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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685D98 it is the complementary color #97A267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685D98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685D98 shade: #6D5D93, #7E6FA6, #8F81B9, #A093CC and #B1A5DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685D98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685D98 shade: #685D98, #574B85, #463972, #35275F and #24154C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685D98 shade: #685D98, #785D98, #885D98, #985D98 and #985D88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685D98 shade: #685D98 and #5D5D98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685D98 shade matches the following richer shades: #685D98, #5C49AC, #4F35BF, #4322D3 and #360EE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685D98 shade: #685D98, #747184, #818570, #8D985C and #9AAC49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685D98 shade: #5D7298, #5D6298, #685D98, #775D98 and #875D98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685D98 shade: #453E65, #564D7E, #685D98, #7E74AA and #968EBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685D98 shade: #685D98, #985D81 and #6A985D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685D98 shade: #685D98, #98685D and #5D9868

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685D98 shade: #685D98, #985D81, #8D985D and #5D9874

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685D98 shade: #685D98, #985D70, #8D985D and #5D9885

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

Complementary color

CMYK 7 / 0 / 36 / 36

HEX #97A267

RGB 151 162 103

HSL 71.19, 0.24%, 0.52%

LAB 64.48, -13.7, 29.41

 

CMYK 26 / 37 / 0 / 42

HEX #6D5D93

RGB 109 93 147

HSL 257.78, 0.23%, 0.47%

LAB 43.04, 18.6, -27.37

 

CMYK 24 / 33 / 0 / 35

HEX #7E6FA6

RGB 126 111 166

HSL 256.36, 0.24%, 0.54%

LAB 50.17, 17.9, -27.4

 

CMYK 23 / 30 / 0 / 27

HEX #8F81B9

RGB 143 129 185

HSL 255, 0.29%, 0.62%

LAB 57.12, 17.27, -27.47

 

CMYK 22 / 28 / 0 / 20

HEX #A093CC

RGB 160 147 204

HSL 253.68, 0.36%, 0.69%

LAB 63.92, 16.72, -27.58

 

CMYK 21 / 26 / 0 / 13

HEX #B1A5DF

RGB 177 165 223

HSL 252.41, 0.48%, 0.76%

LAB 70.58, 16.22, -27.72

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 35 / 44 / 0 / 48

HEX #574B85

RGB 87 75 133

HSL 252.41, 0.28%, 0.41%

LAB 35.5, 19.29, -30.86

 

CMYK 39 / 50 / 0 / 55

HEX #463972

RGB 70 57 114

HSL 253.68, 0.33%, 0.34%

LAB 27.96, 20.35, -31.05

 

CMYK 44 / 59 / 0 / 63

HEX #35275F

RGB 53 39 95

HSL 255, 0.42%, 0.26%

LAB 20.18, 21.65, -31.3

 

CMYK 53 / 72 / 0 / 70

HEX #24154C

RGB 36 21 76

HSL 256.36, 0.57%, 0.19%

LAB 12.18, 23.17, -31.51

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 21 / 39 / 0 / 40

HEX #785D98

RGB 120 93 152

HSL 267.46, 0.24%, 0.48%

LAB 44.36, 23.34, -28.22

 

CMYK 11 / 39 / 0 / 40

HEX #885D98

RGB 136 93 152

HSL 283.73, 0.24%, 0.48%

LAB 46.08, 28.48, -25.41

 

CMYK 0 / 39 / 0 / 40

HEX #985D98

RGB 152 93 152

HSL 300, 0.24%, 0.48%

LAB 47.97, 33.71, -22.34

 

CMYK 0 / 39 / 11 / 40

HEX #985D88

RGB 152 93 136

HSL 316.27, 0.24%, 0.48%

LAB 47.34, 30.71, -13.77

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 39 / 39 / 0 / 40

HEX #5D5D98

RGB 93 93 152

HSL 240, 0.24%, 0.48%

LAB 41.88, 15.18, -32.29

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 47 / 58 / 0 / 33

HEX #5C49AC

RGB 92 73 172

HSL 251.52, 0.4%, 0.48%

LAB 37.88, 33.35, -50.6

 

CMYK 59 / 72 / 0 / 25

HEX #4F35BF

RGB 79 53 191

HSL 251.3, 0.57%, 0.48%

LAB 33.92, 48.26, -68.33

 

CMYK 68 / 84 / 0 / 17

HEX #4322D3

RGB 67 34 211

HSL 251.19, 0.72%, 0.48%

LAB 31.9, 61.59, -83.38

 

