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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683494 it is the complementary color #97CB6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683494 shade: #6D348F, #7E46A2, #8F58B5, #A06AC8 and #B17CDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683494 shade: #683494, #572281, #46106E, #35005B and #240048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683494 shade: #673493, #813493, #93348B, #933472 and #933458

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683494 shade: #673493, #4E3493 and #343493

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683494 shade matches the following richer shades: #673493, #6924A3, #6A14B3 and #6B03C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683494 shade: #673493, #664483, #655473, #636463 and #627453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683494 shade: #343493, #4D3493, #673493, #803493 and #93348D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683494 shade: #3D1E56, #522975, #673493, #7D3EB2 and #9156C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683494 shade: #683494, #93344D and #349340

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683494 shade: #683494, #936734 and #349367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683494 shade: #683494, #93344D, #609334 and #34937A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683494 shade: #683494, #933734, #609334 and #349093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 65 / 0 / 42

HEX #683494

RGB 104 52 148

HSL 272.5, 0.48%, 0.39%

LAB 33, 41.58, -43.94

 

Complementary color

CMYK 26 / 0 / 47 / 20

HEX #97CB6B

RGB 151 203 107

HSL 92.5, 0.48%, 0.61%

LAB 76.29, -33.45, 42.31

 

CMYK 24 / 64 / 0 / 44

HEX #6D348F

RGB 109 52 143

HSL 277.58, 0.47%, 0.38%

LAB 33.33, 41.59, -40.31

 

CMYK 22 / 57 / 0 / 36

HEX #7E46A2

RGB 126 70 162

HSL 276.52, 0.4%, 0.45%

LAB 40.29, 40.83, -40.57

 

CMYK 21 / 51 / 0 / 29

HEX #8F58B5

RGB 143 88 181

HSL 275.48, 0.39%, 0.53%

LAB 47.18, 39.97, -40.72

 

CMYK 20 / 47 / 0 / 22

HEX #A06AC8

RGB 160 106 200

HSL 274.47, 0.46%, 0.6%

LAB 53.98, 39.1, -40.82

 

CMYK 19 / 43 / 0 / 14

HEX #B17CDB

RGB 177 124 219

HSL 273.47, 0.57%, 0.67%

LAB 60.67, 38.26, -40.9

 

CMYK 30 / 65 / 0 / 42

HEX #683494

RGB 104 52 148

HSL 272.5, 0.48%, 0.39%

LAB 33, 41.58, -43.94

 

CMYK 33 / 74 / 0 / 49

HEX #572281

RGB 87 34 129

HSL 273.47, 0.58%, 0.32%

LAB 26.03, 42.14, -43.53

 

CMYK 36 / 85 / 0 / 57

HEX #46106E

RGB 70 16 110

HSL 274.47, 0.75%, 0.25%

LAB 19.22, 41.89, -42.57

 

CMYK 42 / 100 / 0 / 64

HEX #35005B

RGB 53 0 91

HSL 274.95, 1%, 0.18%

LAB 12.69, 40.4, -40.82

 

CMYK 50 / 100 / 0 / 72

HEX #240048

RGB 36 0 72

HSL 270, 1%, 0.14%

LAB 7.61, 33.85, -36.2

 

CMYK 30 / 65 / 0 / 42

HEX #673493

RGB 103 52 147

HSL 272.21, 0.48%, 0.39%

LAB 32.8, 41.09, -43.65

 

CMYK 12 / 65 / 0 / 42

HEX #813493

RGB 129 52 147

HSL 288.63, 0.48%, 0.39%

LAB 36.42, 47.49, -37.65

 

CMYK 0 / 65 / 5 / 42

HEX #93348B

RGB 147 52 139

HSL 305.05, 0.48%, 0.39%

LAB 38.77, 50.65, -28.88

 

CMYK 0 / 65 / 22 / 42

HEX #933472

RGB 147 52 114

HSL 320.84, 0.48%, 0.39%

LAB 37.62, 46.68, -15.18

 

CMYK 0 / 65 / 40 / 42

HEX #933458

RGB 147 52 88

HSL 337.26, 0.48%, 0.39%

LAB 36.68, 43.29, -0.16

 

CMYK 30 / 65 / 0 / 42

HEX #673493

RGB 103 52 147

HSL 272.21, 0.48%, 0.39%

LAB 32.8, 41.09, -43.65

 

CMYK 47 / 65 / 0 / 42

HEX #4E3493

RGB 78 52 147

HSL 256.42, 0.48%, 0.39%

LAB 29.87, 35.44, -48.54

 

CMYK 65 / 65 / 0 / 42

HEX #343493

RGB 52 52 147

HSL 240, 0.48%, 0.39%

LAB 27.55, 30.58, -52.41

 

CMYK 30 / 65 / 0 / 42

HEX #673493

RGB 103 52 147

HSL 272.21, 0.48%, 0.39%

LAB 32.8, 41.09, -43.65

 

CMYK 36 / 78 / 0 / 36

HEX #6924A3

RGB 105 36 163

HSL 272.6, 0.64%, 0.39%

LAB 31.6, 52.89, -55.32

 

CMYK 41 / 89 / 0 / 30

HEX #6A14B3

RGB 106 20 179

HSL 272.45, 0.8%, 0.39%

LAB 31.39, 61.85, -65.26

 

CMYK 45 / 98 / 0 / 24

HEX #6B03C3

RGB 107 3 195

HSL 272.5, 0.97%, 0.39%

LAB 32.1, 68.43, -73.56

 

