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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #685B6F it is the complementary color #97A490. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #685B6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #685B6F shade: #6D5B6A, #7E6D7D, #8F7F90, #A091A3 and #B1A3B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #685B6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #685B6F shade: #685B6F, #57495C, #463749, #352536 and #241323

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #685B6F shade: #695C70, #6F5C70, #705C6C, #705C67 and #705C61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #685B6F shade: #695C70, #645C70, #5E5C70 and #5C5C70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #685B6F shade matches the following richer shades: #695C70, #6E4B81, #733B91, #782AA2 and #7D1AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #685B6F shade: #695C70, #646C60, #5F7D4F, #5A8D3F and #559E2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #685B6F shade: #5E5C70, #645C70, #695C70, #6F5C70 and #705C6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #685B6F shade: #3F3743, #54495A, #695C70, #7E6E87 and #93849A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #685B6F shade: #685B6F, #705C5F and #5C7061

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #685B6F shade: #685B6F, #70695C and #5C7069

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #685B6F shade: #685B6F, #705C5F, #63705C and #5C706D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #685B6F shade: #685B6F, #705F5C, #63705C and #5C6D70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 18 / 0 / 56

HEX #685B6F

RGB 104 91 111

HSL 279, 0.1%, 0.4%

LAB 40.53, 9.38, -9.43

 

Complementary color

CMYK 8 / 0 / 12 / 36

HEX #97A490

RGB 151 164 144

HSL 99, 0.1%, 0.6%

LAB 65.86, -8.41, 8.82

 

CMYK 0 / 17 / 3 / 57

HEX #6D5B6A

RGB 109 91 106

HSL 310, 0.09%, 0.39%

LAB 40.85, 10.21, -5.82

 

CMYK 0 / 13 / 1 / 51

HEX #7E6D7D

RGB 126 109 125

HSL 303.53, 0.07%, 0.46%

LAB 48.07, 9.74, -6.38

 

CMYK 1 / 12 / 0 / 44

HEX #8F7F90

RGB 143 127 144

HSL 296.47, 0.07%, 0.53%

LAB 55.11, 9.33, -6.92

 

CMYK 2 / 11 / 0 / 36

HEX #A091A3

RGB 160 145 163

HSL 290, 0.09%, 0.6%

LAB 61.97, 8.95, -7.44

 

CMYK 3 / 10 / 0 / 29

HEX #B1A3B6

RGB 177 163 182

HSL 284.21, 0.12%, 0.68%

LAB 68.69, 8.61, -7.95

 

CMYK 6 / 18 / 0 / 56

HEX #685B6F

RGB 104 91 111

HSL 279, 0.1%, 0.4%

LAB 40.53, 9.38, -9.43

 

CMYK 5 / 21 / 0 / 64

HEX #57495C

RGB 87 73 92

HSL 284.21, 0.12%, 0.32%

LAB 33.06, 9.88, -8.99

 

CMYK 4 / 25 / 0 / 71

HEX #463749

RGB 70 55 73

HSL 290, 0.14%, 0.25%

LAB 25.31, 10.47, -8.54

 

CMYK 2 / 31 / 0 / 79

HEX #352536

RGB 53 37 54

HSL 296.47, 0.19%, 0.18%

LAB 17.21, 11.2, -8.08

 

CMYK 0 / 47 / 3 / 86

HEX #241323

RGB 36 19 35

HSL 303.53, 0.31%, 0.11%

LAB 8.67, 12.11, -7.54

 

CMYK 6 / 18 / 0 / 56

HEX #695C70

RGB 105 92 112

HSL 279, 0.1%, 0.4%

LAB 40.94, 9.36, -9.41

 

CMYK 1 / 18 / 0 / 56

HEX #6F5C70

RGB 111 92 112

HSL 297, 0.1%, 0.4%

LAB 41.54, 11.62, -8.46

 

CMYK 0 / 18 / 4 / 56

HEX #705C6C

RGB 112 92 108

HSL 312, 0.1%, 0.4%

LAB 41.5, 11.17, -6.05

 

