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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #684D0E it is the complementary color #97B2F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #684D0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #684D0E shade: #6D4D09, #7E5F1C, #8F712F, #A08342 and #B19555

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #684D0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #684D0E shade: #684D0E, #573B00, #462900, #351700 and #240500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #684D0E shade: #674C0E, #67340E, #671C0E and #670E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #684D0E shade: #674C0E, #67650E, #52670E, #3A670E and #22670E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #684D0E shade matches the following richer shades: #674C0E and #715005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #684D0E shade: #674C0E, #5E4918, #544521, #4B412B and #413D34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #684D0E shade: #671D0E, #67350E, #674C0E, #67640E and #52670E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #684D0E shade: #1F1704, #433209, #674C0E, #8C6713 and #B08218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #684D0E shade: #684D0E, #17670E and #290E67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #684D0E shade: #684D0E, #0E674C and #4C0E67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #684D0E shade: #684D0E, #17670E, #0E2967 and #5E0E67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #684D0E shade: #684D0E, #0E6720, #0E2967 and #670E55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 87 / 59

HEX #684D0E

RGB 104 77 14

HSL 42, 0.76%, 0.23%

LAB 34.56, 5.14, 38.51

 

Complementary color

CMYK 37 / 26 / 0 / 5

HEX #97B2F1

RGB 151 178 241

HSL 222, 0.76%, 0.77%

LAB 72.74, 5.92, -34.36

 

CMYK 0 / 29 / 92 / 57

HEX #6D4D09

RGB 109 77 9

HSL 40.8, 0.85%, 0.23%

LAB 35.16, 7.46, 40.92

 

CMYK 0 / 25 / 78 / 51

HEX #7E5F1C

RGB 126 95 28

HSL 41.02, 0.64%, 0.3%

LAB 42.31, 5.64, 41.02

 

CMYK 0 / 21 / 67 / 44

HEX #8F712F

RGB 143 113 47

HSL 41.25, 0.51%, 0.37%

LAB 49.32, 4.22, 40.06

 

CMYK 0 / 18 / 59 / 37

HEX #A08342

RGB 160 131 66

HSL 41.49, 0.42%, 0.44%

LAB 56.19, 3.1, 38.78

 

CMYK 0 / 16 / 52 / 31

HEX #B19555

RGB 177 149 85

HSL 41.74, 0.37%, 0.51%

LAB 62.93, 2.19, 37.43

 

CMYK 0 / 26 / 87 / 59

HEX #684D0E

RGB 104 77 14

HSL 42, 0.76%, 0.23%

LAB 34.56, 5.14, 38.51

 

CMYK 0 / 32 / 100 / 66

HEX #573B00

RGB 87 59 0

HSL 40.69, 1%, 0.17%

LAB 27.17, 7.25, 36.76

 

CMYK 0 / 41 / 100 / 73

HEX #462900

RGB 70 41 0

HSL 35.14, 1%, 0.14%

LAB 19.59, 10.02, 28.3

 

CMYK 0 / 57 / 100 / 79

HEX #351700

RGB 53 23 0

HSL 26.04, 1%, 0.1%

LAB 11.75, 13.01, 17.82

 

CMYK 0 / 86 / 100 / 86

HEX #240500

RGB 36 5 0

HSL 8.33, 1%, 0.07%

LAB 4.37, 13.2, 6.79

 

CMYK 0 / 26 / 86 / 60

HEX #674C0E

RGB 103 76 14

HSL 41.8, 0.76%, 0.23%

LAB 34.16, 5.25, 38.1

 

CMYK 0 / 50 / 86 / 60

HEX #67340E

RGB 103 52 14

HSL 25.62, 0.76%, 0.23%

LAB 27.77, 19.94, 32.38

 

CMYK 0 / 73 / 86 / 60

HEX #671C0E

RGB 103 28 14

HSL 9.44, 0.76%, 0.23%

LAB 22.81, 32.76, 27.64

 

CMYK 0 / 86 / 86 / 60

HEX #670E0E

RGB 103 14 14

HSL 0, 0.76%, 0.23%

LAB 20.94, 37.96, 25.64

 

CMYK 0 / 26 / 86 / 60

HEX #674C0E

RGB 103 76 14

HSL 41.8, 0.76%, 0.23%

LAB 34.16, 5.25, 38.1

 

CMYK 0 / 2 / 86 / 60

HEX #67650E

RGB 103 101 14

HSL 58.65, 0.76%, 0.23%

LAB 41.57, -9.55, 44.53

 

CMYK 20 / 0 / 86 / 60

HEX #52670E

RGB 82 103 14

HSL 74.16, 0.76%, 0.23%

LAB 40.45, -20.53, 42.88

 

CMYK 44 / 0 / 86 / 60

HEX #3A670E

RGB 58 103 14

HSL 90.34, 0.76%, 0.23%

LAB 38.95, -30.58, 40.98

 

CMYK 67 / 0 / 86 / 60

HEX #22670E

RGB 34 103 14

HSL 106.52, 0.76%, 0.23%

LAB 37.97, -38.2, 39.72

 

CMYK 0 / 26 / 86 / 60

HEX #674C0E

RGB 103 76 14

HSL 41.8, 0.76%, 0.23%

LAB 34.16, 5.25, 38.1

 

CMYK 0 / 29 / 96 / 56

HEX #715005

RGB 113 80 5

HSL 41.67, 0.92%, 0.23%

LAB 36.48, 7.51, 43.41

 

CMYK 0 / 26 / 86 / 60

HEX #674C0E

RGB 103 76 14

HSL 41.8, 0.76%, 0.23%

LAB 34.16, 5.25, 38.1

 

