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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685B83 it is the complementary color #97A47C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685B83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685B83 shade: #6D5B7E, #7E6D91, #8F7FA4, #A091B7 and #B1A3CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685B83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685B83 shade: #685B83, #574970, #46375D, #35254A and #241337

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685B83 shade: #695C84, #745C84, #7F5C84, #845C7F and #845C74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685B83 shade: #695C84, #5E5C84 and #5C5C84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685B83 shade matches the following richer shades: #695C84, #634A97, #5C38A9, #5626BB and #5013CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685B83 shade: #695C84, #6F6E72, #768060, #7C924E and #83A53C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685B83 shade: #5C6584, #5E5C84, #695C84, #745C84 and #7E5C84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685B83 shade: #423A54, #564B6C, #695C84, #7D6F9B and #9387AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685B83 shade: #685B83, #845C70 and #5F845C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685B83 shade: #685B83, #84695C and #5C8469

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685B83 shade: #685B83, #845C70, #78845C and #5C8471

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685B83 shade: #685B83, #845C63, #78845C and #5C847D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 31 / 0 / 49

HEX #685B83

RGB 104 91 131

HSL 259.5, 0.18%, 0.44%

LAB 41.32, 14.12, -20.44

 

Complementary color

CMYK 8 / 0 / 24 / 36

HEX #97A47C

RGB 151 164 124

HSL 79.5, 0.18%, 0.56%

LAB 65.42, -11.77, 19.27

 

CMYK 13 / 28 / 0 / 51

HEX #6D5B7E

RGB 109 91 126

HSL 270.86, 0.16%, 0.43%

LAB 41.59, 14.63, -16.93

 

CMYK 13 / 25 / 0 / 43

HEX #7E6D91

RGB 126 109 145

HSL 268.33, 0.14%, 0.5%

LAB 48.78, 14.06, -17.19

 

CMYK 13 / 23 / 0 / 36

HEX #8F7FA4

RGB 143 127 164

HSL 265.95, 0.17%, 0.57%

LAB 55.78, 13.56, -17.47

 

CMYK 13 / 21 / 0 / 28

HEX #A091B7

RGB 160 145 183

HSL 263.68, 0.21%, 0.64%

LAB 62.63, 13.11, -17.76

 

CMYK 12 / 19 / 0 / 21

HEX #B1A3CA

RGB 177 163 202

HSL 261.54, 0.27%, 0.72%

LAB 69.33, 12.7, -18.07

 

CMYK 21 / 31 / 0 / 49

HEX #685B83

RGB 104 91 131

HSL 259.5, 0.18%, 0.44%

LAB 41.32, 14.12, -20.44

 

CMYK 22 / 35 / 0 / 56

HEX #574970

RGB 87 73 112

HSL 261.54, 0.21%, 0.36%

LAB 33.9, 14.79, -20.33

 

CMYK 25 / 41 / 0 / 64

HEX #46375D

RGB 70 55 93

HSL 263.68, 0.26%, 0.29%

LAB 26.23, 15.59, -20.28

 

CMYK 28 / 50 / 0 / 71

HEX #35254A

RGB 53 37 74

HSL 265.95, 0.33%, 0.22%

LAB 18.25, 16.55, -20.29

 

CMYK 35 / 65 / 0 / 78

HEX #241337

RGB 36 19 55

HSL 268.33, 0.49%, 0.15%

LAB 9.93, 17.71, -20.33

 

CMYK 20 / 30 / 0 / 48

HEX #695C84

RGB 105 92 132

HSL 259.5, 0.18%, 0.44%

LAB 41.73, 14.09, -20.41

 

CMYK 12 / 30 / 0 / 48

HEX #745C84

RGB 116 92 132

HSL 276, 0.18%, 0.44%

LAB 42.81, 17.86, -18.64

 

CMYK 4 / 30 / 0 / 48

HEX #7F5C84

RGB 127 92 132

HSL 292.5, 0.18%, 0.44%

LAB 43.99, 21.71, -16.73

 

