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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #686333 it is the complementary color #979CCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #686333. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #686333 shade: #6D632E, #7E7541, #8F8754, #A09967 and #B1AB7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #686333. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #686333 shade: #686333, #575120, #463F0D, #352D00 and #241B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #686333 shade: #676232, #675432, #674632, #673832 and #673232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #686333 shade: #676232, #5D6732, #4F6732, #416732 and #336732

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #686333 shade matches the following richer shades: #676232, #736C26, #7F761A, #8C800D and #988A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #686333 shade: #676232, #5A583F, #4E4E4B, #414358 and #353964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #686333 shade: #674632, #675332, #676132, #5E6732 and #506732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #686333 shade: #2F2D17, #4B4725, #676232, #827C40 and #9E964E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #686333 shade: #686333, #326738 and #4D3267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #686333 shade: #686333, #326761 and #613267

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #686333 shade: #686333, #326738, #323867 and #673261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #686333 shade: #686333, #326747, #323867 and #673252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 51 / 59

HEX #686333

RGB 104 99 51

HSL 54.34, 0.34%, 0.3%

LAB 41.38, -5.4, 27.79

 

Complementary color

CMYK 26 / 24 / 0 / 20

HEX #979CCC

RGB 151 156 204

HSL 234.34, 0.34%, 0.7%

LAB 65.53, 8.84, -25.17

 

CMYK 0 / 9 / 58 / 57

HEX #6D632E

RGB 109 99 46

HSL 50.48, 0.41%, 0.3%

LAB 41.8, -3.57, 31.13

 

CMYK 0 / 7 / 48 / 51

HEX #7E7541

RGB 126 117 65

HSL 51.15, 0.32%, 0.37%

LAB 48.93, -4.27, 29.8

 

CMYK 0 / 6 / 41 / 44

HEX #8F8754

RGB 143 135 84

HSL 51.86, 0.26%, 0.45%

LAB 55.89, -4.81, 28.48

 

CMYK 0 / 4 / 36 / 37

HEX #A09967

RGB 160 153 103

HSL 52.63, 0.23%, 0.52%

LAB 62.71, -5.23, 27.23

 

CMYK 0 / 3 / 31 / 31

HEX #B1AB7A

RGB 177 171 122

HSL 53.45, 0.26%, 0.59%

LAB 69.38, -5.57, 26.06

 

CMYK 0 / 5 / 51 / 59

HEX #686333

RGB 104 99 51

HSL 54.34, 0.34%, 0.3%

LAB 41.38, -5.4, 27.79

 

CMYK 0 / 7 / 63 / 66

HEX #575120

RGB 87 81 32

HSL 53.45, 0.46%, 0.23%

LAB 34.01, -4.67, 29.1

 

CMYK 0 / 10 / 81 / 73

HEX #463F0D

RGB 70 63 13

HSL 52.63, 0.69%, 0.16%

LAB 26.41, -3.59, 29.97

 

CMYK 0 / 15 / 100 / 79

HEX #352D00

RGB 53 45 0

HSL 50.94, 1%, 0.1%

LAB 18.51, -1.94, 26.46

 

CMYK 0 / 25 / 100 / 86

HEX #241B00

RGB 36 27 0

HSL 45, 1%, 0.07%

LAB 10.25, 0.61, 15.32

 

CMYK 0 / 5 / 51 / 60

HEX #676232

RGB 103 98 50

HSL 54.34, 0.35%, 0.3%

LAB 40.98, -5.39, 27.83

 

CMYK 0 / 18 / 51 / 60

HEX #675432

RGB 103 84 50

HSL 38.49, 0.35%, 0.3%

LAB 36.85, 2.95, 22.74

 

CMYK 0 / 32 / 51 / 60

HEX #674632

RGB 103 70 50

HSL 22.64, 0.35%, 0.3%

LAB 32.91, 11.55, 17.71

 

