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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683CAA it is the complementary color #97C355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683CAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683CAA shade: #6D3CA5, #7E4EB8, #8F60CB, #A072DE and #B184F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683CAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683CAA shade: #683CAA, #572A97, #461884, #350671 and #24005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683CAA shade: #683CAA, #853CAA, #A33CAA, #AA3C93 and #AA3C75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683CAA shade: #683CAA, #4A3CAA and #3C3CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683CAA shade matches the following richer shades: #683CAA, #6429BC, #6017CF and #5D04E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683CAA shade: #683CAA, #6B4E97, #6F6185, #737372 and #778660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683CAA shade: #3C4AAA, #4A3CAA, #683CAA, #853CAA and #A23CAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683CAA shade: #42266D, #55318B, #683CAA, #7C4EC1 and #936CCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683CAA shade: #683CAA, #AA3C68 and #3CAA3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683CAA shade: #683CAA, #AA683C and #3CAA68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683CAA shade: #683CAA, #AA3C68, #7EAA3C and #3CAA7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683CAA shade: #683CAA, #AA3C47, #7EAA3C and #3CAA9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

Complementary color

CMYK 23 / 0 / 56 / 24

HEX #97C355

RGB 151 195 85

HSL 84, 0.48%, 0.55%

LAB 73.72, -32.06, 49.73

 

CMYK 34 / 64 / 0 / 35

HEX #6D3CA5

RGB 109 60 165

HSL 268, 0.47%, 0.44%

LAB 36.37, 42.76, -48.77

 

CMYK 32 / 58 / 0 / 28

HEX #7E4EB8

RGB 126 78 184

HSL 267.17, 0.43%, 0.51%

LAB 43.28, 41.79, -48.81

 

CMYK 30 / 53 / 0 / 20

HEX #8F60CB

RGB 143 96 203

HSL 266.36, 0.51%, 0.59%

LAB 50.12, 40.79, -48.77

 

CMYK 28 / 49 / 0 / 13

HEX #A072DE

RGB 160 114 222

HSL 265.56, 0.62%, 0.66%

LAB 56.86, 39.82, -48.71

 

CMYK 27 / 45 / 0 / 5

HEX #B184F1

RGB 177 132 241

HSL 264.77, 0.8%, 0.73%

LAB 63.51, 38.91, -48.65

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 42 / 72 / 0 / 41

HEX #572A97

RGB 87 42 151

HSL 264.77, 0.56%, 0.38%

LAB 29.2, 43.89, -52.03

 

CMYK 47 / 82 / 0 / 48

HEX #461884

RGB 70 24 132

HSL 265.56, 0.69%, 0.31%

LAB 22.38, 44.33, -51.47

 

CMYK 53 / 95 / 0 / 56

HEX #350671

RGB 53 6 113

HSL 266.36, 0.9%, 0.23%

LAB 15.9, 43.58, -50.07

 

CMYK 62 / 100 / 0 / 63

HEX #24005E

RGB 36 0 94

HSL 262.98, 1%, 0.18%

LAB 10.43, 39.52, -46.64

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 22 / 65 / 0 / 33

HEX #853CAA

RGB 133 60 170

HSL 279.82, 0.48%, 0.45%

LAB 39.78, 49.56, -46.1

 

CMYK 4 / 65 / 0 / 33

HEX #A33CAA

RGB 163 60 170

HSL 296.18, 0.48%, 0.45%

LAB 44.12, 56.79, -38.93

 

CMYK 0 / 65 / 14 / 33

HEX #AA3C93

RGB 170 60 147

HSL 312.55, 0.48%, 0.45%

LAB 44.07, 54.73, -25.19

 

CMYK 0 / 65 / 31 / 33

HEX #AA3C75

RGB 170 60 117

HSL 328.91, 0.48%, 0.45%

LAB 42.86, 50.51, -8.74

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 56 / 65 / 0 / 33

HEX #4A3CAA

RGB 74 60 170

HSL 247.64, 0.48%, 0.45%

LAB 33.11, 37, -57.21

 

CMYK 65 / 65 / 0 / 33

HEX #3C3CAA

RGB 60 60 170

HSL 240, 0.48%, 0.45%

LAB 32.02, 34.7, -59.04

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 47 / 78 / 0 / 26

HEX #6429BC

RGB 100 41 188

HSL 264.08, 0.64%, 0.45%

LAB 33.83, 56.18, -66.63

 

CMYK 54 / 89 / 0 / 19

HEX #6017CF

RGB 96 23 207

HSL 263.8, 0.8%, 0.45%

LAB 33.15, 66.48, -78.9

 