CMYK 0 / 30 / 4 / 48

HEX #845C7F

RGB 132 92 127

HSL 307.5, 0.18%, 0.44%

LAB 44.36, 22.48, -13.09

 

CMYK 0 / 30 / 12 / 48

HEX #845C74

RGB 132 92 116

HSL 324, 0.18%, 0.44%

LAB 43.97, 20.38, -7.01

 

CMYK 20 / 30 / 0 / 48

HEX #695C84

RGB 105 92 132

HSL 259.5, 0.18%, 0.44%

LAB 41.73, 14.09, -20.41

 

CMYK 29 / 30 / 0 / 48

HEX #5E5C84

RGB 94 92 132

HSL 243, 0.18%, 0.44%

LAB 40.74, 10.45, -22.02

 

CMYK 30 / 30 / 0 / 48

HEX #5C5C84

RGB 92 92 132

HSL 240, 0.18%, 0.44%

LAB 40.57, 9.81, -22.29

 

CMYK 20 / 30 / 0 / 48

HEX #695C84

RGB 105 92 132

HSL 259.5, 0.18%, 0.44%

LAB 41.73, 14.09, -20.41

 

CMYK 34 / 51 / 0 / 41

HEX #634A97

RGB 99 74 151

HSL 259.48, 0.34%, 0.44%

LAB 37.45, 28.4, -38.66

 

CMYK 46 / 67 / 0 / 34

HEX #5C38A9

RGB 92 56 169

HSL 259.12, 0.5%, 0.44%

LAB 33.92, 42.39, -55.23

 

CMYK 54 / 80 / 0 / 27

HEX #5626BB

RGB 86 38 187

HSL 259.33, 0.66%, 0.44%

LAB 31.7, 55.28, -69.6

 

CMYK 61 / 91 / 0 / 20

HEX #5013CD

RGB 80 19 205

HSL 259.68, 0.83%, 0.44%

LAB 30.83, 65.69, -81.63

 

CMYK 20 / 30 / 0 / 48

HEX #695C84

RGB 105 92 132

HSL 259.5, 0.18%, 0.44%

LAB 41.73, 14.09, -20.41

 

CMYK 3 / 4 / 0 / 55

HEX #6F6E72

RGB 111 110 114

HSL 255, 0.02%, 0.44%

LAB 46.64, 1.21, -2.09

 

CMYK 8 / 0 / 25 / 50

HEX #768060

RGB 118 128 96

HSL 78.75, 0.14%, 0.44%

LAB 51.99, -9.69, 16.18

 

CMYK 15 / 0 / 47 / 43

HEX #7C924E

RGB 124 146 78

HSL 79.41, 0.3%, 0.44%

LAB 57.46, -19.39, 33.34

 

CMYK 21 / 0 / 64 / 35

HEX #83A53C

RGB 131 165 60

HSL 79.43, 0.47%, 0.44%

LAB 63.39, -27.81, 49.07

 

CMYK 30 / 23 / 0 / 48

HEX #5C6584

RGB 92 101 132

HSL 226.5, 0.18%, 0.44%

LAB 43.14, 4.25, -18.33

 

CMYK 29 / 30 / 0 / 48

HEX #5E5C84

RGB 94 92 132

HSL 243, 0.18%, 0.44%

LAB 40.74, 10.45, -22.02

 

CMYK 20 / 30 / 0 / 48

HEX #695C84

RGB 105 92 132

HSL 259.5, 0.18%, 0.44%

LAB 41.73, 14.09, -20.41

 

CMYK 12 / 30 / 0 / 48

HEX #745C84

RGB 116 92 132

HSL 276, 0.18%, 0.44%

LAB 42.81, 17.86, -18.64

 

CMYK 5 / 30 / 0 / 48

HEX #7E5C84

RGB 126 92 132

HSL 291, 0.18%, 0.44%

LAB 43.88, 21.36, -16.91

 