CMYK 0 / 46 / 51 / 60

HEX #673832

RGB 103 56 50

HSL 6.79, 0.35%, 0.3%

LAB 29.27, 20.14, 12.89

 

CMYK 0 / 51 / 51 / 60

HEX #673232

RGB 103 50 50

HSL 0, 0.35%, 0.3%

LAB 27.83, 23.7, 10.95

 

CMYK 0 / 5 / 51 / 60

HEX #676232

RGB 103 98 50

HSL 54.34, 0.35%, 0.3%

LAB 40.98, -5.39, 27.83

 

CMYK 10 / 0 / 51 / 60

HEX #5D6732

RGB 93 103 50

HSL 71.32, 0.35%, 0.3%

LAB 41.62, -12.8, 28.41

 

CMYK 23 / 0 / 51 / 60

HEX #4F6732

RGB 79 103 50

HSL 87.17, 0.35%, 0.3%

LAB 40.56, -18.89, 26.87

 

CMYK 37 / 0 / 51 / 60

HEX #416732

RGB 65 103 50

HSL 103.02, 0.35%, 0.3%

LAB 39.67, -24.5, 25.58

 

CMYK 50 / 0 / 51 / 60

HEX #336732

RGB 51 103 50

HSL 118.87, 0.35%, 0.3%

LAB 38.96, -29.41, 24.54

 

CMYK 0 / 5 / 51 / 60

HEX #676232

RGB 103 98 50

HSL 54.34, 0.35%, 0.3%

LAB 40.98, -5.39, 27.83

 

CMYK 0 / 6 / 67 / 55

HEX #736C26

RGB 115 108 38

HSL 54.55, 0.5%, 0.3%

LAB 44.96, -6.57, 38.83

 

CMYK 0 / 7 / 80 / 50

HEX #7F761A

RGB 127 118 26

HSL 54.65, 0.66%, 0.3%

LAB 48.94, -7.22, 48.06

 

CMYK 0 / 9 / 91 / 45

HEX #8C800D

RGB 140 128 13

HSL 54.33, 0.83%, 0.3%

LAB 53, -7.07, 55.6

 

CMYK 0 / 9 / 99 / 40

HEX #988A01

RGB 152 138 1

HSL 54.44, 0.99%, 0.3%

LAB 56.93, -7.17, 61.18

 

CMYK 0 / 5 / 51 / 60

HEX #676232

RGB 103 98 50

HSL 54.34, 0.35%, 0.3%

LAB 40.98, -5.39, 27.83

 

CMYK 0 / 2 / 30 / 65

HEX #5A583F

RGB 90 88 63

HSL 55.56, 0.18%, 0.3%

LAB 36.95, -3.74, 14.83

 

CMYK 0 / 0 / 4 / 69

HEX #4E4E4B

RGB 78 78 75

HSL 60, 0.02%, 0.3%

LAB 33.08, -0.64, 1.77

 

CMYK 26 / 24 / 0 / 65

HEX #414358

RGB 65 67 88

HSL 234.78, 0.15%, 0.3%

LAB 29.01, 4.5, -12.77

 

CMYK 47 / 43 / 0 / 61

HEX #353964

RGB 53 57 100

HSL 234.89, 0.31%, 0.3%

LAB 25.57, 11, -25.96

 

CMYK 0 / 32 / 51 / 60

HEX #674632

RGB 103 70 50

HSL 22.64, 0.35%, 0.3%

LAB 32.91, 11.55, 17.71

 

CMYK 0 / 19 / 51 / 60

HEX #675332

RGB 103 83 50

HSL 37.36, 0.35%, 0.3%

LAB 36.56, 3.56, 22.38

 

CMYK 0 / 6 / 51 / 60

HEX #676132

RGB 103 97 50

HSL 53.21, 0.35%, 0.3%

LAB 40.68, -4.81, 27.47

 

CMYK 9 / 0 / 51 / 60

HEX #5E6732

RGB 94 103 50

HSL 70.19, 0.35%, 0.3%

LAB 41.71, -12.36, 28.53

 