CMYK 0 / 18 / 8 / 56

HEX #705C67

RGB 112 92 103

HSL 327, 0.1%, 0.4%

LAB 41.34, 10.18, -3.22

 

CMYK 0 / 18 / 13 / 56

HEX #705C61

RGB 112 92 97

HSL 345, 0.1%, 0.4%

LAB 41.16, 9.03, 0.19

 

CMYK 6 / 18 / 0 / 56

HEX #695C70

RGB 105 92 112

HSL 279, 0.1%, 0.4%

LAB 40.94, 9.36, -9.41

 

CMYK 11 / 18 / 0 / 56

HEX #645C70

RGB 100 92 112

HSL 264, 0.1%, 0.4%

LAB 40.46, 7.5, -10.18

 

CMYK 16 / 18 / 0 / 56

HEX #5E5C70

RGB 94 92 112

HSL 246, 0.1%, 0.4%

LAB 39.92, 5.31, -11.05

 

CMYK 18 / 18 / 0 / 56

HEX #5C5C70

RGB 92 92 112

HSL 240, 0.1%, 0.4%

LAB 39.75, 4.59, -11.33

 

CMYK 6 / 18 / 0 / 56

HEX #695C70

RGB 105 92 112

HSL 279, 0.1%, 0.4%

LAB 40.94, 9.36, -9.41

 

CMYK 15 / 42 / 0 / 49

HEX #6E4B81

RGB 110 75 129

HSL 278.89, 0.26%, 0.4%

LAB 37.72, 25.46, -24.75

 

CMYK 21 / 59 / 0 / 43

HEX #733B91

RGB 115 59 145

HSL 279.07, 0.42%, 0.4%

LAB 35.63, 39.9, -37.81

 

CMYK 26 / 74 / 0 / 36

HEX #782AA2

RGB 120 42 162

HSL 279, 0.59%, 0.4%

LAB 34.51, 53.04, -49.89

 

CMYK 30 / 85 / 0 / 30

HEX #7D1AB2

RGB 125 26 178

HSL 279.08, 0.75%, 0.4%

LAB 34.63, 62.73, -59.26

 

CMYK 6 / 18 / 0 / 56

HEX #695C70

RGB 105 92 112

HSL 279, 0.1%, 0.4%

LAB 40.94, 9.36, -9.41

 

CMYK 7 / 0 / 11 / 58

HEX #646C60

RGB 100 108 96

HSL 100, 0.06%, 0.4%

LAB 44.63, -5.52, 5.67

 

CMYK 24 / 0 / 37 / 51

HEX #5F7D4F

RGB 95 125 79

HSL 99.13, 0.23%, 0.4%

LAB 49.09, -19.9, 21.69

 

CMYK 36 / 0 / 55 / 45

HEX #5A8D3F

RGB 90 141 63

HSL 99.23, 0.38%, 0.4%

LAB 53.58, -31.9, 35.86

 

CMYK 46 / 0 / 71 / 38

HEX #559E2E

RGB 85 158 46

HSL 99.11, 0.55%, 0.4%

LAB 58.59, -42.76, 49.06

 

CMYK 16 / 18 / 0 / 56

HEX #5E5C70

RGB 94 92 112

HSL 246, 0.1%, 0.4%

LAB 39.92, 5.31, -11.05

 

CMYK 11 / 18 / 0 / 56

HEX #645C70

RGB 100 92 112

HSL 264, 0.1%, 0.4%

LAB 40.46, 7.5, -10.18

 

CMYK 6 / 18 / 0 / 56

HEX #695C70

RGB 105 92 112

HSL 279, 0.1%, 0.4%

LAB 40.94, 9.36, -9.41

 

CMYK 1 / 18 / 0 / 56

HEX #6F5C70

RGB 111 92 112

HSL 297, 0.1%, 0.4%

LAB 41.54, 11.62, -8.46

 