CMYK 21 / 31 / 0 / 67

HEX #423A54

RGB 66 58 84

HSL 258.46, 0.18%, 0.28%

LAB 26.23, 9.72, -14.43

 

CMYK 20 / 31 / 0 / 58

HEX #564B6C

RGB 86 75 108

HSL 260, 0.18%, 0.36%

LAB 34.18, 12.13, -17.4

 

CMYK 20 / 30 / 0 / 48

HEX #695C84

RGB 105 92 132

HSL 259.5, 0.18%, 0.44%

LAB 41.73, 14.09, -20.41

 

CMYK 19 / 28 / 0 / 39

HEX #7D6F9B

RGB 125 111 155

HSL 259.09, 0.18%, 0.52%

LAB 49.61, 14.87, -21.82

 

CMYK 15 / 22 / 0 / 33

HEX #9387AC

RGB 147 135 172

HSL 259.46, 0.18%, 0.6%

LAB 58.52, 12.06, -17.87

 

CMYK 21 / 31 / 0 / 49

HEX #685B83

RGB 104 91 131

HSL 259.5, 0.18%, 0.44%

LAB 41.32, 14.12, -20.44

 

CMYK 0 / 30 / 15 / 48

HEX #845C70

RGB 132 92 112

HSL 330, 0.18%, 0.44%

LAB 43.84, 19.66, -4.77

 

CMYK 28 / 0 / 30 / 48

HEX #5F845C

RGB 95 132 92

HSL 115.5, 0.18%, 0.44%

LAB 51.51, -21.36, 17.54

 

CMYK 21 / 31 / 0 / 49

HEX #685B83

RGB 104 91 131

HSL 259.5, 0.18%, 0.44%

LAB 41.32, 14.12, -20.44

 

CMYK 0 / 20 / 30 / 48

HEX #84695C

RGB 132 105 92

HSL 19.5, 0.18%, 0.44%

LAB 46.69, 8.72, 11.39

 

CMYK 30 / 0 / 20 / 48

HEX #5C8469

RGB 92 132 105

HSL 139.5, 0.18%, 0.44%

LAB 51.61, -19.93, 10.19

 

CMYK 21 / 31 / 0 / 49

HEX #685B83

RGB 104 91 131

HSL 259.5, 0.18%, 0.44%

LAB 41.32, 14.12, -20.44

 

CMYK 0 / 30 / 15 / 48

HEX #845C70

RGB 132 92 112

HSL 330, 0.18%, 0.44%

LAB 43.84, 19.66, -4.77

 

CMYK 9 / 0 / 30 / 48

HEX #78845C

RGB 120 132 92

HSL 78, 0.18%, 0.44%

LAB 53.24, -11.7, 20.18

 

CMYK 30 / 0 / 14 / 48

HEX #5C8471

RGB 92 132 113

HSL 151.5, 0.18%, 0.44%

LAB 51.8, -18.23, 5.83

 

CMYK 21 / 31 / 0 / 49

HEX #685B83

RGB 104 91 131

HSL 259.5, 0.18%, 0.44%

LAB 41.32, 14.12, -20.44

 

CMYK 0 / 30 / 25 / 48

HEX #845C63

RGB 132 92 99

HSL 349.5, 0.18%, 0.44%

LAB 43.45, 17.48, 2.57

 

CMYK 9 / 0 / 30 / 48

HEX #78845C

RGB 120 132 92

HSL 78, 0.18%, 0.44%

LAB 53.24, -11.7, 20.18

 

CMYK 30 / 0 / 5 / 48

HEX #5C847D

RGB 92 132 125

HSL 169.5, 0.18%, 0.44%

LAB 52.13, -15.49, -0.69

 

Description

Color code: HEX #685B83 | qconv.com Color code: HEX #685B83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 91 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 91 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 31 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 31% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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