CMYK 22 / 0 / 51 / 60

HEX #506732

RGB 80 103 50

HSL 86.04, 0.35%, 0.3%

LAB 40.63, -18.47, 26.97

 

CMYK 0 / 4 / 51 / 82

HEX #2F2D17

RGB 47 45 23

HSL 55, 0.34%, 0.14%

LAB 18.11, -3.14, 14.53

 

CMYK 0 / 5 / 51 / 71

HEX #4B4725

RGB 75 71 37

HSL 53.68, 0.34%, 0.22%

LAB 29.75, -3.95, 20.96

 

CMYK 0 / 5 / 51 / 60

HEX #676232

RGB 103 98 50

HSL 54.34, 0.35%, 0.3%

LAB 40.98, -5.39, 27.83

 

CMYK 0 / 5 / 51 / 49

HEX #827C40

RGB 130 124 64

HSL 54.55, 0.34%, 0.38%

LAB 51.3, -6.53, 33.31

 

CMYK 0 / 5 / 51 / 38

HEX #9E964E

RGB 158 150 78

HSL 54, 0.34%, 0.46%

LAB 61.34, -7.18, 38.7

 

CMYK 0 / 5 / 51 / 59

HEX #686333

RGB 104 99 51

HSL 54.34, 0.34%, 0.3%

LAB 41.38, -5.4, 27.79

 

CMYK 51 / 0 / 46 / 60

HEX #326738

RGB 50 103 56

HSL 126.79, 0.35%, 0.3%

LAB 39.01, -28.73, 21.19

 

CMYK 25 / 51 / 0 / 60

HEX #4D3267

RGB 77 50 103

HSL 270.57, 0.35%, 0.3%

LAB 26.27, 23.83, -26.64

 

CMYK 0 / 5 / 51 / 59

HEX #686333

RGB 104 99 51

HSL 54.34, 0.34%, 0.3%

LAB 41.38, -5.4, 27.79

 

CMYK 51 / 0 / 6 / 60

HEX #326761

RGB 50 103 97

HSL 173.21, 0.35%, 0.3%

LAB 39.98, -19.28, -2.06

 

CMYK 6 / 51 / 0 / 60

HEX #613267

RGB 97 50 103

HSL 293.21, 0.35%, 0.3%

LAB 28.91, 30.19, -22.31

 

CMYK 0 / 5 / 51 / 59

HEX #686333

RGB 104 99 51

HSL 54.34, 0.34%, 0.3%

LAB 41.38, -5.4, 27.79

 

CMYK 51 / 0 / 46 / 60

HEX #326738

RGB 50 103 56

HSL 126.79, 0.35%, 0.3%

LAB 39.01, -28.73, 21.19

 

CMYK 51 / 46 / 0 / 60

HEX #323867

RGB 50 56 103

HSL 233.21, 0.35%, 0.3%

LAB 25.22, 11.88, -28.48

 

CMYK 0 / 51 / 6 / 60

HEX #673261

RGB 103 50 97

HSL 306.79, 0.35%, 0.3%

LAB 29.48, 30.93, -17.48

 

CMYK 0 / 5 / 51 / 59

HEX #686333

RGB 104 99 51

HSL 54.34, 0.34%, 0.3%

LAB 41.38, -5.4, 27.79

 

CMYK 51 / 0 / 31 / 60

HEX #326747

RGB 50 103 71

HSL 143.77, 0.35%, 0.3%

LAB 39.3, -25.79, 12.75

 

CMYK 51 / 46 / 0 / 60

HEX #323867

RGB 50 56 103

HSL 233.21, 0.35%, 0.3%

LAB 25.22, 11.88, -28.48

 

CMYK 0 / 51 / 20 / 60

HEX #673252

RGB 103 50 82

HSL 323.77, 0.35%, 0.3%

LAB 28.83, 28.19, -8.71

 

Description

Color code: HEX #686333 | qconv.com Color code: HEX #686333 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 99 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 99 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 51 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 51% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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