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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #686114 it is the complementary color #979EEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #686114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #686114 shade: #6D610F, #7E7322, #8F8535, #A09748 and #B1A95B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #686114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #686114 shade: #686114, #574F01, #463D00, #352B00 and #241900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #686114 shade: #676014, #674914, #673314, #671D14 and #671414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #686114 shade: #676014, #576714, #416714, #2A6714 and #146714

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #686114 shade matches the following richer shades: #676014 and #71680A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #686114 shade: #676014, #5D581D, #534F27, #494731 and #3F3F3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #686114 shade: #673314, #674A14, #676014, #586714 and #416714

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #686114 shade: #221F06, #44400D, #676014, #89801A and #ACA121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #686114 shade: #686114, #14671D and #3F1467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #686114 shade: #686114, #146760 and #601467

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #686114 shade: #686114, #14671D, #141B67 and #67145D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #686114 shade: #686114, #146736, #141B67 and #671444

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 81 / 59

HEX #686114

RGB 104 97 20

HSL 55, 0.68%, 0.24%

LAB 40.48, -6.55, 41.64

 

Complementary color

CMYK 36 / 33 / 0 / 8

HEX #979EEB

RGB 151 158 235

HSL 235, 0.68%, 0.76%

LAB 67.3, 15.59, -39.54

 

CMYK 0 / 11 / 86 / 57

HEX #6D610F

RGB 109 97 15

HSL 52.34, 0.76%, 0.24%

LAB 40.95, -4.3, 43.94

 

CMYK 0 / 9 / 73 / 51

HEX #7E7322

RGB 126 115 34

HSL 52.83, 0.58%, 0.31%

LAB 48.02, -5.62, 44.08

 

CMYK 0 / 7 / 63 / 44

HEX #8F8535

RGB 143 133 53

HSL 53.33, 0.46%, 0.38%

LAB 54.94, -6.62, 43.31

 

CMYK 0 / 6 / 55 / 37

HEX #A09748

RGB 160 151 72

HSL 53.86, 0.38%, 0.45%

LAB 61.72, -7.4, 42.2

 

CMYK 0 / 5 / 49 / 31

HEX #B1A95B

RGB 177 169 91

HSL 54.42, 0.36%, 0.53%

LAB 68.37, -8.01, 40.99

 

CMYK 0 / 7 / 81 / 59

HEX #686114

RGB 104 97 20

HSL 55, 0.68%, 0.24%

LAB 40.48, -6.55, 41.64

 

CMYK 0 / 9 / 99 / 66

HEX #574F01

RGB 87 79 1

HSL 54.42, 0.98%, 0.17%

LAB 33.18, -5.11, 40.98

 

CMYK 0 / 13 / 100 / 73

HEX #463D00

RGB 70 61 0

HSL 52.29, 1%, 0.14%

LAB 25.68, -2.97, 34.63

 

CMYK 0 / 19 / 100 / 79

HEX #352B00

RGB 53 43 0

HSL 48.68, 1%, 0.1%

LAB 17.85, -0.61, 25.67

 

CMYK 0 / 31 / 100 / 86

HEX #241900

RGB 36 25 0

HSL 41.67, 1%, 0.07%

LAB 9.56, 2.05, 14.35

 

CMYK 0 / 7 / 81 / 60

HEX #676014

RGB 103 96 20

HSL 54.94, 0.67%, 0.24%

LAB 40.08, -6.45, 41.24

 

CMYK 0 / 29 / 81 / 60

HEX #674914

RGB 103 73 20

HSL 38.31, 0.67%, 0.24%

LAB 33.35, 7.34, 34.89

 

CMYK 0 / 50 / 81 / 60

HEX #673314

RGB 103 51 20

HSL 22.41, 0.67%, 0.24%

LAB 27.58, 20.78, 29.17

 

CMYK 0 / 72 / 81 / 60

HEX #671D14

RGB 103 29 20

HSL 6.51, 0.67%, 0.24%

LAB 23.04, 32.54, 24.43

 

CMYK 0 / 81 / 81 / 60

HEX #671414

RGB 103 20 20

HSL 0, 0.67%, 0.24%

LAB 21.71, 36.23, 22.99

 

CMYK 0 / 7 / 81 / 60

HEX #676014

RGB 103 96 20

HSL 54.94, 0.67%, 0.24%

LAB 40.08, -6.45, 41.24

 

CMYK 16 / 0 / 81 / 60

HEX #576714

RGB 87 103 20

HSL 71.57, 0.67%, 0.24%

LAB 40.86, -17.98, 41.45

 

CMYK 37 / 0 / 81 / 60

HEX #416714

RGB 65 103 20

HSL 87.47, 0.67%, 0.24%

LAB 39.37, -27.53, 39.51

 

CMYK 59 / 0 / 81 / 60

HEX #2A6714

RGB 42 103 20

HSL 104.1, 0.67%, 0.24%

LAB 38.28, -35.62, 38.08

 

CMYK 81 / 0 / 81 / 60

HEX #146714

RGB 20 103 20

HSL 120, 0.67%, 0.24%

LAB 37.66, -40.7, 37.27

 

CMYK 0 / 7 / 81 / 60

HEX #676014

RGB 103 96 20

HSL 54.94, 0.67%, 0.24%

LAB 40.08, -6.45, 41.24

 

CMYK 0 / 8 / 91 / 56

HEX #71680A

RGB 113 104 10

HSL 54.76, 0.84%, 0.24%

LAB 43.41, -6.53, 47.49

 