CMYK 30 / 65 / 0 / 42

HEX #673493

RGB 103 52 147

HSL 272.21, 0.48%, 0.39%

LAB 32.8, 41.09, -43.65

 

CMYK 22 / 48 / 0 / 49

HEX #664483

RGB 102 68 131

HSL 272.38, 0.32%, 0.39%

LAB 35.2, 27.64, -30

 

CMYK 12 / 27 / 0 / 55

HEX #655473

RGB 101 84 115

HSL 272.9, 0.16%, 0.39%

LAB 38.45, 13.52, -15.07

 

CMYK 1 / 0 / 1 / 61

HEX #636463

RGB 99 100 99

HSL 120, 0.01%, 0.39%

LAB 42.26, -0.6, 0.42

 

CMYK 16 / 0 / 28 / 55

HEX #627453

RGB 98 116 83

HSL 92.73, 0.17%, 0.39%

LAB 46.59, -13.22, 16.09

 

CMYK 65 / 65 / 0 / 42

HEX #343493

RGB 52 52 147

HSL 240, 0.48%, 0.39%

LAB 27.55, 30.58, -52.41

 

CMYK 48 / 65 / 0 / 42

HEX #4D3493

RGB 77 52 147

HSL 255.79, 0.48%, 0.39%

LAB 29.76, 35.23, -48.71

 

CMYK 30 / 65 / 0 / 42

HEX #673493

RGB 103 52 147

HSL 272.21, 0.48%, 0.39%

LAB 32.8, 41.09, -43.65

 

CMYK 13 / 65 / 0 / 42

HEX #803493

RGB 128 52 147

HSL 288, 0.48%, 0.39%

LAB 36.27, 47.24, -37.89

 

CMYK 0 / 65 / 4 / 42

HEX #93348D

RGB 147 52 141

HSL 303.79, 0.48%, 0.39%

LAB 38.87, 51, -29.94

 

CMYK 29 / 65 / 0 / 66

HEX #3D1E56

RGB 61 30 86

HSL 273.21, 0.48%, 0.23%

LAB 18.33, 26.92, -28.22

 

CMYK 30 / 65 / 0 / 54

HEX #522975

RGB 82 41 117

HSL 272.37, 0.48%, 0.31%

LAB 25.76, 34.32, -36.41

 

CMYK 30 / 65 / 0 / 42

HEX #673493

RGB 103 52 147

HSL 272.21, 0.48%, 0.39%

LAB 32.8, 41.09, -43.65

 

CMYK 30 / 65 / 0 / 30

HEX #7D3EB2

RGB 125 62 178

HSL 272.59, 0.48%, 0.47%

LAB 39.61, 48.56, -51.17

 

CMYK 26 / 56 / 0 / 23

HEX #9156C4

RGB 145 86 196

HSL 272.18, 0.48%, 0.55%

LAB 47.83, 45.1, -48.38

 

CMYK 30 / 65 / 0 / 42

HEX #683494

RGB 104 52 148

HSL 272.5, 0.48%, 0.39%

LAB 33, 41.58, -43.94

 

CMYK 0 / 65 / 48 / 42

HEX #93344D

RGB 147 52 77

HSL 344.21, 0.48%, 0.39%

LAB 36.36, 42.1, 6.41

 

CMYK 65 / 0 / 56 / 42

HEX #349340

RGB 52 147 64

HSL 127.58, 0.48%, 0.39%

LAB 53.99, -45.57, 35.48

 

CMYK 30 / 65 / 0 / 42

HEX #683494

RGB 104 52 148

HSL 272.5, 0.48%, 0.39%

LAB 33, 41.58, -43.94

 

CMYK 0 / 30 / 65 / 42

HEX #936734

RGB 147 103 52

HSL 32.21, 0.48%, 0.39%

LAB 47.17, 12.17, 35.24

 

CMYK 65 / 0 / 30 / 42

HEX #349367

RGB 52 147 103

HSL 152.21, 0.48%, 0.39%

LAB 54.63, -38.54, 15.29

 

CMYK 30 / 65 / 0 / 42

HEX #683494

RGB 104 52 148

HSL 272.5, 0.48%, 0.39%

LAB 33, 41.58, -43.94

 

CMYK 0 / 65 / 48 / 42

HEX #93344D

RGB 147 52 77

HSL 344.21, 0.48%, 0.39%

LAB 36.36, 42.1, 6.41

 

CMYK 35 / 0 / 65 / 42

HEX #609334

RGB 96 147 52

HSL 92.21, 0.48%, 0.39%

LAB 55.69, -33.63, 43.6

 

CMYK 65 / 0 / 17 / 42

HEX #34937A

RGB 52 147 122

HSL 164.21, 0.48%, 0.39%

LAB 55.08, -34, 5.11

 

CMYK 30 / 65 / 0 / 42

HEX #683494

RGB 104 52 148

HSL 272.5, 0.48%, 0.39%

LAB 33, 41.58, -43.94

 

CMYK 0 / 63 / 65 / 42

HEX #933734

RGB 147 55 52

HSL 1.89, 0.48%, 0.39%

LAB 36.33, 38.59, 22.22

 

CMYK 35 / 0 / 65 / 42

HEX #609334

RGB 96 147 52

HSL 92.21, 0.48%, 0.39%

LAB 55.69, -33.63, 43.6

 

CMYK 65 / 2 / 0 / 42

HEX #349093

RGB 52 144 147

HSL 181.89, 0.48%, 0.39%

LAB 54.85, -25.58, -9.59

 

Description

Color code: HEX #683494 | qconv.com Color code: HEX #683494 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 52 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 52 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 65 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 65% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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