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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683290 it is the complementary color #97CD6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683290 shade: #6D328B, #7E449E, #8F56B1, #A068C4 and #B17AD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683290 shade: #683290, #57207D, #460E6A, #350057 and #240044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683290 shade: #68328F, #81328F, #8F3285, #8F326C and #8F3253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683290 shade: #68328F, #4F328F, #36328F and #32328F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683290 shade matches the following richer shades: #68328F, #6A239F, #6D13AF and #6F03BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683290 shade: #68328F, #654280, #635270, #616160 and #5E7151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683290 shade: #35328F, #4E328F, #67328F, #80328F and #8F3286

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683290 shade: #3C1D52, #522871, #68328F, #7E3DAE and #9352C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683290 shade: #683290, #8F3248 and #328F42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683290 shade: #683290, #8F6732 and #328F67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683290 shade: #683290, #8F3248, #5B8F32 and #328F7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683290 shade: #683290, #8F3932, #5B8F32 and #32898F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 65 / 0 / 44

HEX #683290

RGB 104 50 144

HSL 274.47, 0.48%, 0.38%

LAB 32.34, 41.65, -42.54

 

Complementary color

CMYK 26 / 0 / 46 / 20

HEX #97CD6F

RGB 151 205 111

HSL 94.47, 0.48%, 0.62%

LAB 76.91, -33.89, 41.11

 

CMYK 22 / 64 / 0 / 45

HEX #6D328B

RGB 109 50 139

HSL 279.78, 0.47%, 0.37%

LAB 32.69, 41.7, -38.87

 

CMYK 20 / 57 / 0 / 38

HEX #7E449E

RGB 126 68 158

HSL 278.67, 0.4%, 0.44%

LAB 39.65, 40.99, -39.2

 

CMYK 19 / 51 / 0 / 31

HEX #8F56B1

RGB 143 86 177

HSL 277.58, 0.37%, 0.52%

LAB 46.54, 40.16, -39.4

 

CMYK 18 / 47 / 0 / 23

HEX #A068C4

RGB 160 104 196

HSL 276.52, 0.44%, 0.59%

LAB 53.34, 39.31, -39.53

 

CMYK 18 / 43 / 0 / 16

HEX #B17AD7

RGB 177 122 215

HSL 275.48, 0.54%, 0.66%

LAB 60.04, 38.48, -39.64

 

CMYK 28 / 65 / 0 / 44

HEX #683290

RGB 104 50 144

HSL 274.47, 0.48%, 0.38%

LAB 32.34, 41.65, -42.54

 

CMYK 30 / 74 / 0 / 51

HEX #57207D

RGB 87 32 125

HSL 275.48, 0.59%, 0.31%

LAB 25.38, 42.1, -42.05

 

CMYK 34 / 87 / 0 / 58

HEX #460E6A

RGB 70 14 106

HSL 276.52, 0.77%, 0.24%

LAB 18.61, 41.64, -40.95

 

CMYK 39 / 100 / 0 / 66

HEX #350057

RGB 53 0 87

HSL 276.55, 1%, 0.17%

LAB 12.25, 39.47, -38.82

 

CMYK 47 / 100 / 0 / 73

HEX #240044

RGB 36 0 68

HSL 271.76, 1%, 0.13%

LAB 7.16, 32.74, -34.13

 

CMYK 27 / 65 / 0 / 44

HEX #68328F

RGB 104 50 143

HSL 274.84, 0.48%, 0.38%

LAB 32.27, 41.4, -42.04

 

CMYK 10 / 65 / 0 / 44

HEX #81328F

RGB 129 50 143

HSL 290.97, 0.48%, 0.38%

LAB 35.85, 47.61, -36.11

 

CMYK 0 / 65 / 7 / 44

HEX #8F3285

RGB 143 50 133

HSL 306.45, 0.48%, 0.38%

LAB 37.51, 49.42, -27.21

 

CMYK 0 / 65 / 24 / 44

HEX #8F326C

RGB 143 50 108

HSL 322.58, 0.48%, 0.38%

LAB 36.37, 45.5, -13.37

 

CMYK 0 / 65 / 42 / 44

HEX #8F3253

RGB 143 50 83

HSL 338.71, 0.48%, 0.38%

LAB 35.49, 42.31, 1.23

 

CMYK 27 / 65 / 0 / 44

HEX #68328F

RGB 104 50 143

HSL 274.84, 0.48%, 0.38%

LAB 32.27, 41.4, -42.04

 

CMYK 45 / 65 / 0 / 44

HEX #4F328F

RGB 79 50 143

HSL 258.71, 0.48%, 0.38%

LAB 29.23, 35.65, -47.11

 

CMYK 62 / 65 / 0 / 44

HEX #36328F

RGB 54 50 143

HSL 242.58, 0.48%, 0.38%

LAB 26.87, 30.8, -51.04

 

CMYK 65 / 65 / 0 / 44

HEX #32328F

RGB 50 50 143

HSL 240, 0.48%, 0.38%

LAB 26.57, 30.14, -51.55

 

CMYK 27 / 65 / 0 / 44

HEX #68328F

RGB 104 50 143

HSL 274.84, 0.48%, 0.38%

LAB 32.27, 41.4, -42.04

 

CMYK 33 / 78 / 0 / 38

HEX #6A239F

RGB 106 35 159

HSL 274.35, 0.64%, 0.38%

LAB 31.28, 52.53, -53.42

 

CMYK 38 / 89 / 0 / 31

HEX #6D13AF

RGB 109 19 175

HSL 274.62, 0.8%, 0.38%

LAB 31.38, 61.59, -62.88

 

CMYK 42 / 98 / 0 / 25

HEX #6F03BE

RGB 111 3 190

HSL 274.65, 0.97%, 0.38%

LAB 32.17, 67.75, -70.48

 