CMYK 0 / 22 / 74 / 63

HEX #5E4918

RGB 94 73 24

HSL 42, 0.59%, 0.23%

LAB 32.28, 3.09, 31.57

 

CMYK 0 / 18 / 61 / 67

HEX #544521

RGB 84 69 33

HSL 42.35, 0.44%, 0.23%

LAB 30.04, 1.3, 23.88

 

CMYK 0 / 13 / 43 / 71

HEX #4B412B

RGB 75 65 43

HSL 41.25, 0.27%, 0.23%

LAB 27.98, 0.57, 15.01

 

CMYK 0 / 6 / 20 / 75

HEX #413D34

RGB 65 61 52

HSL 41.54, 0.11%, 0.23%

LAB 25.89, -0.1, 6.17

 

CMYK 0 / 72 / 86 / 60

HEX #671D0E

RGB 103 29 14

HSL 10.11, 0.76%, 0.23%

LAB 22.98, 32.31, 27.81

 

CMYK 0 / 49 / 86 / 60

HEX #67350E

RGB 103 53 14

HSL 26.29, 0.76%, 0.23%

LAB 28.01, 19.34, 32.6

 

CMYK 0 / 26 / 86 / 60

HEX #674C0E

RGB 103 76 14

HSL 41.8, 0.76%, 0.23%

LAB 34.16, 5.25, 38.1

 

CMYK 0 / 3 / 86 / 60

HEX #67640E

RGB 103 100 14

HSL 57.98, 0.76%, 0.23%

LAB 41.26, -8.99, 44.27

 

CMYK 20 / 0 / 86 / 60

HEX #52670E

RGB 82 103 14

HSL 74.16, 0.76%, 0.23%

LAB 40.45, -20.53, 42.88

 

CMYK 0 / 26 / 87 / 88

HEX #1F1704

RGB 31 23 4

HSL 42.22, 0.77%, 0.07%

LAB 8.24, 1.02, 10.72

 

CMYK 0 / 25 / 87 / 74

HEX #433209

RGB 67 50 9

HSL 42.41, 0.76%, 0.15%

LAB 21.92, 2.96, 27.1

 

CMYK 0 / 26 / 86 / 60

HEX #674C0E

RGB 103 76 14

HSL 41.8, 0.76%, 0.23%

LAB 34.16, 5.25, 38.1

 

CMYK 0 / 26 / 86 / 45

HEX #8C6713

RGB 140 103 19

HSL 41.65, 0.76%, 0.31%

LAB 46.07, 7.27, 48.4

 

CMYK 0 / 26 / 86 / 31

HEX #B08218

RGB 176 130 24

HSL 41.84, 0.76%, 0.39%

LAB 57.33, 8.72, 57.97

 

CMYK 0 / 26 / 87 / 59

HEX #684D0E

RGB 104 77 14

HSL 42, 0.76%, 0.23%

LAB 34.56, 5.14, 38.51

 

CMYK 78 / 0 / 86 / 60

HEX #17670E

RGB 23 103 14

HSL 113.93, 0.76%, 0.23%

LAB 37.69, -40.6, 39.35

 

CMYK 60 / 86 / 0 / 60

HEX #290E67

RGB 41 14 103

HSL 258.2, 0.76%, 0.23%

LAB 14.2, 36.48, -46.38

 

CMYK 0 / 26 / 87 / 59

HEX #684D0E

RGB 104 77 14

HSL 42, 0.76%, 0.23%

LAB 34.56, 5.14, 38.51

 

CMYK 86 / 0 / 26 / 60

HEX #0E674C

RGB 14 103 76

HSL 161.8, 0.76%, 0.23%

LAB 38.4, -31.76, 8.34

 

CMYK 26 / 86 / 0 / 60

HEX #4C0E67

RGB 76 14 103

HSL 281.8, 0.76%, 0.23%

LAB 19.35, 42.03, -37.75

 

CMYK 0 / 26 / 87 / 59

HEX #684D0E

RGB 104 77 14

HSL 42, 0.76%, 0.23%

LAB 34.56, 5.14, 38.51

 

CMYK 78 / 0 / 86 / 60

HEX #17670E

RGB 23 103 14

HSL 113.93, 0.76%, 0.23%

LAB 37.69, -40.6, 39.35

 

CMYK 86 / 60 / 0 / 60

HEX #0E2967

RGB 14 41 103

HSL 221.8, 0.76%, 0.23%

LAB 18.62, 15.88, -39.21

 

CMYK 9 / 86 / 0 / 60

HEX #5E0E67

RGB 94 14 103

HSL 293.93, 0.76%, 0.23%

LAB 22.56, 45.56, -32.4

 

CMYK 0 / 26 / 87 / 59

HEX #684D0E

RGB 104 77 14

HSL 42, 0.76%, 0.23%

LAB 34.56, 5.14, 38.51

 

CMYK 86 / 0 / 69 / 60

HEX #0E6720

RGB 14 103 32

HSL 132.13, 0.76%, 0.23%

LAB 37.66, -40.36, 32.12

 

CMYK 86 / 60 / 0 / 60

HEX #0E2967

RGB 14 41 103

HSL 221.8, 0.76%, 0.23%

LAB 18.62, 15.88, -39.21

 

CMYK 0 / 86 / 17 / 60

HEX #670E55

RGB 103 14 85

HSL 312.13, 0.76%, 0.23%

LAB 23.18, 44.52, -19.4

 

Description

Color code: HEX #684D0E | qconv.com Color code: HEX #684D0E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 77 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 77 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 87 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 87% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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