CMYK 0 / 18 / 4 / 56

HEX #705C6C

RGB 112 92 108

HSL 312, 0.1%, 0.4%

LAB 41.5, 11.17, -6.05

 

CMYK 6 / 18 / 0 / 74

HEX #3F3743

RGB 63 55 67

HSL 280, 0.1%, 0.24%

LAB 24.3, 6.2, -6.13

 

CMYK 7 / 19 / 0 / 65

HEX #54495A

RGB 84 73 90

HSL 278.82, 0.1%, 0.32%

LAB 32.67, 8.26, -8.32

 

CMYK 6 / 18 / 0 / 56

HEX #695C70

RGB 105 92 112

HSL 279, 0.1%, 0.4%

LAB 40.94, 9.36, -9.41

 

CMYK 7 / 19 / 0 / 47

HEX #7E6E87

RGB 126 110 135

HSL 278.4, 0.1%, 0.48%

LAB 48.68, 11.24, -11.42

 

CMYK 5 / 14 / 0 / 40

HEX #93849A

RGB 147 132 154

HSL 280.91, 0.1%, 0.56%

LAB 57.11, 9.92, -9.67

 

CMYK 6 / 18 / 0 / 56

HEX #685B6F

RGB 104 91 111

HSL 279, 0.1%, 0.4%

LAB 40.53, 9.38, -9.43

 

CMYK 0 / 18 / 15 / 56

HEX #705C5F

RGB 112 92 95

HSL 351, 0.1%, 0.4%

LAB 41.1, 8.67, 1.33

 

CMYK 18 / 0 / 13 / 56

HEX #5C7061

RGB 92 112 97

HSL 135, 0.1%, 0.4%

LAB 45.26, -10.69, 5.89

 

CMYK 6 / 18 / 0 / 56

HEX #685B6F

RGB 104 91 111

HSL 279, 0.1%, 0.4%

LAB 40.53, 9.38, -9.43

 

CMYK 0 / 6 / 18 / 56

HEX #70695C

RGB 112 105 92

HSL 39, 0.1%, 0.4%

LAB 44.69, 0.35, 8.3

 

CMYK 18 / 0 / 6 / 56

HEX #5C7069

RGB 92 112 105

HSL 159, 0.1%, 0.4%

LAB 45.47, -8.97, 1.42

 

CMYK 6 / 18 / 0 / 56

HEX #685B6F

RGB 104 91 111

HSL 279, 0.1%, 0.4%

LAB 40.53, 9.38, -9.43

 

CMYK 0 / 18 / 15 / 56

HEX #705C5F

RGB 112 92 95

HSL 351, 0.1%, 0.4%

LAB 41.1, 8.67, 1.33

 

CMYK 12 / 0 / 18 / 56

HEX #63705C

RGB 99 112 92

HSL 99, 0.1%, 0.4%

LAB 45.65, -8.98, 9.5

 

CMYK 18 / 0 / 3 / 56

HEX #5C706D

RGB 92 112 109

HSL 171, 0.1%, 0.4%

LAB 45.59, -8.07, -0.81

 

CMYK 6 / 18 / 0 / 56

HEX #685B6F

RGB 104 91 111

HSL 279, 0.1%, 0.4%

LAB 40.53, 9.38, -9.43

 

CMYK 0 / 15 / 18 / 56

HEX #705F5C

RGB 112 95 92

HSL 9, 0.1%, 0.4%

LAB 41.85, 6.31, 4.25

 

CMYK 12 / 0 / 18 / 56

HEX #63705C

RGB 99 112 92

HSL 99, 0.1%, 0.4%

LAB 45.65, -8.98, 9.5

 

CMYK 18 / 3 / 0 / 56

HEX #5C6D70

RGB 92 109 112

HSL 189, 0.1%, 0.4%

LAB 44.78, -5.63, -3.81

 

Description

Color code: HEX #685B6F | qconv.com Color code: HEX #685B6F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 91 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 91 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 18 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 18% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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