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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6859DF it is the complementary color #97A620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6859DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6859DF shade: #6D59DA, #7E6BED, #8F7DFF, #A08FFF and #B1A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6859DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6859DF shade: #6859DF, #5747CC, #4635B9, #3523A6 and #241193

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6859DF shade: #6758DF, #8C58DF, #B058DF, #D458DF and #DF58C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6859DF shade: #6758DF and #5858DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6859DF shade matches the following richer shades: #6758DF and #5B48EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6859DF shade: #6758DF, #7468CF, #8078BF, #8D88AF and #99989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6859DF shade: #5893DF, #586EDF, #6558DF, #8A58DF and #AE58DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6859DF shade: #3625C0, #4835D9, #6758DF, #877BE6 and #A69DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6859DF shade: #6859DF, #DF58B7 and #80DF58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6859DF shade: #6859DF, #DF6558 and #58DF65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6859DF shade: #6859DF, #DF58B7, #D2DF58 and #58DF80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6859DF shade: #6859DF, #DF588E, #D2DF58 and #58DFA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 60 / 0 / 13

HEX #6859DF

RGB 104 89 223

HSL 246.72, 0.68%, 0.61%

LAB 46.2, 41.67, -66.68

 

Complementary color

CMYK 9 / 0 / 81 / 35

HEX #97A620

RGB 151 166 32

HSL 66.72, 0.68%, 0.39%

LAB 64.93, -21.53, 61.3

 

CMYK 50 / 59 / 0 / 15

HEX #6D59DA

RGB 109 89 218

HSL 249.3, 0.64%, 0.6%

LAB 46.26, 41.12, -63.72

 

CMYK 47 / 55 / 0 / 7

HEX #7E6BED

RGB 126 107 237

HSL 248.77, 0.78%, 0.67%

LAB 53.02, 39.67, -63.44

 

CMYK 44 / 51 / 0 / 0

HEX #8F7DFF

RGB 143 125 255

HSL 248.31, 1%, 0.75%

LAB 59.64, 38.09, -62.7

 

CMYK 37 / 44 / 0 / 0

HEX #A08FFF

RGB 160 143 255

HSL 249.11, 1%, 0.78%

LAB 65.23, 31.82, -53.71

 

CMYK 31 / 37 / 0 / 0

HEX #B1A1FF

RGB 177 161 255

HSL 250.21, 1%, 0.82%

LAB 70.91, 26.1, -44.66

 

CMYK 53 / 60 / 0 / 13

HEX #6859DF

RGB 104 89 223

HSL 246.72, 0.68%, 0.61%

LAB 46.2, 41.67, -66.68

 

CMYK 57 / 65 / 0 / 20

HEX #5747CC

RGB 87 71 204

HSL 247.22, 0.57%, 0.54%

LAB 39.4, 43.38, -66.92

 

CMYK 62 / 71 / 0 / 27

HEX #4635B9

RGB 70 53 185

HSL 247.73, 0.55%, 0.47%

LAB 32.59, 45.19, -67

 

CMYK 68 / 79 / 0 / 35

HEX #3523A6

RGB 53 35 166

HSL 248.24, 0.65%, 0.39%

LAB 25.9, 46.9, -66.71

 

CMYK 76 / 88 / 0 / 42

HEX #241193

RGB 36 17 147

HSL 248.77, 0.79%, 0.32%

LAB 19.57, 47.91, -65.61

 

CMYK 54 / 61 / 0 / 13

HEX #6758DF

RGB 103 88 223

HSL 246.67, 0.68%, 0.61%

LAB 45.89, 42.07, -67.18

 

CMYK 37 / 61 / 0 / 13

HEX #8C58DF

RGB 140 88 223

HSL 263.11, 0.68%, 0.61%

LAB 49.35, 49.5, -61.41

 

CMYK 21 / 61 / 0 / 13

HEX #B058DF

RGB 176 88 223

HSL 279.11, 0.68%, 0.61%

LAB 53.53, 57.69, -54.47

 

CMYK 5 / 61 / 0 / 13

HEX #D458DF

RGB 212 88 223

HSL 295.11, 0.68%, 0.61%

LAB 58.32, 66.31, -46.56

 

CMYK 0 / 61 / 12 / 13

HEX #DF58C5

RGB 223 88 197

HSL 311.56, 0.68%, 0.61%

LAB 58.69, 64.83, -31.13

 

CMYK 54 / 61 / 0 / 13

HEX #6758DF

RGB 103 88 223

HSL 246.67, 0.68%, 0.61%

LAB 45.89, 42.07, -67.18

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 54 / 61 / 0 / 13

HEX #6758DF

RGB 103 88 223

HSL 246.67, 0.68%, 0.61%

LAB 45.89, 42.07, -67.18

 

CMYK 62 / 70 / 0 / 6

HEX #5B48EF

RGB 91 72 239

HSL 246.83, 0.84%, 0.61%

LAB 42.9, 54.1, -81.16

 

CMYK 54 / 61 / 0 / 13

HEX #6758DF

RGB 103 88 223

HSL 246.67, 0.68%, 0.61%

LAB 45.89, 42.07, -67.18

 

CMYK 44 / 50 / 0 / 19

HEX #7468CF

RGB 116 104 207

HSL 246.99, 0.52%, 0.61%

LAB 49.64, 30.51, -51.97

 