CMYK 27 / 65 / 0 / 44

HEX #68328F

RGB 104 50 143

HSL 274.84, 0.48%, 0.38%

LAB 32.27, 41.4, -42.04

 

CMYK 21 / 48 / 0 / 50

HEX #654280

RGB 101 66 128

HSL 273.87, 0.32%, 0.38%

LAB 34.44, 27.8, -29.35

 

CMYK 12 / 27 / 0 / 56

HEX #635270

RGB 99 82 112

HSL 274, 0.15%, 0.38%

LAB 37.58, 13.34, -14.56

 

CMYK 0 / 0 / 1 / 62

HEX #616160

RGB 97 97 96

HSL 60, 0.01%, 0.38%

LAB 41.11, -0.21, 0.56

 

CMYK 17 / 0 / 28 / 56

HEX #5E7151

RGB 94 113 81

HSL 95.63, 0.16%, 0.38%

LAB 45.34, -13.51, 15.5

 

CMYK 63 / 65 / 0 / 44

HEX #35328F

RGB 53 50 143

HSL 241.94, 0.48%, 0.38%

LAB 26.8, 30.63, -51.17

 

CMYK 45 / 65 / 0 / 44

HEX #4E328F

RGB 78 50 143

HSL 258.06, 0.48%, 0.38%

LAB 29.12, 35.43, -47.29

 

CMYK 28 / 65 / 0 / 44

HEX #67328F

RGB 103 50 143

HSL 274.19, 0.48%, 0.38%

LAB 32.14, 41.16, -42.26

 

CMYK 10 / 65 / 0 / 44

HEX #80328F

RGB 128 50 143

HSL 290.32, 0.48%, 0.38%

LAB 35.7, 47.36, -36.36

 

CMYK 0 / 65 / 6 / 44

HEX #8F3286

RGB 143 50 134

HSL 305.81, 0.48%, 0.38%

LAB 37.56, 49.59, -27.75

 

CMYK 27 / 65 / 0 / 68

HEX #3C1D52

RGB 60 29 82

HSL 275.09, 0.48%, 0.22%

LAB 17.68, 26.16, -26.57

 

CMYK 27 / 65 / 0 / 56

HEX #522871

RGB 82 40 113

HSL 274.52, 0.48%, 0.3%

LAB 25.27, 33.85, -34.63

 

CMYK 27 / 65 / 0 / 44

HEX #68328F

RGB 104 50 143

HSL 274.84, 0.48%, 0.38%

LAB 32.27, 41.4, -42.04

 

CMYK 28 / 65 / 0 / 32

HEX #7E3DAE

RGB 126 61 174

HSL 274.51, 0.48%, 0.46%

LAB 39.29, 48.34, -49.32

 

CMYK 24 / 58 / 0 / 24

HEX #9352C2

RGB 147 82 194

HSL 274.82, 0.48%, 0.54%

LAB 47.15, 47.26, -48.3

 

CMYK 28 / 65 / 0 / 44

HEX #683290

RGB 104 50 144

HSL 274.47, 0.48%, 0.38%

LAB 32.34, 41.65, -42.54

 

CMYK 0 / 65 / 50 / 44

HEX #8F3248

RGB 143 50 72

HSL 345.81, 0.48%, 0.38%

LAB 35.18, 41.16, 7.86

 

CMYK 65 / 0 / 54 / 44

HEX #328F42

RGB 50 143 66

HSL 130.32, 0.48%, 0.38%

LAB 52.64, -44.18, 32.82

 

CMYK 28 / 65 / 0 / 44

HEX #683290

RGB 104 50 144

HSL 274.47, 0.48%, 0.38%

LAB 32.34, 41.65, -42.54

 

CMYK 0 / 28 / 65 / 44

HEX #8F6732

RGB 143 103 50

HSL 34.19, 0.48%, 0.38%

LAB 46.67, 10.21, 35.59

 

CMYK 65 / 0 / 28 / 44

HEX #328F67

RGB 50 143 103

HSL 154.19, 0.48%, 0.38%

LAB 53.28, -37.19, 13.41

 

CMYK 28 / 65 / 0 / 44

HEX #683290

RGB 104 50 144

HSL 274.47, 0.48%, 0.38%

LAB 32.34, 41.65, -42.54

 

CMYK 0 / 65 / 50 / 44

HEX #8F3248

RGB 143 50 72

HSL 345.81, 0.48%, 0.38%

LAB 35.18, 41.16, 7.86

 

CMYK 36 / 0 / 65 / 44

HEX #5B8F32

RGB 91 143 50

HSL 93.55, 0.48%, 0.38%

LAB 54.13, -33.83, 42.72

 

CMYK 65 / 0 / 15 / 44

HEX #328F7A

RGB 50 143 122

HSL 166.45, 0.48%, 0.38%

LAB 53.74, -32.5, 3.17

 

CMYK 28 / 65 / 0 / 44

HEX #683290

RGB 104 50 144

HSL 274.47, 0.48%, 0.38%

LAB 32.34, 41.65, -42.54

 

CMYK 0 / 60 / 65 / 44

HEX #8F3932

RGB 143 57 50

HSL 4.52, 0.48%, 0.38%

LAB 35.98, 35.98, 22.86

 

CMYK 36 / 0 / 65 / 44

HEX #5B8F32

RGB 91 143 50

HSL 93.55, 0.48%, 0.38%

LAB 54.13, -33.83, 42.72

 

CMYK 65 / 4 / 0 / 44

HEX #32898F

RGB 50 137 143

HSL 183.87, 0.48%, 0.38%

LAB 52.46, -23.56, -10.88

 

Description

Color code: HEX #683290 | qconv.com Color code: HEX #683290 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 50 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 50 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 65 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 65% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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