CMYK 0 / 7 / 81 / 60

HEX #676014

RGB 103 96 20

HSL 54.94, 0.67%, 0.24%

LAB 40.08, -6.45, 41.24

 

CMYK 0 / 5 / 69 / 64

HEX #5D581D

RGB 93 88 29

HSL 55.31, 0.52%, 0.24%

LAB 36.73, -6.14, 33.76

 

CMYK 0 / 5 / 53 / 67

HEX #534F27

RGB 83 79 39

HSL 54.55, 0.36%, 0.24%

LAB 33.09, -4.73, 24.04

 

CMYK 0 / 3 / 33 / 71

HEX #494731

RGB 73 71 49

HSL 55, 0.2%, 0.24%

LAB 29.77, -3.26, 13.57

 

CMYK 0 / 0 / 6 / 75

HEX #3F3F3B

RGB 63 63 59

HSL 60, 0.03%, 0.24%

LAB 26.53, -0.87, 2.45

 

CMYK 0 / 50 / 81 / 60

HEX #673314

RGB 103 51 20

HSL 22.41, 0.67%, 0.24%

LAB 27.58, 20.78, 29.17

 

CMYK 0 / 28 / 81 / 60

HEX #674A14

RGB 103 74 20

HSL 39.04, 0.67%, 0.24%

LAB 33.63, 6.73, 35.16

 

CMYK 0 / 7 / 81 / 60

HEX #676014

RGB 103 96 20

HSL 54.94, 0.67%, 0.24%

LAB 40.08, -6.45, 41.24

 

CMYK 15 / 0 / 81 / 60

HEX #586714

RGB 88 103 20

HSL 70.84, 0.67%, 0.24%

LAB 40.94, -17.52, 41.55

 

CMYK 37 / 0 / 81 / 60

HEX #416714

RGB 65 103 20

HSL 87.47, 0.67%, 0.24%

LAB 39.37, -27.53, 39.51

 

CMYK 0 / 9 / 82 / 87

HEX #221F06

RGB 34 31 6

HSL 53.57, 0.7%, 0.08%

LAB 11.51, -2.7, 14.58

 

CMYK 0 / 6 / 81 / 73

HEX #44400D

RGB 68 64 13

HSL 55.64, 0.68%, 0.16%

LAB 26.52, -5.25, 30.01

 

CMYK 0 / 7 / 81 / 60

HEX #676014

RGB 103 96 20

HSL 54.94, 0.67%, 0.24%

LAB 40.08, -6.45, 41.24

 

CMYK 0 / 7 / 81 / 46

HEX #89801A

RGB 137 128 26

HSL 55.14, 0.68%, 0.32%

LAB 52.76, -8.09, 51.86

 

CMYK 0 / 6 / 81 / 33

HEX #ACA121

RGB 172 161 33

HSL 55.25, 0.68%, 0.4%

LAB 65.26, -9.68, 61.97

 

CMYK 0 / 7 / 81 / 59

HEX #686114

RGB 104 97 20

HSL 55, 0.68%, 0.24%

LAB 40.48, -6.55, 41.64

 

CMYK 81 / 0 / 72 / 60

HEX #14671D

RGB 20 103 29

HSL 126.51, 0.67%, 0.24%

LAB 37.73, -39.85, 33.62

 

CMYK 39 / 81 / 0 / 60

HEX #3F1467

RGB 63 20 103

HSL 271.08, 0.67%, 0.24%

LAB 18.08, 37.24, -39.9

 

CMYK 0 / 7 / 81 / 59

HEX #686114

RGB 104 97 20

HSL 55, 0.68%, 0.24%

LAB 40.48, -6.55, 41.64

 

CMYK 81 / 0 / 7 / 60

HEX #146760

RGB 20 103 96

HSL 174.94, 0.67%, 0.24%

LAB 39.06, -25.28, -2.91

 

CMYK 7 / 81 / 0 / 60

HEX #601467

RGB 96 20 103

HSL 294.94, 0.67%, 0.24%

LAB 23.56, 44.15, -30.78

 

CMYK 0 / 7 / 81 / 59

HEX #686114

RGB 104 97 20

HSL 55, 0.68%, 0.24%

LAB 40.48, -6.55, 41.64

 

CMYK 81 / 0 / 72 / 60

HEX #14671D

RGB 20 103 29

HSL 126.51, 0.67%, 0.24%

LAB 37.73, -39.85, 33.62

 

CMYK 81 / 74 / 0 / 60

HEX #141B67

RGB 20 27 103

HSL 234.94, 0.67%, 0.24%

LAB 15.02, 26.54, -45.09

 

CMYK 0 / 81 / 10 / 60

HEX #67145D

RGB 103 20 93

HSL 307.23, 0.67%, 0.24%

LAB 24.24, 44.02, -23.06

 

CMYK 0 / 7 / 81 / 59

HEX #686114

RGB 104 97 20

HSL 55, 0.68%, 0.24%

LAB 40.48, -6.55, 41.64

 

CMYK 81 / 0 / 48 / 60

HEX #146736

RGB 20 103 54

HSL 144.58, 0.67%, 0.24%

LAB 38.05, -36.07, 20.92

 

CMYK 81 / 74 / 0 / 60

HEX #141B67

RGB 20 27 103

HSL 234.94, 0.67%, 0.24%

LAB 15.02, 26.54, -45.09

 

CMYK 0 / 81 / 34 / 60

HEX #671444

RGB 103 20 68

HSL 325.3, 0.67%, 0.24%

LAB 23, 40.33, -8.18

 

Description

Color code: HEX #686114 | qconv.com Color code: HEX #686114 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 97 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 97 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 81 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 81% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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