CMYK 33 / 37 / 0 / 25

HEX #8078BF

RGB 128 120 191

HSL 246.76, 0.36%, 0.61%

LAB 53.8, 19.61, -36.17

 

CMYK 19 / 22 / 0 / 31

HEX #8D88AF

RGB 141 136 175

HSL 247.69, 0.2%, 0.61%

LAB 58.38, 10.19, -19.84

 

CMYK 4 / 4 / 0 / 38

HEX #99989F

RGB 153 152 159

HSL 248.57, 0.04%, 0.61%

LAB 63.12, 1.74, -3.54

 

CMYK 61 / 34 / 0 / 13

HEX #5893DF

RGB 88 147 223

HSL 213.78, 0.68%, 0.61%

LAB 60.13, 3.65, -44.42

 

CMYK 61 / 51 / 0 / 13

HEX #586EDF

RGB 88 110 223

HSL 230.22, 0.68%, 0.61%

LAB 50.16, 26.04, -60.32

 

CMYK 55 / 61 / 0 / 13

HEX #6558DF

RGB 101 88 223

HSL 245.78, 0.68%, 0.61%

LAB 45.74, 41.71, -67.44

 

CMYK 38 / 61 / 0 / 13

HEX #8A58DF

RGB 138 88 223

HSL 262.22, 0.68%, 0.61%

LAB 49.14, 49.07, -61.76

 

CMYK 22 / 61 / 0 / 13

HEX #AE58DF

RGB 174 88 223

HSL 278.22, 0.68%, 0.61%

LAB 53.28, 57.22, -54.89

 

CMYK 72 / 81 / 0 / 25

HEX #3625C0

RGB 54 37 192

HSL 246.58, 0.68%, 0.45%

LAB 29.19, 53.91, -76.79

 

CMYK 67 / 76 / 0 / 15

HEX #4835D9

RGB 72 53 217

HSL 246.95, 0.68%, 0.53%

LAB 35.86, 55.24, -80.28

 

CMYK 54 / 61 / 0 / 13

HEX #6758DF

RGB 103 88 223

HSL 246.67, 0.68%, 0.61%

LAB 45.89, 42.07, -67.18

 

CMYK 41 / 47 / 0 / 10

HEX #877BE6

RGB 135 123 230

HSL 246.73, 0.68%, 0.69%

LAB 57.1, 30.39, -52.94

 

CMYK 30 / 33 / 0 / 7

HEX #A69DEC

RGB 166 157 236

HSL 246.84, 0.68%, 0.77%

LAB 68.22, 20.57, -38.57

 

CMYK 53 / 60 / 0 / 13

HEX #6859DF

RGB 104 89 223

HSL 246.72, 0.68%, 0.61%

LAB 46.2, 41.67, -66.68

 

CMYK 0 / 61 / 18 / 13

HEX #DF58B7

RGB 223 88 183

HSL 317.78, 0.68%, 0.61%

LAB 58.12, 62.77, -24

 

CMYK 43 / 0 / 61 / 13

HEX #80DF58

RGB 128 223 88

HSL 102.22, 0.68%, 0.61%

LAB 80.78, -51.89, 56.11

 

CMYK 53 / 60 / 0 / 13

HEX #6859DF

RGB 104 89 223

HSL 246.72, 0.68%, 0.61%

LAB 46.2, 41.67, -66.68

 

CMYK 0 / 55 / 61 / 13

HEX #DF6558

RGB 223 101 88

HSL 5.78, 0.68%, 0.61%

LAB 57.75, 46.68, 30.6

 

CMYK 61 / 0 / 55 / 13

HEX #58DF65

RGB 88 223 101

HSL 125.78, 0.68%, 0.61%

LAB 79.49, -61.04, 48.45

 

CMYK 53 / 60 / 0 / 13

HEX #6859DF

RGB 104 89 223

HSL 246.72, 0.68%, 0.61%

LAB 46.2, 41.67, -66.68

 

CMYK 0 / 61 / 18 / 13

HEX #DF58B7

RGB 223 88 183

HSL 317.78, 0.68%, 0.61%

LAB 58.12, 62.77, -24

 

CMYK 6 / 0 / 61 / 13

HEX #D2DF58

RGB 210 223 88

HSL 65.78, 0.68%, 0.61%

LAB 85.6, -21.94, 62.79

 

CMYK 61 / 0 / 43 / 13

HEX #58DF80

RGB 88 223 128

HSL 137.78, 0.68%, 0.61%

LAB 79.85, -57.12, 35.83

 

CMYK 53 / 60 / 0 / 13

HEX #6859DF

RGB 104 89 223

HSL 246.72, 0.68%, 0.61%

LAB 46.2, 41.67, -66.68

 

CMYK 0 / 61 / 36 / 13

HEX #DF588E

RGB 223 88 142

HSL 336, 0.68%, 0.61%

LAB 56.7, 57.54, -2.28

 

CMYK 6 / 0 / 61 / 13

HEX #D2DF58

RGB 210 223 88

HSL 65.78, 0.68%, 0.61%

LAB 85.6, -21.94, 62.79

 

CMYK 61 / 0 / 24 / 13

HEX #58DFA9

RGB 88 223 169

HSL 156, 0.68%, 0.61%

LAB 80.58, -49.33, 15.69

 

Description

Color code: HEX #6859DF | qconv.com Color code: HEX #6859DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 89 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 89 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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