CMYK 59 / 98 / 0 / 11

HEX #5D04E2

RGB 93 4 226

HSL 264.05, 0.97%, 0.45%

LAB 33.78, 74.05, -88.82

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 29 / 48 / 0 / 41

HEX #6B4E97

RGB 107 78 151

HSL 263.84, 0.32%, 0.45%

LAB 39.26, 28.21, -35.74

 

CMYK 17 / 27 / 0 / 48

HEX #6F6185

RGB 111 97 133

HSL 263.33, 0.16%, 0.45%

LAB 43.69, 13.32, -17.95

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 11 / 0 / 28 / 47

HEX #778660

RGB 119 134 96

HSL 83.68, 0.17%, 0.45%

LAB 53.83, -12.58, 18.7

 

CMYK 65 / 56 / 0 / 33

HEX #3C4AAA

RGB 60 74 170

HSL 232.36, 0.48%, 0.45%

LAB 35.52, 25.72, -53.35

 

CMYK 56 / 65 / 0 / 33

HEX #4A3CAA

RGB 74 60 170

HSL 247.64, 0.48%, 0.45%

LAB 33.11, 37, -57.21

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 22 / 65 / 0 / 33

HEX #853CAA

RGB 133 60 170

HSL 279.82, 0.48%, 0.45%

LAB 39.78, 49.56, -46.1

 

CMYK 5 / 65 / 0 / 33

HEX #A23CAA

RGB 162 60 170

HSL 295.64, 0.48%, 0.45%

LAB 43.97, 56.55, -39.18

 

CMYK 39 / 65 / 0 / 57

HEX #42266D

RGB 66 38 109

HSL 263.66, 0.48%, 0.29%

LAB 22.47, 29.88, -36.66

 

CMYK 39 / 65 / 0 / 45

HEX #55318B

RGB 85 49 139

HSL 264, 0.48%, 0.37%

LAB 29.39, 36.42, -44.34

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 36 / 60 / 0 / 24

HEX #7C4EC1

RGB 124 78 193

HSL 264, 0.48%, 0.53%

LAB 43.63, 43.61, -53.5

 

CMYK 28 / 47 / 0 / 20

HEX #936CCC

RGB 147 108 204

HSL 264.38, 0.48%, 0.61%

LAB 53.26, 35.31, -44.32

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 0 / 65 / 39 / 33

HEX #AA3C68

RGB 170 60 104

HSL 336, 0.48%, 0.45%

LAB 42.43, 48.95, -1.33

 

CMYK 65 / 0 / 65 / 33

HEX #3CAA3C

RGB 60 170 60

HSL 120, 0.48%, 0.45%

LAB 61.69, -52.84, 46.26

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 0 / 39 / 65 / 33

HEX #AA683C

RGB 170 104 60

HSL 24, 0.48%, 0.45%

LAB 50.42, 22.29, 35.48

 

CMYK 65 / 0 / 39 / 33

HEX #3CAA68

RGB 60 170 104

HSL 144, 0.48%, 0.45%

LAB 62.26, -46.34, 25.09

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 0 / 65 / 39 / 33

HEX #AA3C68

RGB 170 60 104

HSL 336, 0.48%, 0.45%

LAB 42.43, 48.95, -1.33

 

CMYK 26 / 0 / 65 / 33

HEX #7EAA3C

RGB 126 170 60

HSL 84, 0.48%, 0.45%

LAB 64.57, -32.17, 50.25

 

CMYK 65 / 0 / 26 / 33

HEX #3CAA7E

RGB 60 170 126

HSL 156, 0.48%, 0.45%

LAB 62.69, -41.77, 13.68

 

CMYK 39 / 65 / 0 / 33

HEX #683CAA

RGB 104 60 170

HSL 264, 0.48%, 0.45%

LAB 36.13, 42.95, -52.17

 

CMYK 0 / 65 / 58 / 33

HEX #AA3C47

RGB 170 60 71

HSL 354, 0.48%, 0.45%

LAB 41.58, 45.84, 18.02

 

CMYK 26 / 0 / 65 / 33

HEX #7EAA3C

RGB 126 170 60

HSL 84, 0.48%, 0.45%

LAB 64.57, -32.17, 50.25

 

CMYK 65 / 0 / 6 / 33

HEX #3CAA9F

RGB 60 170 159

HSL 174, 0.48%, 0.45%

LAB 63.52, -33.47, -3.5

 

Description

Color code: HEX #683CAA | qconv.com Color code: HEX #683CAA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 60 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 60 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 65 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 65% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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