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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #684B12CE it is the complementary color #97B4EDCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #684B12CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #684B12CE shade: #6D4B0DCE, #7E5D20CE, #8F6F33CE, #A08146CE and #B19359CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #684B12CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #684B12CE shade: #684B12CE, #573900CE, #462700CE, #351500CE and #240300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #684B12CE shade: #684B12, #683412, #681D12 and #681212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #684B12CE shade: #684B12, #686212, #576812, #406812 and #296812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #684B12CE shade matches the following richer shades: #684B12 and #724E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #684B12CE shade: #684B12, #5E481C, #544526, #4A4130 and #403E3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #684B12CE shade: #681C12, #683312, #684A12, #686112 and #586812

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #684B12CE shade: #221806, #45320C, #684B12, #8B6419 and #AE7E1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #684B12CE shade: #684B12, #1F6812 and #281268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #684B12CE shade: #684B12, #12684A and #4A1268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #684B12CE shade: #684B12, #1F6812, #123068 and #5B1268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #684B12CE shade: #684B12, #12681F, #123068 and #68125B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 67 / 48

HEX #684B12CE

RGBA 104 75 18 0.81

HSLA 39.77, 0.7%, 0.24%, 0.81

LABA 34.02, 6.52, 36.45, 0.81

 

Complementary color

CMYK 29 / 19 / 0 / 6

HEX #97B4EDCE

RGBA 151 180 237 0.81

HSLA 219.77, 0.7%, 0.76%, 0.81

LABA 73.11, 3.76, -31.61, 0.81

 

CMYK 0 / 25 / 71 / 46

HEX #6D4B0DCE

RGBA 109 75 13 0.81

HSLA 38.75, 0.79%, 0.24%, 0.81

LABA 34.63, 8.8, 39.17, 0.81

 

CMYK 0 / 21 / 60 / 41

HEX #7E5D20CE

RGBA 126 93 32 0.81

HSLA 38.94, 0.59%, 0.31%, 0.81

LABA 41.8, 7.03, 38.71, 0.81

 

CMYK 0 / 18 / 52 / 36

HEX #8F6F33CE

RGBA 143 111 51 0.81

HSLA 39.13, 0.47%, 0.38%, 0.81

LABA 48.82, 5.65, 37.51, 0.81

 

CMYK 0 / 16 / 46 / 30

HEX #A08146CE

RGBA 160 129 70 0.81

HSLA 39.33, 0.39%, 0.45%, 0.81

LABA 55.7, 4.55, 36.13, 0.81

 

CMYK 0 / 14 / 40 / 25

HEX #B19359CE

RGBA 177 147 89 0.81

HSLA 39.55, 0.36%, 0.52%, 0.81

LABA 62.45, 3.66, 34.75, 0.81

 

CMYK 0 / 23 / 67 / 48

HEX #684B12CE

RGBA 104 75 18 0.81

HSLA 39.77, 0.7%, 0.24%, 0.81

LABA 34.02, 6.52, 36.45, 0.81

 

CMYK 0 / 28 / 81 / 53

HEX #573900CE

RGBA 87 57 0 0.81

HSLA 39.31, 1%, 0.17%, 0.81

LABA 26.6, 8.52, 36.25, 0.81

 

CMYK 0 / 36 / 81 / 59

HEX #462700CE

RGBA 70 39 0 0.81

HSLA 33.43, 1%, 0.14%, 0.81

LABA 19.03, 11.33, 27.65, 0.81

 

CMYK 0 / 49 / 81 / 64

HEX #351500CE

RGBA 53 21 0 0.81

HSLA 23.77, 1%, 0.1%, 0.81

LABA 11.23, 14.32, 17.1, 0.81

 

CMYK 0 / 74 / 81 / 70

HEX #240300CE

RGBA 36 3 0 0.81

HSLA 5, 1%, 0.07%, 0.81

LABA 3.98, 14, 6.21, 0.81

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 0 / 50 / 83 / 59

HEX #683412

RGB 104 52 18

HSL 23.72, 0.7%, 0.24%

LAB 27.96, 20.56, 30.66

 

CMYK 0 / 72 / 83 / 59

HEX #681D12

RGB 104 29 18

HSL 7.67, 0.7%, 0.24%

LAB 23.22, 32.84, 25.9

 

CMYK 0 / 83 / 83 / 59

HEX #681212

RGB 104 18 18

HSL 0, 0.7%, 0.24%

LAB 21.65, 37.18, 24.25

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 0 / 6 / 83 / 59

HEX #686212

RGB 104 98 18

HSL 55.81, 0.7%, 0.24%

LAB 40.77, -7.21, 42.61

 

CMYK 16 / 0 / 83 / 59

HEX #576812

RGB 87 104 18

HSL 71.86, 0.7%, 0.24%

LAB 41.17, -18.61, 42.42

 

CMYK 38 / 0 / 83 / 59

HEX #406812

RGB 64 104 18

HSL 87.91, 0.7%, 0.24%

LAB 39.64, -28.52, 40.45

 