CMYK 77 / 94 / 0 / 9

HEX #360EE7

RGB 54 14 231

HSL 251.06, 0.89%, 0.48%

LAB 31.5, 71.9, -95.57

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 12 / 14 / 0 / 48

HEX #747184

RGB 116 113 132

HSL 249.47, 0.08%, 0.48%

LAB 48.5, 5.2, -10.01

 

CMYK 3 / 0 / 16 / 48

HEX #818570

RGB 129 133 112

HSL 71.43, 0.09%, 0.48%

LAB 54.67, -5.42, 10.83

 

CMYK 7 / 0 / 39 / 40

HEX #8D985C

RGB 141 152 92

HSL 71, 0.25%, 0.48%

LAB 60.69, -13.88, 30.25

 

CMYK 10 / 0 / 58 / 33

HEX #9AAC49

RGB 154 172 73

HSL 70.91, 0.4%, 0.48%

LAB 67.17, -20.79, 47.84

 

CMYK 39 / 25 / 0 / 40

HEX #5D7298

RGB 93 114 152

HSL 218.64, 0.24%, 0.48%

LAB 47.79, 2.27, -23.08

 

CMYK 39 / 36 / 0 / 40

HEX #5D6298

RGB 93 98 152

HSL 234.92, 0.24%, 0.48%

LAB 43.26, 12.06, -30.13

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 22 / 39 / 0 / 40

HEX #775D98

RGB 119 93 152

HSL 266.44, 0.24%, 0.48%

LAB 44.26, 23.02, -28.39

 

CMYK 11 / 39 / 0 / 40

HEX #875D98

RGB 135 93 152

HSL 282.71, 0.24%, 0.48%

LAB 45.97, 28.15, -25.59

 

CMYK 32 / 39 / 0 / 60

HEX #453E65

RGB 69 62 101

HSL 250.77, 0.24%, 0.32%

LAB 28.51, 12.88, -21.89

 

CMYK 32 / 39 / 0 / 51

HEX #564D7E

RGB 86 77 126

HSL 251.02, 0.24%, 0.4%

LAB 35.58, 15.72, -26.43

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 26 / 32 / 0 / 33

HEX #7E74AA

RGB 126 116 170

HSL 251.11, 0.24%, 0.56%

LAB 51.64, 15.92, -27.44

 

CMYK 19 / 24 / 0 / 27

HEX #968EBA

RGB 150 142 186

HSL 250.91, 0.24%, 0.64%

LAB 61.11, 12.22, -21.85

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 0 / 39 / 15 / 40

HEX #985D81

RGB 152 93 129

HSL 323.39, 0.24%, 0.48%

LAB 47.09, 29.49, -9.95

 

CMYK 30 / 0 / 39 / 40

HEX #6A985D

RGB 106 152 93

HSL 106.78, 0.24%, 0.48%

LAB 58.33, -27.28, 26.2

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 0 / 32 / 39 / 40

HEX #98685D

RGB 152 104 93

HSL 11.19, 0.24%, 0.48%

LAB 48.72, 17.82, 13.97

 

CMYK 39 / 0 / 32 / 40

HEX #5D9868

RGB 93 152 104

HSL 131.19, 0.24%, 0.48%

LAB 57.83, -29.83, 19.36

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 0 / 39 / 15 / 40

HEX #985D81

RGB 152 93 129

HSL 323.39, 0.24%, 0.48%

LAB 47.09, 29.49, -9.95

 

CMYK 7 / 0 / 39 / 40

HEX #8D985D

RGB 141 152 93

HSL 71.19, 0.24%, 0.48%

LAB 60.7, -13.76, 29.73

 

CMYK 39 / 0 / 24 / 40

HEX #5D9874

RGB 93 152 116

HSL 143.39, 0.24%, 0.48%

LAB 58.08, -27.49, 12.99

 

CMYK 32 / 39 / 0 / 40

HEX #685D98

RGB 104 93 152

HSL 251.19, 0.24%, 0.48%

LAB 42.82, 18.39, -30.74

 

CMYK 0 / 39 / 26 / 40

HEX #985D70

RGB 152 93 112

HSL 340.68, 0.24%, 0.48%

LAB 46.54, 26.75, -0.51

 

CMYK 7 / 0 / 39 / 40

HEX #8D985D

RGB 141 152 93

HSL 71.19, 0.24%, 0.48%

LAB 60.7, -13.76, 29.73

 

CMYK 39 / 0 / 13 / 40

HEX #5D9885

RGB 93 152 133

HSL 160.68, 0.24%, 0.48%

LAB 58.49, -23.79, 3.95

 

Description

Color code: HEX #685D98 | qconv.com Color code: HEX #685D98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 93 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 93 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 39 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 39% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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