / 22 / 26

HEX #62BC92

RGB 98 188 146

HSL 152, 0.4%, 0.56%

LAB 69.92, -36.84, 13.05

 

Description

Color code: HEX #6864BC | qconv.com Color code: HEX #6864BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 100 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 100 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 47 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 47% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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