CMYK 61 / 0 / 83 / 59

HEX #296812

RGB 41 104 18

HSL 103.95, 0.7%, 0.24%

LAB 38.58, -36.45, 39.07

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 0 / 32 / 93 / 55

HEX #724E08

RGB 114 78 8

HSL 39.62, 0.87%, 0.24%

LAB 36.07, 9.29, 42.22

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 0 / 23 / 70 / 63

HEX #5E481C

RGB 94 72 28

HSL 40, 0.54%, 0.24%

LAB 32.03, 3.98, 29.24

 

CMYK 0 / 18 / 55 / 67

HEX #544526

RGB 84 69 38

HSL 40.43, 0.38%, 0.24%

LAB 30.11, 1.81, 21.02

 

CMYK 0 / 12 / 35 / 71

HEX #4A4130

RGB 74 65 48

HSL 39.23, 0.21%, 0.24%

LAB 27.98, 0.83, 11.8

 

CMYK 0 / 3 / 9 / 75

HEX #403E3A

RGB 64 62 58

HSL 40, 0.05%, 0.24%

LAB 26.28, -0, 2.76

 

CMYK 0 / 73 / 83 / 59

HEX #681C12

RGB 104 28 18

HSL 6.98, 0.7%, 0.24%

LAB 23.06, 33.28, 25.73

 

CMYK 0 / 51 / 83 / 59

HEX #683312

RGB 104 51 18

HSL 23.02, 0.7%, 0.24%

LAB 27.72, 21.15, 30.42

 

CMYK 0 / 29 / 83 / 59

HEX #684A12

RGB 104 74 18

HSL 39.07, 0.7%, 0.24%

LAB 33.74, 7.13, 36.18

 

CMYK 0 / 7 / 83 / 59

HEX #686112

RGB 104 97 18

HSL 55.12, 0.7%, 0.24%

LAB 40.47, -6.63, 42.34

 

CMYK 15 / 0 / 83 / 59

HEX #586812

RGB 88 104 18

HSL 71.16, 0.7%, 0.24%

LAB 41.25, -18.15, 42.52

 

CMYK 0 / 29 / 82 / 87

HEX #221806

RGB 34 24 6

HSL 38.57, 0.7%, 0.08%

LAB 9.05, 2.3, 11.12

 

CMYK 0 / 28 / 83 / 73

HEX #45320C

RGB 69 50 12

HSL 40, 0.7%, 0.16%

LAB 22.21, 4.18, 26.21

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 0 / 28 / 82 / 45

HEX #8B6419

RGB 139 100 25

HSL 39.47, 0.7%, 0.32%

LAB 45.18, 8.74, 45.48

 

CMYK 0 / 28 / 82 / 32

HEX #AE7E1F

RGB 174 126 31

HSL 39.86, 0.7%, 0.4%

LAB 56.11, 10.25, 54.63

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 70 / 0 / 83 / 59

HEX #1F6812

RGB 31 104 18

HSL 110.93, 0.7%, 0.24%

LAB 38.26, -39.04, 38.66

 

CMYK 62 / 83 / 0 / 59

HEX #281268

RGB 40 18 104

HSL 255.35, 0.7%, 0.24%

LAB 14.86, 34.74, -45.95

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 83 / 0 / 29 / 59

HEX #12684A

RGB 18 104 74

HSL 159.07, 0.7%, 0.24%

LAB 38.77, -32.27, 10.07

 

CMYK 29 / 83 / 0 / 59

HEX #4A1268

RGB 74 18 104

HSL 279.07, 0.7%, 0.24%

LAB 19.59, 40.45, -38.03

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 70 / 0 / 83 / 59

HEX #1F6812

RGB 31 104 18

HSL 110.93, 0.7%, 0.24%

LAB 38.26, -39.04, 38.66

 

CMYK 83 / 54 / 0 / 59

HEX #123068

RGB 18 48 104

HSL 219.07, 0.7%, 0.24%

LAB 20.99, 11.61, -36.01

 

CMYK 13 / 83 / 0 / 59

HEX #5B1268

RGB 91 18 104

HSL 290.93, 0.7%, 0.24%

LAB 22.5, 43.92, -33.18

 

CMYK 0 / 28 / 83 / 59

HEX #684B12

RGB 104 75 18

HSL 39.77, 0.7%, 0.24%

LAB 34.02, 6.52, 36.45

 

CMYK 83 / 0 / 70 / 59

HEX #12681F

RGB 18 104 31

HSL 129.07, 0.7%, 0.24%

LAB 38.07, -40.29, 33.06

 

CMYK 83 / 54 / 0 / 59

HEX #123068

RGB 18 48 104

HSL 219.07, 0.7%, 0.24%

LAB 20.99, 11.61, -36.01

 

CMYK 0 / 83 / 13 / 59

HEX #68125B

RGB 104 18 91

HSL 309.07, 0.7%, 0.24%

LAB 24.1, 44.56, -21.94

 

Description

Color code: HEX #684B12CE | qconv.com Color code: HEX #684B12CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 75 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 75 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 67 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 67% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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